Threnodia Augustalis: Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CBCB DE FFGFGHHIJKLMK NNOPPOQRMQSTSTMUHHVW VWXYXY YVWVW YYYY FQZA2ZB2BBB2C2C2D2FF D2 E2E2YF2F2YF2F2G2G2 YF2F2G2G2YYG2G2 FF2FFYYFYHFYYH2A2OI2 YJ2QB2F2F2B2SSWWK2K2 YYYF2F2L2M2WW FYYF2F2E2N2O2N2B2D2B 2D2P2P2A2A2HH YHH F2 P2 FQ2WQ2WYYR2R2VVR2S2T 2S2T2P2P2U2U2V2W2W2V 2 YYYE2E2 FKR2G2R2S2FS2FA2A2YW 2Y FR2R2PPN2N2PHA2HX2Y2 YY2Z2PYPYA3B3 PYA3YA3 FSC3SC3WWVPVPE2E2P2P 2D3D3E3 YF3F3SP2P2S FVU2VU2YP2YP2YPYPYKY KB3NB3 P2YPYP G3NB3N B3B3NB3N| SACRED TO THE MEMORY OF HER LATE ROYAL HIGHNESS THE PRINCESS DOWAGER OF WALES | A |
| - | |
| OVERTURE A SOLEMN DIRGE AIR TRIO | B |
| - | |
| Arise ye sons of worth arise | C |
| And waken every note of woe | B |
| When truth and virtue reach the skies | C |
| 'Tis ours to weep the want below | B |
| - | |
| CHORUS | D |
| When truth and virtue etc | E |
| - | |
| MAN SPEAKER | F |
| The praise attending pomp and power | F |
| The incense given to kings | G |
| Are but the trappings of an hour | F |
| Mere transitory things | G |
| The base bestow them but the good agree | H |
| To spurn the venal gifts as flattery | H |
| But when to pomp and power are join'd | I |
| An equal dignity of mind | J |
| When titles are the smallest claim | K |
| When wealth and rank and noble blood | L |
| But aid the power of doing good | M |
| Then all their trophies last and flattery turns to fame | K |
| - | |
| Bless'd spirit thou whose fame just born to bloom | N |
| Shall spread and flourish from the tomb | N |
| How hast thou left mankind for heaven | O |
| Even now reproach and faction mourn | P |
| And wondering how their rage was borne | P |
| Request to be forgiven | O |
| Alas they never had thy hate | Q |
| Unmov'd in conscious rectitude | R |
| Thy towering mind self centred stood | M |
| Nor wanted man's opinion to be great | Q |
| In vain to charm thy ravish'd sight | S |
| A thousand gifts would fortune send | T |
| In vain to drive thee from the right | S |
| A thousand sorrows urg'd thy end | T |
| Like some well fashion'd arch thy patience stood | M |
| And purchas'd strength from its increasing load | U |
| Pain met thee like a friend that set thee free | H |
| Affliction still is virtue's opportunity | H |
| Virtue on herself relying | V |
| Ev'ry passion hush'd to rest | W |
| Loses ev'ry pain of dying | V |
| In the hopes of being blest | W |
| Ev'ry added pang she suffers | X |
| Some increasing good bestows | Y |
| Ev'ry shock that malice offers | X |
| Only rocks her to repose | Y |
| - | |
| SONG BY A MAN AFFETTUOSO | Y |
| Virtue on herself relying | V |
| Ev'ry passion hush'd to rest | W |
| Loses ev'ry pain of dying | V |
| In the hopes of being blest | W |
| - | |
| Ev'ry added pang she suffers | Y |
| Some increasing good bestows | Y |
| Ev'ry shock that malice offers | Y |
| Only rocks her to repose | Y |
| - | |
| WOMAN SPEAKER | F |
| Yet ah what terrors frowned upon her fate | Q |
| Death with its formidable band | Z |
| Fever and pain and pale consumptive care | A2 |
| Determin'd took their stand | Z |
| Nor did the cruel ravagers design | B2 |
| To finish all their efforts at a blow | B |
| But mischievously slow | B |
| They robb'd the relic and defac'd the shrine | B2 |
| With unavailing grief | C2 |
| Despairing of relief | C2 |
| Her weeping children round | D2 |
| Beheld each hour | F |
| Death's growing power | F |
| And trembled as he frown'd | D2 |
| - | |
| As helpless friends who view from shore | E2 |
| The labouring ship and hear the tempest roar | E2 |
| While winds and waves their wishes cross | Y |
| They stood while hope and comfort fail | F2 |
| Not to assist but to bewail | F2 |
| The inevitable loss | Y |
| Relentless tyrant at thy call | F2 |
| How do the good the virtuous fall | F2 |
| Truth beauty worth and all that most engage | G2 |
| But wake thy vengeance and provoke thy rage | G2 |
| - | |
| SONG BY A MAN BASSO STACCATO SPIRITOSO | Y |
| When vice my dart and scythe supply | F2 |
| How great a king of terrors I | F2 |
| If folly fraud your hearts engage | G2 |
| Tremble ye mortals at my rage | G2 |
| Fall round me fall ye little things | Y |
| Ye statesmen warriors poets kings | Y |
| If virtue fail her counsel sage | G2 |
| Tremble ye mortals at my rage | G2 |
| - | |
| MAN SPEAKER | F |
| Yet let that wisdom urged by her example | F2 |
| Teach us to estimate what all must suffer | F |
