Ode To The Great Unknown.[1] Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDCBDEEFGGFHIIHJJKK KLMMLNNL OJOJPPEQQRKOOKSSEETD DUUT UEUEVVHWWHHHXDDXXJXJ J W DVDVVDYYZA2EYA2 W B2B2C2C2DDEDDEED2EE W DDDDDDDDDDDRR W EEEEUUUUVV W EEEDHHEUUWWEE A2 A2WA2WWUUUWUWEEWYY A2 HE2E2HA2A2A2A2A2EEA2 A2 F2A2F2EEA2A2HG2H2HHA 2A2A2A2 A2 DF2DF2F2I2I2A2A2A2H2 A2H2A2F2A2F2A2DA2F2 A2 H2H2H2H2H2H2A2A2H2H2 THJ2HTH F2 OH2OH2H2UUHHF2A2F2H2 H2A2 F2 SWSWUUWA2A2H2H2A2HH F2 A2F2F2A2EA2EDDEEEH2H 2 F2 EK2EEEEH2A2H2A2A2EH2 EO breathe not his name Moore | A |
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I | - |
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Thou Great Unknown | B |
I do not mean Eternity nor Death | C |
That vast incog | D |
For I suppose thou hast a living breath | C |
Howbeit we know not from whose lungs 'tis blown | B |
Thou man of fog | D |
Parent of many children child of none | E |
Nobody's son | E |
Nobody's daughter but a parent still | F |
Still but an ostrich parent of a batch | G |
Of orphan eggs left to the world to hatch | G |
Superlative Nil | F |
A vox and nothing more yet not Vauxhall | H |
A head in papers yet without a curl | I |
Not the Invisible Girl | I |
No hand but a handwriting on a wall | H |
A popular nonentity | J |
Still call'd the same without identity | J |
A lark heard out of sight | K |
A nothing shin'd upon invisibly bright | K |
Dark with excess of light | K |
Constable's literary John a nokes | L |
The real Scottish wizard and not which | M |
Nobody in a niche | M |
Every one's hoax | L |
Maybe Sir Walter Scott | N |
Perhaps not | N |
Why dost thou so conceal and puzzle curious folks | L |
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II | - |
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Thou whom the second sighted never saw | O |
The Master Fiction of fictitious history | J |
Chief Nong tong paw | O |
No mister in the world and yet all mystery | J |
The tricksy spirit of a Scotch Cock Lane | P |
A novel Junius puzzling the world's brain | P |
A man of Magic yet no talisman | E |
A man of clair obscure not he o' the moon | Q |
A star at noon | Q |
A non descriptus in a caravan | R |
A private of no corps a northern light | K |
In a dark lantern Bogie in a crape | O |
A figure but no shape | O |
A vizor and no knight | K |
The real abstract hero of the age | S |
The staple Stranger of the stage | S |
A Some One made in every man's presumption | E |
Frankenstein's monster but instinct with gumption | E |
Another strange state captive in the north | T |
Constable guarded in an iron mask | D |
Still let me ask | D |
Hast thou no silver platter | U |
No door plate or no card or some such matter | U |
To scrawl a name upon and then cast forth | T |
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III | - |
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Thou Scottish Barmecide feeding the hunger | U |
Of Curiosity with airy gammon | E |
Thou mystery monger | U |
Dealing it out like middle cut of salmon | E |
That people buy and can't make head or tail of it | V |
Howbeit that puzzle never hurts the sale of it | V |
Thou chief of authors mystic and abstractical | H |
That lay their proper bodies on the shelf | W |
Keeping thyself so truly to thyself | W |
Thou Zimmerman made practical | H |
Thou secret fountain of a Scottish style | H |
That like the Nile | H |
Hideth its source wherever it is bred | X |
But still keeps disemboguing | D |
Not disembroguing | D |
Thro' such broad sandy mouths without a head | X |
Thou disembodied author not yet dead | X |
The whole world's literary Absentee | J |
Ah wherefore hast thou fled | X |
Thou learned Nemo wise to a degree | J |
Anonymous LL D | J |
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IV | W |
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Thou nameless captain of the nameless gang | D |
That do and inquests cannot say who did it | V |
Wert thou at Mrs Donatty's death pang | D |
Hast thou made gravy of Weare's watch or hid it | V |
Hast thou a Blue Beard chamber Heaven forbid it | V |
I should be very loth to see thee hang | D |
I hope thou hast an alibi well plann'd | Y |
An innocent altho' an ink black hand | Y |
Tho' that hast newly turn'd thy private bolt on | Z |
The curiosity of all invaders | A2 |
I hope thou art merely closeted with Colton | E |
Who knows a little of the Holy Land | Y |
Writing thy next new novel The Crusaders | A2 |
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V | W |
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Perhaps thou wert even born | B2 |
To be Unknown Perhaps hung some foggy morn | B2 |
At Captain Coram's charitable wicket | C2 |
Pinn'd to a ticket | C2 |
That Fate had made illegible foreseeing | D |
The future great unmentionable being | D |
