Vida's Game Of Chess Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCCDDEEFFGGHH IIJJDKLLMMNNOOPPQQNN RRSSTTGGHHUUHHVV WWXXYYQQZZQQDDA2A2EG B2B2XXC2DD2D2GGYY E2F2EEYYGGGIIQQG2G2M MH2H2I2I2GGVJ2 GGMMK2K2UUVVQQXXOOL2 F2F2M2M2N2N2JJJEEUUO 2O2EEK2K2PPF2F2P2P2H 2H2JJQ2Q2GGF2F2OOPPR 2S2 BBGGVVT2T2U2U2V2GTRANSLATED | A |
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ARMIES of box that sportively engage | B |
And mimic real battles in their rage | B |
Pleased I recount how smit with glory's charms | C |
Two mighty Monarchs met in adverse arms | C |
Sable and white assist me to explore | D |
Ye Serian Nymphs what ne'er was sung before | D |
No path appears yet resolute I stray | E |
Where youth undaunted bids me force my way | E |
O'er rocks and cliffs while I the task pursue | F |
Guide me ye Nymphs with your unerring clue | F |
For you the rise of this diversion know | G |
You first were pleased in Italy to show | G |
This studious sport from Scacchis was its name | H |
The pleasing record of your Sister's fame | H |
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When Jove through Ethiopia's parch'd extent | I |
To grace the nuptials of old Ocean went | I |
Each god was there and mirth and joy around | J |
To shores remote diffused their happy sound | J |
Then when their hunger and their thirst no more | D |
Claim'd their attention and the feast was o'er | K |
Ocean with pastime to divert the thought | L |
Commands a painted table to be brought | L |
Sixty four spaces fill the chequer'd square | M |
Eight in each rank eight equal limits share | M |
Alike their form but different are their dyes | N |
They fade alternate and alternate rise | N |
White after black such various stains as those | O |
The shelving backs of tortoises disclose | O |
Then to the gods that mute and wondering sate | P |
You see says he the field prepared for fate | P |
Here will the little armies please your sight | Q |
With adverse colours hurrying to the fight | Q |
On which so oft with silent sweet surprise | N |
The Nymphs and Nereids used to feast their eyes | N |
And all the neighbours of the hoary deep | R |
When calm the sea and winds were lull'd asleep | R |
But see the mimic heroes tread the board | S |
He said and straightway from an urn he pour'd | S |
The sculptured box that neatly seem'd to ape | T |
The graceful figure of a human shape | T |
Equal the strength and number of each foe | G |
Sixteen appear'd like jet sixteen like snow | G |
As their shape varies various is the name | H |
Different their posts nor is their strength the same | H |
There might you see two Kings with equal pride | U |
Gird on their arms their Consorts by their side | U |
Here the Foot warriors glowing after fame | H |
There prancing Knights and dexterous Archers came | H |
And Elephants that on their backs sustain | V |
Vast towers of war and fill and shake the plain | V |
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And now both hosts preparing for the storm | W |
Of adverse battle their encampments form | W |
In the fourth space and on the farthest line | X |
Directly opposite the Monarchs shine | X |
The swarthy on white ground on sable stands | Y |
The silver King and then they send commands | Y |
Nearest to these the Queens exert their might | Q |
One the left side and t'other guards the right | Q |
Where each by her respective armour known | Z |
Chooses the colour that is like her own | Z |
Then the young Archers two that snowy white | Q |
Bend the tough yew and two as black as night | Q |
Greece call'd them Mars's favourites heretofore | D |
From their delight in war and thirst of gore | D |
These on each side the Monarch and his Queen | A2 |
Surround obedient next to these are seen | A2 |
The crested Knights in golden armour gay | E |
Their steeds by turns curvet or snort or neigh | G |
In either army on each distant wing | B2 |
Two mighty Elephants their castles bring | B2 |
Bulwarks immense and then at last combine | X |
Eight of the Foot to form the second line | X |
The vanguard to the King and Queen from far | C2 |
Prepared to open all the fate of war | D |
So moved the boxen hosts each double lined | D2 |
Their different colours floating in the wind | D2 |
As if an army of the Gauls should go | G |
With their white standards o'er the Alpine snow | G |
To meet in rigid fight on scorching sands | Y |
The sun burnt Moors and Memnon's swarthy bands | Y |
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Then Father Ocean thus you see them here | E2 |
Celestial powers what troops what camps appear | F2 |
Learn now the sev'ral orders of the fray | E |
For e'en these arms their stated laws obey | E |
