In The Home Stretch Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGEHIJK LMNOPALL QLLR SL TUV W XBYZCY A2 B2C2D2E2F2G2HH2I2 LB J2BK2L2 TTTYM2WYRN2NPO2F2P2 LQ2R2S2T2U2 V2W2X2RLY2RZ2BBS2A3 B3 C3Z2D3E3D2OC3CD2H2F3 R2KRG3H3PU2I3T2J3NK3 I3L3C2M3N3SH2N2I3O3P 3Q3R3S3ZQ3RT3C2 LU3V3 YYBW3L X3Y3Z3PA4B4P3C4R2WH3 D4E4P2F4G4C2H4 QY I4YLC2J4R2LXKK4RL4L BM4 N4O4ZC2P L P4Y B BX3L Q4B F2 R4 A2BT3T3T3 T3S4RT4YLY R Z2T3Q3U4X3K V4 M4W4CB2E3Z2KT3T3BE3G T3 X3X4Z2 HC3KN| She stood against the kitchen sink and looked | A |
| Over the sink out through a dusty window | B |
| At weeds the water from the sink made tall | C |
| She wore her cape her hat was in her hand | D |
| Behind her was confusion in the room | E |
| Of chairs turned upside down to sit like people | F |
| In other chairs and something come to look | G |
| For every room a house has parlor bed room | E |
| And dining room thrown pell mell in the kitchen | H |
| And now and then a smudged infernal face | I |
| Looked in a door behind her and addressed | J |
| Her back She always answered without turning | K |
| - | |
| Where will I put this walnut bureau lady | L |
| Put it on top of something that's on top | M |
| Of something else she laughed Oh put it where | N |
| You can to night and go It's almost dark | O |
| You must be getting started back to town | P |
| Another blackened face thrust in and looked | A |
| And smiled and when she did not turn spoke gently | L |
| What are you seeing out the window lady | L |
| - | |
| Never was I beladied so before | Q |
| Would evidence of having been called lady | L |
| More than so many times make me a lady | L |
| In common law I wonder | R |
| - | |
| But I ask | S |
| What are you seeing out the window lady | L |
| - | |
| What I'll be seeing more of in the years | T |
| To come as here I stand and go the round | U |
| Of many plates with towels many times | V |
| - | |
| And what is that You only put me off | W |
| - | |
| Rank weeds that love the water from the dish pan | X |
| More than some women like the dish pan Joe | B |
| A little stretch of mowing field for you | Y |
| Not much of that until I come to woods | Z |
| That end all And it's scarce enough to call | C |
| A view | Y |
| - | |
| And yet you think you like it dear | A2 |
| - | |
| That's what you're so concerned to know You hope | B2 |
| I like it Bang goes something big away | C2 |
| Off there upstairs The very tread of men | D2 |
| As great as those is shattering to the frame | E2 |
| Of such a little house Once left alone | F2 |
| You and I dear will go with softer steps | G2 |
| Up and down stairs and through the rooms and none | H |
| But sudden winds that snatch them from our hands | H2 |
| Will ever slam the doors | I2 |
| - | |
| I think you see | L |
| More than you like to own to out that window | B |
| - | |
| No for besides the things I tell you of | J2 |
| I only see the years They come and go | B |
| In alternation with the weeds the field | K2 |
| The wood | L2 |
| - | |
| What kind of years | T |
| Why latter years | T |
| Different from early years | T |
| I see them too | Y |
| You didn't count them | M2 |
| No the further off | W |
| So ran together that I didn't try to | Y |
| It can scarce be that they would be in number | R |
| We'd care to know for we are not young now | N2 |
| And bang goes something else away off there | N |
| It sounds as if it were the men went down | P |
| And every crash meant one less to return | O2 |
| To lighted city streets we too have known | F2 |
| But now are giving up for country darkness | P2 |
| - | |
| Come from that window where you see too much for me | L |
| And take a livelier view of things from here | Q2 |
| They're going Watch this husky swarming up | R2 |
| Over the wheel into the sky high seat | S2 |
| Lighting his pipe now squinting down his nose | T2 |
| At the flame burning downward as he sucks it | U2 |
