Hudibras: Part 2 - Canto I Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCCDEFF GHCCIICCJJCCKLCCCCCC CCLLMMNNOO LLLLBPCCQRLLCC OOCCCCLLCCCCBBSOTTLL CCLLCCLLUUOO UUCCLLVWXXLLMMCCOBLL MMLLLLMMWWLLFYBBMM MMCCYYOO LLLLMMCCOOCCLLLLLL LLMMLLLLZZA2A2 ZZCCLLCC MMCCLLLLB2B2LLBC2CCL LNNLL D2D2LLD2D2CCLLOOCCMM LLLLBBLLC2PE2E2 D2D2MMF2F2 D2THE ARGUMENT | A |
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The Knight by damnable Magician | B |
Being cast illegally in prison | B |
Love brings his Action on the Case | C |
And lays it upon Hudibras | C |
How he receives the Lady's Visit | D |
And cunningly solicits his Suite | E |
Which she defers yet on Parole | F |
Redeems him from th' inchanted Hole | F |
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But now t'observe a romantic method | G |
Let bloody steel a while be sheathed | H |
And all those harsh and rugged sounds | C |
Of bastinadoes cuts and wounds | C |
Exchang'd to Love's more gentle stile | I |
To let our reader breathe a while | I |
In which that we may be as brief as | C |
Is possible by way of preface | C |
Is't not enough to make one strange | J |
That some men's fancies should ne'er change | J |
But make all people do and say | C |
The same things still the self same way | C |
Some writers make all ladies purloin'd | K |
And knights pursuing like a whirlwind | L |
Others make all their knights in fits | C |
Of jealousy to lose their wits | C |
Till drawing blood o'th' dames like witches | C |
Th' are forthwith cur'd of their capriches | C |
Some always thrive in their amours | C |
By pulling plaisters off their sores | C |
As cripples do to get an alms | C |
Just so do they and win their dames | C |
Some force whole regions in despight | L |
O' geography to change their site | L |
Make former times shake hands with latter | M |
And that which was before come after | M |
But those that write in rhime still make | N |
The one verse for the other's sake | N |
For one for sense and one for rhime | O |
I think's sufficient at one time | O |
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But we forget in what sad plight | L |
We whilom left the captiv'd Knight | L |
And pensive Squire both bruis'd in body | L |
And conjur'd into safe custody | L |
Tir'd with dispute and speaking Latin | B |
As well as basting and bear baiting | P |
And desperate of any course | C |
To free himself by wit or force | C |
His only solace was that now | Q |
His dog bolt fortune was so low | R |
That either it must quickly end | L |
Or turn about again and mend | L |
In which he found th' event no less | C |
Than other times beside his guess | C |
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There is a tall long sided dame | O |
But wond'rous light ycleped Fame | O |
That like a thin camelion boards | C |
Herself on air and eats her words | C |
Upon her shoulders wings she wears | C |
Like hanging sleeves lin'd through with ears | C |
And eyes and tongues as poets list | L |
Made good by deep mythologist | L |
With these she through the welkin flies | C |
And sometimes carries truth oft lies | C |
With letters hung like eastern pigeons | C |
And Mercuries of furthest regions | C |
Diurnals writ for regulation | B |
Of lying to inform the nation | B |
And by their public use to bring down | S |
The rate of whetstones in the kingdom | O |
About her neck a pacquet male | T |
Fraught with advice some fresh some stale | T |
Of men that walk'd when they were dead | L |
And cows of monsters brought to bed | L |
Of hail stones big as pullets eggs | C |
And puppies whelp'd with twice two legs | C |
A blazing star seen in the west | L |
By six or seven men at least | L |
Two trumpets she does sound at once | C |
But both of clean contrary tones | C |
But whether both with the same wind | L |
Or one before and one behind | L |
We know not only this can tell | U |
The one sounds vilely th' other well | U |
And therefore vulgar authors name | O |
Th' one Good the other Evil Fame | O |
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This tattling gossip knew too well | U |
What mischief HUDIBRAS befell | U |
And straight the spiteful tidings bears | C |
Of all to th' unkind widow's ears | C |
DEMOCRITUS ne'er laugh'd so loud | L |
To see bawds carted through the crowd | L |
Or funerals with stately pomp | V |
March slowly on in solemn dump | W |
As she laugh'd out until her back | X |
As well as sides was like to crack | X |
She vow'd she would go see the sight | L |
And visit the distressed Knight | L |
To do the office of a neighbour | M |
And be a gossip at his labour | M |
And from his wooden jail the stocks | C |
To set at large his fetter locks | C |
And by exchange parole or ransom | O |
To free him from th' enchanted mansion | B |
This b'ing resolv'd she call'd for hood | L |
And usher implements abroad | L |
Which ladies wear beside a slender | M |
Young waiting damsel to attend her | M |
All which appearing on she went | L |
To find the Knight in limbo pent | L |
And 'twas not long before she found | L |
Him and the stout Squire in the pound | L |
