Mac Flecknoe.[1] Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABCDDEEFFGGHHIJHHJJ KLAAMHNNHOAAPPBBAAOO QRSSTTKKCCUUVVWWTTT OOXX YYZZJJJJA2A2B2B2TTTT TJJJJC2C2JJJD2D2JJ E2E2F2F2AAG2G2AAH2I2 J2J2FFJJG2K2NNJJXXKS AABBXXTTL2L2M2M2XXXX X NNC2C2N2N2JJHHXXOOXX JJXXC2C2PPJJLLO2O2P2 P2PPJJXXXXNNHJQ2O2D2 D2AAXXP2P2JJXXA2A2XX JJPR2XXJJXX XXXXXXX| All human things are subject to decay | A |
| And when fate summons monarchs must obey | A |
| This Flecknoe found who like Augustus young | B |
| Was call'd to empire and had govern'd long | C |
| In prose and verse was own'd without dispute | D |
| Through all the realms of Nonsense absolute | D |
| This aged prince now flourishing in peace | E |
| And blest with issue of a large increase | E |
| Worn out with business did at length debate | F |
| To settle the succession of the state | F |
| And pondering which of all his sons was fit | G |
| To reign and wage immortal war with wit | G |
| Cried 'Tis resolved for nature pleads that he | H |
| Should only rule who most resembles me | H |
| Shadwell alone my perfect image bears | I |
| Mature in dulness from his tender years | J |
| Shadwell alone of all my sons is he | H |
| Who stands confirm'd in full stupidity | H |
| The rest to some faint meaning make pretence | J |
| But Shadwell never deviates into sense | J |
| Some beams of wit on other souls may fall | K |
| Strike through and make a lucid interval | L |
| But Shadwell's genuine night admits no ray | A |
| His rising fogs prevail upon the day | A |
| Besides his goodly fabric fills the eye | M |
| And seems design'd for thoughtless majesty | H |
| Thoughtless as monarch oaks that shade the plain | N |
| And spread in solemn state supinely reign | N |
| Heywood and Shirley were but types of thee | H |
| Thou last great prophet of tautology | O |
| Even I a dunce of more renown than they | A |
| Was sent before but to prepare thy way | A |
| And coarsely clad in Norwich drugget came | P |
| To teach the nations in thy greater name | P |
| My warbling lute the lute I whilom strung | B |
| When to king John of Portugal I sung | B |
| Was but the prelude to that glorious day | A |
| When thou on silver Thames didst cut thy way | A |
| With well timed oars before the royal barge | O |
| Swell'd with the pride of thy celestial charge | O |
| And big with hymn commander of an host | Q |
| The like was ne'er in Epsom blankets toss'd | R |
| Methinks I see the new Arion sail | S |
| The lute still trembling underneath thy nail | S |
| At thy well sharpen'd thumb from shore to shore | T |
| The trebles squeak for fear the basses roar | T |
| Echoes from Pissing Alley Shadwell call | K |
| And Shadwell they resound from Aston Hall | K |
| About thy boat the little fishes throng | C |
| As at the morning toast that floats along | C |
| Sometimes as prince of thy harmonious band | U |
| Thou wield'st thy papers in thy threshing hand | U |
| St Andre's feet ne'er kept more equal time | V |
| Not even the feet of thy own Psyche's rhyme | V |
| Though they in number as in sense excel | W |
| So just so like tautology they fell | W |
| That pale with envy Singleton forswore | T |
| The lute and sword which he in triumph bore | T |
| And vow'd he ne'er would act Villerius more | T |
| - | |
| Here stopp'd the good old sire and wept for joy | O |
| In silent raptures of the hopeful boy | O |
| All arguments but most his plays persuade | X |
| That for anointed dulness he was made | X |
| - | |
| Close to the walls which fair Augusta bind | Y |
| The fair Augusta much to fears inclined | Y |
| An ancient fabric raised to inform the sight | Z |
| There stood of yore and Barbican it hight | Z |
| A watch tower once but now so fate ordains | J |
| Of all the pile an empty name remains | J |
| From its old ruins brothel houses rise | J |
