Hoops Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CDEFGHIJKGLMNGOPQRST UVWXYZA2B2C2D2E2F2YG 2H2I2J2K2L2A2M2MN2N2 O2P2Q2R2VS2N2T2U2V2W 2X2N2Y2Z2GA3B3A2C3D3 E3F3D2G3B2H3R2J2N2GN 2I3B2N2T2 M J3K3 B L3 M TM3 B N3N2O3V M P3MA2Q3 B TE3R3N2N2S3J3E3N2T2T 3Q2N2 M U3V3C2W3V3V3V3X3N2 B Y3MH2J3N2R3G2H2 M MZ3H3N2A4B4MG2A2SMC4 N B TMMG2C2TD4MMSNA2TG2 M E4L B L M N2 B TNE3H2MLF4N2D4N2P2N2 I2G4N2H4TMN2G2J3N2A2 T2J3N2TH2CT2F4I4T2J4 K4E3T2N2J3G2MLTN2TA2 O2N2G2N2A2ST2B2N2A2T L4L3TN2N2N2N2M4N4N2O 4G2MN2N2K3P2G2 M P4SB3O2 B N2Q4N2MN2E4MN2N2R4N2 Y3S4Q2T2U3T2P2N2T4U4 IG2MG4V4N2T2N2TH2T W4T2O3X4C2M2T2I2G2MN 2Y4I3T2MZ4Q4N2NT2 G2 H2 B I4N2N2G2MH G2 HH2G2G2G2 B N2N2N2L3M4H4HB3N2N2M 2N2N2O4G2M2Z3T4MDY3O 2G2JN2T2DN2N2T2N2T2D MN2TN2DN2N2DN2N2E4J3 DG4 D P4 D B DP4DMN2Scene The big tent stable of a travelling circus On the ground near the entrance GENTLEMAN JOHN stableman and general odd job man lies smoking beside MERRY ANDREW the clown GENTLEMAN JOHN is a little hunched man with a sensitive face and dreamy eyes MERRY ANDREW who is resting between the afternoon and evening performances with his clown's hat lying beside him wears a crimson wig and a baggy suit of orange coloured cotton patterned with purple cats His face is chalked dead white and painted with a set grin so that it is impossible to see what manner of man he is In the back ground are camels and elephants feeding dimly visible in the steamy dusk of the tent | A |
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Gentleman John | B |
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And then consider camels only think | C |
Of camels long enough and you'ld go mad | D |
With all their humps and lumps their knobbly knees | E |
Splay feet and straddle legs their sagging necks | F |
Flat flanks and scraggy tails and monstrous teeth | G |
I've not forgotten the first fiend I met | H |
'Twas in a lane in Smyrna just a ditch | I |
Between the shuttered houses and so narrow | J |
The brute's bulk blocked the road the huge green stack | K |
Of dewy fodder that it slouched beneath | G |
Brushing the yellow walls on either hand | L |
And shutting out the strip of burning blue | M |
And I'd to face that vicious bobbing head | N |
With evil eyes slack lips and nightmare teeth | G |
And duck beneath the snaky squirming neck | O |
Pranked with its silly string of bright blue beads | P |
That seemed to wriggle every way at once | Q |
As though it were a hydra Allah's beard | R |
But I was scared and nearly turned and ran | S |
I felt that muzzle take me by the scruff | T |
And heard those murderous teeth crunching my spine | U |
Before I stooped though I dodged safely under | V |
I've always been afraid of ugliness | W |
I'm such a toad myself I hate all toads | X |
And the camel is the ugliest toad of all | Y |
To my mind and it's just my devil's luck | Z |
I've come to this to be a camel's lackey | A2 |
To fetch and carry for original sin | B2 |
For sure enough the camel's old evil incarnate | C2 |
Blue beads and amulets to ward off evil | D2 |
No eye's more evil than a camel's eye | E2 |
The elephant is quite a comely brute | F2 |
Compared with Satan camel trunk and all | Y |
His floppy ears and his inconsequent tail | G2 |
He's stolid but at least a gentleman | H2 |
It doesn't hurt my pride to valet him | I2 |
And bring his shaving water He's a lord | J2 |
Only the bluest blood that has come down | K2 |
Through generations from the mastodon | L2 |
Could carry off that tail with dignity | A2 |
That tail and trunk He cannot look absurd | M2 |
For all the monkey tricks you put him through | M |
Your paper hoops and popguns He just makes | N2 |
His masters look ridiculous when his pomp's | N2 |
Butchered to make a bumpkin's holiday | O2 |
He's dignity itself and proper pride | P2 |
That stands serenely in a circus world | Q2 |
Of mountebanks and monkeys He has weight | R2 |
Behind him ons of primeval power | V |
Have shaped that pillared bulk and he stands sure | S2 |
Solid substantial on the world's foundations | N2 |
And he has form form that's too big a thing | T2 |
To be called beauty Once long since I thought | U2 |
To be a poet and shape words and mould | V2 |
A poem like an elephant huge sublime | W2 |
To front oblivion and because I failed | X2 |
And all my rhymes were gawky shambling camels | N2 |
