Mabel Martin Poem Rhyme Scheme and Analysis

Rhyme Scheme: A BAAA CCC DEE FFF BBB GGG AGAA HAA IJJ GAA KLL GMM GNN AOO PEE QRR STT GAA UGG EVV EGG BWW EGG AAA XYY EGG NBGG ZA2A2 NB2B2 C2MM D2EE E2AA F2G2G2 EH2H2 GI2I2 GAA NJ2C2 NEE EGG EGG K2L2K2 GGG GAA GGG GAA M2N2N2 GGA GGG AO2O2 P2GG EAA Q2EE R2S2T2 RU2U2 ANN NMM BV2W2 GR2R2 D2BB BR2R2 AK2D2 GGG GX2X2 EY2Z2N2 GBB A3TT D2RR GGG N2EE V2

A HARVEST IDYLA
-
PROEMB
I CALL the old time back I bring my layA
in tender memory of the summer dayA
When where our native river lapsed awayA
-
We dreamed it over while the thrushes madeC
Songs of their own and the great pine trees laidC
On warm noonlights the masses of their shadeC
-
And she was with us living o'er againD
Her life in ours despite of years and painE
The Autumn's brightness after latter rainE
-
Beautiful in her holy peace as oneF
Who stands at evening when the work is doneF
Glorified in the setting of the sunF
-
Her memory makes our common landscape seemB
Fairer than any of which painters dreamB
Lights the brown hills and sings in every streamB
-
For she whose speech was always truth's pure goldG
Heard not unpleased its simple legends toldG
And loved with us the beautiful and oldG
-
-
I THE RIVER VALLEYA
Across the level tablelandG
A grassy rarely trodden wayA
With thinnest skirt of birchen sprayA
-
And stunted growth of cedar leadsH
To where you see the dull plain fallA
Sheer off steep slanted ploughed by allA
-
The seasons' rainfalls On its brinkI
The over leaning harebells swingJ
With roots half bare the pine trees clingJ
-
And through the shadow looking westG
You see the wavering river flowA
Along a vale that far belowA
-
Holds to the sun the sheltering hillsK
And glimmering water line betweenL
Broad fields of corn and meadows greenL
-
And fruit bent orchards grouped aroundG
The low brown roofs and painted eavesM
And chimney tops half hid in leavesM
-
No warmer valley hides behindG
Yon wind scourged sand dunes cold and bleakN
No fairer river comes to seekN
-
The wave sung welcome of the seaA
Or mark the northmost border lineO
Of sun loved growths of nut and vineO
-
Here ground fast in their native fieldsP
Untempted by the city's gainE
The quiet farmer folk remainE
-
Who bear the pleasant name of FriendsQ
And keep their fathers' gentle waysR
And simple speech of Bible daysR
-
In whose neat homesteads woman holdsS
With modest ease her equal placeT
And wears upon her tranquil faceT
-
The look of one who merging notG
Her self hood in another's willA
Is love's and duty's handmaid stillA
-
Pass with me down the path that windsU
Through birches to the open landG
Where close upon the river strandG
-
You mark a cellar vine o'errunE
Above whose wall of loosened stonesV
The sumach lifts its reddening conesV
-
And the black nightshade's berries shineE
And broad unsightly burdocks foldG
The household ruin century oldG
-
Here in the dim colonial timeB
Of sterner lives and gloomier faithW
A woman lived tradition saithW
-
Who wrought her neighbors foul annoyE
And witched and plagued the country sideG
Till at the hangman's hand she diedG
-
Sit with me while the westering dayA
Falls slantwise down the quiet valeA
And haply ere yon loitering sailA
-
That rounds the upper headland fallsX
Below Deer Island's pines or seesY
Behind it Hawkswood's belt of treesY
-
Rise black against the sinking sunE
My idyl of its days of oldG
The valley's legend shall be toldG
-
-
II THE HUSKINGN
It was the pleasant harvest timeB
When cellar bins are closely stowedG
And garrets bend beneath their loadG
-
And the old swallow haunted barnsZ
Brown gabled long and full of seamsA2
Through which the rooted sunlight streamsA2
-
And winds blow freshly in to shakeN
The red plumes of the roosted cocksB2
And the loose hay mow's scented locksB2
-
Are filled with summer's ripened storesC2
Its odorous grass and barley sheavesM
From their low scaffolds to their eavesM
-
On Esek Harden's oaken floorD2
With many an autumn threshing wornE
Lay the heaped ears of unhusked cornE
-
And thither came young men and maidsE2
Beneath a moon that large and lowA
Lit that sweet eve of long agoA
-
They took their places some by chanceF2
