Introduction.
I.
Come Lucy! while 'tis morning hour
The woodland brook we needs must pass;
So, ere the sun assume his power,
We shelter in our poplar bower,
Where dew lies long upon the flower,
Though vanish'd from the velvet grass.
Curbing the stream, this stony ridge
May serve us for a silvan bridge;
For here, compell'd to disunite,
Round petty isles the runnels glide,
And chafing off their puny spite,
The shallows murmurers waste their might,
Yielding to footstep free and light
A dry-shod pass from side to side.

II.
Nay, why this hesitating pause?
And, Lucy, as thy step withdraws,
Why sidelong eye the streamlet's brim?
Titania's foot without a slip,
Like, thine, though timid, light, and slim,
From stone to stone might safely trip,
Nor risk the glow-worm clasp to dip
That binds her slipper's silken rim.
Or trust thy lover's strength; nor fear
That this same stalwart arm of mine,
Which could yon oak's prone trunk uprear,
Shall shrink beneath, the burden dear
Of form so slender, light, and fine;
So! now, the danger dared at last,
Look back, and smile at perils past!

III.
And now we reach the favourite glade,
Paled in copsewood, cliff, and stone,
Where never harsher sounds invade,
To break affection's whispering tone,
Than the deep breeze that waves the shade,
Than the small brooklet's feeble moan.
Come! rest thee on thy wonted seat;
Moss'd is the stone, the turf is green,
A place where lovers best may meet
Who would not that their love be seen.
The boughs, that dim the summer sky,
Shall hide us from each lurking spy,
That fain would spread the invidious tale,
How Lucy of the lofty eye,
Noble in birth, in fortunes high,
She for whom lords and barons sigh,
Meets her poor Arthur in the dale.

IV.
How deep that blush! - how deep that sigh!
And why does Lucy shun mine eye?
Is it because that crimson draws
Its colour from some secret cause,
Some hidden movement of the breast
She would not that her Arthur guess'd?
O! quicker far is lovers' ken
Than the dull glance of common men,
And, by strange sympathy, can spell
The thoughts the loved one will not tell!
And mine, in Lucy's blush, saw met
The hues of pleasure and regret;
Pride mingled in the sigh her voice,
And shared with Love the crimson glow;
Well pleased that thou art Arthur's choice,
Yet shamed thine own is placed so low:
Thou turn'st thy self-confessing cheek,
As if to meet the breeze's cooling:
Then, Lucy, hear thy tutor speak,
For Love, too, has his hours of schooling.

V.
Too oft my anxious eye has spied
That secret grief thou fain wouldst hide,
The passing pang of humbled pride;
Too oft, when through the splendid hall,
The load-star of each heart and eye,
My fair one leads the glittering ball,
Will her stol'n glance on Arthur fall,
With such a blush and such a sigh!
Thou wouldst not yield, for wealth or rank,
The heart thy worth and beauty won,
Nor leave me on this mossy bank,
To meet a rival on a throne:
Why, then, should vain repinings rise,
That to thy lover fate denies
A nobler name, a wide domain,
A Baron's birth, a menial train,
Since Heaven assign'd him, for his part,
A lyre, a falchion, and a heart?

VI.
My sword - its master must be dumb;
But, when a soldier names my name,
Approach, my Lucy! fearless come,
Nor dread to hear of Arthur's shame.
My heart! 'mid all yon courtly crew
Of lordly rank and lofty line,
Is there to love and honour true,
That boasts a pulse so warm as mine?
They praised thy diamonds' lustre rare -
Match'd with thine eyes, I thought it faded;
They praised the pearls that bound thy hair-
I saw only the locks they braided;
They talk'd of wealthy dower and land,
And titles of high birth the token -
I thought of Lucy's heart and hand,
Nor knew the sense of what was spoken.
And yet, if rank'd in Fortune's roll,
I might have learn'd their choice unwise,
Who rate the dower above the soul,
And Lucy's diamonds o'er her eyes.