| - | |
| See how it makes his nose side bright a proof | V2 |
| How dark it's getting Can you tell what time | W2 |
| It is by that Or by the moon The new moon | X2 |
| What shoulder did I see her over Neither | R |
| A wire she is of silver as new as we | L |
| To everything Her light won't last us long | Y2 |
| It's something though to know we're going to have her | R |
| Night after night and stronger every night | Z2 |
| To see us through our first two weeks But Joe | B |
| The stove Before they go Knock on the window | B |
| Ask them to help you get it on its feet | S2 |
| We stand here dreaming Hurry Call them back | A3 |
| - | |
| They're not gone yet | B3 |
| - | |
| We've got to have the stove | C3 |
| Whatever else we want for And a light | Z2 |
| Have we a piece of candle if the lamp | D3 |
| And oil are buried out of reach | E3 |
| Again | D2 |
| The house was full of tramping and the dark | O |
| Door filling men burst in and seized the stove | C3 |
| A cannon mouth like hole was in the wall | C |
| To which they set it true by eye and then | D2 |
| Came up the jointed stovepipe in their hands | H2 |
| So much too light and airy for their strength | F3 |
| It almost seemed to come ballooning up | R2 |
| Slipping from clumsy clutches toward the ceiling | K |
| A fit said one and banged a stovepipe shoulder | R |
| It's good luck when you move in to begin | G3 |
| With good luck with your stovepipe Never mind | H3 |
| It's not so bad in the country settled down | P |
| When people 're getting on in life You'll like it | U2 |
| Joe said You big boys ought to find a farm | I3 |
| And make good farmers and leave other fellows | T2 |
| The city work to do There's not enough | J3 |
| For everybody as it is in there | N |
| God one said wildly and when no one spoke | K3 |
| Say that to Jimmy here He needs a farm | I3 |
| But Jimmy only made his jaw recede | L3 |
| Fool like and rolled his eyes as if to say | C2 |
| He saw himself a farmer Then there was a French boy | M3 |
| Who said with seriousness that made them laugh | N3 |
| Ma friend you ain't know what it is you're ask | S |
| He doffed his cap and held it with both hands | H2 |
| Across his chest to make as 'twere a bow | N2 |
| We're giving you our chances on de farm | I3 |
| And then they all turned to with deafening boots | O3 |
| And put each other bodily out of the house | P3 |
| Goodby to them We puzzle them They think | Q3 |
| I don't know what they think we see in what | R3 |
| They leave us to that pasture slope that seems | S3 |
| The back some farm presents us and your woods | Z |
| To northward from your window at the sink | Q3 |
| Waiting to steal a step on us whenever | R |
| We drop our eyes or turn to other things | T3 |
| As in the game 'Ten step' the children play | C2 |
| - | |
| Good boys they seemed and let them love the city | L |
| All they could say was 'God ' when you proposed | U3 |
| Their coming out and making useful farmers | V3 |
| - | |
| Did they make something lonesome go through you | Y |
| It would take more than them to sicken you | Y |
| Us of our bargain But they left us so | B |
| As to our fate like fools past reasoning with | W3 |
| They almost shook me | L |
| - | |
| It's all so much | X3 |
| What we have always wanted I confess | Y3 |
| It's seeming bad for a moment makes it seem | Z3 |
| Even worse still and so on down down down | P |
| It's nothing it's their leaving us at dusk | A4 |
| I never bore it well when people went | B4 |
| The first night after guests have gone the house | P3 |
| Seems haunted or exposed I always take | C4 |
| A personal interest in the locking up | R2 |
| At bedtime but the strangeness soon wears off | W |
| He fetched a dingy lantern from behind | H3 |
| A door There's that we didn't lose And these | D4 |
| Some matches he unpocketed For food | E4 |
| The meals we've had no one can take from us | P2 |