| Scenes of lewd loves and of polluted joys | J |
| Where their vast courts the mother strumpets keep | A2 |
| And undisturb'd by watch in silence sleep | A2 |
| Near these a Nursery erects its head | B2 |
| Where queens are form'd and future heroes bred | B2 |
| Where unfledged actors learn to laugh and cry | T |
| Where infant punks their tender voices try | T |
| And little Maximins the gods defy | T |
| Great Fletcher never treads in buskins here | T |
| Nor greater Jonson dares in socks appear | T |
| But gentle Simkin just reception finds | J |
| Amidst this monument of vanish'd minds | J |
| Pure clinches the suburban muse affords | J |
| And Panton waging harmless war with words | J |
| Here Flecknoe as a place to fame well known | C2 |
| Ambitiously design'd his Shadwell's throne | C2 |
| For ancient Decker prophesied long since | J |
| That in this pile should reign a mighty prince | J |
| Born for a scourge of wit and flail of sense | J |
| To whom true dulness should some Psyches owe | D2 |
| But worlds of Misers from his pen should flow | D2 |
| Humourists and hypocrites it should produce | J |
| Whole Raymond families and tribes of Bruce | J |
| - | |
| Now Empress Fame had publish'd the renown | E2 |
| Of Shadwell's coronation through the town | E2 |
| Roused by report of fame the nations meet | F2 |
| From near Bunhill and distant Watling Street | F2 |
| No Persian carpets spread the imperial way | A |
| But scatter'd limbs of mangled poets lay | A |
| From dusty shops neglected authors come | G2 |
| Martyrs of pies and reliques of the bum | G2 |
| Much Heywood Shirley Ogleby there lay | A |
| But loads of Shadwell almost choked the way | A |
| Bilk'd stationers for yeomen stood prepared | H2 |
| And Herringman was captain of the guard | I2 |
| The hoary prince in majesty appear'd | J2 |
| High on a throne of his own labours rear'd | J2 |
| At his right hand our young Ascanius sate | F |
| Rome's other hope and pillar of the state | F |
| His brows thick fogs instead of glories grace | J |
| And lambent dulness play'd around his face | J |
| As Hannibal did to the altars come | G2 |
| Sworn by his fire a mortal foe to Rome | K2 |
| So Shadwell swore nor should his vow be vain | N |
| That he till death true dulness would maintain | N |
| And in his father's right and realm's defence | J |
| Ne'er to have peace with wit nor truce with sense | J |
| The king himself the sacred unction made | X |
| As king by office and as priest by trade | X |
| In his sinister hand instead of ball | K |
| He placed a mighty mug of potent ale | S |
| Love's Kingdom to his right he did convey | A |
| At once his sceptre and his rule of sway | A |
| Whose righteous lore the prince had practised young | B |
| And from whose loins recorded Psyche sprung | B |
| His temples last with poppies were o'erspread | X |
| That nodding seem'd to consecrate his head | X |
| Just at the point of time if fame not lie | T |
| On his left hand twelve reverend owls did fly | T |
| So Romulus 'tis sung by Tiber's brook | L2 |
| Presage of sway from twice six vultures took | L2 |
| The admiring throng loud acclamations make | M2 |
| And omens of his future empire take | M2 |
| The sire then shook the honours of his head | X |
| And from his brows damps of oblivion shed | X |
| Full on the filial dulness long he stood | X |
| Repelling from his breast the raging god | X |
| At length burst out in this prophetic mood | X |
| - | |
| Heavens bless my son from Ireland let him reign | N |
| To far Barbadoes on the western main | N |
| Of his dominion may no end be known | C2 |
| And greater than his father's be his throne | C2 |
| Beyond Love's kingdom let him stretch his pen | N2 |
| He paused and all the people cried Amen | N2 |
| Then thus continued he My son advance | J |
| Still in new impudence new ignorance | J |
