The Harp Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABABCDBBEFGHIIJKIKII ILJLMILINIIOOPP QQ RRR STOOUUIVRRWCRXXYZA2C CB2B2C2C2OOD2D2OOIIE 2E2F2F2F2F2TTIIIIPPR RF2F2IIG2G2H2H2I2D2C 2C2TTRRPP RROOIIIIJ2RRK2K2J2F2 F2L2L2M2M2M2| One musician is sure | A |
| His wisdom will not fail | B |
| He has not tasted wine impure | A |
| Nor bent to passion frail | B |
| Age cannot cloud his memory | C |
| Nor grief untune his voice | D |
| Ranging down the ruled scale | B |
| From tone of joy to inward wail | B |
| Tempering the pitch of all | E |
| In his windy cave | F |
| He all the fables knows | G |
| And in their causes tells | H |
| Knows Nature's rarest moods | I |
| Ever on her secret broods | I |
| The Muse of men is coy | J |
| Oft courted will not come | K |
| In palaces and market squares | I |
| Entreated she is dumb | K |
| But my minstrel knows and tells | I |
| The counsel of the gods | I |
| Knows of Holy Book the spells | I |
| Knows the law of Night and Day | L |
| And the heart of girl and boy | J |
| The tragic and the gay | L |
| And what is writ on Table Round | M |
| Of Arthur and his peers | I |
| What sea and land discoursing say | L |
| In sidereal years | I |
| He renders all his lore | N |
| In numbers wild as dreams | I |
| Modulating all extremes | I |
| What the spangled meadow saith | O |
| To the children who have faith | O |
| Only to children children sing | P |
| Only to youth will spring be spring | P |
| - | |
| Who is the Bard thus magnified | Q |
| When did he sing and where abide | Q |
| - | |
| Chief of song where poets feast | R |
| Is the wind harp which thou seest | R |
| In the casement at my side | R |
| - | |
| Aeolian harp | S |
| How strangely wise thy strain | T |
| Gay for youth gay for youth | O |
| Sweet is art but sweeter truth | O |
| In the hall at summer eve | U |
| Fate and Beauty skilled to weave | U |
| From the eager opening strings | I |
| Rung loud and bold the song | V |
| Who but loved the wind harp's note | R |
| How should not the poet doat | R |
| On its mystic tongue | W |
| With its primeval memory | C |
| Reporting what old minstrels told | R |
| Of Merlin locked the harp within | X |
| Merlin paying the pain of sin | X |
| Pent in a dungeon made of air | Y |
| And some attain his voice to hear | Z |
| Words of pain and cries of fear | A2 |
| But pillowed all on melody | C |
| As fits the griefs of bards to be | C |
| And what if that all echoing shell | B2 |
| Which thus the buried Past can tell | B2 |
| Should rive the Future and reveal | C2 |
| What his dread folds would fain conceal | C2 |
| It shares the secret of the earth | O |
| And of the kinds that owe her birth | O |
| Speaks not of self that mystic tone | D2 |
| But of the Overgods alone | D2 |
| It trembles to the cosmic breath | O |
| As it heareth so it saith | O |
| Obeying meek the primal Cause | I |
| It is the tongue of mundane laws | I |
| And this at least I dare affirm | E2 |
| Since genius too has bound and term | E2 |
| There is no bard in all the choir | F2 |
| Not Homer's self the poet sire | F2 |
| Wise Milton's odes of pensive pleasure | F2 |
| Or Shakspeare whom no mind can measure | F2 |
| Nor Collins' verse of tender pain | T |
| Nor Byron's clarion of disdain | T |
| Scott the delight of generous boys | I |
| Or Wordsworth Pan's recording voice | I |
| Not one of all can put in verse | I |
| Or to this presence could rehearse | I |
| The sights and voices ravishing | P |
| The boy knew on the hills in spring | P |
| When pacing through the oaks he heard | R |
| Sharp queries of the sentry bird | R |
| The heavy grouse's sudden whir | F2 |
| The rattle of the kingfisher | F2 |
| Saw bonfires of the harlot flies | I |
| In the lowland when day dies | I |
| Or marked benighted and forlorn | G2 |
| The first far signal fire of morn | G2 |
| These syllables that Nature spoke | H2 |
| And the thoughts that in him woke | H2 |
| Can adequately utter none | I2 |
| Save to his ear the wind harp lone | D2 |
| Therein I hear the Parcae reel | C2 |
| The threads of man at their humming wheel | C2 |
| The threads of life and power and pain | T |
| So sweet and mournful falls the strain | T |
| And best can teach its Delphian chord | R |
| How Nature to the soul is moored | R |
| If once again that silent string | P |
| As erst it wont would thrill and ring | P |
| - | |
| Not long ago at eventide | R |
| It seemed so listening at my side | R |
| A window rose and to say sooth | O |
| I looked forth on the fields of youth | O |
| I saw fair boys bestriding steeds | I |
| I knew their forms in fancy weeds | I |
| Long long concealed by sundering fates | I |
| Mates of my youth yet not my mates | I |
| Stronger and bolder far than I | J2 |
| With grace with genius well attired | R |
| And then as now from far admired | R |
| Followed with love | K2 |
| They knew not of | K2 |
| With passion cold and shy | J2 |
| O joy for what recoveries rare | F2 |
| Renewed I breathe Elysian air | F2 |
| See youth's glad mates in earliest bloom | L2 |
| Break not my dream obtrusive tomb | L2 |
| Or teach thou Spring the grand recoil | M2 |
| Of life resurgent from the soil | M2 |
| Wherein was dropped the mortal spoil | M2 |
Ralph Waldo Emerson
(1)
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About The Harp
The Harp is a poem by Ralph Waldo Emerson. This page includes the poem text, poet information, related topics, comments, and similar poems.
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