Perhaps thou hast ridden | E |
A scholar poor on St Augustine's Back | D |
Like Chatterton and found a dusty pack | D |
Of Rowley novels in an old chest hidden | E |
A little hoard of clever simulation | E |
That took the town and Constable has bidden | D2 |
Some hundred pounds for a continuation | E |
To keep and clothe thee in genteel starvation | E |
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VI | W |
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I like thy Waverley first of thy breeding | D |
I like its modest sixty years ago | D |
As if it was not meant for ages' reading | D |
I don't like Ivanhoe | D |
Tho' Dymoke does it makes him think of clattering | D |
In iron overalls before the king | D |
Secure from battering to ladies flattering | D |
Tuning his challenge to the gauntlet's ring | D |
Oh better far than all that anvil clang | D |
It was to hear thee touch the famous string | D |
Of Robin Hood's tough bow and make it twang | D |
Rousing him up all verdant with his clan | R |
Like Sagittarian Pan | R |
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VII | W |
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I like Guy Mannering but not that sham son | E |
Of Brown I like that literary Sampson | E |
Nine tenths a Dyer with a smack of Porson | E |
I like Dirk Hatteraick that rough sea Orson | E |
That slew the Gauger | U |
And Dandie Dinmont like old Ursa Major | U |
And Merrilies young Bertram's old defender | U |
That Scottish Witch of Endor | U |
That doom'd thy fame She was the Witch I take it | V |
To tell a great man's fortune or to make it | V |
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VIII | W |
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I like thy Antiquary With his fit on | E |
He makes me think of Mr Britton | E |
I like thy Antiquary With Ins fit on | E |
It makes me think | D |
Who has or had within his garden wall | H |
A miniature Stone Henge so very small | H |
That sparrows find it difficult to sit on | E |
And Dousterwivel like Poyais' M'Gregor | U |
And Edie Ochiltree that old Blue Beggar | U |
Painted so cleverly | W |
I think thou surely knowest Mrs Beverly | W |
I like thy Barber him that fir'd the Beacon | E |
But that's a tender subject now to speak on | E |
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IX | A2 |
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I like long arm'd Rob Roy His very charms | A2 |
Fashion'd him for renown In sad sincerity | W |
The man that robs or writes must have long arms | A2 |
If he's to hand his deeds down to posterity | W |
Witness Miss Biffin's posthumous prosperity | W |
Her poor brown crumpled mummy nothing more | U |
Bearing the name she bore | U |
A thing Time's tooth is tempted to destroy | U |
But Roys can never die why else in verity | W |
Is Paris echoing with Vive le Roy | U |
Aye Rob shall live again and deathless Di | W |
Vernon of course shall often live again | E |
Whilst there's a stone in Newgate or a chain | E |
Who can pass by | W |
Nor feel the Thief's in prison and at hand | Y |
There be Old Bailey Jarvies on the stand | Y |
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X | A2 |
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I like thy Landlord's Tales I like that Idol | H |
Of love and Lammermoor the blue eyed maid | E2 |
That led to church the mounted cavalcade | E2 |
And then pull'd up with such a bloody bridal | H |
Throwing equestrian Hymen on his haunches | A2 |
I like the family not silver branches | A2 |
That hold the tapers | A2 |
To light the serious legend of Montrose | A2 |
I like M'Aulay's second sighted vapors | A2 |
As if he could not walk or talk alone | E |
Without the devil or the Great Unknown | E |
Dalgetty is the dearest of Ducrows | A2 |
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XI | A2 |
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I like St Leonard's Lily drench'd with dew | F2 |
I like thy Vision of the Covenanters | A2 |
That bloody minded Grahame shot and slew | F2 |
I like the battle lost and won | E |
The hurly burlys bravely done | E |
The warlike gallop and the warlike canters | A2 |
I like that girded chieftain of the ranters | A2 |
Ready to preach down heathens or to grapple | H |
With one eye on his sword | G2 |
And one upon the Word | H2 |
How he would cram the Caledonian Chapel | H |
I like stern Claverhouse though he cloth dapple | H |
His raven steed with blood of many a corse | A2 |
I like dear Mrs Headrigg that unravels | A2 |
Her texts of scripture on a trotting horse | A2 |
She is so like Rae Wilson when he travels | A2 |
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XII | A2 |
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I like thy Kenilworth but I'm not going | D |