Or else obscene blue buttocked apes I'm doomed | Y2 |
To lackey it for things such as I've made | Z2 |
Till one of them crunches my backbone with his teeth | G |
Or knocks my wind out with a forthright kick | A3 |
Clean in the midriff crumpling up in death | B3 |
The hunched and stunted body that was me | A2 |
John the apostle of the Perfect Form | C3 |
Jerusalem I'm talking like a book | D3 |
As you would say and a bad book at that | E3 |
A maundering kiss mammy book The Hunch back's End | F3 |
Or The Camel Keeper's Reward would be its title | D2 |
I froth and bubble like a new broached cask | G3 |
No wonder you look glum for all your grin | B2 |
What makes you mope You've naught to growse about | H3 |
You've got no hump Your body's brave and straight | R2 |
So shapely even that you can afford | J2 |
To trick it in fantastic shapelessness | N2 |
Knowing that there's a clean limbed man beneath | G |
Preposterous pantaloons and purple cats | N2 |
I would have been a poet if I could | I3 |
But better than shaping poems 'twould have been | B2 |
To have had a comely body and clean limbs | N2 |
Obedient to my bidding | T2 |
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Merry Andrew | M |
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I missed a hoop | J3 |
This afternoon | K3 |
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Gentleman John | B |
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You missed a hoop You mean | L3 |
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Merry Andrew | M |
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That I am done used up scrapped on the shelf | T |
Out of the running only that no more | M3 |
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Gentleman John | B |
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Well I've been missing hoops my whole life long | N3 |
Though when I come to think of it perhaps | N2 |
There's little consolation to be chewed | O3 |
From crumbs that I can offer | V |
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Merry Andrew | M |
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I've not missed | P3 |
A hoop since I was six I'm forty two | M |
This is the first time that my body's failed me | A2 |
But 'twill not be the last And | Q3 |
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Gentleman John | B |
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Such is life | T |
You're going to say You see I've got it pat | E3 |
Your jaded wheeze Lord what a wit I'ld make | R3 |
If I'd a set grin painted on my face | N2 |
And such is life I'ld say a hundred times | N2 |
And each time set the world aroar afresh | S3 |
At my original humour Missed a hoop | J3 |
Why man alive you've naught to grumble at | E3 |
I've boggled every hoop since I was six | N2 |
I'm fifty five and I've run round a ring | T2 |
Would make this potty circus seem a pinhole | T3 |
I wasn't born to sawdust I'd the world | Q2 |
For circus | N2 |
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Merry Andrew | M |
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It's no time for crowing now | U3 |
I know a gentleman and take on trust | V3 |
The silver spoon and all My teeth were cut | C2 |
Upon a horseshoe and I wasn't born | W3 |
To purple and fine linen but to sawdust | V3 |
To sawdust as you say brought up on sawdust | V3 |
I've had to make my daily bread of sawdust | V3 |
Ay and my children's children's that's the rub | X3 |
As Shakespeare says | N2 |
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Gentleman John | B |
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Ah there you go again | Y3 |
What a rare wit to set the ring aroar | M |
As Shakespeare says Crowing A gentleman | H2 |
Man didn't you say you'd never missed a hoop | J3 |
It's only gentlemen who miss no hoops | N2 |
Clean livers easy lords of life who take | R3 |
Each obstacle at a leap who never fail | G2 |
You are the gentleman | H2 |
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Merry Andrew | M |
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Now don't you try | M |
Being funny at my expense or you'll soon find | Z3 |
I'm not quite done for yet not quite snuffed out | H3 |
There's still a spark of life You may have words | N2 |
