Offerings (a Movement In Four Parts) Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDE FGHI JKLM NOO PDQR STUQ NVVW LESVV EVDXY BEOZ VA2 B2EVVV C2MD2E2D2 VVJF2 VV JE2E JD2E2JG2 MVD2 JVV D2D2 VH2The night is folly without the moon | A |
trees blank space against a frontal sky | B |
where lattice work from a bled fish reveals | C |
skeletal markings will not administer | D |
the red jack of hearts to a mistress sea | E |
- | |
Most fickle the ways of a cockroach | F |
I don't recommend them to offerings | G |
of white linen cold squares atop | H |
a stone diamonded floor | I |
- | |
Palaver shacks drone in ghostly light | J |
communicating some message about eel runs | K |
up the black river the equivalent brush | L |
of tombstones against dark nightsoil | M |
- | |
Tiny bars open as cubicles | N |
proverbial flashes of the coming evening | O |
haciendas to count every blessing | O |
- | |
The road to such places | P |
snarls a dusty pleasure | D |
and will heat thin blood | Q |
to boil in the daylight hours | R |
- | |
II | - |
- | |
Sweat corrodes the cork's emplacement | S |
about green bottlenecks | T |
its azure breath tossing back | U |
pools of sparse liquid | Q |
- | |
I picture ships placed within such bottles | N |
as bannisters along corrugated highways | V |
seawater rusting from within the steamfitters's | V |
tonsorial edge | W |
- | |
Haze thickens as sails blur to an artist's brush | L |
then squiggles in the oilpaint of memory | E |
her sides fashioning red wounds as pigment | S |
surfacing from robotical crustaceans | V |
lancing the bottom of a deeper crevice | V |
- | |
III | - |
- | |
My steps clank to the gaoler's key | E |
to become within handmaidens to thorned plants | V |
acting as fuselage along the building's exterior | D |
Afar a white seagull sits as a bespectacled tourist | X |
gracing a buoy like a madras shirt | Y |
- | |
Early stars in an afternoon sky | B |
are expansive in Chateau Lafitte finery | E |
the Rothschilds of the universe playing | O |
a cosmic baccarat | Z |
- | |
- | |
A girl in a brandy snifter of a dress | V |
dark sensual runs through tomes of my mind | A2 |
- | |
It's a hall of mirrors there | B2 |
the radiating glass of the sea | E |
twilight splendour in tall grass | V |
the hands of thick mahogany chairs | V |
grimacing against perspiring walls | V |
- | |
I sponge water like a good midshipman | C2 |
off the brow of a leaking vessel | M |
Nowhere are there signs of more than | D2 |
partial seepage though smoke in the | E2 |
back corridors exists from the fiery aguandine | D2 |
- | |
IV | - |
- | |
Green palms unfurl as flags | V |
to the accordian of my eyes | V |
blinking back the strong belt of sunlight | J |
that precisely floods the room | F2 |
- | |
Sailors jostle this crowd of memories | V |
some surly lipped with broad tattoes | V |
- | |
A naked mermaid presses her thighs 'gainst | J |
memory door then winks as the | E2 |
stellar crust of oblivion takes me | E |
- | |
- | |
- | |
In sleep waterfront toughs are transformed | J |
to storeowners that smile exchange pleasantries in | D2 |
Saba | E2 |
French gendarmes embrace on the other side | J |
clustering like starfish on the twin breasts of a beach | G2 |
- | |
I devour cups not of riverwater in this cell | M |
but the best pink champagne at the captain's | V |
reception | D2 |
- | |
With hatfuls of intermittent rest | J |
blurred outlines recede into mists | V |
thin as General Winter's treasured April snows | V |
- | |
The bony M of a hatpin | D2 |
the passkey to better redress of fortune | D2 |
the turnstills concealed within lavabeds of | - |
bladegrass | V |
beckon upon the return voyage home | H2 |
Paul Cameron Brown
(1)
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