| Success let others teach learn thou from me | H |
| Pangs without birth and fruitless industry | H |
| Let Virtuosos in five years be writ | X |
| Yet not one thought accuse thy toil of wit | X |
| Let gentle George in triumph tread the stage | O |
| Make Dorimant betray and Loveit rage | O |
| Let Cully Cockwood Fopling charm the pit | X |
| And in their folly show the writer's wit | X |
| Yet still thy fools shall stand in thy defence | J |
| And justify their author's want of sense | J |
| Let them be all by thy own model made | X |
| Of dulness and desire no foreign aid | X |
| That they to future ages may be known | C2 |
| Not copies drawn but issue of thy own | C2 |
| Nay let thy men of wit too be the same | P |
| All full of thee and differing but in name | P |
| But let no alien Sedley interpose | J |
| To lard with wit thy hungry Epsom prose | J |
| And when false flowers of rhetoric thou wouldst cull | L |
| Trust nature do not labour to be dull | L |
| But write thy best and top and in each line | O2 |
| Sir Formal's oratory will be thine | O2 |
| Sir Formal though unsought attends thy quill | P2 |
| And does thy northern dedications fill | P2 |
| Nor let false friends seduce thy mind to fame | P |
| By arrogating Jonson's hostile name | P |
| Let Father Flecknoe fire thy mind with praise | J |
| And uncle Ogleby thy envy raise | J |
| Thou art my blood where Jonson has no part | X |
| What share have we in nature or in art | X |
| Where did his wit on learning fix a brand | X |
| And rail at arts he did not understand | X |
| Where made he love in prince Nicander's vein | N |
| Or swept the dust in Psyche's humble strain | N |
| Where sold he bargains whip stitch kiss my a e | H |
| Promised a play and dwindled to a farce | J |
| When did his muse from Fletcher scenes purloin | Q2 |
| As thou whole Etheridge dost transfuse to thine | O2 |
| But so transfused as oil and waters flow | D2 |
| His always floats above thine sinks below | D2 |
| This is thy province this thy wondrous way | A |
| New humours to invent for each new play | A |
| This is that boasted bias of thy mind | X |
| By which one way to dulness 'tis inclined | X |
| Which makes thy writings lean on one side still | P2 |
| And in all changes that way bends thy will | P2 |
| Nor let thy mountain belly make pretence | J |
| Of likeness thine's a tympany of sense | J |
| A tun of man in thy large bulk is writ | X |
| But sure thou'rt but a kilderkin of wit | X |
| Like mine thy gentle numbers feebly creep | A2 |
| Thy tragic muse gives smiles thy comic sleep | A2 |
| With whate'er gall thou sett'st thyself to write | X |
| Thy inoffensive satires never bite | X |
| In thy felonious heart though venom lies | J |
| It does but touch thy Irish pen and dies | J |
| Thy genius calls thee not to purchase fame | P |
| In keen Iambics but mild Anagram | R2 |
| Leave writing plays and choose for thy command | X |
| Some peaceful province in Acrostic land | X |
| There thou mayst wings display and altars raise | J |
| And torture one poor word ten thousand ways | J |
| Or if thou wouldst thy different talents suit | X |
| Set thy own songs and sing them to thy lute | X |
| - | |
| He said but his last words were scarcely heard | X |
| For Bruce and Longville had a trap prepared | X |
| And down they sent the yet declaiming bard | X |
| Sinking he left his drugget robe behind | X |
| Borne upwards by a subterranean wind | X |
| The mantle fell to the young prophet's part | X |
| With double portion of his father's art | X |
John Dryden
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About Mac Flecknoe.[1]
Mac Flecknoe.[1] is a poem by John Dryden. This page includes the poem text, poet information, related topics, comments, and similar poems.
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