And others by a merry voiceG2
Or sweet smile guided to their choiceG2
-
How pleasantly the rising moonE
Between the shadow of the mowsH2
Looked on them through the great elm boughsH2
-
On sturdy boyhood sun embrownedG
On girlhood with its solid curvesI2
Of healthful strength and painless nervesI2
-
And jests went round and laughs that madeG
The house dog answer with his howlA
And kept astir the barn yard fowlA
-
And quaint old songs their fathers sungN
In Derby dales and Yorkshire moorsJ2
Ere Norman William trod their shoresC2
-
And tales whose merry license shookN
The fat sides of the Saxon thaneE
Forgetful of the hovering DaneE
-
Rude plays to Celt and Cimbri knownE
The charms and riddles that beguiledG
On Oxus' banks the young world's childG
-
That primal picture speech whereinE
Have youth and maid the story toldG
So new in each so dateless oldG
-
Recalling pastoral Ruth in herK2
Who waited blushing and demureL2
The red ear's kiss of forfeitureK2
-
But still the sweetest voice was muteG
That river valley ever heardG
From lips of maid or throat of birdG
-
For Mabel Martin sat apartG
And let the hay mow's shadow fallA
Upon the loveliest face of allA
-
She sat apart as one forbidG
Who knew that none would condescendG
To own the Witch wife's child a friendG
-
The seasons scarce had gone their roundG
Since curious thousands thronged to seeA
Her mother at the gallows treeA
-
And mocked the prison palsied limbsM2
That faltered on the fatal stairsN2
And wan lip trembling with its prayersN2
-
Few questioned of the sorrowing childG
Or when they saw the mother dieG
Dreamed of the daughter's agonyA
-
They went up to their homes that dayG
As men and Christians justifiedG
God willed it and the wretch had diedG
-
Dear God and Father of us allA
Forgive our faith in cruel liesO2
Forgive the blindness that deniesO2
-
Forgive thy creature when he takesP2
For the all perfect love Thou artG
Some grim creation of his heartG
-
Cast down our idols overturnE
Our bloody altars let us seeA
Thyself in Thy humanityA
-
Young Mabel from her mother's graveQ2
Crept to her desolate hearth stoneE
And wrestled with her fate aloneE
-
With love and anger and despairR2
The phantoms of disordered senseS2
The awful doubts of ProvidenceT2
-
Oh dreary broke the winter daysR
And dreary fell the winter nightsU2
When one by one the neighboring lightsU2
-
Went out and human sounds grew stillA
And all the phantom peopled darkN
Closed round her hearth fire's dying sparkN
-
And summer days were sad and longN
And sad the uncompanioned evesM
And sadder sunset tinted leavesM
-
And Indian Summer's airs of balmB
She scarcely felt the soft caressV2
The beauty died of lonelinessW2
-
The school boys jeered her as they passedG
And when she sought the house of prayerR2
Her mother's curse pursued her thereR2
-
And still o'er many a neighboring doorD2
She saw the horseshoe's curved charmB
To guard against her mother's harmB
-
That mother poor and sick and lameB
Who daily by the old arm chairR2
Folded her withered hands in prayerR2
-
Who turned in Salem's dreary jailA
Her worn old Bible o'er and o'erK2
When her dim eyes could read no moreD2
-
Sore tried and pained the poor girl keptG
Her faith and trusted that her wayG
So dark would somewhere meet the dayG
-
And still her weary wheel went roundG
Day after day with no reliefX2
Small leisure have the poor for griefX2
-
-
IV THE CHAMPIONE
So in the shadow Mabel sitsY2
Untouched by mirth she sees and hearsZ2
Her smile is sadder than her tearsN2
-
But cruel eyes have found her outG
And cruel lips repeat her nameB
And taunt her with her mother's shameB
-
She answered not with railing wordsA3
But drew her apron o'er her faceT
And sobbing glided from the placeT
-
And only pausing at the doorD2
Her sad eyes met the troubled gazeR
Of one who in her better daysR
-
Had been her warm and steady friendG
Ere yet her mother's doom had madeG
Even Esek Harden half afraidG
-
He felt that mute appeal of tearsN2
And starting with an angry frownE
Hushed all the wicked murmurs downE
-
'Good neighbors mine ' he sternly sV2

John Greenleaf Whittier



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