But I've a fist will be a match for them | A4 |
Words slaver feebly from a broken jaw | B4 |
I've always lived straight as a man must do | M |
In my profession if he'ld keep in fettle | G2 |
But I'm no gentleman for I fail to see | A2 |
There's any sport in baiting a poor man | S |
Because he's losing grip at forty two | M |
And sees his livelihood slipping from his grasp | C4 |
Ay and his children's bread | N |
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Gentleman John | B |
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Why man alive | T |
Who's baiting you This winded broken cur | M |
That limps through life to bait a bull like you | M |
You don't want pity man The beaten bull | G2 |
Even when the dogs are tearing at his gullet | C2 |
Turns no eye up for pity I myself | T |
Crippled and hunched and twisted as I am | D4 |
Would make a brave fend to stand up to you | M |
Until you swallowed your words if you should slobber | M |
Your pity over me A bull Nay man | S |
You're nothing but a bear with a sore head | N |
A bee has stung you you who've lived on honey | A2 |
Sawdust forsooth You've had the sweet of life | T |
You've munched the honeycomb till | G2 |
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Merry Andrew | M |
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Ay talk's cheap | E4 |
But you've no children You don't understand | L |
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Gentleman John | B |
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I have no children I don't understand | L |
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Merry Andrew | M |
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It's children make the difference | N2 |
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Gentleman John | B |
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Man alive | T |
Alive and kicking though you're shamming dead | N |
You've hit the truth at last It's that just that | E3 |
Makes all the difference If you hadn't children | H2 |
I'ld find it in my heart to pity you | M |
Granted you'ld let me I don't understand | L |
I've seen you stripped I've seen your children stripped | F4 |
You've never seen me naked but you can guess | N2 |
The misstitched gnarled and crooked thing I am | D4 |
Now do you understand I may have words | N2 |
But you man do you never burn with pride | P2 |
That you've begotten those six limber bodies | N2 |
Firm flesh and supple sinew and lithe limb | I2 |
Six nimble lads each like young Absalom | G4 |
With red blood running lively in his veins | N2 |
Bone of your bone your very flesh and blood | H4 |
It's you don't understand God what I'ld give | T |
This moment to be you just as you are | M |
Preposterous pantaloons and purple cats | N2 |
And painted leer and crimson curls and all | G2 |
To be you now with only one missed hoop | J3 |
If I'd six clean limbed children of my loins | N2 |
Born of the ecstasy of life within me | A2 |
To keep it quick and valiant in the ring | T2 |
When I but I Man man you've missed a hoop | J3 |
But they'll take every hoop like blooded colts | N2 |
And 'twill be you in them that leaps through life | T |
And in their children and their children's children | H2 |
God doesn't it make you hold your breath to think | C |
There'll always be an Andrew in the ring | T2 |
The very spit and image of you stripped | F4 |
While life's old circus lasts And I at least | I4 |
There is no twisted thing of my begetting | T2 |
To keep my shame alive and that's the most | J4 |
That I've to pride myself upon But God | K4 |
I'm proud ay proud as Lucifer of that | E3 |
Think what it means with all the urge and sting | T2 |
When such a lust of life runs in the veins | N2 |
You with your six sons and your one missed hoop | J3 |
Put that thought in your pipe and smoke it Well | G2 |
And how d'you like the flavour Something bitter | M |
And burns the tongue a trifle That's the brand | L |
That I must smoke while I've the breath to puff | T |
Pause | N2 |
I've always worshipped the body all my life | T |
The body quick with the perfect health which is beauty | A2 |
Lively lissom alert and taking its way | O2 |
Through the world with the easy gait of the early gods | N2 |
The only moments I've lived my life to the full | G2 |
