Andrea Del Sarto - Called The "faultless Painter" Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNIOPQRS TUVWXYZA2B2C2D2E2F2I G2H2II2J2IK2FUL2G2M2 TPHN2O2IN2HDP2AIFXDQ 2IR2P2S2MT2U2PV2J2W2 X2Y2Z2E2A3B3C3D3NXIE 3F3G3H3PTI3J3K3L3M3N 3O3FP3C3ITQ3R3XIIIS3 FT3U3V3HMW3Q3IPKX3Y3 Z3H3N3A4B4C3M3IILC4T PID4E4WF4G4H4G3R3FI4 UIJ4IK4N3L4IIM4G3IN4 O4P4Q4QR4S4IN2FT4F3F DU4V4W4NM3FX4R2Y4KU2 TZZ4IMY3IIQ3R3IY4V4I V3F4AO2IIT2Q3W4IUM3F 4DMQ3IS2UIF4WN3PE3UQ 3E3IA V3E2MPUN2ID4UJ4IE2V3 S2IX4 J| But do not let us quarrel any more | A |
| No my Lucrezia bear with me for once | B |
| Sit down and all shall happen as you wish | C |
| You turn your face but does it bring your heart | D |
| I'll work then for your friend's friend never fear | E |
| Treat his own subject after his own way | F |
| Fix his own time accept too his own price | G |
| And shut the money into this small hand | H |
| When next it takes mine Will it tenderly | I |
| Oh I'll content him but to morrow Love | J |
| I often am much wearier than you think | K |
| This evening more than usual and it seems | L |
| As if forgive now should you let me sit | M |
| Here by the window with your hand in mine | N |
| And look a half hour forth on Fiesole | I |
| Both of one mind as married people use | O |
| Quietly quietly the evening through | P |
| I might get up to morrow to my work | Q |
| Cheerful and fresh as ever Let us try | R |
| To morrow how you shall be glad for this | S |
| Your soft hand is a woman of itself | T |
| And mine the man's bared breast she curls inside | U |
| Don't count the time lost neither you must serve | V |
| For each of the five pictures we require | W |
| It saves a model So keep looking so | X |
| My serpentining beauty rounds on rounds | Y |
| How could you ever prick those perfect ears | Z |
| Even to put the pearl there oh so sweet | A2 |
| My face my moon my everybody's moon | B2 |
| Which everybody looks on and calls his | C2 |
| And I suppose is looked on by in turn | D2 |
| While she looks no one's very dear no less | E2 |
| You smile why there's my picture ready made | F2 |
| There's what we painters call our harmony | I |
| A common greyness silvers everything | G2 |
| All in a twilight you and I alike | H2 |
| You at the point of your first pride in me | I |
| That's gone you know but I at every point | I2 |
| My youth my hope my art being all toned down | J2 |
| To yonder sober pleasant Fiesole | I |
| There's the bell clinking from the chapel top | K2 |
| That length of convent wall across the way | F |
| Holds the trees safer huddled more inside | U |
| The last monk leaves the garden days decrease | L2 |
| And autumn grows autumn in everything | G2 |
| Eh the whole seems to fall into a shape | M2 |
| As if I saw alike my work and self | T |
| And all that I was born to be and do | P |
| A twilight piece Love we are in God's hand | H |
| How strange now looks the life he makes us lead | N2 |
| So free we seem so fettered fast we are | O2 |
| I feel he laid the fetter let it lie | I |
| This chamber for example turn your head | N2 |
| All that's behind us You don't understand | H |
| Nor care to understand about my art | D |
| But you can hear at least when people speak | P2 |
| And that cartoon the second from the door | A |
| It is the thing Love so such things should be | I |
| Behold Madonna I am bold to say | F |
| I can do with my pencil what I know | X |
| What I see what at bottom of my heart | D |
| I wish for if I ever wish so deep | Q2 |
| Do easily too when I say perfectly | I |
| I do not boast perhaps yourself are judge | R2 |
| Who listened to the Legate's talk last week | P2 |
| And just as much they used to say in France | S2 |
| At any rate 'tis easy all of it | M |
| No sketches first no studies that's long past | T2 |
| I do what many dream of all their lives | U2 |
| Dream strive to do and agonize to do | P |
| And fail in doing I could count twenty such | V2 |
| On twice your fingers and not leave this town | J2 |
| Who strive you don't know how the others strive | W2 |
| To paint a little thing like that you smeared | X2 |
| Carelessly passing with your robes afloat | Y2 |
| Yet do much less so much less Someone says | Z2 |
| I know his name no matter so much less | E2 |
| Well less is more Lucrezia I am judged | A3 |
| There burns a truer light of God in them | B3 |
| In their vexed beating stuffed and stopped up brain | C3 |
| Heart or whate'er else than goes on to prompt | D3 |
| This low pulsed forthright craftsman's hand of mine | N |
| Their works drop groundward but themselves I know | X |
| Reach many a time a heaven that's shut to me | I |
| Enter and take their place there sure enough | E3 |
