Epilogue To Lessing's Laocoön Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABCDDEEFFGG HHIIJKJLLMMNOGGPPQQR RS TTGGUUJJDDGGGVVWWXXY EZA2B2 NOJJC2C2UUD2D2E2E2F2 F2IIG2G2VH2I2I2J2K2B 2B2L2L2 DDSCM2M2N2N2O2O2P2P2 Q2Q2R2R2D S2S2GGVH2T2T2U2U2JJV 2V2W2W2PPV2V2VH2 V2V2F2F2X2X2M2M2Y2Y2 B2B2Z2SA3A3B3C3D3D3V VE3F3 TTV2V2PPV2V2A3A3 G3G3H3H3F2F2I3I3GGF2 F2X2J3K3K3H2H2GH2B2B 2HHL3L3 H2H2V2V2I3DM3M3LLH2H 2GGM3M3N3N3M3M3O3| One Morn as through Hyde Park we walk'd | A |
| My friend and I by chance we talk'd | A |
| Of Lessing's famed Laoco n | B |
| And after we awhile had gone | C |
| In Lessing's track and tried to see | D |
| What painting is what poetry | D |
| Diverging to another thought | E |
| 'Ah ' cries my friend 'but who hath taught | E |
| Why music and the other arts | F |
| Oftener perform aright their parts | F |
| Than poetry why she than they | G |
| Fewer real successes can display | G |
| - | |
| 'For 'tis so surely Even in Greece | H |
| Where best the poet framed his piece | H |
| Even in that Phoebus guarded ground | I |
| Pausanias on his travels found | I |
| Good poems if he look'd more rare | J |
| Though many than good statues were | K |
| For these in truth were everywhere | J |
| Of bards full many a stroke divine | L |
| In Dante's Petrarch's Tasso's line | L |
| The land of Ariosto show'd | M |
| And yet e'en there the canvas glow'd | M |
| With triumphs a yet ampler brood | N |
| Of Raphael and his brotherhood | O |
| And nobly perfect in our day | G |
| Of haste half work and disarray | G |
| Profound yet touching sweet yet strong | P |
| Hath risen Goethe's Wordsworth's song | P |
| Yet even I and none will bow | Q |
| Deeper to these must needs allow | Q |
| They yield us not to soothe our pains | R |
| Such multitude of heavenly strains | R |
| As from the kings of sound are blown | S |
| Mozart Beethoven Mendelssohn ' | - |
| - | |
| While thus my friend discoursed we pass | T |
| Out of the path and take the grass | T |
| The grass had still the green of May | G |
| And still the unblacken'd elms were gay | G |
| The kine were resting in the shade | U |
| The flies a summer murmur made | U |
| Bright was the morn and south the air | J |
| The soft couch'd cattle were as fair | J |
| As those that pastured by the sea | D |
| That old world morn in Sicily | D |
| When on the beach the Cyclops lay | G |
| And Galatea from the bay | G |
| Mock'd her poor lovelorn giant's lay | G |
| 'Behold ' I said 'the painter's sphere | V |
| The limits of his art appear | V |
| The passing group the summer morn | W |
| The grass the elms that blossom'd thorn | W |
| Those cattle couch'd or as they rise | X |
| Their shining flanks their liquid eyes | X |
| These or much greater things but caught | Y |
| Like these and in one aspect brought | E |
| In outward semblance he must give | Z |
| A moment's life of things that live | A2 |
| Then let him choose his moment well | B2 |
| With power divine its story tell ' | - |
| Still we walk'd on in thoughtful mood | N |
| And now upon the Bridge we stood | O |
| Full of sweet breathings was the air | J |
| Of sudden stirs and pauses fair | J |
| Down o'er the stately Bridge the breeze | C2 |
| Came rustling from the garden trees | C2 |
| And on the sparkling waters play'd | U |
| Light plashing waves an answer made | U |
| And mimic boats their haven near'd | D2 |
| Beyond the Abbey towers appear'd | D2 |
| By mist and chimneys unconfined | E2 |
| Free to the sweep of light and wind | E2 |
| While through the earth moor'd nave below | F2 |
| Another breath of wind doth blow | F2 |
| Sound as of wandering breeze but sound | I |
| In laws by human artists bound | I |
| 'The world of music ' I exclaim'd | G2 |
| 'This breeze that rustles by that famed | G2 |
| Abbey recall it what a sphere | V |
| Large and profound bath genius here | H2 |
| Th' inspired musician what a range | I2 |
| What power of passion wealth of change | I2 |
| Some pulse of feeling he must choose | J2 |
| And its lock'd fount of beauty use | K2 |
| And through the stream of music tell | B2 |
| Its else unutterable spell | B2 |
| To choose it rightly is his part | L2 |
| And press into its inmost heart | L2 |
| - | |
| 'Miserere Domine | D |
| The words are utter'd and they flee | D |
| Deep is their penitential moan | S |
| Mighty their pathos but 'tis gone | C |
| They have declared the spirit's sore | M2 |
| Sore load and words can do no more | M2 |
| Beethoven takes them then those two | N2 |
| Poor bounded words and makes them new | N2 |
| Infinite makes them makes them young | O2 |
| Transplants them to another tongue | O2 |
| Where they can now without constraint | P2 |
| Pour all the soul of their complaint | P2 |
| And roll adown a channel large | Q2 |
| The wealth divine they have in charge | Q2 |
| Page after page of music turn | R2 |
| And still they live and still they burn | R2 |
