Pippa Passes: Part Iii: Evening Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BAC DE BBF DGHIJKLMENOPQ BRSTUU DD BEVDSWX DYZA2B2C2 BDD2 DE2EF2UG2H2GI2DJ2DK2 I2H2L2H2DM2N2LEO2P2Q 2B BR2S2 DC2 BH2C2H2CT2 DU2V2W2N2X2H2EU2Y2V2 KH2Z2EH2VEA3H2B3 BQ2 DOH2DL2H2 BH2F2 DC3H2D3E3F3G3H2BH3BI 3F2J3K3HLL3OQM3N3U2H 2O3M3F2QF2N2ODP3Q3R3 BS3J3QT3EOQU3QQ2 DDH2V3M3F2 BW3 DQQH2X3QQY3Z3 BQF2D DQD2QD2 BDV3 DV3DQQG3 BBA DQ2 BQQDD DBG A Q2QF2QA4B4A4B4QQF2QQ F2 DF2 DM2DM2C4D4D4QQQQE4E4 DDQQQQQQF4G4M2M2 DM2 QDDQQH4H4ELLLLDDLM2L M2 D DDC4S2QX3YW3 D I4BDQ I4QJ4 I4Q2BE4DALDAQQ I4F2 I4D I4Q I4L2Q I4K4LDQQQQD I4DL4M4QN4BO4M2 I4X2DE3U2F2B4QLDO I4M3DG3M2S2QI4DDL2LQ I4M2QQ I4OQP4LLQQ4L I4R4DDDHM2 I4HS4D2 I4AQ I4QOQT4M2 I4D DADA QU4QU4 DQDQ I4D Q| Scene Inside the Turret on the Hill above Asolo Luigi and his Mother entering | A |
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| Mother | B |
| If there blew wind you'd hear a long sigh easing | A |
| The utmost heaviness of music's heart | C |
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| Luigi | D |
| Here in the archway | E |
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| - | |
| Mother | B |
| Oh no no in farther | B |
| Where the echo is made on the ridge | F |
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| Luigi | D |
| Here surely then | G |
| How plain the tap of my heel as I leaped up | H |
| Hark Lucius Junius The very ghost of a voice | I |
| Whose body is caught and kept by what are those | J |
| Mere withered wallflowers waving overhead | K |
| They seem an elvish group with thin bleached hair | L |
| That lean out of their topmost fortress look | M |
| And listen mountain men to what we say | E |
| Hand under chin of each grave earthy face | N |
| Up and show faces all of you All of you | O |
| That's the king dwarf with the scarlet comb old Franz | P |
| Come down and meet your fate Hark Meet your fate | Q |
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| Mother | B |
| Let him not meet it my Luigi do not | R |
| Go to his City Putting crime aside | S |
| Half of these ills of Italy are feigned | T |
| Your Pellicos and writers for effect | U |
| Write for effect | U |
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| Luigi | D |
| Hush Say A writes and B | D |
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| Mother | B |
| These A s and B s write for effect I say | E |
| Then evil is in its nature loud while good | V |
| Is silent you hear each petty injury | D |
| None of his virtues he is old beside | S |
| Quiet and kind and densely stupid Why | W |
| Do A and B not kill him themselves | X |
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| Luigi | D |
| They teach | Y |
| Others to kill him me and if I fail | Z |
| Others to succeed now if A tried and failed | A2 |
| I could not teach that mine's the lesser task | B2 |
| Mother they visit night by night | C2 |
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| Mother | B |
| You Luigi | D |
| Ah will you let me tell you what you are | D2 |
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| Luigi | D |
| Why not Oh the one thing you fear to hint | E2 |
| You may assure yourself I say and say | E |
| Ever to myself At times nay even as now | F2 |
| We sit I think my mind is touched suspect | U |
| All is not sound but is not knowing that | G2 |
| What constitutes one sane or otherwise | H2 |
| I know I am thus so all is right again | G |
| I laugh at myself as through the town I walk | I2 |
| And see men merry as if no Italy | D |
| Were suffering then I ponder I am rich | J2 |
| Young healthy why should this fact trouble me | D |
| More than it troubles these But it does trouble | K2 |
| No trouble's a bad word for as I walk | I2 |
| There's springing and melody and giddiness | H2 |
| And old quaint turns and passages of my youth | L2 |
| Dreams long forgotten little in themselves | H2 |
| Return to me whatever may amuse me | D |
| And earth seems in a truce with me and heaven | M2 |
| Accords with me all things suspend their strife | N2 |
| The very cicala laughs There goes he and there | L |
| Feast him the time is short he is on his way | E |
| For the world's sake feast him this once our friend | O2 |