To take a Retrospective Re Review | F2 |
Of all thy dainty novels merely showing | D |
The old familiar faces of a few | F2 |
The question to renew | F2 |
How thou canst leave such deeds without a name | I2 |
Forego the unclaim'd Dividends of fame | I2 |
Forego the smiles of literary houris | A2 |
Mid Lothian's trump and Fife's shrill note of praise | A2 |
And all the Carse of Gowrie's | A2 |
When thou might'st have thy statue in Cromarty | H2 |
Or see thy image on Italian trays | A2 |
Betwixt Queen Caroline and Buonapart | H2 |
Be painted by the Titian of R A's | A2 |
Or vie in signboards with the Royal Guelph | F2 |
P'rhaps have thy bust set cheek by jowl with Homer's | A2 |
P'rhaps send out plaster proxies of thyself | F2 |
To other Englands with Australian roamers | A2 |
Mayhap in Literary Owhyhee | D |
Displace the native wooden gods or be | A2 |
The china Lar of a Canadian shelf | F2 |
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XIII | A2 |
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It is not modesty that bids thee hide | H2 |
She never wastes her blushes out of sight | H2 |
It is not to invite | H2 |
The world's decision for thy fame is tried | H2 |
And thy fair deeds are scatter'd far and wide | H2 |
Even royal heads are with thy readers reckon'd | H2 |
From men in trencher caps to trencher scholars | A2 |
In crimson collars | A2 |
And learned serjeants in the Forty Second | H2 |
Whither by land or sea art thou not beckon'd | H2 |
Mayhap exported from the Frith of Forth | T |
Defying distance and its dim control | H |
Perhaps read about Stromness and reckon'd worth | J2 |
A brace of Miltons for capacious soul | H |
Perhaps studied in the whalers further north | T |
And set above ten Shakspeares near the pole | H |
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XIV | F2 |
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Oh when thou writest by Aladdin's lamp | O |
With such a giant genius at command | H2 |
Forever at thy stamp | O |
To fill thy treasury from Fairy Land | H2 |
When haply thou might'st ask the pearly hand | H2 |
Of some great British Vizier's eldest daughter | U |
Tho' princes sought her | U |
And lead her in procession hymeneal | H |
Oh why dost thou remain a Beau Ideal | H |
Why stay a ghost on the Lethean Wharf | F2 |
Envelop'd in Scotch mist and gloomy fogs | A2 |
Why but because thou art some puny Dwarf | F2 |
Some hopeless Imp like Biquet with the Tuft | H2 |
Fearing for all thy wit to be rebuff'd | H2 |
Or bullied by our great reviewing Gogs | A2 |
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XV | F2 |
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What in this masquing age | S |
Maketh Unknowns so many and so shy | W |
What but the critic's page | S |
One hath a cast he hides from the world's eye | W |
Another hath a wen he won't show where | U |
A third has sandy hair | U |
A hunch upon his back or legs awry | W |
Things for a vile reviewer to espy | A2 |
Another hath a mangel wurzel nose | A2 |
Finally this is dimpled | H2 |
Like a pale crumpet face or that is pimpled | H2 |
Things for a monthly critic to expose | A2 |
Nay what is thy own case that being small | H |
Thou choosest to be nobody at all | H |
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XVI | F2 |
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Well thou art prudent with such puny bones | A2 |
E'en like Elshender the mysterious elf | F2 |
That shadowy revelation of thyself | F2 |
To build thee a small hut of haunted stones | A2 |
For certainly the first pernicious man | E |
That ever saw thee would quickly draw thee | A2 |
In some vile literary caravan | E |
Shown for a shilling | D |
Would be thy killing | D |
Think of Crachami's miserable span | E |
No tinier frame the tiny spark could dwell in | E |
Than there it fell in | E |
But when she felt herself a show she tried | H2 |
To shrink from the world's eye poor dwarf and died | H2 |
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XVII | F2 |
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O since it was thy fortune to be born | E |
A dwarf on some Scotch Inch and then to flinch | K2 |
From all the Gog like jostle of great men | E |
Still with thy small crow pen | E |
Amuse and charm thy lonely hours forlorn | E |
Still Scottish story daintily adorn | E |
Be still a shade and when this age is fled | H2 |
When we poor sons and daughters of reality | A2 |
Are in our graves forgotten and quite dead | H2 |
And Time destroys our mottoes of morality | A2 |
The lithographic hand of Old Mortality | A2 |
Shall still restore thy emblem on the stone | E |
A featureless death's head | H2 |
And rob Oblivion ev'n of the Unknown | E |
Thomas Hood
(1)
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