And that live again in remembrance unfaded are those | N2 |
When I've seen life compact in some perfect body | A2 |
The living God made manifest in man | S |
A diver in the Mediterranean resting | T2 |
With sleeked black hair and glistening salt tanned skin | B2 |
Gripping the quivering gunwale with tense hands | N2 |
His torso lifted out of the peacock sea | A2 |
Like Neptune carved in amber come to life | T |
A stark Egyptian on the Nile's edge poised | L4 |
Like a bronze Osiris against the lush rank green | L3 |
A fisherman dancing reels on New Year's Eve | T |
In a hall of shadowy rafters and flickering lights | N2 |
At St Abbs on the Berwickshire coast to the skirl of the pipes | N2 |
The lift of the wave in his heels the sea in his veins | N2 |
A Cherokee Indian as though he were one with his horse | N2 |
His coppery shoulders agleam his feathers aflame | M4 |
With the last of the sun descending a gulch in Alaska | N4 |
A brawny Cleveland puddler stripped to the loins | N2 |
On the cauldron's brink stirring the molten iron | O4 |
In the white hot glow a man of white hot metal | G2 |
A Cornish ploughboy driving an easy share | M |
Through the grey light soil of a headland against a sea | N2 |
Of sapphire gay in his new white corduroys | N2 |
Blue eyed dark haired and whistling a careless tune | K3 |
Jack Johnson stripped for the ring in his swarthy pride | P2 |
Of sleek and rippling muscle | G2 |
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Merry Andrew | M |
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Jack's the boy | P4 |
Ay he's the proper figure of a man | S |
But he'll grow fat and flabby and scant of breath | B3 |
He'll miss his hoop some day | O2 |
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Gentleman John | B |
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But what are words | N2 |
To shape the joy of form The Greeks did best | Q4 |
To cut in marble or to cast in bronze | N2 |
Their ecstasy of living I remember | M |
A marvellous Hermes that I saw in Athens | N2 |
Fished from the very bottom of the deep | E4 |
Where he had lain two thousand years or more | M |
Wrecked with a galleyful of Roman pirates | N2 |
Among the white bones of his plunderers | N2 |
Whose flesh had fed the fishes as they sank | R4 |
Serene in cold imperishable beauty | N2 |
Biding his time till he should rise again | Y3 |
Exultant from the wave for all men's worship | S4 |
The morning spring of life the youth of the world | Q2 |
Shaped in sea coloured bronze for everlasting | T2 |
Ay the Greeks knew but men have forgotten now | U3 |
Not easily do we meet beauty walking | T2 |
The world to day in all the body's pride | P2 |
That's why I'm here a stable boy to camels | N2 |
For in the circus ring there's more delight | T4 |
Of seemly bodies goodly in sheer health | U4 |
Bodies trained and tuned to the perfect pitch | I |
Eager blithe debonair from head to heel | G2 |
Aglow and alive in every pulse than elsewhere | M |
In this machine ridden land of grimy glum | G4 |
Round shouldered coughing mechanics Once I lived | V4 |
In London in a slum called Paradise | N2 |
Sickened to see the greasy pavements crawling | T2 |
With puny flabby babies thick as maggots | N2 |
Poor brats I'ld soon go mad if I'd to live | T |
In London with its stunted men and women | H2 |
But little better to look on than myself | T |
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Yet there's an island where the men keep fit | W4 |
St Kilda's a stark fastness of high crag | T2 |
They must keep fit or famish their main food | O3 |
The Solan goose and it's a chancy job | X4 |
To swing down a sheer face of slippery granite | C2 |
And drop a noose over the sentinel bird | M2 |
Ere he can squawk to rouse the sleeping flock | T2 |
They must keep fit their bodies taut and trim | I2 |
To have the nerve and they're like tempered steel | G2 |
Suppled and fined But even they've grown slacker | M |
Through traffic with the mainland in these days | N2 |
A hundred years ago the custom held | Y4 |
That none should take a wife till he had stood | I3 |
His left heel on the dizziest point of crag | T2 |
His right leg and both arms stretched in mid air | M |
Above the sea three hundred feet to drop | Z4 |
To death if he should fail a Spartan test | Q4 |
