In Front Of The Landscape Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEBFDGHIDJHKLMHKL NOPLQORSROASRTUVOTWX YXYXZA2B2XRA2A2MA2A2 A2MXXC2MB2XXA2QXC2A2 XA2A2D2Plunging and labouring on in a tide of visions | A |
Dolorous and dear | B |
Forward I pushed my way as amid waste waters | C |
Stretching around | D |
Through whose eddies there glimmered the customed landscape | E |
Yonder and near | B |
Blotted to feeble mist And the coomb and the upland | F |
Foliage crowned | D |
Ancient chalk pit milestone rills in the grass flat | G |
Stroked by the light | H |
Seemed but a ghost like gauze and no substantial | I |
Meadow or mound | D |
What were the infinite spectacles bulking foremost | J |
Under my sight | H |
Hindering me to discern my paced advancement | K |
Lengthening to miles | L |
What were the re creations killing the daytime | M |
As by the night | H |
O they were speechful faces gazing insistent | K |
Some as with smiles | L |
Some as with slow born tears that brinily trundled | N |
Over the wrecked | O |
Cheeks that were fair in their flush time ash now with anguish | P |
Harrowed by wiles | L |
Yes I could see them feel them hear them address them | Q |
Halo bedecked | O |
And alas onwards shaken by fierce unreason | R |
Rigid in hate | S |
Smitten by years long wryness born of misprision | R |
Dreaded suspect | O |
Then there would breast me shining sights sweet seasons | A |
Further in date | S |
Instruments of strings with the tenderest passion | R |
Vibrant beside | T |
Lamps long extinguished robes cheeks eyes with the earth's crust | U |
Now corporate | V |
Also there rose a headland of hoary aspect | O |
Gnawed by the tide | T |
Frilled by the nimb of the morning as two friends stood there | W |
Guilelessly glad | X |
Wherefore they knew not touched by the fringe of an ecstasy | Y |
Scantly descried | X |
Later images too did the day unfurl me | Y |
Shadowed and sad | X |
Clay cadavers of those who had shared in the dramas | Z |
Laid now at ease | A2 |
Passions all spent chiefest the one of the broad brow | B2 |
Sepulture clad | X |
So did beset me scenes miscalled of the bygone | R |
Over the leaze | A2 |
Past the clump and down to where lay the beheld ones | A2 |
Yea as the rhyme | M |
Sung by the sea swell so in their pleading dumbness | A2 |
Captured me these | A2 |
For their lost revisiting manifestations | A2 |
In their own time | M |
Much had I slighted caring not for their purport | X |
Seeing behind | X |
Things more coveted reckoned the better worth calling | C2 |
Sweet sad sublime | M |
Thus do they now show hourly before the intenser | B2 |
Stare of the mind | X |
As they were ghosts avenging their slights by my bypast | X |
Body borne eyes | A2 |
Show too with fuller translation than rested upon them | Q |
As living kind | X |
Hence wag the tongues of the passing people saying | C2 |
In their surmise | A2 |
'Ah whose is this dull form that perambulates seeing nought | X |
Round him that looms | A2 |
Whithersoever his footsteps turn in his farings | A2 |
Save a few tombs ' | D2 |
Thomas Hardy
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