| And in return for all this I can trip | P2 |
| Cheerfully up the scaffold steps I go | Q2 |
| This evening mother | B |
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| Mother | B |
| But mistrust yourself | R2 |
| Mistrust the judgment you pronounce on him | S2 |
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| Luigi | D |
| Oh there I feel am sure that I am right | C2 |
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| Mother | B |
| Mistrust your judgment then of the mere means | H2 |
| To this wild enterprise Say you are right | C2 |
| How should one in your state e'er bring to pass | H2 |
| What would require a cool head a cold heart | C |
| And a calm hand You never will escape | T2 |
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| Luigi | D |
| Escape To even wish that would spoil all | U2 |
| The dying is best part of it Too much | V2 |
| Have I enjoyed these fifteen years of mine | W2 |
| To leave myself excuse for longer life | N2 |
| Was not life pressed down running o'er with joy | X2 |
| That I might finish with it ere my fellows | H2 |
| Who sparelier feasted make a longer stay | E |
| I was put at the board head helped to all | U2 |
| At first I rise up happy and content | Y2 |
| God must be glad one loves his world so much | V2 |
| I can give news of earth to all the dead | K |
| Who ask me last year's sunsets and great stars | H2 |
| Which had a right to come first and see ebb | Z2 |
| The crimson wave that drifts the sun away | E |
| Those crescent moons with notched and burning rims | H2 |
| That strengthened into sharp fire and there stood | V |
| Impatient of the azure and that day | E |
| In March a double rainbow stopped the storm | A3 |
| May's warm slow yellow moonlit summer nights | H2 |
| Gone are they but I have them in my soul | B3 |
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| Mother | B |
| He will not go | Q2 |
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| Luigi | D |
| You smile at me 'T is true | O |
| Voluptuousness grotesqueness ghastliness | H2 |
| Environ my devotedness as quaintly | D |
| As round about some antique altar wreathe | L2 |
| The rose festoons goats' horns and oxen's skulls | H2 |
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| Mother | B |
| See now you reach the city you must cross | H2 |
| His threshold how | F2 |
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| Luigi | D |
| Oh that's if we conspired | C3 |
| Then would come pains in plenty as you guess | H2 |
| But guess not how the qualities most fit | D3 |
| For such an office qualities I have | E3 |
| Would little stead me otherwise employed | F3 |
| Yet prove of rarest merit only here | G3 |
| Every one knows for what his excellence | H2 |
| Will serve but no one ever will consider | B |
| For what his worst defect might serve and yet | H3 |
| Have you not seen me range our coppice yonder | B |
| In search of a distorted ash I find | I3 |
| The wry spoilt branch a natural perfect bow | F2 |
| Fancy the thrice sage thrice precautioned man | J3 |
| Arriving at the palace on my errand | K3 |
| No no I have a handsome dress packed up | H |
| White satin here to set off my black hair | L |
| In I shall march for you may watch your life out | L3 |
| Behind thick walls make friends there to betray you | O |
| More than one man spoils everything March straight | Q |
| Only no clumsy knife to fumble for | M3 |
| Take the great gate and walk not saunter on | N3 |
| Thro' guards and guards I have rehearsed it all | U2 |
| Inside the turret here a hundred times | H2 |
| Don't ask the way of whom you meet observe | O3 |
| But where they cluster thickliest is the door | M3 |
| Of doors they'll let you pass they'll never blab | F2 |
| Each to the other he knows not the favourite | Q |
| Whence he is bound and what's his business now | F2 |
| Walk in straight up to him you have no knife | N2 |
| Be prompt how should he scream Then out with you | O |
| Italy Italy my Italy | D |
| You're free you're free Oh mother I could dream | P3 |
| They got about me Andrea from his exile | Q3 |
| Pier from his dungeon Gualtier from his grave | R3 |
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| Mother | B |