| Though they come back and cannot tell the world | F3 |
| My works are nearer heaven but I sit here | G3 |
| The sudden blood of these men at a word | H3 |
| Praise them it boils or blame them it boils too | P |
| I painting from myself and to myself | T |
| Know what I do am unmoved by men's blame | I3 |
| Or their praise either Somebody remarks | J3 |
| Morello's outline there is wrongly traced | K3 |
| His hue mistaken what of that or else | L3 |
| Rightly traced and well ordered what of that | M3 |
| Speak as they please what does the mountain care | N3 |
| Ah but a man's reach should exceed his grasp | O3 |
| Or what's a heaven for All is silver grey | F |
| Placid and perfect with my art the worse | P3 |
| I know both what I want and what might gain | C3 |
| And yet how profitless to know to sigh | I |
| Had I been two another and myself | T |
| Our head would have o'erlooked the world No doubt | Q3 |
| Yonder's a work now of that famous youth | R3 |
| The Urbinate who died five years ago | X |
| 'Tis copied George Vasari sent it me | I |
| Well I can fancy how he did it all | I |
| Pouring his soul with kings and popes to see | I |
| Reaching that heaven might so replenish him | S3 |
| Above and through his art for it gives way | F |
| That arm is wrongly put and there again | T3 |
| A fault to pardon in the drawing's lines | U3 |
| Its body so to speak its soul is right | V3 |
| He means right that a child may understand | H |
| Still what an arm and I could alter it | M |
| But all the play the insight and the stretch | W3 |
| Out of me out of me And wherefore out | Q3 |
| Had you enjoined them on me given me soul | I |
| We might have risen to Rafael I and you | P |
| Nay Love you did give all I asked I think | K |
| More than I merit yes by many times | X3 |
| But had you oh with the same perfect brow | Y3 |
| And perfect eyes and more than perfect mouth | Z3 |
| And the low voice my soul hears as a bird | H3 |
| The fowler's pipe and follows to the snare | N3 |
| Had you with these the same but brought a mind | A4 |
| Some women do so Had the mouth there urged | B4 |
| God and the glory never care for gain | C3 |
| The present by the future what is that | M3 |
| Live for fame side by side with Agnolo | I |
| Rafael is waiting up to God all three | I |
| I might have done it for you So it seems | L |
| Perhaps not All is as God over rules | C4 |
| Beside incentives come from the soul's self | T |
| The rest avail not Why do I need you | P |
| What wife had Rafael or has Agnolo | I |
| In this world who can do a thing will not | D4 |
| And who would do it cannot I perceive | E4 |
| Yet the will's somewhat somewhat too the power | W |
| And thus we half men struggle At the end | F4 |
| God I conclude compensates punishes | G4 |
| 'Tis safer for me if the award be strict | H4 |
| That I am something underrated here | G3 |
| Poor this long while despised to speak the truth | R3 |
| I dared not do you know leave home all day | F |
| For fear of chancing on the Paris lords | I4 |
| The best is when they pass and look aside | U |
| But they speak sometimes I must bear it all | I |
| Well may they speak That Francis that first time | J4 |
| And that long festal year at Fontainebleau | I |
| I surely then could sometimes leave the ground | K4 |
| Put on the glory Rafael's daily wear | N3 |
| In that humane great monarch's golden look | L4 |
| One finger in his beard or twisted curl | I |
| Over his mouth's good mark that made the smile | I |
| One arm about my shoulder round my neck | M4 |
| The jingle of his gold chain in my ear | G3 |
| I painting proudly with his breath on me | I |
| All his court round him seeing with his eyes | N4 |
| Such frank French eyes and such a fire of souls | O4 |
| Profuse my hand kept plying by those hearts | P4 |
| And best of all this this this face beyond | Q4 |
| This in the background waiting on my work | Q |
| To crown the issue with a last reward | R4 |
| A good time was it not my kingly days | S4 |
| And had you not grown restless but I know | I |
| 'Tis done and past 'Twas right my instinct said | N2 |
| Too live the life grew golden and not grey | F |
| And I'm the weak eyed bat no sun should tempt | T4 |
| Out of the grange whose four walls make his world | F3 |
| How could it end in any other way | F |
| You called me and I came home to your heart | D |
| The triumph was to reach and stay there since | U4 |
| I reached it ere the triumph what is lost | V4 |
| Let my hands frame your face in your hair's gold | W4 |
| You beautiful Lucrezia that are mine | N |
| Rafael did this Andrea painted that | M3 |
| The Roman's is the better when you pray | F |
| But still the other's Virgin was his wife | X4 |
