Mabel Martin Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BAAA CCC DEE FFF BBB GGG AGAA HAA IJJ GAA KLL GMM GNN AOO PEE QRR STT GAA UGG EVV EGG BWW EGG AAA XYY EGG NBGG ZA2A2 NB2B2 C2MM D2EE E2AA F2G2G2 EH2H2 GI2I2 GAA NJ2C2 NEE EGG EGG K2L2K2 GGG GAA GGG GAA M2N2N2 GGA GGG AO2O2 P2GG EAA Q2EE R2S2T2 RU2U2 ANN NMM BV2W2 GR2R2 D2BB BR2R2 AK2D2 GGG GX2X2 EY2Z2N2 GBB A3TT D2RR GGG N2EE V2| A HARVEST IDYL | A |
| - | |
| PROEM | B |
| I CALL the old time back I bring my lay | A |
| in tender memory of the summer day | A |
| When where our native river lapsed away | A |
| - | |
| We dreamed it over while the thrushes made | C |
| Songs of their own and the great pine trees laid | C |
| On warm noonlights the masses of their shade | C |
| - | |
| And she was with us living o'er again | D |
| Her life in ours despite of years and pain | E |
| The Autumn's brightness after latter rain | E |
| - | |
| Beautiful in her holy peace as one | F |
| Who stands at evening when the work is done | F |
| Glorified in the setting of the sun | F |
| - | |
| Her memory makes our common landscape seem | B |
| Fairer than any of which painters dream | B |
| Lights the brown hills and sings in every stream | B |
| - | |
| For she whose speech was always truth's pure gold | G |
| Heard not unpleased its simple legends told | G |
| And loved with us the beautiful and old | G |
| - | |
| - | |
| I THE RIVER VALLEY | A |
| Across the level tableland | G |
| A grassy rarely trodden way | A |
| With thinnest skirt of birchen spray | A |
| - | |
| And stunted growth of cedar leads | H |
| To where you see the dull plain fall | A |
| Sheer off steep slanted ploughed by all | A |
| - | |
| The seasons' rainfalls On its brink | I |
| The over leaning harebells swing | J |
| With roots half bare the pine trees cling | J |
| - | |
| And through the shadow looking west | G |
| You see the wavering river flow | A |
| Along a vale that far below | A |
| - | |
| Holds to the sun the sheltering hills | K |
| And glimmering water line between | L |
| Broad fields of corn and meadows green | L |
| - | |
| And fruit bent orchards grouped around | G |
| The low brown roofs and painted eaves | M |
| And chimney tops half hid in leaves | M |
| - | |
| No warmer valley hides behind | G |
| Yon wind scourged sand dunes cold and bleak | N |
| No fairer river comes to seek | N |
| - | |
| The wave sung welcome of the sea | A |
| Or mark the northmost border line | O |
| Of sun loved growths of nut and vine | O |
| - | |
| Here ground fast in their native fields | P |
| Untempted by the city's gain | E |
| The quiet farmer folk remain | E |
| - | |
| Who bear the pleasant name of Friends | Q |
| And keep their fathers' gentle ways | R |
| And simple speech of Bible days | R |
| - | |
| In whose neat homesteads woman holds | S |
| With modest ease her equal place | T |
| And wears upon her tranquil face | T |
| - | |
| The look of one who merging not | G |
| Her self hood in another's will | A |
| Is love's and duty's handmaid still | A |
| - | |
| Pass with me down the path that winds | U |
| Through birches to the open land | G |
| Where close upon the river strand | G |
| - | |
| You mark a cellar vine o'errun | E |
| Above whose wall of loosened stones | V |
| The sumach lifts its reddening cones | V |
| - | |
| And the black nightshade's berries shine | E |
| And broad unsightly burdocks fold | G |
| The household ruin century old | G |
| - | |
| Here in the dim colonial time | B |
| Of sterner lives and gloomier faith | W |
| A woman lived tradition saith | W |
| - | |
| Who wrought her neighbors foul annoy | E |
| And witched and plagued the country side | G |
| Till at the hangman's hand she died | G |
| - | |
| Sit with me while the westering day | A |
| Falls slantwise down the quiet vale | A |
| And haply ere yon loitering sail | A |
| - | |
| That rounds the upper headland falls | X |
| Below Deer Island's pines or sees | Y |
| Behind it Hawkswood's belt of trees | Y |
| - | |
| Rise black against the sinking sun | E |
| My idyl of its days of old | G |
| The valley's legend shall be told | G |
| - | |
| - | |
| II THE HUSKING | N |
| It was the pleasant harvest time | B |
| When cellar bins are closely stowed | G |
| And garrets bend beneath their load | G |
| - | |
| And the old swallow haunted barns | Z |
| Brown gabled long and full of seams | A2 |
| Through which the rooted sunlight streams | A2 |
| - | |
| And winds blow freshly in to shake | N |
| The red plumes of the roosted cocks | B2 |
| And the loose hay mow's scented locks | B2 |
| - | |
| Are filled with summer's ripened stores | C2 |
| Its odorous grass and barley sheaves | M |
| From their low scaffolds to their eaves | M |
| - | |
| On Esek Harden's oaken floor | D2 |
| With many an autumn threshing worn | E |
| Lay the heaped ears of unhusked corn | E |
| - | |
| And thither came young men and maids | E2 |
| Beneath a moon that large and low | A |
| Lit that sweet eve of long ago | A |
| - | |
| They took their places some by chance | F2 |
| And others by a merry voice | G2 |
| Or sweet smile guided to their choice | G2 |