| Let us prize death as the best gift of nature | F |
| As a safe inn where weary travellers | Y |
| When they have journeyed through a world of cares | Y |
| May put off life and be at rest for ever | F |
| Groans weeping friends indeed and gloomy sables | Y |
| May oft distract us with their sad solemnity | H |
| The preparation is the executioner | F |
| Death when unmasked shows me a friendly face | Y |
| And is a terror only at a distance | Y |
| For as the line of life conducts me on | H2 |
| To Death's great court the prospect seems more fair | A2 |
| 'Tis Nature's kind retreat that's always open | O |
| To take us in when we have drained the cup | I2 |
| Of life or worn our days to wretchedness | Y |
| In that secure serene retreat | J2 |
| Where all the humble all the great | Q |
| Promiscuously recline | B2 |
| Where wildly huddled to the eye | F2 |
| The beggar's pouch and prince's purple lie | F2 |
| May every bliss be thine | B2 |
| And ah bless'd spirit wheresoe'er thy flight | S |
| Through rolling worlds or fields of liquid light | S |
| May cherubs welcome their expected guest | W |
| May saints with songs receive thee to their rest | W |
| May peace that claimed while here thy warmest love | K2 |
| May blissful endless peace be thine above | K2 |
| - | |
| SONG BY A WOMAN AMOROSO | Y |
| Lovely lasting Peace below | Y |
| Comforter of every woe | Y |
| Heav'nly born and bred on high | F2 |
| To crown the favourites of the sky | F2 |
| Lovely lasting Peace appear | L2 |
| This world itself if thou art here | M2 |
| Is once again with Eden blest | W |
| And man contains it in his breast | W |
| - | |
| WOMAN SPEAKER | F |
| Our vows are heard Long long to mortal eyes | Y |
| Her soul was fitting to its kindred skies | Y |
| Celestial like her bounty fell | F2 |
| Where modest want and patient sorrow dwell | F2 |
| Want pass'd for merit at her door | E2 |
| Unseen the modest were supplied | N2 |
| Her constant pity fed the poor | O2 |
| Then only poor indeed the day she died | N2 |
| And oh for this while sculpture decks thy shrine | B2 |
| And art exhausts profusion round | D2 |
| The tribute of a tear be mine | B2 |
| A simple song a sigh profound | D2 |
| There Faith shall come a pilgrim gray | P2 |
| To bless the tomb that wraps thy clay | P2 |
| And calm Religion shall repair | A2 |
| To dwell a weeping hermit there | A2 |
| Truth Fortitude and Friendship shall agree | H |
| To blend their virtues while they think of thee | H |
| - | |
| AIR CHORUS POMPOSO | Y |
| Let us let all the world agree | H |
| To profit by resembling thee | H |
| - | |
| - | |
| - | |
| PART II | F2 |
| - | |
| OVERTURE PASTORALE | P2 |
| - | |
| MAN SPEAKER | F |
| FAST by that shore where Thames' translucent stream | Q2 |
| Reflects new glories on his breast | W |
| Where splendid as the youthful poet's dream | Q2 |
| He forms a scene beyond Elysium blest | W |
| Where sculptur'd elegance and native grace | Y |
| Unite to stamp the beauties of the place | Y |
| While sweetly blending still are seen | R2 |
| The wavy lawn the sloping green | R2 |
| While novelty with cautious cunning | V |
| Through ev'ry maze of fancy running | V |
| From China borrows aid to deck the scene | R2 |
| There sorrowing by the river's glassy bed | S2 |
| Forlorn a rural bard complain'd | T2 |
| All whom Augusta's bounty fed | S2 |
| All whom her clemency sustain'd | T2 |
| The good old sire unconscious of decay | P2 |
| The modest matron clad in homespun gray | P2 |
| The military boy the orphan'd maid | U2 |
| The shatter'd veteran now first dismay'd | U2 |
| These sadly join beside the murmuring deep | V2 |
| And as they view | W2 |
| The towers of Kew | W2 |
| Call on their mistress now no more and weep | V2 |
| - | |
| CHORUS AFFETTUOSO LARGO | Y |
| Ye shady walks ye waving greens | Y |
| Ye nodding towers ye fairy scenes | Y |
| Let all your echoes now deplore | E2 |
| That she who form'd your beauties is no more | E2 |
| - | |
| MAN SPEAKER | F |
| First of the train the patient rustic came | K |
| Whose callous hand had form'd the scene | R2 |
| Bending at once with sorrow and with age | G2 |
| With many a tear and many a sigh between | R2 |
| 'And where ' he cried 'shall now my babes have bread | S2 |
| Or how shall age support its feeble fire | F |
| No lord will take me now my vigour fled | S2 |