To lead the fight the Kings from all their bands | Y |
Choose whom they please to bear their great commands | Y |
Should a black hero first to battle go | G |
Instant a white one guards against the blow | G |
But only one at once can charge or shun the foe | G |
Their gen'ral purpose on one scheme is bent | I |
So to besiege the King within the tent | I |
That there remains no place by subtle flight | Q |
From danger free and that decides the fight | Q |
Meanwhile howe'er the sooner to destroy | G2 |
Th' imperial Prince remorseless they employ | G2 |
Their swords in blood and whosoever dare | M |
Oppose their vengeance in the ruin share | M |
Fate thins their camp the parti coloured field | H2 |
Widens apace as they o'ercome or yield | H2 |
But the proud victor takes the captive's post | I2 |
There fronts the fury of th' avenging host | I2 |
One single shock and should he ward the blow | G |
May then retire at pleasure from the foe | G |
The Foot alone so their harsh laws ordain | V |
When they proceed can ne'er return again | J2 |
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But neither all rush on alike to prove | G |
The terror of their arms The Foot must move | G |
Directly on and but a single square | M |
Yet may these heroes when they first prepare | M |
To mix in combat on the bloody mead | K2 |
Double their sally and two steps proceed | K2 |
But when they wound their swords they subtly guide | U |
With aim oblique and slanting pierce his side | U |
But the great Indian beasts whose backs sustain | V |
Vast turrets arm'd when on the redd'ning plain | V |
They join in all the terror of the fight | Q |
Forward or backward to the left or right | Q |
Run furious and impatient of confine | X |
Scour through the field and threat the farthest line | X |
Yet must they ne'er obliquely aim their blows | O |
That only manner is allow'd to those | O |
Whom Mars has favour'd most who bend the stubborn bows | L2 |
These glancing sidewards in a straight career | F2 |
Yet each confin'd to their respective sphere | F2 |
Or white or black can send th' unerring dart | M2 |
Wing'd with swift death to pierce through ev'ry part | M2 |
The fiery steed regardless of the reins | N2 |
Comes prancing on but sullenly disdains | N2 |
The path direct and boldly wheeling round | J |
Leaps o'er a double space at ev'ry bound | J |
And shifts from white or black to diff'rent colour'd ground | J |
But the fierce Queen whom dangers ne'er dismay | E |
The strength and terror of the bloody day | E |
In a straight line spreads her destruction wide | U |
To left or right before behind aside | U |
Yet may she never with a circling course | O2 |
Sweep to the battle like the fretful Horse | O2 |
But unconfin'd may at her pleasure stray | E |
If neither friend nor foe block up the way | E |
For to o'erleap a warrior 'tis decreed | K2 |
Those only dare who curb the snorting steed | K2 |
With greater caution and majestic state | P |
The warlike Monarchs in the scene of fate | P |
Direct their motions since for these appear | F2 |
Zealous each hope and anxious ev'ry fear | F2 |
While the King's safe with resolution stern | P2 |
They clasp their arms but should a sudden turn | P2 |
Make him a captive instantly they yield | H2 |
Resolved to share his fortune in the field | H2 |
He moves on slow with reverence profound | J |
His faithful troops encompass him around | J |
And oft to break some instant fatal scheme | Q2 |
Rush to their fates their sov'reign to redeem | Q2 |
While he unanxious where to wound the foe | G |
Need only shift and guard against a blow | G |
But none however can presume t' appear | F2 |
Within his reach but must his vengeance fear | F2 |
For he on ev'ry side his terror throws | O |
But when he changes from his first repose | O |
Moves but one step most awfully sedate | P |
Or idly roving or intent on fate | P |
These are the sev'ral and establish'd laws | R2 |
Now see how each maintains his bloody cause | S2 |
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Here paused the god but since whene'er they wage | B |
War here on earth the gods themselves engage | B |
In mutual battle as they hate or love | G |
And the most stubborn war is oft above | G |
Almighty Jove commands the circling train | V |
Of gods from fav'ring either to abstain | V |
And let the fight be silently survey'd | T2 |
And added solemn threats if disobey'd | T2 |
Then call'd he Phoebus from among the Powers | U2 |
And subtle Hermes whom in softer hours | U2 |
Fair Maia bore youth wanton'd in their face | V2 |
Both in life's bloom both shone with equ | G |
Oliver Goldsmith
(1)
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