Crossing Brooklyn Ferry Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABBB CDEFGF HIDJKLKIMN OGPHQRSTNMHP UDVWXHYZA2HB2 C2D2E2F2G2HH2KI2TKJ2 K2EDL2KI2KI2D2I2 HI2M2HEHI2LKEN2G2O2I 2 OKDJ2MN2 I2I2 I2UP2HK2DDLDQ2DTD RI2 I2DKR2R2DDS2DDDE I2EDI2EO2DDDEEI2DT2R OTI2U2 DI2OD V2Q2DHK W2I2X2DI2O DDDD DI2HDI2O2Q2I2Q2Y2DTZ 2KI2Q2DDODDA3KRODKDI 2DDI2 KB3DI2DI2R2E I2DDI2I2DI2I2DB3A | |
Flood Tide below me I see you face to face | B |
Clouds of the west sun there half an hour high I see you also face | B |
to face | B |
- | |
Crowds of men and women attired in the usual costumes how curious | C |
you are to me | D |
On the ferry boats the hundreds and hundreds that cross returning | E |
home are more curious to me than you suppose | F |
And you that shall cross from shore to shore years hence are more | G |
to me and more in my meditations than you might suppose | F |
- | |
- | |
The impalpable sustenance of me from all things at all hours of the | H |
day | I |
The simple compact well join'd scheme myself disintegrated every | D |
one disintegrated yet part of the scheme | J |
The similitudes of the past and those of the future | K |
The glories strung like beads on my smallest sights and hearings on | L |
the walk in the street and the passage over the river | K |
The current rushing so swiftly and swimming with me far away | I |
The others that are to follow me the ties between me and them | M |
The certainty of others the life love sight hearing of others | N |
- | |
Others will enter the gates of the ferry and cross from shore to | O |
shore | G |
Others will watch the run of the flood tide | P |
Others will see the shipping of Manhattan north and west and the | H |
heights of Brooklyn to the south and east | Q |
Others will see the islands large and small | R |
Fifty years hence others will see them as they cross the sun half | S |
an hour high | T |
A hundred years hence or ever so many hundred years hence others | N |
will see them | M |
Will enjoy the sunset the pouring in of the flood tide the | H |
falling back to the sea of the ebb tide | P |
- | |
- | |
It avails not time nor place distance avails not | U |
I am with you you men and women of a generation or ever so many | D |
generations hence | V |
Just as you feel when you look on the river and sky so I felt | W |
Just as any of you is one of a living crowd I was one of a crowd | X |
Just as you are refresh'd by the gladness of the river and the | H |
bright flow I was refresh'd | Y |
Just as you stand and lean on the rail yet hurry with the swift | Z |
current I stood yet was hurried | A2 |
Just as you look on the numberless masts of ships and the | H |
thick stemm'd pipes of steamboats I look'd | B2 |
- | |
I too many and many a time cross'd the river of old | C2 |
Watched the Twelfth month sea gulls saw them high in the air | D2 |
floating with motionless wings oscillating their bodies | E2 |
Saw how the glistening yellow lit up parts of their bodies and left | F2 |
the rest in strong shadow | G2 |
Saw the slow wheeling circles and the gradual edging toward the | H |
south | H2 |
Saw the reflection of the summer sky in the water | K |
Had my eyes dazzled by the shimmering track of beams | I2 |
Look'd at the fine centrifugal spokes of light round the shape of my | T |
head in the sunlit water | K |
Look'd on the haze on the hills southward and south westward | J2 |
Look'd on the vapor as it flew in fleeces tinged with violet | K2 |
Look'd toward the lower bay to notice the vessels arriving | E |
Saw their approach saw aboard those that were near me | D |
Saw the white sails of schooners and sloops saw the ships at | L2 |
anchor | K |
The sailors at work in the rigging or out astride the spars | I2 |
The round masts the swinging motion of the hulls the slender | K |
serpentine pennants | I2 |
The large and small steamers in motion the pilots in their | D2 |
pilothouses | I2 |
- | |
The white wake left by the passage the quick tremulous whirl of the | H |
wheels | I2 |
The flags of all nations the falling of them at sunset | M2 |
The scallop edged waves in the twilight the ladled cups the | H |
frolic some crests and glistening | E |
The stretch afar growing dimmer and dimmer the gray walls of the | H |
granite storehouses by the docks | I2 |
On the river the shadowy group the big steam tug closely flank'd on | L |
each side by the barges the hay boat the belated lighter | K |
On the neighboring shore the fires from the foundry chimneys burning | E |
high and glaringly into the night | N2 |
Casting their flicker of black contrasted with wild red and yellow | G2 |
light over the tops of houses and down into the clefts of | O2 |
streets | I2 |
- | |
- | |
These and all else were to me the same as they are to you | O |
I loved well those cities loved well the stately and rapid river | K |
The men and women I saw were all near to me | D |
Others the same others who look back on me because I look'd forward | J2 |
to them | M |
The time will come though I stop here to day and to night | N2 |
- | |
- | |
What is it then between us | I2 |
What is the count of the scores or hundreds of years between us | I2 |
- | |
Whatever it is it avails not distance avails not and place avails | I2 |
not | U |
I too lived Brooklyn of ample hills was mine | P2 |
I too walk'd the streets of Manhattan island and bathed in the | H |
waters around it | K2 |
I too felt the curious abrupt questionings stir within me | D |
In the day among crowds of people sometimes they came upon me | D |
In my walks home late at night or as I lay in my bed they came upon | L |
me | D |
