Song Of The Exposition Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABACDEFF GGH IJJJJICIJIK JII BIJJA IJGI ILCMCC JCJICJJIJJJNEOAPOJIB NIFF JNJIIQR FEGAICLISITACITJTC JTOJU TITVV ACTGT JJAJAWI ITIA JTGJ JIXTC ATT ITI YLTZTTJIJTIGJJTT A2AFTER all not to create only or found only | A |
But to bring perhaps from afar what is already founded | B |
To give it our own identity average limitless free | A |
To fill the gross the torpid bulk with vital religious fire | C |
Not to repel or destroy so much as accept fuse rehabilitate | D |
To obey as well as command to follow more than to lead | E |
These also are the lessons of our New World | F |
While how little the New after all how much the Old Old World | F |
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Long long long has the grass been growing | G |
Long and long has the rain been falling | G |
Long has the globe been rolling round | H |
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Come Muse migrate from Greece and Ionia | I |
Cross out please those immensely overpaid accounts | J |
That matter of Troy and Achilles' wrath and Eneas' Odysseus' | J |
wanderings | J |
Placard Removed and To Let on the rocks of your snowy Parnassus | J |
Repeat at Jerusalem place the notice high on Jaffa's gate and on | I |
Mount Moriah | C |
The same on the walls of your Gothic European Cathedrals and German | I |
French and Spanish Castles | J |
For know a better fresher busier sphere a wide untried domain | I |
awaits demands you | K |
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Responsive to our summons | J |
Or rather to her long nurs'd inclination | I |
Join'd with an irresistible natural gravitation | I |
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She comes this famous Female as was indeed to be expected | B |
For who so ever youthful 'cute and handsome would wish to stay in | I |
mansions such as those | J |
When offer'd quarters with all the modern improvements | J |
With all the fun that 's going and all the best society | A |
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She comes I hear the rustling of her gown | I |
I scent the odor of her breath's delicious fragrance | J |
I mark her step divine her curious eyes a turning rolling | G |
Upon this very scene | I |
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The Dame of Dames can I believe then | I |
Those ancient temples classic and castles strong and feudalistic | L |
could none of them restrain her | C |
Nor shades of Virgil and Dante nor myriad memories poems old | M |
associations magnetize and hold on to her | C |
But that she 's left them all and here | C |
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Yes if you will allow me to say so | J |
I my friends if you do not can plainly see Her | C |
The same Undying Soul of Earth's activity's beauty's heroism's | J |
Expression | I |
Out from her evolutions hither come submerged the strata of her | C |
former themes | J |
Hidden and cover'd by to day's foundation of to day's | J |
Ended deceas'd through time her voice by Castaly's fountain | I |
Silent through time the broken lipp'd Sphynx in Egypt silent those | J |
century baffling tombs | J |
Closed for aye the epics of Asia's Europe's helmeted warriors | J |
Calliope's call for ever closed Clio Melpomene Thalia closed and | N |
dead | E |
Seal'd the stately rhythmus of Una and Oriana ended the quest of the | O |
Holy Graal | A |
Jerusalem a handful of ashes blown by the wind extinct | P |
The Crusaders' streams of shadowy midnight troops sped with the | O |
sunrise | J |
Amadis Tancred utterly gone Charlemagne Roland Oliver gone | I |
Palmerin ogre departed vanish'd the turrets that Usk reflected | B |
Arthur vanish'd with all his knights Merlin and Lancelot and | N |
Galahad all gone dissolv'd utterly like an exhalation | I |
Pass'd pass'd for us for ever pass'd that once so mighty World | F |
now void inanimate phantom World | F |
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Embroider'd dazzling World with all its gorgeous legends myths | J |
Its kings and barons proud its priests and warlike lords and | N |
courtly dames | J |
Pass'd to its charnel vault laid on the shelf coffin'd with Crown | I |
and Armor on | I |
Blazon'd with Shakspeare's purple page | Q |
And dirged by Tennyson's sweet sad rhyme | R |
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I say I see my friends if you do not the Animus of all that World | F |
Escaped bequeath'd vital fugacious as ever leaving those dead | E |
remains and now this spot approaching filling | G |
And I can hear what maybe you do not a terrible aesthetical | A |
commotion | I |
With howling desperate gulp of flower and bower | C |
With Sonnet to Matilda's Eyebrow quite quite frantic | L |
With gushing sentimental reading circles turn'd to ice or stone | I |
With many a squeak in metre choice from Boston New York | S |
Philadelphia London | I |
As she the illustrious Emigr having it is true in her day | T |
although the same changed journey'd considerable | A |
Making directly for this rendezvous vigorously clearing a path for | C |
herself striding through the confusion | I |
By thud of machinery and shrill steam whistle undismay'd | T |
Bluff'd not a bit by drain pipe gasometers artificial fertilizers | J |
Smiling and pleased with palpable intent to stay | T |
She 's here install'd amid the kitchen ware | C |
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But hold don't I forget my manners | J |
To introduce the Stranger what else indeed have I come for to | T |
thee Columbia | O |
In Liberty's name welcome Immortal clasp hands | J |
And ever henceforth Sisters dear be both | U |
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Fear not O Muse truly new ways and days receive surround you | T |
I candidly confess a queer queer race of novel fashion | I |
And yet the same old human race the same within without | T |
Faces and hearts the same feelings the same yearnings the same | V |
The same old love beauty and use the same | V |
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We do not blame thee Elder World nor separate ourselves from thee | A |
Would the Son separate himself from the Father | C |
Looking back on thee seeing thee to thy duties grandeurs through | T |
past ages bending building | G |
We build to ours to day | T |
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Mightier than Egypt's tombs | J |
Fairer than Grecia's Roma's temples | J |
Prouder than Milan's statued spired Cathedral | A |
More picturesque than Rhenish castle keeps | J |
We plan even now to raise beyond them all | A |
Thy great Cathedral sacred Industry no tomb | W |
A Keep for life for practical Invention | I |
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As in a waking vision | I |
E'en while I chant I see it rise I scan and prophesy outside and | T |
in | I |
Its manifold ensemble | A |
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Around a Palace | J |
Loftier fairer ampler than any yet | T |
Earth's modern Wonder History's Seven outstripping | G |
High rising tier on tier with glass and iron fa ades | J |
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Gladdening the sun and sky enhued in cheerfulest hues | J |
Bronze lilac robin's egg marine and crimson | I |
Over whose golden roof shall flaunt beneath thy banner Freedom | X |
The banners of The States the flags of every land | T |
A brood of lofty fair but lesser Palaces shall cluster | C |
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Somewhere within the walls of all | A |
Shall all that forwards perfect human life be started | T |
Tried taught advanced visibly exhibited | T |
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Here shall you trace in flowing operation | I |
In every state of practical busy movement | T |
The rills of Civilization | I |
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Materials here under your eye shall change their shape as if by | Y |
magic | L |
The cotton shall be pick'd almost in the very field | T |
Shall be dried clean'd ginn'd baled spun into thread and cloth | Z |
before you | T |
You shall see hands at work at all the old processes and all the new | T |
ones | J |
You shall see the various grains and how flour is made and then | I |
bread baked by the bakers | J |
You shall see the crude ores of California and Nevada passing on and | T |
on till they become bullion | I |
You shall watch how the printer sets type and learn what a composing | G |
stick is | J |
You shall mark in amazement the Hoe press whirling its cylinders | J |
shedding the printed leaves steady and fast | T |
The photograph model watch pin nail shall be created before you | T |
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In large calm halls a stately Museum shall teac | A2 |
Walt Whitman
(1)
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