The Double Transformation, A Tale Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCC DDEEFFGGHHIIJJ KKLLMMNN OOPPQQRRSS TTUURRVVWWXXXXTTYYXX ZZ A2A2B2B2C2C2D2D2E2E2 D2D2AAF2F2DDD2D2 KKD2D2D2D2D2D2G2G2 XXA2A2H2H2I2I2ZZQQTTSecluded from domestic strife | A |
Jack Book worm led a college life | A |
A fellowship at twenty five | B |
Made him the happiest man alive | B |
He drank his glass and crack'd his joke | C |
And freshmen wonder'd as he spoke | C |
- | |
Such pleasures unalloy'd with care | D |
Could any accident impair | D |
Could Cupid's shaft at length transfix | E |
Our swain arriv'd at thirty six | E |
O had the archer ne'er come down | F |
To ravage in a country town | F |
Or Flavia been content to stop | G |
At triumphs in a Fleet street shop | G |
O had her eyes forgot to blaze | H |
Or Jack had wanted eyes to gaze | H |
O But let exclamation cease | I |
Her presence banish'd all his peace | I |
So with decorum all things carried | J |
Miss frown'd and blush'd and then was married | J |
- | |
Need we expose to vulgar sight | K |
The raptures of the bridal night | K |
Need we intrude on hallow'd ground | L |
Or draw the curtains clos'd around | L |
Let it suffice that each had charms | M |
He clasp'd a goddess in his arms | M |
And though she felt his usage rough | N |
Yet in a man 'twas well enough | N |
- | |
The honey moon like lightning flew | O |
The second brought its transports too | O |
A third a fourth were not amiss | P |
The fifth was friendship mix'd with bliss | P |
But when a twelvemonth pass'd away | Q |
Jack found his goddess made of clay | Q |
Found half the charms that deck'd her face | R |
Arose from powder shreds or lace | R |
But still the worst remain'd behind | S |
That very face had robb'd her mind | S |
- | |
Skill'd in no other arts was she | T |
But dressing patching repartee | T |
And just as humour rose or fell | U |
By turns a slattern or a belle | U |
'Tis true she dress'd with modern grace | R |
Half naked at a ball or race | R |
But when at home at board or bed | V |
Five greasy nightcaps wrapp'd her head | V |
Could so much beauty condescend | W |
To be a dull domestic friend | W |
Could any curtain lectures bring | X |
To decency so fine a thing | X |
In short by night 'twas fits or fretting | X |
By day 'twas gadding or coquetting | X |
Fond to be seen she kept a bevy | T |
Of powder'd coxcombs at her levy | T |
The 'squire and captain took their stations | Y |
And twenty other near relations | Y |
Jack suck'd his pipe and often broke | X |
A sigh in suffocating smoke | X |
While all their hours were pass'd between | Z |
Insulting repartee or spleen | Z |
- | |
Thus as her faults each day were known | A2 |
He thinks her features coarser grown | A2 |
He fancies every vice she shows | B2 |
Or thins her lip or points her nose | B2 |
Whenever rage or envy rise | C2 |
How wide her mouth how wild her eyes | C2 |
He knows not how but so it is | D2 |
Her face is grown a knowing phiz | D2 |
And though her fops are wond'rous civil | E2 |
He thinks her ugly as the devil | E2 |
- | |
Now to perplex the ravell'd noose | D2 |
As each a different way pursues | D2 |
While sullen or loquacious strife | A |
Promis'd to hold them on for life | A |
That dire disease whose ruthless power | F2 |
Withers the beauty's transient flower | F2 |
Lo the small pox whose horrid glare | D |
Levell'd its terrors at the fair | D |
And rifling ev'ry youthful grace | D2 |
Left but the remnant of a face | D2 |
- | |
The glass grown hateful to her sight | K |
Reflected now a perfect fright | K |
Each former art she vainly tries | D2 |
To bring back lustre to her eyes | D2 |
In vain she tries her paste and creams | D2 |
To smooth her skin or hide its seams | D2 |
Her country beaux and city cousins | D2 |
Lovers no more flew off by dozens | D2 |
The 'squire himself was seen to yield | G2 |
And e'en the captain quit the field | G2 |
- | |
Poor Madam now condemn'd to hack | X |
The rest of life with anxious Jack | X |
Perceiving others fairly flown | A2 |
Attempted pleasing him alone | A2 |
Jack soon was dazzl'd to behold | H2 |
Her present face surpass the old | H2 |
With modesty her cheeks are dy'd | I2 |
Humility displaces pride | I2 |
For tawdry finery is seen | Z |
A person ever neatly clean | Z |
No more presuming on her sway | Q |
She learns good nature every day | Q |
Serenely gay and strict in duty | T |
Jack finds his wife a perfect beauty | T |
Oliver Goldsmith
(1)
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