The Burning Sun Poem Rhyme Scheme and Analysis

Rhyme Scheme: ABBBCCBDBBBEBCBBBBFG BBHIJBCKLGMNAOIGMPBQ RAB AS

I am the drop of sweat I am the sunA
Rising from the hills of human sinewsB
Hearts are my friendsB
I live in the city of sufferingsB
Although in my fist I hold an ocean of historyC
I sculptured man silentlyC
Wings that carried birdsB
Did not bring them backD
I am drinking thick darknessB
In the haunts of those forestsB
Which cry out in agony for the birdsB
That did not returnE
Clutching at the garment woven of memoriesB
I twine myself to the feet of my countryC
Heads that were hanging to the treesB
Smile as flowers today in the branchesB
Hearts that received the bulletsB
Ring in temples of our land like bellsB
Blood of theirs nights squeezed and offeredF
By how many to bring forth this dayG
They are hanging like iciclesB
On the ridges of our roofsB
Look it is an iron fist I haveH
I shall excavate the flame of lightI
From the rocks of timeJ
I will set fire to the sleep of resisting centuriesB
To the rivers that run in passion after the seaC
I cry halt command themK
To paint the colourless arid lands in greenL
Invite back the smile which fled awayG
In terror from this landM
To the butterfly trudging hungrily for a flowerN
I shall give a gardenA
Come children eatO
Bits of nights dipping them in moonlightI
I shall not allow the sun to cheat this sacred dayG
If he wakes not on the horizon of this landM
I shall tear my burning heartP
And put it in its placeB
With the scarlet of my living fleshQ
Illuminate the earthR
I am the drop of sweat I am the sunA
Rising from the hills of human sinewsB
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This is the st poem in Seshendra Sharma's second anthology of prose poems titled The Burning SunA
In his intro to The Burning Sun Seshendra says there has been an uninterrupted undercurrent in his life as a poet that is his life nerve and that has assumed total expression in this poemS

Seshendra Sharma
(C) All Rights Reserved. Poem Submitted on 01/10/2020



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Vasundhara: Gunturu Seshendra Sarma: an extraordinary poet-scholar
One of the ironies in literature is that
he came to be known more as a critic than a poet

HYDERABAD: An era of scholastic excellence and poetic grandeur has come to an end in the passing away of Gunturu Seshendra Sarma, one of the foremost poets and critics in Telugu literature. His mastery over western literature and Indian `Alankara Sastra' gave his works a stunning imagery, unparalleled in modern Indian works. One of the ironies in literature is that he came to be known more as a critic than a poet. The Central Sahitya Akademi award was conferred on him for his work `Kaala Rekha' and not for his poetic excellence. The genius in him made him explore `Kundalini Yoga' in his treatise on Ramayana in `Shodasi' convincingly. His intellectual quest further made him probe `Naishadha Kaavya' in the backdrop of `Lalita Sahasra Naamavali', `Soundarya Lahari' and `Kama Kala Vilasam' in `Swarna Hamsa', Seshendra saw the entire universe as a storehouse of images and signs to which imagination was to make value-addition. Like Stephene Mallarme who was considered a prophet of symbolism in French literature, Seshendra Sarma too believed that art alone would survive in the universe along with poetry. He believed that the main vocation of human beings was to be artists and poets. His `Kavisena Manifesto' gave a new direction to modern criticism making it a landmark work in poetics. Telugus would rue the intellectual impoverishment they suffered in maintaining a `distance' from him. Seshendra could have given us more, but we did not deserve it! The denial of the Jnanpeeth Award to him proves it
The Hindu
India's National Newspaper
Friday, Jun 01, 2007


POET EMMA NABENDE CHIPUKIZI: this poem talks to my world ,for i am a victim of what the speaker in this poem seems to have sailed through .
Ekpe Inyang: Great poem. Moving. Creating images to guide one in the journey. Enjoyed it so much.
 
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