| Eternal passion fraught and free | D |
| Miserere Domine ' | - |
| - | |
| Onward we moved and reach'd the Ride | S2 |
| Where gaily flows the human tide | S2 |
| Afar in rest the cattle lay | G |
| We heard afar faint music play | G |
| But agitated brisk and near | V |
| Men with their stream of life were here | H2 |
| Some hang upon the rails and some | T2 |
| On foot behind them go and come | T2 |
| This through the Ride upon his steed | U2 |
| Goes slowly by and this at speed | U2 |
| The young the happy and the fair | J |
| The old the sad the worn were there | J |
| Some vacant and some musing went | V2 |
| And some in talk and merriment | V2 |
| Nods smiles and greetings and farewells | W2 |
| And now and then perhaps there swells | W2 |
| A sigh a tear but in the throng | P |
| All changes fast and files along | P |
| Hies ah from whence what native ground | V2 |
| And to what goal what ending bound | V2 |
| 'Behold at last the poet's sphere | V |
| But who ' I said 'suffices here | H2 |
| - | |
| 'For ah so much he has to do | V2 |
| Be painter and musician too | V2 |
| The aspect of the moment show | F2 |
| The feeling of the moment know | F2 |
| The aspect not I grant express | X2 |
| Clear as the painter's art can dress | X2 |
| The feeling not I grant explore | M2 |
| So deep as the musician's lore | M2 |
| But clear as words can make revealing | Y2 |
| And deep as words can follow feeling | Y2 |
| But all then comes his sorest spell | B2 |
| Of toil he must life's movement tell | B2 |
| The thread which binds it all in one | Z2 |
| And not its separate parts alone | S |
| The movement he must tell of life | A3 |
| Its pain and pleasure rest and strife | A3 |
| His eye must travel down at full | B3 |
| The long unpausing spectacle | C3 |
| With faithful unrelaxing force | D3 |
| Attend it from its primal source | D3 |
| From change to change and year to year | V |
| Attend it of its mid career | V |
| Attend it to the last repose | E3 |
| And solemn silence of its close | F3 |
| - | |
| 'The cattle rising from the grass | T |
| His thought must follow where they pass | T |
| The penitent with anguish bow'd | V2 |
| His thought must follow through the crowd | V2 |
| Yes all this eddying motley throng | P |
| That sparkles in the sun along | P |
| Girl statesman merchant soldier bold | V2 |
| Master and servant young and old | V2 |
| Grave gay child parent husband wife | A3 |
| He follows home and lives their life | A3 |
| - | |
| 'And many many are the souls | G3 |
| Life's movement fascinates controls | G3 |
| It draws them on they cannot save | H3 |
| Their feet from its alluring wave | H3 |
| They cannot leave it they must go | F2 |
| With its unconquerable flow | F2 |
| But ah how few of all that try | I3 |
| This mighty march do aught but die | I3 |
| For ill prepared for such a way | G |
| Ill found in strength in wits are they | G |
| They faint they stagger to and fro | F2 |
| And wandering from the stream they go | F2 |
| In pain in terror in distress | X2 |
| They see all round a wilderness | J3 |
| Sometimes a momentary gleam | K3 |
| They catch of the mysterious stream | K3 |
| Sometimes a second's space their ear | H2 |
| The murmur of its waves doth hear | H2 |
| That transient glimpse in song they say | G |
| But not as painter can pourtray | H2 |
| That transient sound in song they tell | B2 |
| But not as the musician well | B2 |
| And when at last these snatches cease | H |
| And they are silent and at peace | H |
| The stream of life's majestic whole | L3 |
| Hath ne'er been mirror'd on their soul | L3 |
| - | |
| 'Only a few the life stream's shore | H2 |
| With safe unwandering feet explore | H2 |
| Untired its movement bright attend | V2 |
| Follow its windings to the end | V2 |
| Then from its brimming waves their eye | I3 |
| Drinks up delighted ecstasy | D |
| And its deep toned melodious voice | M3 |
| For ever makes their ear rejoice | M3 |
| They speak the happiness divine | L |
| They feel runs o'er in every line | L |
| Its spell is round them like a shower | H2 |
| It gives them pathos gives them power | H2 |
| No painter yet hath such a way | G |
| Nor no musician made as they | G |
| And gather'd on immortal knolls | M3 |
| Such lovely flowers for cheering souls | M3 |
| Beethoven Raphael cannot reach | N3 |
| The charm which Homer Shakespeare teach | N3 |
| To these to these their thankful race | M3 |
| Gives then the first the fairest place | M3 |
| And brightest is their glory's sheen | O3 |
| For greatest has their labour been ' | - |
Matthew Arnold
(1)
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About Epilogue To Lessing's Laocoön
Epilogue To Lessing's Laocoön is a poem by Matthew Arnold. This page includes the poem text, poet information, related topics, comments, and similar poems.
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