Confessio Amantis. Explicit Liber Secundus Poem Rhyme Scheme and Analysis
Rhyme Scheme: A ABCBABDB DEEBBEEAAFFAAGGDDFFA ABBAAHHIGDDEFGGAABBB BBBFFBBJJBBBBDDFFBBB BDDBBBBBBIIDDBBAABBF FKAFFDAAABBHHAABBAAJ JFFAABBIILLCCBBCCBBM MBBBBIABBDDNNAADDFFF FBBAADDBBBBBBOOEEDDE EIIBBBBAAAAHHOODDBBF FBBBBLLAAIIAADDBBBBE EBBAABBBBIAFFOOIIFFD DPDBBJJBBFF NBBBBB| Incipit Liber Tercius | A |
| - | |
| Ira suis paribus est par furiis Acherontis | A |
| Quo furor ad tempus nil pietatis habet | B |
| Ira malencolicos animos perturbat vt equo | C |
| Iure sui pondus nulla statera tenet | B |
| Omnibus in causis grauat Ira set inter amantes | A |
| Illa magis facili sorte grauamen agit | B |
| Est vbi vir discors leuiterque repugnat amori | D |
| Sepe loco ludi fletus ad ora venit | B |
| - | |
| br | D |
| If thou the vices lest to knowe | E |
| Mi Sone it hath noght ben unknowe | E |
| Fro ferst that men the swerdes grounde | B |
| That ther nis on upon this grounde | B |
| A vice forein fro the lawe | E |
| Wherof that many a good felawe | E |
| Hath be distraght be sodein chance | A |
| And yit to kinde no plesance | A |
| It doth bot wher he most achieveth | F |
| His pourpos most to kinde he grieveth | F |
| As he which out of conscience | A |
| Is enemy to pacience | A |
| And is be name on of the Sevene | G |
| Which ofte hath set this world unevene | G |
| And cleped is the cruel Ire | D |
| Whos herte is everemore on fyre | D |
| To speke amis and to do bothe | F |
| For his servantz ben evere wrothe | F |
| Mi goode fader tell me this | A |
| What thing is Ire Sone it is | A |
| That in oure englissh Wrathe is hote | B |
| Which hath hise wordes ay so hote | B |
| That all a mannes pacience | A |
| Is fyred of the violence | A |
| For he with him hath evere fyve | H |
| Servantz that helpen him to stryve | H |
| The ferst of hem Malencolie | I |
| Is cleped which in compaignie | G |
| An hundred times in an houre | D |
| Wol as an angri beste loure | D |
| And noman wot the cause why | E |
| Mi Sone schrif thee now forthi | F |
| Hast thou be Malencolien | G |
| Ye fader be seint Julien | G |
| Bot I untrewe wordes use | A |
| I mai me noght therof excuse | A |
| And al makth love wel I wot | B |
| Of which myn herte is evere hot | B |
| So that I brenne as doth a glede | B |
| For Wrathe that I mai noght spede | B |
| And thus fulofte a day for noght | B |
| Save onlich of myn oghne thoght | B |
| I am so with miselven wroth | F |
| That how so that the game goth | F |
| With othre men I am noght glad | B |
| Bot I am wel the more unglad | B |
| For that is othre mennes game | J |
| It torneth me to pure grame | J |
| Thus am I with miself oppressed | B |
| Of thoght the which I have impressed | B |
| That al wakende I dreme and meete | B |
| That I with hire al one meete | B |
| And preie hire of som good ansuere | D |
| Bot for sche wol noght gladly swere | D |
| Sche seith me nay withouten oth | F |
| And thus wexe I withinne wroth | F |
| That outward I am al affraied | B |
| And so distempred and esmaied | B |
| A thousand times on a day | B |
| Ther souneth in myn Eres nay | B |
| The which sche seide me tofore | D |
| Thus be my wittes as forlore | D |
| And namely whan I beginne | B |
| To rekne with miself withinne | B |
| How many yeres ben agon | B |
| Siththe I have trewly loved on | B |
| And nevere tok of other hede | B |
| And evere aliche fer to spede | B |
| I am the more I with hir dele | I |
| So that myn happ and al myn hele | I |
| Me thenkth is ay the leng the ferre | D |
| That bringth my gladschip out of herre | D |
| Wherof my wittes ben empeired | B |
| And I as who seith al despeired | B |
| For finaly whan that I muse | A |
| And thenke how sche me wol refuse | A |
| I am with anger so bestad | B |
| For al this world mihte I be glad | B |
| And for the while that it lasteth | F |
| Al up so doun my joie it casteth | F |
| And ay the furthere that I be | K |
| Whan I ne may my ladi se | A |
| The more I am redy to wraththe | F |
| That for the touchinge of a laththe | F |
| Or for the torninge of a stree | D |
| I wode as doth the wylde Se | A |
| And am so malencolious | A |
| That ther nys servant in myn hous | A |
| Ne non of tho that ben aboute | B |
| That ech of hem ne stant in doute | B |
| And wenen that I scholde rave | H |
| For Anger that thei se me have | H |
| And so thei wondre more and lasse | A |
| Til that thei sen it overpasse | A |
| Bot fader if it so betide | B |
| That I aproche at eny tide | B |
| The place wher my ladi is | A |
| And thanne that hire like ywiss | A |
| To speke a goodli word untome | J |
| For al the gold that is in Rome | J |
| Ne cowthe I after that be wroth | F |
| Bot al myn Anger overgoth | F |
| So glad I am of the presence | A |
| Of hire that I all offence | A |
| Foryete as thogh it were noght | B |
| So overgladed is my thoght | B |
| And natheles the soth to telle | I |
| Ayeinward if it so befelle | I |
| That I at thilke time sihe | L |
| On me that sche miscaste hire yhe | L |
| Or that sche liste noght to loke | C |
| And I therof good hiede toke | C |
| Anon into my ferste astat | B |