| Well you shall go Yet seems this patriotism | S3 |
| The easiest virtue for a selfish man | J3 |
| To acquire he loves himself and next the world | Q |
| If he must love beyond but nought between | T3 |
| As a short sighted man sees nought midway | E |
| His body and the sun above But you | O |
| Are my adored Luigi ever obedient | Q |
| To my least wish and running o'er with love | U3 |
| I could not call you cruel or unkind | Q |
| Once more your ground for killing him then go | Q2 |
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| - | |
| Luigi | D |
| Now do you try me or make sport of me | D |
| How first the Austrians got these provinces | H2 |
| If that is all I'll satisfy you soon | V3 |
| Never by conquest but by cunning for | M3 |
| That treaty whereby | F2 |
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| Mother | B |
| Well | W3 |
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| Luigi | D |
| Sure he's arrived | Q |
| The tell tale cuckoo spring's his confidant | Q |
| And he lets out her April purposes | H2 |
| Or better go at once to modern time | X3 |
| He has they have in fact I understand | Q |
| But can't restate the matter that's my boast | Q |
| Others could reason it out to you and prove | Y3 |
| Things they have made me feel | Z3 |
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| Mother | B |
| Why go to night | Q |
| Morn's for adventure Jupiter is now | F2 |
| A morning star I cannot hear you Luigi | D |
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| - | |
| Luigi | D |
| I am the bright and morning star saith God | Q |
| And to such an one I give the morning star | D2 |
| The gift of the morning star Have I God's gift | Q |
| Of the morning star | D2 |
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| Mother | B |
| Chiara will love to see | D |
| That Jupiter an evening star next June | V3 |
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| Luigi | D |
| True mother Well for those who live through June | V3 |
| Great noontides thunder storms all glaring pomps | D |
| That triumph at the heels of June the god | Q |
| Leading his revel through our leafy world | Q |
| Yes Chiara will be here | G3 |
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| Mother | B |
| In June remember | B |
| Yourself appointed that month for her coming | A |
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| Luigi | D |
| Was that low noise the echo | Q2 |
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| Mother | B |
| The night wind | Q |
| She must be grown with her blue eyes upturned | Q |
| As if life were one long and sweet surprise | D |
| In June she comes | D |
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| Luigi | D |
| We were to see together | B |
| The Titian at Treviso There again | G |
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| From without is heard the voice of Pippa singing | A |
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| A king lived long ago | Q2 |
| In the morning of the world | Q |
| When earth was nigher heaven than now | F2 |
| And the king's locks curled | Q |
| Disparting o'er a forehead full | A4 |
| As the milk white space 'twixt horn and horn | B4 |
| Of some sacrificial bull | A4 |
| Only calm as a babe new born | B4 |
| For he was got to a sleepy mood | Q |
| So safe from all decrepitude | Q |
| Age with its bane so sure gone by | F2 |
| The gods so loved him while he dreamed | Q |
| That having lived thus long there seemed | Q |
| No need the king should ever die | F2 |
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| Luigi | D |
| No need that sort of king should ever die | F2 |
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| Among the rocks his city was | D |
| Before his palace in the sun | M2 |
| He sat to see his people pass | D |
| And judge them every one | M2 |
| From its threshold of smooth stone | C4 |
| They haled him many a valley thief | D4 |
| Caught in the sheep pens robber chief | D4 |
| Swarthy and shameless beggar cheat | Q |
| Spy prowler or rough pirate found | Q |
| On the sea sand left aground | Q |
| And sometimes clung about his feet | Q |
| With bleeding lip and burning cheek | E4 |
