Letter In Prose And Verse To Mrs. Bunbury Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCD CAECCFGC HI J JKCDCLJCC C MCLNOLLCL LLLLPPQQRRSSTTC UUVWC B XXC Y LLNZLLA2A2B2B2AAC2C2 D2 W ZZZ E2 D2 JCCR Y D2D2 D2D2D2Z F2| MADAM | A |
| - | |
| I read your letter with all that allowance which critical candour could | B |
| require but after all find so much to object to and so much to raise | C |
| my indignation that I cannot help giving it a serious answer | D |
| - | |
| I am not so ignorant Madam as not to see there are many sarcasms | C |
| contained in it and solecisms also Solecism is a word that comes from | A |
| the town of Soleis in Attica among the Greeks built by Solon and | E |
| applied as we use the word Kidderminster for curtains from a town also | C |
| of that name but this is learning you have no taste for I say | C |
| Madam there are sarcasms in it and solecisms also But not to seem an | F |
| ill natured critic I'll take leave to quote your own words and give | G |
| you my remarks upon them as they occur You begin as follows | C |
| - | |
| 'I hope my good Doctor you soon will be here | H |
| And your spring velvet coat very smart will appear | I |
| To open our ball the first day of the year ' | - |
| - | |
| Pray Madam where did you ever find the epithet 'good ' applied to the | J |
| title of Doctor Had you called me 'learned Doctor ' or 'grave Doctor ' | - |
| or 'noble Doctor ' it might be allowable because they belong to the | J |
| profession But not to cavil at trifles you talk of my 'spring velvet | K |
| coat ' and advise me to wear it the first day in the year that is | C |
| in the middle of winter a spring velvet in the middle of winter | D |
| That would be a solecism indeed and yet to increase the inconsistence | C |
| in another part of your letter you call me a beau Now on one side or | L |
| other you must be wrong If I am a beau I can never think of wearing a | J |
| spring velvet in winter and if I am not a beau why then that explains | C |
| itself But let me go on to your two next strange lines | C |
| - | |
| 'And bring with you a wig that is modish and gay | C |
| To dance with the girls that are makers of hay ' | - |
| - | |
| The absurdity of making hay at Christmas you yourself seem sensible of | M |
| you say your sister will laugh and so indeed she well may The Latins | C |
| have an expression for a contemptuous sort of laughter 'Naso contemnere | L |
| adunco' that is to laugh with a crooked nose She may laugh at you in | N |
| the manner of the ancients if she thinks fit But now I come to the most | O |
| extraordinary of all extraordinary propositions which is to take your | L |
| and your sister's advice in playing at loo The presumption of the offer | L |
| raises my indignation beyond the bounds of prose it inspires me at once | C |
| with verse and resentment I take advice and from whom You shall hear | L |
| - | |
| First let me suppose what may shortly be true | L |
| The company set and the word to be Loo | L |
| All smirking and pleasant and big with adventure | L |
| And ogling the stake which is fix'd in the centre | L |
| Round and round go the cards while I inwardly damn | P |
| At never once finding a visit from Pam | P |
| I lay down my stake apparently cool | Q |
| While the harpies about me all pocket the pool | Q |
| I fret in my gizzard yet cautious and sly | R |
| I wish all my friends may be bolder than I | R |
| Yet still they sit snug not a creature will aim | S |
| By losing their money to venture at fame | S |
| 'Tis in vain that at niggardly caution I scold | T |
| 'Tis in vain that I flatter the brave and the bold | T |
| All play their own way and they think me an ass | C |
| 'What does Mrs Bunbury ' 'I Sir I pass ' | - |
| 'Pray what does Miss Horneck Take courage come do ' | - |
| 'Who I let me see Sir why I must pass too ' | - |
| Mr Bunbury frets and I fret like the devil | U |
| To see them so cowardly lucky and civil | U |
| Yet still I sit snug and continue to sigh on | V |
| Till made by my losses as bold as a lion | W |
| I venture at all while my avarice regards | C |
| The whole pool as my own 'Come give me five cards ' | - |
| 'Well done ' cry the ladies 'Ah Doctor that's good | B |
| The pool's very rich ah the Doctor is loo'd ' | - |
| Thus foil'd in my courage on all sides perplex'd | X |
| I ask for advice from the lady that's next | X |
| 'Pray Ma'am be so good as to give your advice | C |
| Don't you think the best way is to venture for 't twice ' | - |
| 'I advise ' cries the lady 'to try it I own | Y |
| Ah the Doctor is loo'd Come Doctor put down ' | - |
| Thus playing and playing I still grow more eager | L |
| And so bold and so bold I'm at last a bold beggar | L |
| Now ladies I ask if law matters you're skill'd in | N |
| Whether crimes such as yours should not come before Fielding | Z |
| For giving advice that is not worth a straw | L |
| May well be call'd picking of pockets in law | L |
| And picking of pockets with which I now charge ye | A2 |
| Is by quinto Elizabeth Death without Clergy | A2 |
| What justice when both to the Old Bailey brought | B2 |
| By the gods I'll enjoy it though 'tis but in thought | B2 |
| Both are plac'd at the bar with all proper decorum | A |
| With bunches of fennel and nosegays before 'em | A |
| Both cover their faces with mobs and all that | C2 |
| But the judge bids them angrily take off their hat | C2 |
| When uncover'd a buzz of enquiry runs round | D2 |
| 'Pray what are their crimes ' 'They've been pilfering found ' | - |
| 'But pray whom have they pilfer'd ' 'A Doctor I hear ' | - |
| 'What yon solemn faced odd looking man that stands near ' | - |
| 'The same ' 'What a pity how does it surprise one | W |
| Two handsomer culprits I never set eyes on ' | - |
| Then their friends all come round me with cringing and leering | Z |
| To melt me to pity and soften my swearing | Z |
| First Sir Charles advances with phrases well strung | Z |
| 'Consider dear Doctor the girls are but young ' | - |
| 'The younger the worse ' I return him again | E2 |
| 'It shows that their habits are all dyed in grain ' | - |
| 'But then they're so handsome one's bosom it grieves ' | - |
| 'What signifies 'handsome' when people are thieves ' | - |
| 'But where is your justice their cases are hard ' | - |
| 'What signifies 'justice' I want the 'reward' | D2 |
| - | |
| There's the parish of Edmonton offers forty pounds there's the | J |
| parish of St Leonard Shoreditch offers forty pounds there's | C |
| the parish of Tyburn from the Hog in the Pound to St Giles's | C |
| watchhouse offers forty pounds I shall have all that if I | R |
| convict them ' | - |
| - | |
| 'But consider their case it may yet be your own | Y |
| And see how they kneel Is your heart made of stone ' | - |
| This moves so at last I agree to relent | D2 |
| For ten pounds in hand and ten pounds to be spent | D2 |
| - | |
| I challenge you all to answer this I tell you you cannot It | D2 |
| cuts deep but now for the rest of the letter and next | D2 |
| but I want room so I believe I shall battle the rest out at | D2 |
| Barton some day next week | Z |
| - | |
| I don't value you all | F2 |
Oliver Goldsmith
(1)
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About Letter In Prose And Verse To Mrs. Bunbury
Letter In Prose And Verse To Mrs. Bunbury is a poem by Oliver Goldsmith. This page includes the poem text, poet information, related topics, comments, and similar poems.
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