| Nor can my strength perform what they require | F |
| Each grudging master keeps the labourer bare | A2 |
| A sleek and idle race is all their care | A2 |
| My noble mistress thought not so | Y |
| Her bounty like the morning dew | W2 |
| Unseen though constant used to flow | Y |
| And as my strength decay'd her bounty grew ' | - |
| - | |
| WOMAN SPEAKER | F |
| In decent dress and coarsely clean | R2 |
| The pious matron next was seen | R2 |
| Clasp'd in her hand a godly book was borne | P |
| By use and daily meditation worn | P |
| That decent dress this holy guide | N2 |
| Augusta's care had well supplied | N2 |
| 'And ah ' she cries all woe begone | P |
| 'What now remains for me | H |
| Oh where shall weeping want repair | A2 |
| To ask for charity | H |
| Too late in life for me to ask | X2 |
| And shame prevents the deed | Y2 |
| And tardy tardy are the times | Y |
| To succour should I need | Y2 |
| But all my wants before I spoke | Z2 |
| Were to my Mistress known | P |
| She still reliev'd nor sought my praise | Y |
| Contented with her own | P |
| But ev'ry day her name I'll bless | Y |
| My morning prayer my evening song | A3 |
| I'll praise her while my life shall last | B3 |
| A life that cannot last me long ' | - |
| - | |
| SONG BY A WOMAN | P |
| Each day each hour her name I'll bless | Y |
| My morning and my evening song | A3 |
| And when in death my vows shall cease | Y |
| My children shall the note prolong | A3 |
| - | |
| MAN SPEAKER | F |
| The hardy veteran after struck the sight | S |
| Scarr'd mangled maim'd in every part | C3 |
| Lopp'd of his limbs in many a gallant fight | S |
| In nought entire except his heart | C3 |
| Mute for a while and sullenly distress'd | W |
| At last the impetuous sorrow fir'd his breast | W |
| 'Wild is the whirlwind rolling | V |
| O'er Afric's sandy plain | P |
| And wild the tempest howling | V |
| Along the billow'd main | P |
| But every danger felt before | E2 |
| The raging deep the whirlwind's roar | E2 |
| Less dreadful struck me with dismay | P2 |
| Than what I feel this fatal day | P2 |
| Oh let me fly a land that spurns the brave | D3 |
| Oswego's dreary shores shall be my grave | D3 |
| I'll seek that less inhospitable coast | E3 |
| And lay my body where my limbs were lost ' | - |
| - | |
| SONG BY A MAN BASSO SPIRITOSO | Y |
| Old Edward's sons unknown to yield | F3 |
| Shall crowd from Crecy's laurell'd field | F3 |
| To do thy memory right | S |
| For thine and Britain's wrongs they feel | P2 |
| Again they snatch the gleamy steel | P2 |
| And wish the avenging fight | S |
| - | |
| WOMAN SPEAKER | F |
| In innocence and youth complaining | V |
| Next appear'd a lovely maid | U2 |
| Affliction o'er each feature reigning | V |
| Kindly came in beauty's aid | U2 |
| Every grace that grief dispenses | Y |
| Every glance that warms the soul | P2 |
| In sweet succession charmed the senses | Y |
| While pity harmonized the whole | P2 |
| 'The garland of beauty' 'tis thus she would say | Y |
| 'No more shall my crook or my temples adorn | P |
| I'll not wear a garland Augusta's away | Y |
| I'll not wear a garland until she return | P |
| But alas that return I never shall see | Y |
| The echoes of Thames shall my sorrows proclaim | K |
| There promised a lover to come but O me | Y |
| 'Twas death 'twas the death of my mistress that came | K |
| But ever for ever her image shall last | B3 |
| I'll strip all the spring of its earliest bloom | N |
| On her grave shall the cowslip and primrose be cast | B3 |
| And the new blossomed thorn shall whiten her tomb ' | - |
| - | |
| SONG BY A WOMAN PASTORALE | P2 |
| With garlands of beauty the queen of the May | Y |
| No more will her crook or her temples adorn | P |
| For who'd wear a garland when she is away | Y |
| When she is remov'd and shall never return | P |
| - | |
| On the grave of Augusta these garlands be plac'd | G3 |
| We'll rifle the spring of its earliest bloom | N |
| And there shall the cowslip and primrose be cast | B3 |
| And the new blossom'd thorn shall whiten her tomb | N |
| - | |
| CHORUS ALTRO MODO | B3 |
| On the grave of Augusta this garland be plac'd | B3 |
| We'll rifle the spring of its earliest bloom | N |
| And there shall the cowslip and primrose be cast | B3 |
| And the tears of her country shall water her tomb | N |
Oliver Goldsmith
(1)
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