| - | |
| How pleasantly the rising moon | E |
| Between the shadow of the mows | H2 |
| Looked on them through the great elm boughs | H2 |
| - | |
| On sturdy boyhood sun embrowned | G |
| On girlhood with its solid curves | I2 |
| Of healthful strength and painless nerves | I2 |
| - | |
| And jests went round and laughs that made | G |
| The house dog answer with his howl | A |
| And kept astir the barn yard fowl | A |
| - | |
| And quaint old songs their fathers sung | N |
| In Derby dales and Yorkshire moors | J2 |
| Ere Norman William trod their shores | C2 |
| - | |
| And tales whose merry license shook | N |
| The fat sides of the Saxon thane | E |
| Forgetful of the hovering Dane | E |
| - | |
| Rude plays to Celt and Cimbri known | E |
| The charms and riddles that beguiled | G |
| On Oxus' banks the young world's child | G |
| - | |
| That primal picture speech wherein | E |
| Have youth and maid the story told | G |
| So new in each so dateless old | G |
| - | |
| Recalling pastoral Ruth in her | K2 |
| Who waited blushing and demure | L2 |
| The red ear's kiss of forfeiture | K2 |
| - | |
| But still the sweetest voice was mute | G |
| That river valley ever heard | G |
| From lips of maid or throat of bird | G |
| - | |
| For Mabel Martin sat apart | G |
| And let the hay mow's shadow fall | A |
| Upon the loveliest face of all | A |
| - | |
| She sat apart as one forbid | G |
| Who knew that none would condescend | G |
| To own the Witch wife's child a friend | G |
| - | |
| The seasons scarce had gone their round | G |
| Since curious thousands thronged to see | A |
| Her mother at the gallows tree | A |
| - | |
| And mocked the prison palsied limbs | M2 |
| That faltered on the fatal stairs | N2 |
| And wan lip trembling with its prayers | N2 |
| - | |
| Few questioned of the sorrowing child | G |
| Or when they saw the mother die | G |
| Dreamed of the daughter's agony | A |
| - | |
| They went up to their homes that day | G |
| As men and Christians justified | G |
| God willed it and the wretch had died | G |
| - | |
| Dear God and Father of us all | A |
| Forgive our faith in cruel lies | O2 |
| Forgive the blindness that denies | O2 |
| - | |
| Forgive thy creature when he takes | P2 |
| For the all perfect love Thou art | G |
| Some grim creation of his heart | G |
| - | |
| Cast down our idols overturn | E |
| Our bloody altars let us see | A |
| Thyself in Thy humanity | A |
| - | |
| Young Mabel from her mother's grave | Q2 |
| Crept to her desolate hearth stone | E |
| And wrestled with her fate alone | E |
| - | |
| With love and anger and despair | R2 |
| The phantoms of disordered sense | S2 |
| The awful doubts of Providence | T2 |
| - | |
| Oh dreary broke the winter days | R |
| And dreary fell the winter nights | U2 |
| When one by one the neighboring lights | U2 |
| - | |
| Went out and human sounds grew still | A |
| And all the phantom peopled dark | N |
| Closed round her hearth fire's dying spark | N |
| - | |
| And summer days were sad and long | N |
| And sad the uncompanioned eves | M |
| And sadder sunset tinted leaves | M |
| - | |
| And Indian Summer's airs of balm | B |
| She scarcely felt the soft caress | V2 |
| The beauty died of loneliness | W2 |
| - | |
| The school boys jeered her as they passed | G |
| And when she sought the house of prayer | R2 |
| Her mother's curse pursued her there | R2 |
| - | |
| And still o'er many a neighboring door | D2 |
| She saw the horseshoe's curved charm | B |
| To guard against her mother's harm | B |
| - | |
| That mother poor and sick and lame | B |
| Who daily by the old arm chair | R2 |
| Folded her withered hands in prayer | R2 |
| - | |
| Who turned in Salem's dreary jail | A |
| Her worn old Bible o'er and o'er | K2 |
| When her dim eyes could read no more | D2 |
| - | |
| Sore tried and pained the poor girl kept | G |
| Her faith and trusted that her way | G |
| So dark would somewhere meet the day | G |
| - | |
| And still her weary wheel went round | G |
| Day after day with no relief | X2 |
| Small leisure have the poor for grief | X2 |
| - | |
| - | |
| IV THE CHAMPION | E |
| So in the shadow Mabel sits | Y2 |
| Untouched by mirth she sees and hears | Z2 |
| Her smile is sadder than her tears | N2 |
| - | |
| But cruel eyes have found her out | G |
| And cruel lips repeat her name | B |
| And taunt her with her mother's shame | B |
| - | |
| She answered not with railing words | A3 |
| But drew her apron o'er her face | T |
| And sobbing glided from the place | T |
| - | |
| And only pausing at the door | D2 |
| Her sad eyes met the troubled gaze | R |
| Of one who in her better days | R |
| - | |
| Had been her warm and steady friend | G |
| Ere yet her mother's doom had made | G |
| Even Esek Harden half afraid | G |
| - | |
| He felt that mute appeal of tears | N2 |
| And starting with an angry frown | E |
| Hushed all the wicked murmurs down | E |
| - | |
| 'Good neighbors mine ' he sternly s | V2 |
John Greenleaf Whittier
(1)
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About Mabel Martin
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