Both coupled in enchanted tether | M |
By further leg behind together | M |
For as he sat upon his rump | W |
His head like one in doleful dump | W |
Between his knees his hands apply'd | L |
Unto his ears on either side | L |
And by him in another hole | F |
Afflicted RALPHO cheek by jowl | Y |
She came upon him in his wooden | B |
Magician's circle on the sudden | B |
As spirits do t' a conjurer | M |
When in their dreadful shapes th' appear | M |
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No sooner did the Knight perceive her | M |
But straight he fell into a fever | M |
Inflam'd all over with disgrace | C |
To be seen by her in such a place | C |
Which made him hang his head and scoul | Y |
And wink and goggle like an owl | Y |
He felt his brains begin to swim | O |
When thus the dame accosted him | O |
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This place quoth she they say's enchanted | L |
And with delinquent spirits haunted | L |
That here are ty'd in chains and scourg'd | L |
Until their guilty crimes be purg'd | L |
Look there are two of them appear | M |
Like persons I have seen somewhere | M |
Some have mistaken blocks and posts | C |
For spectres apparitions ghosts | C |
With saucer eyes and horns and some | O |
Have heard the Devil beat a drum | O |
But if our eyes are not false glasses | C |
That give a wrong account of faces | C |
That beard and I should be acquainted | L |
Before 'twas conjur'd or enchanted | L |
For though it be disfigur'd somewhat | L |
As if 't had lately been in combat | L |
It did belong to a worthy Knight | L |
Howe'er this goblin has come by't | L |
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When HUDIBRAS the Lady heard | L |
Discoursing thus upon his beard | L |
And speak with such respect and honour | M |
Both of the beard and the beard's owner | M |
He thought it best to set as good | L |
A face upon it as he cou'd | L |
And thus he spoke Lady your bright | L |
And radiant eyes are in the right | L |
The beard's th' identic beard you knew | Z |
The same numerically true | Z |
Nor is it worn by fiend or elf | A2 |
But its proprietor himself | A2 |
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O heavens quoth she can that be true | Z |
I do begin to fear 'tis you | Z |
Not by your individual whiskers | C |
But by your dialect and discourse | C |
That never spoke to man or beast | L |
In notions vulgarly exprest | L |
But what malignant star alas | C |
Has brought you both to this sad pass | C |
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Quoth he The fortune of the war | M |
Which I am less afflicted for | M |
Than to be seen with beard and face | C |
By you in such a homely case | C |
Quoth she Those need not he asham'd | L |
For being honorably maim'd | L |
If he that is in battle conquer'd | L |
Have any title to his own beard | L |
Though yours be sorely lugg'd and torn | B2 |
It does your visage more adorn | B2 |
Than if 'twere prun'd and starch'd and lander'd | L |
And cut square by the Russian standard | L |
A torn beard's like a tatter'd ensign | B |
That's bravest which there are most rents in | C2 |
That petticoat about your shoulders | C |
Does not so well become a souldier's | C |
And I'm afraid they are worse handled | L |
Although i' th' rear your beard the van led | L |
And those uneasy bruises make | N |
My heart for company to ake | N |
To see so worshipful a friend | L |
I' th' pillory set at the wrong end | L |
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Quoth HUDIBRAS This thing call'd pain | D2 |
Is as the learned Stoicks maintain | D2 |
Not bad simpliciter nor good | L |
But merely as 'tis understood | L |
Sense is deceitful and may feign | D2 |
As well in counterfeiting pain | D2 |
As other gross phenomenas | C |
In which it oft mistakes the case | C |
But since the immortal intellect | L |
That's free from error and defect | L |
Whose objects still persist the same | O |
Is free from outward bruise and maim | O |
Which nought external can expose | C |
To gross material bangs or blows | C |
It follows we can ne'er be sure | M |
Whether we pain or not endure | M |
And just so far are sore and griev'd | L |
As by the fancy is believ'd | L |
Some have been wounded with conceit | L |
And dy'd of mere opinion straight | L |
Others tho' wounded sore in reason | B |
Felt no contusion nor discretion | B |
A Saxon Duke did grow so fat | L |
That mice as histories relate | L |
Eat grots and labyrinths to dwell in | C2 |
His postick parts without his feeling | P |
Then how is't possible a kick | E2 |
Should e'er reach that way to the quick | E2 |
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Quoth she I grant it is in vain | D2 |
For one that's basted to feel pain | D2 |
Because the pangs his bones endure | M |
Contribute nothing to the cure | M |
Yet honor hurt is wont to rage | F2 |
With pain no med'cine can asswage | F2 |
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Quoth he That honou | D2 |
Samuel Butler
(1)
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