Boca Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB CDEFG B HHIIIB JB KBBLM NO PE BB BBF QRB SSTB UB BVW BXY FZ EA2 FB2C2ID2 E2BF2G2FE BBB BKUH2IB BHIF B I2UD F2B BF IBB D2 J2J2J2N UK2 X B2LFVE IL2 IBM2B N2 F L O2P2LIE Q2 A2ABBXSU F2E XB I2KJ2E FR2 S2T2 E U2V2 FJ2B W2IOB F I UBE SHLX2 B VF NY2F Z2 UIA3 LL IB3 IVJ IFUU XE KI IE BC3Nature abhors a vacuum theorists of both philosophy and | A |
politics assure us | B |
- | |
What's more the phenomena is not confined to mere | C |
physical science given the nature of human opportunism | D |
Glance a map of central Europe for further insights One | E |
side always replaced the other when a common enemy | F |
expired | G |
- | |
Boca might well have studied such eventualities | B |
- | |
Boca was a writer More accurately a touch dancer with | H |
the written phrase deftly painting the catchy one liner with | H |
effortless ease and grace Boca knew his craft be it the | I |
arena of story poem drama it didn't matter the genre | I |
Unfortunately his oeuvre remained fixed and static Boca | I |
never progressed beyond titles | B |
- | |
A right jolly good thing too said Boca in his own | J |
defense | B |
- | |
The short burst counted most whether in thought sport or | K |
field of battle The utterance of a single breath That was | B |
it It all lay in the aside the pun a retort the r cit If this | B |
were all to the story there would be no doubt whatsoever | L |
Boca excelled | M |
- | |
In the briefest expression perhaps said the critics But | N |
as they were quick to point out it didn't lead anywhere | O |
- | |
Where is the larger more important fruit His finished | P |
verbal passion intoned one | E |
- | |
Still this chance fortune led to the inspiration and success | B |
of unusually vivid titles | B |
- | |
But titles Just titles said others nervously Yes | B |
proclaimed Boca Titles Not epithets or rejoinders | B |
cat calls even repartee | F |
- | |
Not even wit in the normal understanding of the term Just | Q |
mere titles Bushel baskets of them Worried looks crept | R |
onto the onlookers' faces | B |
- | |
Encyclopaedic came the flowering Ad factories should | S |
have tapped such a larder Any creative department could | S |
have done worse than with Boca's dripping imagery and gift | T |
for the keynote phrase | B |
- | |
There is majesty here said one and more than a little | U |
Blake I am reminded of the great symbolists | B |
- | |
One has to be practical cautioned still another What's | B |
here is hardly epigrammatic or even purely an aphorism in | V |
any truer sense of the word | W |
- | |
I'm simply perplexed said the man finally to his | B |
colleague and both left without further ado or thought to | X |
Boca's work | Y |
- | |
Indeed Boca loved his words tinkering with the very | F |
essence of language | Z |
- | |
A great beginning cheered a rare voice Let's hope one | E |
without premature end | A2 |
- | |
Boca continued to conceive titles by the hundreds He | F |
didn't merely dream up a few in snatches he proliferated | B2 |
them in vaster and vaster quantities It was if a salmon left | C2 |
to spawn could endanger a sea shelf or river bed under the | I |
sheer quantity of her seed | D2 |
- | |
A one man explosion at the typewriter chortled an | E2 |
onlooker happening to see the quantity of Boca's largesse | B |
That was before he stopped to inquire of the nature of | F2 |
Boca's work Then perturbed this same man hurried away | G2 |
to the utter indifference of Boca who kept a steady | F |
pounding in spite of the interruption | E |
- | |
On they came More and more titles By the hundreds | B |
for scripts larger dramas treatises epistles monologues | B |
All And all without a scarce concern for their ultimate use | B |
- | |
Are we to believe each one came to naught as the sceptics | B |
predicted After all in this practical world who has use for | K |
dreamers We already know Boca was stymied at the title | U |
level Nothing ever graced his newborn creation beyond | H2 |
that first utterance It was like sending a baby into the | I |
world without proper bedding or clothes | B |
- | |
One nastier commentator even alluded to Boca's work as | B |
the equivalent of premature ejaculation All buildup with | H |
no satisfaction The promise he chuckled without the | I |
delivery | F |
- | |
And that is what came to pass | B |
- | |
Each of Boca's titles true to prediction came to naught | I2 |
or rather nothing much Blank A zero With each title | U |
one ran aground on the larger abyss of its central problem | D |
- | |
That being as Boca had been warned by his legion of | F2 |
critics one of size | B |
- | |
What good are titles without textual description chapters | B |
scenes the overview said one literary agent gruffly | F |
- | |
Boca taking a respite from his typewriter had had the | I |
temerity to approach one such man in the comfort of his | B |
office with reams of suggestions | B |
- | |
Indeed | D2 |
- | |
People shook their heads at Boca always scribbling | J2 |