But any man who could have failed would scarce | N2 |
Have earned his livelihood or his children's bread | N |
On that bleak rock | T2 |
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Merry Andrew drowsily | G2 |
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Ay children that's it children | H2 |
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Gentleman John | B |
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St Kilda's children had a chance at least | I4 |
With none begotten idly of weakling fathers | N2 |
A Spartan test for fatherhood Should they miss | N2 |
Their hoop 'twas death and childless You have still | G2 |
Six lives to take unending hoops for you | M |
And you yourself are not done yet | H |
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Merry Andrew more drowsily | G2 |
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Not yet | H |
And there's much comfort in the thought of children | H2 |
They're bonnie boys enough and should do well | G2 |
If I can but keep going a little while | G2 |
A little longer till | G2 |
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Gentleman John | B |
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Six strapping sons | N2 |
And I have naught but camels | N2 |
Pause | N2 |
Yet I've seen | L3 |
A vision in this stable that puts to shame | M4 |
Each ecstasy of mortal flesh and blood | H4 |
That's been my eyes' delight I never breathed | |
A word of it to man or woman yet | H |
I couldn't whisper it now to you if you looked | |
Like any human thing this side of death | B3 |
'Twas on the night I stumbled on the circus | N2 |
I'd wandered all day lost among the fells | N2 |
Over snow smothered hills through blinding blizzard | M2 |
Whipped by a wind that seemed to strip and skin me | N2 |
Till I was one numb ache of sodden ice | N2 |
Quite done and drunk with cold I'ld soon have dropped | |
Dead in a ditch when suddenly a lantern | O4 |
Dazzled my eyes I smelt a queer warm smell | G2 |
And felt a hot puff in my face and blundered | M2 |
Out of the flurry of snow and raking wind | Z3 |
Dizzily into a glowing Arabian night | T4 |
Of elephants and camels having supper | M |
I thought that I'd gone mad stark staring mad | D |
But I was much too sleepy to mind just then | Y3 |
Dropped dead asleep upon a truss of hay | O2 |
And lay a log till well I cannot tell | G2 |
How long I lay unconscious I but know | J |
I slept and wakened and that 'twas no dream | |
I heard a rustle in the hay beside me | N2 |
And opening sleepy eyes scarce marvelling | T2 |
I saw her standing naked in the lamplight | D |
Beneath the huge tent's cavernous canopy | N2 |
Against the throng of elephants and camels | N2 |
That champed unwondering in the golden dusk | T2 |
Moon white Diana mettled Artemis | N2 |
Her body quick and tense as her own bowstring | T2 |
Her spirit an arrow barbed and strung for flight | D |
White snowflakes melting on her night black hair | M |
And on her glistening breasts and supple thighs | N2 |
Her red lips parted her keen eyes alive | T |
With fierce far ranging hungers of the chase | N2 |
Over the hills of morn The lantern guttered | D |
And I was left alone in the outer darkness | N2 |
Among the champing elephants and camels | N2 |
And I'll be a camel keeper to the end | D |
Though never again my eyes | N2 |
Pause | N2 |
So you can sleep | E4 |
You Merry Andrew for all you missed your hoop | J3 |
It's just as well perhaps Now I can hold | D |
My secret to the end Ah here they come | G4 |
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Six lads between the ages of three and twelve clad in pink tights covered with silver spangles tumble into the tent | D |
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The Eldest Boy | P4 |
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Daddy the bell's rung and | D |
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Gentleman John | B |
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He's snoozing sound | D |
to the youngest boy | P4 |
You just creep quietly and take tight hold | D |
Of the crimson curls and tug and you will hear | M |
The purple pussies all caterwaul at once | N2 |
Wilfrid Wilson Gibson
(1)
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