| I torne and am with al so mat | B |
| That evere it is aliche wicke | C |
| And thus myn hand ayein the pricke | C |
| I hurte and have do many day | B |
| And go so forth as I go may | B |
| Fulofte bitinge on my lippe | M |
| And make unto miself a whippe | M |
| With which in many a chele and hete | B |
| Mi wofull herte is so tobete | B |
| That all my wittes ben unsofte | B |
| And I am wroth I not how ofte | B |
| And al it is Malencolie | I |
| Which groweth of the fantasie | A |
| Of love that me wol noght loute | B |
| So bere I forth an angri snoute | B |
| Ful manye times in a yer | D |
| Bot fader now ye sitten hier | D |
| In loves stede I yow beseche | N |
| That som ensample ye me teche | N |
| Wherof I mai miself appese | A |
| Mi Sone for thin hertes ese | A |
| I schal fulfille thi preiere | D |
| So that thou miht the betre lere | D |
| What mischief that this vice stereth | F |
| Which in his Anger noght forbereth | F |
| Wherof that after him forthenketh | F |
| Whan he is sobre and that he thenketh | F |
| Upon the folie of his dede | B |
| And of this point a tale I rede | B |
| Ther was a king which Eolus | A |
| Was hote and it befell him thus | A |
| That he tuo children hadde faire | D |
| The Sone cleped was Machaire | D |
| The dowhter ek Canace hihte | B |
| Be daie bothe and ek be nyhte | B |
| Whil thei be yonge of comun wone | B |
| In chambre thei togedre wone | B |
| And as thei scholden pleide hem ofte | B |
| Til thei be growen up alofte | B |
| Into the youthe of lusti age | O |
| Whan kinde assaileth the corage | O |
| With love and doth him forto bowe | E |
| That he no reson can allowe | E |
| Bot halt the lawes of nature | D |
| For whom that love hath under cure | D |
| As he is blind himself riht so | E |
| He makth his client blind also | E |
| In such manere as I you telle | I |
| As thei al day togedre duelle | I |
| This brother mihte it noght asterte | B |
| That he with al his hole herte | B |
| His love upon his Soster caste | B |
| And so it fell hem ate laste | B |
| That this Machaire with Canace | A |
| Whan thei were in a prive place | A |
| Cupide bad hem ferst to kesse | A |
| And after sche which is Maistresse | A |
| In kinde and techeth every lif | H |
| Withoute lawe positif | H |
| Of which sche takth nomaner charge | O |
| Bot kepth hire lawes al at large | O |
| Nature tok hem into lore | D |
| And tawht hem so that overmore | D |
| Sche hath hem in such wise daunted | B |
| That thei were as who seith enchaunted | B |
| And as the blinde an other ledeth | F |
| And til thei falle nothing dredeth | F |
| Riht so thei hadde non insihte | B |
| Bot as the bridd which wole alihte | B |
| And seth the mete and noght the net | B |
| Which in deceipte of him is set | B |
| This yonge folk no peril sihe | L |
| Bot that was likinge in here yhe | L |
| So that thei felle upon the chance | A |
| Where witt hath lore his remembrance | A |
| So longe thei togedre assemble | I |
| The wombe aros and sche gan tremble | I |
| And hield hire in hire chambre clos | A |
| For drede it scholde be disclos | A |
| And come to hire fader Ere | D |
| Wherof the Sone hadde also fere | D |
| And feigneth cause forto ryde | B |
| For longe dorste he noght abyde | B |
| In aunter if men wolde sein | B |
| That he his Soster hath forlein | B |
| For yit sche hadde it noght beknowe | E |
| Whos was the child at thilke throwe | E |
| Machaire goth Canace abit | B |
| The which was noght delivered yit | B |
| Bot riht sone after that sche was | A |
| Now lest and herkne a woful cas | A |
| The sothe which mai noght ben hid | B |
| Was ate laste knowe and kid | B |
| Unto the king how that it stod | B |
| And whan that he it understod | B |
| Anon into Malencolie | I |
| As thogh it were a frenesie | A |
| He fell as he which nothing cowthe | F |
| How maistrefull love is in yowthe | F |
| And for he was to love strange | O |
| He wolde noght his herte change | O |
| To be benigne and favorable | I |
| To love bot unmerciable | I |
| Betwen the wawe of wod and wroth | F |
| Into his dowhtres chambre he goth | F |
| And sih the child was late bore | D |
| Wherof he hath hise othes swore | D |
| That sche it schal ful sore abye | P |
| And sche began merci to crie | D |
| Upon hire bare knes and preide | B |
| And to hire fader thus sche seide | B |
| 'Ha mercy fader thenk I am | J |
| Thi child and of thi blod I cam | J |
| That I misdede yowthe it made | B |
| And in the flodes bad me wade | B |
| Wher that I sih no peril tho | F |
| Bot now it is befalle so | F |
| Merci my fader do no wreche ' | - |
| And with that word sche loste speche | N |
| And fell doun swounende at his fot | B |
| As sche for sorwe nedes mot | B |
| Bot his horrible crualte | B |
| Ther mihte attempre no pite | B |
| Out of hire chambre forth he wente | B |
| A | - |
John Gower
(1)
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About Confessio Amantis. Explicit Liber Secundus
Confessio Amantis. Explicit Liber Secundus is a poem by John Gower. This page includes the poem text, poet information, related topics, comments, and similar poems.