furiously Always working but apparently accomplishing | J2 |
precious next to nothing Something was evidently being | J2 |
done in the strictest sense of the word but what What | N |
- | |
Could his well problem be explained one vocal | U |
opponent of Boca urged | K2 |
- | |
What the hell is he up to | X |
- | |
Strangely enough for the seemingly longest time this did | B2 |
not deter Boca He was his own universe His feet were | L |
on solid ground The air about him teemed with ideas He | F |
was too busy fishing for the mot juste he explained in | V |
a moment of clarification | E |
- | |
One man in the right is a majority proclaimed Boca | I |
remembering a snippet of John Stuart Mill | L2 |
- | |
Too busy was Boca replanning the structure of the | I |
Colosseum so it might better accommodate his label his | B |
notion his re christened version of the ideal verbal escort | M2 |
to accompany that ancient edifice | B |
- | |
And write Boca did Titles fell increasingly from his pen | N2 |
- | |
The Barking Tree | F |
- | |
The Leaking River | L |
- | |
These were but two Boca thought he would improve on | O2 |
Tolkein's efforts at least in the direction of title After all | P2 |
to send a work into the reader's lap without proper | L |
introduction was like trying to get acquainted without the | I |
proper introduction | E |
- | |
Maybe Boca had a point | Q2 |
- | |
Assembly without Hope and Nirvana without End | A2 |
touched on his mystical stage He dropped this and | A |
proceeded into the area of historiography And afterwards | B |
dry epistemology would see him concentrate his efforts | B |
These forums were indeed worthy of his attention Too | X |
long had they been neglected All were in need of good | S |
metaphoric dusting by title | U |
- | |
At last word Boca was inching toward Kant's Critique of | F2 |
Pure Reason | E |
- | |
That one in particular has a poor ring he was heard to | X |
say | B |
- | |
On they came Precise Hard hitting or so he thought | I2 |
They made the mind's eye swell with the promise of more | K |
and more Indeed that eye could get bloodshot reading | J2 |
all of Boca's interception | E |
- | |
But the more in the sense of the follow up the delivery | F |
or accompaniment of pages never came | R2 |
- | |
Nowhere was there to be found the Hemingway to follow | S2 |
the Moveable Feast | T2 |
- | |
Or The Edible Woman | E |
- | |
Even the promise of thrillers for a scary submarine epic like | U2 |
Three Eggs on my Plate never materialized | V2 |
- | |
Nothing Just titles More then more and increasingly | F |
more of them Annoyingly so Scraps of paper decorating | J2 |
a table without an intended victim ever coming close | B |
- | |
It was as if so many salesgirls had left price tags off | W2 |
matching merchandise That's all that remained Just the | I |
stickers forlornly white and detached staring up from their | O |
adhesiveness | B |
- | |
More than just a little tacky | F |
- | |
A woman given to comparison confronted Boca | I |
- | |
Imagine a zoo where the curators had all the animal | U |
names but they were not paired with their owners That's | B |
your stuff Everything in a weird isolation | E |
- | |
Boca could not be Borca and not even Carl Sagan could | S |
rescue him No large bottles floating in formaldehyde with | H |
the decapitated heads from Belle Epoque sailors were | L |
possible here | X2 |
- | |
Boca was more obscure than Gaspirilla Island More so | B |
- | |
And a final verdict if there is need for one can be seen in | V |
Boca's last will and testimony | F |
- | |
He let it be known of his intention to chisel the ultimate | N |
one liner One to grace his own tombstone On this he set | Y2 |
to work with a last burst of frenzy | F |
- | |
To mirror my tragic comic fate as he would have said | Z2 |
- | |
Perhaps Boca is still at work either on the snappy final | U |
wording the right elasticity or in the mechanics of the | I |
engraving itself | A3 |
- | |
Only a stone cutter could estimate the probable expenditure | L |
in time for the latter | L |
- | |
Novelists in dire need of fresh insights should enlist Boca | I |
He's definitely available if difficult to reach | B3 |
- | |
Boca might have rescued many a masterpiece from the | I |
dustbin if not the Box Office had his specialty been | V |
known | J |
- | |
I look at Boca and hear fire bells His plight remains the | I |
very stuff of tragedy By epic standards how many Bocas | F |
are there worthy of a balladeer and myth maker Credible | U |
Boca may be but understandable | U |
- | |
Boca the metaphoric equivalent of a Sisyphus chained to | X |
his rock of obsession | E |
- | |
This horrible rock or pebble depending on your | K |
viewpoint wailed Boca | I |
- | |
I've become my own obstacle my work is the | I |
personification of my own limitation | E |
- | |
Worse imprisoned in an inescapable logic and the narrow | B |
confines of a blink of talent | C3 |
Paul Cameron Brown
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about Boca poem by Paul Cameron Brown
Best Poems of Paul Cameron Brown