| Men will excuse me I am glad to judge | R2 |
| Both pictures in your presence clearer grows | Y4 |
| My better fortune I resolve to think | K |
| For do you know Lucrezia as God lives | U2 |
| Said one day Agnolo his very self | T |
| To Rafael I have known it all these years | Z |
| When the young man was flaming out his thoughts | Z4 |
| Upon a palace wall for Rome to see | I |
| Too lifted up in heart because of it | M |
| Friend there's a certain sorry little scrub | |
| Goes up and down our Florence none cares how | Y3 |
| Who were he set to plan and execute | |
| As you are pricked on by your popes and kings | |
| Would bring the sweat into that brow of yours | |
| To Rafael's And indeed the arm is wrong | |
| I hardly dare yet only you to see | I |
| Give the chalk here quick thus the line should go | I |
| Ay but the soul he's Rafael rub it out | Q3 |
| Still all I care for if he spoke the truth | R3 |
| What he why who but Michel Agnolo | I |
| Do you forget already words like those | Y4 |
| If really there was such a chance so lost | V4 |
| Is whether you're not grateful but more pleased | |
| Well let me think so And you smile indeed | |
| This hour has been an hour Another smile | I |
| If you would sit thus by me every night | V3 |
| I should work better do you comprehend | F4 |
| I mean that I should earn more give you more | A |
| See it is settled dusk now there's a star | O2 |
| Morello's gone the watch lights show the wall | I |
| The cue owls speak the name we call them by | I |
| Come from the window love come in at last | T2 |
| Inside the melancholy little house | |
| We built to be so gay with God is just | |
| King Francis may forgive me oft at nights | |
| When I look up from painting eyes tired out | Q3 |
| The walls become illumined brick from brick | |
| Distinct instead of mortar fierce bright gold | W4 |
| That gold of his I did cement them with | |
| Let us but love each other Must you go | I |
| That Cousin here again he waits outside | U |
| Must see you you and not with me Those loans | |
| More gaming debts to pay you smiled for that | M3 |
| Well let smiles buy me have you more to spend | F4 |
| While hand and eye and something of a heart | D |
| Are left me work's my ware and what's it worth | |
| I'll pay my fancy Only let me sit | M |
| The grey remainder of the evening out | Q3 |
| Idle you call it and muse perfectly | I |
| How I could paint were I but back in France | S2 |
| One picture just one more the Virgin's face | |
| Not yours this time I want you at my side | U |
| To hear them that is Michel Agnolo | I |
| Judge all I do and tell you of its worth | |
| Will you To morrow satisfy your friend | F4 |
| I take the subjects for his corridor | W |
| Finish the portrait out of hand there there | N3 |
| And throw him in another thing or two | P |
| If he demurs the whole should prove enough | E3 |
| To pay for this same Cousin's freak Beside | U |
| What's better and what's all I care about | Q3 |
| Get you the thirteen scudi for the ruff | E3 |
| Love does that please you Ah but what does he | I |
| The Cousin what does he to please you more | A |
| - | |
| I am grown peaceful as old age to night | V3 |
| I regret little I would change still less | E2 |
| Since there my past life lies why alter it | M |
| The very wrong to Francis it is true | P |
| I took his coin was tempted and complied | U |
| And built this house and sinned and all is said | N2 |
| My father and my mother died of want | |
| Well had I riches of my own you see | I |
| How one gets rich Let each one bear his lot | D4 |
| They were born poor lived poor and poor they died | U |
| And I have laboured somewhat in my time | J4 |
| And not been paid profusely Some good son | |
| Paint my two hundred pictures let him try | I |
| No doubt there's something strikes a balance Yes | E2 |
| You loved me quite enough it seems to night | V3 |
| This must suffice me here What would one have | |
| In heaven perhaps new chances one more chance | S2 |
| Four great walls in the New Jerusalem | |
| Meted on each side by the angel's reed | |
| For Leonard Rafael Agnolo and me | I |
| To cover the three first without a wife | X4 |
| While I have mine So still they overcome | |
| Because there's still Lucrezia as I choose | |
| - | |
| Again the Cousin's whistle Go my Love | J |
Robert Browning
(1)
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About Andrea Del Sarto - Called The "faultless Painter"
Andrea Del Sarto - Called The "faultless Painter" is a poem by Robert Browning. This page includes the poem text, poet information, related topics, comments, and similar poems.
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