| A woman bitterest wrong to speak | E4 |
| Of one with sullen thickset brows | D |
| And sometimes from the prison house | D |
| The angry priests a pale wretch brought | Q |
| Who through some chink had pushed and pressed | Q |
| On knees and elbows belly and breast | Q |
| Worm like into the temple caught | Q |
| He was by the very god | Q |
| Who ever in the darkness strode | Q |
| Backward and forward keeping watch | F4 |
| O'er his brazen bowls such rogues to catch | G4 |
| These all and every one | M2 |
| The king judged sitting in the sun | M2 |
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| Luigi | D |
| That king should still judge sitting in the sun | M2 |
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| His councillors on left and right | Q |
| Looked anxious up but no surprise | D |
| Disturbed the king's old smiling eyes | D |
| Where the very blue had turned to white | Q |
| 'T is said a Python scared one day | Q |
| The breathless city till he came | H4 |
| With forky tongue and eyes on flame | H4 |
| Where the old king sat to judge alway | E |
| But when he saw the sweepy hair | L |
| Girt with a crown of berries rare | L |
| Which the god will hardly give to wear | L |
| To the maiden who singeth dancing bare | L |
| In the altar smoke by the pine torch lights | D |
| At his wondrous forest rites | D |
| Seeing this he did not dare | L |
| Approach that threshold in the sun | M2 |
| Assault the old king smiling there | L |
| Such grace had kings when the world begun | M2 |
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| Pippa passes | D |
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| Luigi | D |
| And such grace have they now that the world ends | D |
| The Python at the city on the throne | C4 |
| And brave men God would crown for slaying him | S2 |
| Lurk in bye corners lest they fall his prey | Q |
| Are crowns yet to be won in this late time | X3 |
| Which weakness makes me hesitate to reach | Y |
| 'T is God's voice calls how could I stay Farewell | W3 |
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| Talk by the way while Pippa is passing from the Turret to the Bishop's Brother's House close to the Duomo S Maria PoorGirls sitting on the steps | D |
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| st Girl | I4 |
| There goes a swallow to Venice the stout seafarer | B |
| Seeing those birds fly makes one wish for wings | D |
| Let us all wish you wish first | Q |
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| nd Girl | I4 |
| I This sunset | Q |
| To finish | J4 |
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| rd Girl | I4 |
| That old somebody I know | Q2 |
| Greyer and older than my grandfather | B |
| To give me the same treat he gave last week | E4 |
| Feeding me on his knee with fig peckers | D |
| Lampreys and red Breganze wine and mumbling | A |
| The while some folly about how well I fare | L |
| Let sit and eat my supper quietly | D |
| Since had he not himself been late this morning | A |
| Detained at never mind where had he not | Q |
| Eh baggage had I not | Q |
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| nd Girl | I4 |
| How she can lie | F2 |
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| rd Girl | I4 |
| Look there by the nails | D |
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| nd Girl | I4 |
| What makes your fingers red | Q |
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| rd Girl | I4 |
| Dipping them into wine to write bad words with | L2 |
| On the bright table how he laughed | Q |
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| st Girl | I4 |
| My turn | K4 |
| Spring's come and summer's coming I would wear | L |
| A long loose gown down to the feet and hands | D |
| With plaits here close about the throat all day | Q |
| And all night lie the cool long nights in bed | Q |
| And have new milk to drink apples to eat | Q |
| Deuzans and junetings leather coats ah I should say | Q |
| This is away in the fields miles | D |
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| rd Girl | I4 |
| Say at once | D |
| You'd be at home she'd always be at home | L4 |
| Now comes the story of the farm among | M4 |
