Lines Suggested By A Portrait From The Pencil Of F. Stone Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGAHIJKLMNDAOPQ RQSTUVC WQXYZA2B2TC2TD2B2B2 MQTE2F2G2CTTMQT B2H2I2B2TB2TTQTJ2TB2 K2L2TB2UTQTE2 TL2TM2TT B2N2TO2P2Q2TMTTM2MR2 B2S2L2TQMT2U2V2B2B2W 2TTX2B2QTQB2TB2TB2O2 B2 B2FQ2TTB2TWTTTTL2L2Beguiled into forgetfulness of care | A |
Due to the day's unfinished task of pen | B |
Or book regardless and of that fair scene | C |
In Nature's prodigality displayed | D |
Before my window oftentimes and long | E |
I gaze upon a Portrait whose mild gleam | F |
Of beauty never ceases to enrich | G |
The common light whose stillness charms the air | A |
Or seems to charm it into like repose | H |
Whose silence for the pleasure of the ear | I |
Surpasses sweetest music There she sits | J |
With emblematic purity attired | K |
In a white vest white as her marble neck | L |
Is and the pillar of the throat would be | M |
But for the shadow by the drooping chin | N |
Cast into that recess the tender shade | D |
The shade and light both there and everywhere | A |
And through the very atmosphere she breathes | O |
Broad clear and toned harmoniously with skill | P |
That might from nature have been learnt in the hour | Q |
When the lone shepherd sees the morning spread | R |
Upon the mountains Look at her whoe'er | Q |
Thou be that kindling with a poet's soul | S |
Hast loved the painter's true Promethean craft | T |
Intensely from Imagination take | U |
The treasure what mine eyes behold see thou | V |
Even though the Atlantic ocean roll between | C |
- | |
A silver line that runs from brow to crown | W |
And in the middle parts the braided hair | Q |
Just serves to show how delicate a soil | X |
The golden harvest grows in and those eyes | Y |
Soft and capacious as a cloudless sky | Z |
Whose azure depth their colour emulates | A2 |
Must needs be conversant with upward looks | B2 |
Prayer's voiceless service but now seeking nought | T |
And shunning nought their own peculiar life | C2 |
Of motion they renounce and with the head | T |
Partake its inclination towards earth | D2 |
In humble grace and quiet pensiveness | B2 |
Caught at the point where it stops short of sadness | B2 |
- | |
Offspring of soul bewitching Art make me | M |
Thy confidant say whence derived that air | Q |
Of calm abstraction Can the ruling thought | T |
Be with some lover far away or one | E2 |
Crossed by misfortune or of doubted faith | F2 |
Inapt conjecture Childhood here a moon | G2 |
Crescent in simple loveliness serene | C |
Has but approached the gates of womanhood | T |
Not entered them her heart is yet unpierced | T |
By the blind Archer god her fancy free | M |
The fount of feeling if unsought elsewhere | Q |
Will not be found | T |
- | |
Her right hand as it lies | B2 |
Across the slender wrist of the left arm | H2 |
Upon her lap reposing holds but mark | I2 |
How slackly for the absent mind permits | B2 |
No firmer grasp a little wild flower joined | T |
As in a posy with a few pale ears | B2 |
Of yellowing corn the same that overtopped | T |
And in their common birthplace sheltered it | T |
'Till they were plucked together a blue flower | Q |
Called by the thrifty husbandman a weed | T |
But Ceres in her garland might have worn | J2 |
That ornament unblamed The floweret held | T |
In scarcely conscious fingers was she knows | B2 |
Her Father told her so in youth's gay dawn | K2 |
Her Mother's favourite and the orphan Girl | L2 |
In her own dawn a dawn less gay and bright | T |
Loves it while there in solitary peace | B2 |
She sits for that departed Mother's sake | U |
Not from a source less sacred is derived | T |
Surely I do not err that pensive air | Q |
Of calm abstraction through the face diffused | T |
And the whole person | E2 |
- | |
Words have something told | T |
More than the pencil can and verily | L2 |
More than is needed but the precious Art | T |
Forgives their interference Art divine | M2 |
That both creates and fixes in despite | T |
Of Death and Time the marvels it hath wrought | T |
- | |
Strange contrasts have we in this world of ours | B2 |
That posture and the look of filial love | N2 |
Thinking of past and gone with what is left | T |
Dearly united might be swept away | O2 |
From this fair Portrait's fleshly Archetype | P2 |
Even by an innocent fancy's slightest freak | Q2 |
Banished nor ever haply be restored | T |
To their lost place or meet in harmony | M |
So exquisite but 'here' do they abide | T |
Enshrined for ages Is not then the Art | T |
Godlike a humble branch of the divine | M2 |
In visible quest of immortality | M |
Stretched forth with trembling hope In every realm | R2 |
From high Gibraltar to Siberian plains | B2 |
Thousands in each variety of tongue | S2 |
That Europe knows would echo this appeal | L2 |
One above all a Monk who waits on God | T |
In the magnific Convent built of yore | Q |
To sanctify the Escurial palace He | M |
Guiding from cell to cell and room to room | T2 |
A British Painter eminent for truth | U2 |
In character and depth of feeling shown | V2 |
By labours that have touched the hearts of kings | B2 |
And are endeared to simple cottagers | B2 |
Came in that service to a glorious work | W2 |
Our Lord's Last Supper beautiful as when first | T |
The appropriate Picture fresh from Titian's hand | T |
Graced the Refectory and there while both | X2 |
Stood with eyes fixed upon that masterpiece | B2 |
The hoary Father in the Stranger's ear | Q |
Breathed out these words Here daily do we sit | T |
Thanks given to God for daily bread and here | Q |
Pondering the mischiefs of these restless times | B2 |
And thinking of my Brethren dead dispersed | T |
Or changed and changing I not seldom gaze | B2 |
Upon this solemn Company unmoved | T |
By shock of circumstance or lapse of years | B2 |
Until I cannot but believe that they | O2 |
They are in truth the Substance we the Shadows | B2 |
- | |
So spake the mild Jeronymite his griefs | B2 |
Melting away within him like a dream | F |
Ere he had ceased to gaze perhaps to speak | Q2 |
And I grown old but in a happier land | T |
Domestic Portrait have to verse consigned | T |
In thy calm presence those heart moving words | B2 |
Words that can soothe more than they agitate | T |
Whose spirit like the angel that went down | W |
Into Bethesda's pool with healing virtue | T |
Informs the fountain in the human breast | T |
Which by the visitation was disturbed | T |
But why this stealing tear Companion mute | T |
On thee I look not sorrowing fare thee well | L2 |
My Song's Inspirer once again farewell | L2 |
William Wordsworth
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