What Are Big Girls Made Of? Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABACDEFGH IJKLMNFOPH AQQLRSTUVHLWQXYQZA2B 2C2D2A AE2LF2NHQG2QH2QA HXI2J2I2D2K2AL2M2N2 O2P2Q2R2S2T2S2LAK2A U2V2W2X2Y2A| bone and sinew | A |
| belly and breasts elbows and liver and toe | B |
| She is manufactured like a sports sedan | A |
| She is retooled refitted and redesigned | C |
| every decade | D |
| Cecile had been seduction itself in college | E |
| She wriggled through bars like a satin eel | F |
| her hips and ass promising her mouth pursed | G |
| in the dark red lipstick of desire | H |
| - | |
| She visited in ' still wearing skirts | I |
| tight to the knees dark red lipstick | J |
| while I danced through Manhattan in mini skirt | K |
| lipstick pale as apricot milk | L |
| hair loose as a horse's mane Oh dear | M |
| I thought in my superiority of the moment | N |
| whatever has happened to poor Cecile | F |
| She was out of fashion out of the game | O |
| disqualified disdained dis | P |
| membered from the club of desire | H |
| - | |
| Look at pictures in French fashion | A |
| magazines of the th century | Q |
| century of the ultimate lady | Q |
| fantasy wrought of silk and corseting | L |
| Paniers bring her hips out three feet | R |
| each way while the waist is pinched | S |
| and the belly flattened under wood | T |
| The breasts are stuffed up and out | U |
| offered like apples in a bowl | V |
| The tiny foot is encased in a slipper | H |
| never meant for walking | L |
| On top is a grandiose headache | W |
| hair like a museum piece daily | Q |
| ornamented with ribbons vases | X |
| grottoes mountains frigates in full | Y |
| sail balloons baboons the fancy | Q |
| of a hairdresser turned loose | Z |
| The hats were rococo wedding cakes | A2 |
| that would dim the Las Vegas strip | B2 |
| Here is a woman forced into shape | C2 |
| rigid exoskeleton torturing flesh | D2 |
| a woman made of pain | A |
| - | |
| How superior we are now see the modern woman | A |
| thin as a blade of scissors | E2 |
| She runs on a treadmill every morning | L |
| fits herself into machines of weights | F2 |
| and pulleys to heave and grunt | N |
| an image in her mind she can never | H |
| approximate a body of rosy | Q |
| glass that never wrinkles | G2 |
| never grows never fades She | Q |
| sits at the table closing her eyes to food | H2 |
| hungry always hungry | Q |
| a woman made of pain | A |
| - | |
| A cat or dog approaches another | H |
| they sniff noses They sniff asses | X |
| They bristle or lick They fall | I2 |
| in love as often as we do | J2 |
| as passionately But they fall | I2 |
| in love or lust with furry flesh | D2 |
| not hoop skirts or push up bras | K2 |
| rib removal or liposuction | A |
| It is not for male or female dogs | L2 |
| that poodles are clipped | M2 |
| to topiary hedges | N2 |
| - | |
| If only we could like each other raw | O2 |
| If only we could love ourselves | P2 |
| like healthy babies burbling in our arms | Q2 |
| If only we were not programmed and reprogrammed | R2 |
| to need what is sold us | S2 |
| Why should we want to live inside ads | T2 |
| Why should we want to scourge our softness | S2 |
| to straight lines like a Mondrian painting | L |
| Why should we punish each other with scorn | A |
| as if to have a large ass | K2 |
| were worse than being greedy or mean | A |
| - | |
| When will women not be compelled | U2 |
| to view their bodies as science projects | V2 |
| gardens to be weeded | W2 |
| dogs to be trained | X2 |
| When will a woman cease | Y2 |
| to be made of pain | A |
Marge Piercy
(1)
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