| The cherry orchards and how April snowed | Q |
| White blossoms on her as she ran Why fool | N4 |
| They've rubved the chalk mark out how tall you were | B |
| Twisted your starling's neck broken his cage | O4 |
| Made a dung hill of your garden | M2 |
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| - | |
| st Girl | I4 |
| They destroy | X2 |
| My garden since I left them well perhaps | D |
| I would have done so so I hope they have | E3 |
| A fig tree curled out of our cottage wall | U2 |
| They called it mine I have forgotten why | F2 |
| It must have been there long ere I was born | B4 |
| Cric cric I think I hear the wasps o'erhead | Q |
| Pricking the papers strung to flutter there | L |
| And keep off birds in fruit time coarse long papers | D |
| And the wasps eat them prick them through and through | O |
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| rd Girl | I4 |
| How her mouth twitches Where was I before | M3 |
| She broke in with her wishes and long gowns | D |
| And wasps would I be such a fool Oh here | G3 |
| This is my way I answer every one | M2 |
| Who asks me why I make so much of him | S2 |
| If you say you love him straight he'll not be gulled | Q |
| He that seduced me when I was a girl | I4 |
| Thus high had eyes like yours or hair like yours | D |
| Brown red white as the case may be that pleases | D |
| See how that beetle burnishes in the path | L2 |
| There sparkles he along the dust and there | L |
| Your journey to that maize tuft spoiled at least | Q |
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| - | |
| st Girl | I4 |
| When I was young they said if you killed one | M2 |
| Of those sunshiny beetles that his friend | Q |
| Up there would shine no more that day nor next | Q |
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| nd Girl | I4 |
| When you were young Nor are you young that's true | O |
| How your plump arms that were have dropped away | Q |
| Why I can span them Cecco beats you still | P4 |
| No matter so you keep your curious hair | L |
| I wish they'd find a way to dye our hair | L |
| Your colour any lighter tint indeed | Q |
| Than black the men say they are sick of black | Q4 |
| Black eyes black hair | L |
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| - | |
| th Girl | I4 |
| Sick of yours like enough | R4 |
| Do you pretend you ever tasted lampreys | D |
| And ortolans Giovita of the palace | D |
| Engaged but there's no trusting him to slice me | D |
| Polenta with a knife that had cut up | H |
| An ortolan | M2 |
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| - | |
| nd Girl | I4 |
| Why there Is not that Pippa | H |
| We are to talk to under the window quick | S4 |
| Where the lights are | D2 |
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| - | |
| st Girl | I4 |
| That she No or she would sing | A |
| For the Intendant said | Q |
| - | |
| - | |
| rd Girl | I4 |
| Oh you sing first | Q |
| Then if she listens and comes close I'll tell you | O |
| Sing that song the young English noble made | Q |
| Who took you for the purest of the pure | T4 |
| And meant to leave the world for you what fun | M2 |
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| - | |
| nd Girl | I4 |
| sings | D |
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| - | |
| You'll love me yet and I can tarry | D |
| Your love's protracted growing | A |
| June reared that bunch of flowers you carry | D |
| From seeds of April's sowing | A |
| - | |
| - | |
| I plant a heartful now some seed | Q |
| At least is sure to strike | U4 |
| And yield what you'll not pluck indeed | Q |
| Not love but may be like | U4 |
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| - | |
| You'll look at least on love's remains | D |
| A grave's one violet | Q |
| Your look that pays a thousand pains | D |
| What's death You'll love me yet | Q |
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| rd Girl | I4 |
| to Pippa who approaches | D |
| - | |
| - | |
| Oh you may come closer we shall not eat you Why you seem the very person that the great rich handsome Englishman has fallen so violently in love with I'll tell you all about it | Q |
Robert Browning
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