I too had been struck from the float forever held in solution | Q2 |
I too had receiv'd identity by my body | D |
That I was I knew was of my body and what I should be I knew I | T |
should be of my body | D |
- | |
- | |
It is not upon you alone the dark patches fall | R |
The dark threw its patches down upon me also | I2 |
- | |
The best I had done seem'd to me blank and suspicious | I2 |
My great thoughts as I supposed them were they not in reality | D |
meagre | K |
Nor is it you alone who know what it is to be evil | R2 |
I am he who knew what it was to be evil | R2 |
I too knitted the old knot of contrariety | D |
Blabb'd blush'd resented lied stole grudg'd | D |
Had guile anger lust hot wishes I dared not speak | S2 |
Was wayward vain greedy shallow sly cowardly malignant | D |
The wolf the snake the hog not wanting in me | D |
The cheating look the frivolous word the adulterous wish not | D |
wanting | E |
- | |
Refusals hates postponements meanness laziness none of these | I2 |
wanting | E |
Was one with the rest the days and haps of the rest | D |
Was call'd by my nighest name by clear loud voices of young men as | I2 |
they saw me approaching or passing | E |
Felt their arms on my neck as I stood or the negligent leaning of | O2 |
their flesh against me as I sat | D |
Saw many I loved in the street or ferry boat or public assembly yet | D |
never told them a word | D |
Lived the same life with the rest the same old laughing gnawing | E |
sleeping | E |
Play'd the part that still looks back on the actor or actress | I2 |
The same old role the role that is what we make it as great as we | D |
like | T2 |
Or as small as we like or both great and small | R |
- | |
- | |
Closer yet I approach you | O |
What thought you have of me now I had as much of you I laid in my | T |
stores in advance | I2 |
I consider'd long and seriously of you before you were born | U2 |
- | |
Who was to know what should come home to me | D |
Who knows but I am enjoying this | I2 |
Who knows for all the distance but I am as good as looking at you | O |
now for all you cannot see me | D |
- | |
- | |
Ah what can ever be more stately and admirable to me than | V2 |
mast hemm'd Manhattan | Q2 |
River and sunset and scallop edg'd waves of flood tide | D |
The sea gulls oscillating their bodies the hay boat in the | H |
twilight and the belated lighter | K |
- | |
What gods can exceed these that clasp me by the hand and with | W2 |
voices I love call me promptly and loudly by my nighest name as | I2 |
approach | X2 |
What is more subtle than this which ties me to the woman or man that | D |
looks in my face | I2 |
Which fuses me into you now and pours my meaning into you | O |
- | |
We understand then do we not | D |
What I promis'd without mentioning it have you not accepted | D |
What the study could not teach what the preaching could not | D |
accomplish is accomplish'd is it not | D |
- | |
- | |
Flow on river flow with the flood tide and ebb with the ebb tide | D |
Frolic on crested and scallop edg'd waves | I2 |
Gorgeous clouds of the sunset drench with your splendor me or the | H |
men and women generations after me | D |
Cross from shore to shore countless crowds of passengers | I2 |
Stand up tall masts of Mannahatta stand up beautiful hills of | O2 |
Brooklyn | Q2 |
Throb baffled and curious brain throw out questions and answers | I2 |
Suspend here and everywhere eternal float of solution | Q2 |
Gaze loving and thirsting eyes in the house or street or public | Y2 |
assembly | D |
Sound out voices of young men loudly and musically call me by my | T |
nighest name | Z2 |
Live old life play the part that looks back on the actor or | K |
actress | I2 |
Play the old role the role that is great or small according as one | Q2 |
makes it | D |
Consider you who peruse me whether I may not in unknown ways be | D |
looking upon you | O |
Be firm rail over the river to support those who lean idly yet | D |
haste with the hasting current | D |
Fly on sea birds fly sideways or wheel in large circles high in | A3 |
the air | K |
Receive the summer sky you water and faithfully hold it till all | R |
downcast eyes have time to take it from you | O |
Diverge fine spokes of light from the shape of my head or any | D |
one's head in the sunlit water | K |
Come on ships from the lower bay pass up or down white sail'd | D |
schooners sloops lighters | I2 |
Flaunt away flags of all nations be duly lower'd at sunset | D |
Burn high your fires foundry chimneys cast black shadows at | D |
nightfall cast red and yellow light over the tops of the houses | I2 |
- | |
Appearances now or henceforth indicate what you are | K |
You necessary film continue to envelop the soul | B3 |
About my body for me and your body for you be hung our divinest | D |
aromas | I2 |
Thrive cities bring your freight bring your shows ample and | D |
sufficient rivers | I2 |
Expand being than which none else is perhaps more spiritual | R2 |
Keep your places objects than which none else is more lasting | E |
- | |
You have waited you always wait you dumb beautiful ministers | I2 |
We receive you with free sense at last and are insatiate | D |
henceforward | D |
Not you any more shall be able to foil us or withhold yourselves | I2 |
from us | I2 |
We use you and do not cast you aside we plant you permanently | D |
within us | I2 |
We fathom you not we love you there is perfection in you also | I2 |
You furnish your parts toward eternity | D |
Great or small you furnish your parts toward the soul | B3 |
Walt Whitman
(1)
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