Thoughts On Patrons, Puffs, And Other Matters. In An Epistle From Thomas Moore To Samuel Rogers Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABAACD EFEFFFDGGD HHGGIIIIGGGAJJJJ GGGGDDAAGGGG AAGGKKLLMMAAGGNN OOAAAAPPGOAAGGAAOOQQ RRSSGGAAAAQQGGOOKKTT TLTWhat thou my friend a man of rhymes | A |
And better still a man of guineas | B |
To talk of patrons in these times | A |
When authors thrive like spinning jennies | A |
And Arkwright's twist and Bulwer's page | C |
Alike may laugh at patronage | D |
- | |
No no those times are past away | E |
When doomed in upper floors to star it | F |
The bard inscribed to lords his lay | E |
Himself the while my Lord Mountgarret | F |
No more he begs with air dependent | F |
His little bark may sail attendant | F |
Under some lordly skipper's steerage | D |
But launched triumphant in the Row | G |
Or taken by Murray's self in tow | G |
Cuts both Star Chamber and the peerage | D |
- | |
Patrons indeed when scarce a sail | H |
Is whiskt from England by the gale | H |
But bears on board some authors shipt | G |
For foreign shores all well equipt | G |
With proper book making machinery | I |
To sketch the morals manners scenery | I |
Of all such lands as they shall see | I |
Or not see as the case may be | I |
It being enjoined on all who go | G |
To study first Miss Martineau | G |
And learn from her the method true too | G |
To do one's books and readers | A |
For so this nymph of nous and nerve | J |
Teaches mankind How to Observe | J |
And lest mankind at all should swerve | J |
Teaches them also What to Observe | J |
- | |
No no my friend it can't be blinkt | G |
The Patron is a race extinct | G |
As dead as any Megatherion | G |
That ever Buckland built a theory on | G |
Instead of bartering in this age | D |
Our praise for pence and patronage | D |
We authors now more prosperous elves | A |
Have learned to patronize ourselves | A |
And since all potent Puffing's made | G |
The life of song the soul of trade | G |
More frugal of our praises grown | G |
We puff no merits but our own | G |
- | |
Unlike those feeble gales of praise | A |
Which critics blew in former days | A |
Our modern puffs are of a kind | G |
That truly really raise the wind | G |
And since they've fairly set in blowing | K |
We find them the best trade winds going | K |
'Stead of frequenting paths so slippy | L |
As her old haunts near Aganippe | L |
The Muse now taking to the till | M |
Has opened shop on Ludgate Hill | M |
Far handier than the Hill of Pindus | A |
As seen from bard's back attic windows | A |
And swallowing there without cessation | G |
Large draughts at sight of inspiration | G |
Touches the notes for each new theme | N |
While still fresh change comes o'er her dream | N |
- | |
What Steam is on the deep and more | O |
Is the vast power of Puff on shore | O |
Which jumps to glory's future tenses | A |
Before the present even commences | A |
And makes immortal and divine of us | A |
Before the world has read one line of us | A |
In old times when the God of Song | P |
Drove his own two horse team along | P |
Carrying inside a bard or two | G |
Bookt for posterity all thro' | O |
Their luggage a few close packt rhymes | A |
Like yours my friend for after times | A |
So slow the pull to Fame's abode | G |
That folks oft slept upon the road | G |
And Homer's self sometimes they say | A |
Took to his night cap on the way | A |
Ye Gods how different is the story | O |
With our new galloping sons of glory | O |
Who scorning all such slack and slow time | Q |
Dash to posterity in no time | Q |
Raise but one general blast of Puff | R |
To start your author that's enough | R |
In vain the critics set to watch him | S |
Try at the starting post to catch him | S |
He's off the puffers carry it hollow | G |
The critics if they please may follow | G |
Ere they've laid down their first positions | A |
He's fairly blown thro' six editions | A |
In vain doth Edinburgh dispense | A |
Her blue and yellow pestilence | A |
That plague so awful in my time | Q |
To young and touchy sons of rhyme | Q |
The Quarterly at three months' date | G |
To catch the Unread One comes too late | G |
And nonsense littered in a hurry | O |
Becomes immortal spite of Murray | O |
But bless me while I thus keep fooling | K |
I hear a voice cry Dinner's cooling | K |
That postman too who truth to tell | T |
'Mong men of letters bears the bell | T |
Keeps ringing ringing so infernally | T |
That I must stop | L |
Yours sempiternally | T |
Thomas Moore
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