VII.
My lyre - it is an idle toy,
That borrows accents not its own,
Like warbler of Colombian sky,
That sings in a mimic tone.
Ne'er did it sound o'er sainted well,
Nor boasts it aught of Border spell;
It strings no feudal slogan pour,
Its heroes draw no broad claymore;
No shouting clans applauses raise,
Because it sung their father's praise;
On Scottish moor, or English down,
It ne'er was graced with fair renown;
Norwon - best meed to minstrel true -
One favouring smile from fair BUCCLEUCH!
By one poor streamlet sounds its tone,
And heard by one dear maid alone.

VIII.
But, if thou bid'st, these tones shall tell
Of errant knight, and damozelle;
Of a dread knot a Wizard tied,
In punishment of maiden's pride,
In notes of marvel and of fear,
That best may charm romantic ear.
For Lucy loves (like COLLINS, ill-starred name,
Whose lay's requital was that tardy fame,
Who bound no laurel round his living head,
Should hang it o'er his monument when dead)
For Lucy loves to tread enchanted strand,
And thread, like him, the maze of fairy land;
Of golden battlements to view the gleam,
And slumber soft by some Elysian stream;
Such lays she loves; and, such my Lucy's choice,
What other song can claim her Poet's voice?


Canto I.


I.
Where is the maiden of mortal strain
That may match with the Baron of Triermain?
She must be lovely, and constant, and kind,
Holy and pure, and humble of mind,
Blithe of cheer, and gentle of mood,
Courteous, and generous, and noble of blood,
Lovely as the sun's first ray
When it breaks the clouds of an April day;
Constant and true as the widow'd dove,
Kind as a minstrel that sings of love;
Pure as the fountain in rocky cave,
Where never sunbeam kiss'd the wave;
Humble as a maiden that loves in vain,
Holy as a hermit's vesper strain;
Gentle as a breeze that but whispers and dies,
Yet blithe as the light leaves that dance in its sighs;
Courteous as monarch the morn he is crown'd,
Generous as spring-dews that bless the glad ground;
Noble her blood as the currents that met
In the veins of the noblest Plantangenet:
Such must her form be, her mood and her strain,
That shall match with Sir Roland of Triermain.

II.
Sir Roland de Vaux he hath laid him to sleep,
His blood it was fever'd, his breathing was deep.
He had been pricking against the Scot,
The foray was long, and the skirmish hot;
His dinted helm and his buckler's plight
Bore token of a stubborn fight.
All in the castle must hold them still,
Harpers must lull him to his rest
With the slow soft tunes he loves the best,
Till sleep sink down upon his breast
Like the dew on a summer hill.

III.
It was the dawn of an autumn day;
The sun was struggling with a frost-fog grey,
That like a silvery crape was spread
Round Skiddaw's dim and distant head,
And faintly gleam'd each painted pane
Of the lordly halls of Triermain,
When that Baron bold awoke.
Starting he woke, and loudly did call,
Rousing his menials in bower and hall,
While hastily he spoke.

IV.
'Hearken, my minstrels! which of ye all
Touch'd his harp with that dying fall,
So sweet, so soft, so faint,
It seem'd an angel's whisper'd call
To an expiring saint?
And harken, my merry men! what time or where
Did she pass, that maid with her heavenly brow,
With her look so sweet and her eyes so fair,
And her graceful step and her angel air,
And the eagle plume in her dark-brown hair,
That pass'd from my bower e'en now?'

V.
Answer'd him Richard de Bretville - he
Was chief of the Baron's minstrelsy:
'Silent, noble chieftain, we
Have sat since midnight close,
When such lulling sounds as the brooklet sings
Murmur'd from our melting strings
And hush'd you to repose.
Had a harp-note sounded here
It had caught my watchful ear,
Although it fell as faint and shy
As bashful maiden's half-form'd sigh,
When she thinks her lover near.'
Answer'd Philip of Fasthwaite tall -
He kept guard in the outer hall:
'Since at eve our