| I wish that everything on earth were just | F4 |
| As certain as the meals we've had I wish | G4 |
| The meals we haven't had were anyway | C2 |
| What have you you know where to lay your hands on | H4 |
| - | |
| The bread we bought in passing at the store | Q |
| There's butter somewhere too | Y |
| - | |
| Let's rend the bread | I4 |
| I'll light the fire for company for you | Y |
| You'll not have any other company | L |
| Till Ed begins to get out on a Sunday | C2 |
| To look us over and give us his idea | J4 |
| Of what wants pruning shingling breaking up | R2 |
| He'll know what he would do if he were we | L |
| And all at once He'll plan for us and plan | X |
| To help us but he'll take it out in planning | K |
| Well you can set the table with the loaf | K4 |
| Let's see you find your loaf I'll light the fire | R |
| I like chairs occupying other chairs | L4 |
| Not offering a lady | L |
| - | |
| There again Joe | B |
| You're tired | M4 |
| - | |
| I'm drunk nonsensical tired out | N4 |
| Don't mind a word I say It's a day's work | O4 |
| To empty one house of all household goods | Z |
| And fill another with 'em fifteen miles away | C2 |
| Although you do no more than dump them down | P |
| - | |
| Dumped down in paradise we are and happy | L |
| - | |
| It's all so much what I have always wanted | P4 |
| I can't believe it's what you wanted too | Y |
| - | |
| Shouldn't you like to know | B |
| - | |
| I'd like to know | B |
| If it is what you wanted then how much | X3 |
| You wanted it for me | L |
| - | |
| A troubled conscience | Q4 |
| You don't want me to tell if I don't know | B |
| - | |
| I don't want to find out what can't be known | F2 |
| - | |
| But who first said the word to come | R4 |
| - | |
| My dear | A2 |
| It's who first thought the thought You're searching Joe | B |
| For things that don't exist I mean beginnings | T3 |
| Ends and beginnings there are no such things | T3 |
| There are only middles | T3 |
| - | |
| What is this | T3 |
| This life | S4 |
| Our sitting here by lantern light together | R |
| Amid the wreckage of a former home | T4 |
| You won't deny the lantern isn't new | Y |
| The stove is not and you are not to me | L |
| Nor I to you | Y |
| - | |
| Perhaps you never were | R |
| - | |
| It would take me forever to recite | Z2 |
| All that's not new in where we find ourselves | T3 |
| New is a word for fools in towns who think | Q3 |
| Style upon style in dress and thought at last | U4 |
| Must get somewhere I've heard you say as much | X3 |
| No this is no beginning | K |
| - | |
| Then an end | V4 |
| - | |
| End is a gloomy word | M4 |
| Is it too late | W4 |
| To drag you out for just a good night call | C |
| On the old peach trees on the knoll to grope | B2 |
| By starlight in the grass for a last peach | E3 |
| The neighbors may not have taken as their right | Z2 |
| When the house wasn't lived in I've been looking | K |
| I doubt if they have left us many grapes | T3 |
| Before we set ourselves to right the house | T3 |
| The first thing in the morning out we go | B |
| To go the round of apple cherry peach | E3 |
| Pine alder pasture mowing well and brook | G |
| All of a farm it is | T3 |
| - | |
| I know this much | X3 |
| I'm going to put you in your bed if first | X4 |
| I have to make you build it Come the light | Z2 |
| - | |
| When there was no more lantern in the kitchen | H |
| The fire got out through crannies in the stove | C3 |
| And danced in yellow wrigglers on the ceiling | K |
| As much at home as if they'd always danced there | N |
Robert Frost
(1)
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About In The Home Stretch
In The Home Stretch is a poem by Robert Frost. This page includes the poem text, poet information, related topics, comments, and similar poems.
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