The Minstrel; Or, The Progress Of Genius (excerpts) Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCBCDECFF GHGHHIHII DHDHHJHJJ KLKLLMLNM OPOPPHPHH QHQHHRHRR STSTUVUVV HKHKKWKWX YZYZZTZTT A2B2A2B2B2KB2KK KLKLLA2LA2A2 HC2HC2D2KD2KK| THE FIRST BOOK excerpts | A |
| - | |
| Ah who can tell how hard it is to climb | B |
| The steep where Fame's proud temple shines afar | C |
| Ah who can tell how many a soul sublime | B |
| Hath felt the influence of malignant star | C |
| And wag'd with Fortune an eternal war | D |
| Check'd by the scoff of Pride by Envy's frown | E |
| And Poverty's unconquerable bar | C |
| In life's low vale remote hath pin'd alone | F |
| Then dropt into the grave unpitied and unknown | F |
| - | |
| And yet the languor of inglorious days | G |
| Not equally oppressive is to all | H |
| Him who ne'er listen'd to the voice of praise | G |
| The silence of neglect can ne'er appal | H |
| There are who deaf to mad Ambition's call | H |
| Would shrink to hear th' obstreperous trump of Fame | I |
| Supremely blest if to their portion fall | H |
| Health competence and peace Nor higher aim | I |
| Had he whose simple tale these artless lines proclaim | I |
| - | |
| This sapient age disclaims all classic lore | D |
| Else I should here in cunning phrase display | H |
| How forth The Minstrel far'd in days of yore | D |
| Right glad of heart though homely in array | H |
| His waving locks and beard all hoary grey | H |
| And from his bending shoulder decent hung | J |
| His harp the sole companion of his way | H |
| Which to the whistling wind responsive rung | J |
| And ever as he went some merry lay he sung | J |
| - | |
| Fret not yourselves ye silken sons of pride | K |
| That a poor Wanderer should inspire my strain | L |
| The Muses Fortune's fickle smile deride | K |
| Nor ever bow the knee in Mammon's fane | L |
| For their delights are with the village train | L |
| Whom Nature's laws engage and Nature's charms | M |
| They hate the sensual and scorn the vain | L |
| The parasite their influence never warms | N |
| Nor him whose sordid soul the love of wealth alarms | M |
| - | |
| Though richest hues the peacock's plumes adorn | O |
| Yet horror screams from his discordant throat | P |
| Rise sons of harmony and hail the morn | O |
| While warbling larks on russet pinions float | P |
| Or seek at noon the woodland scene remote | P |
| Where the grey linnets carol from the hill | H |
| O let them ne'er with artificial note | P |
| To please a tyrant strain the little bill | H |
| But sing what Heaven inspires and wander where they will | H |
| - | |
| Liberal not lavish is kind Nature's hand | Q |
| Nor was perfection made for man below | H |
| Yet all her schemes with nicest art are plann'd | Q |
| Good counteracting ill and gladness woe | H |
| With gold and gems if Chilian mountains glow | H |
| If bleak and barren Scotia's hills arise | R |
| There plague and poison lust and rapine grow | H |
| Here peaceful are the vales and pure the skies | R |
| And freedom fires the soul and sparkles in the eyes | R |
| - | |
| Then grieve not thou to whom th' indulgent Muse | S |
| Vouchsafes a portion of celestial fire | T |
| Nor blame the partial Fates if they refuse | S |
| Th' imperial banquet and the rich attire | T |
| Know thine own worth and reverence the lyre | U |
| Wilt thou debase the heart which God refin'd | V |
| No let thy heaven taught soul to heaven aspire | U |
| To fancy freedom harmony resign'd | V |
| Ambition's groveling crew for ever left behind | V |
| - | |
| - | |
| But who the melodies of morn can tell | H |
| The wild brook babbling down the mountain side | K |
| The lowing herd the sheepfold's simple bell | H |
| The pipe of early shepherd dim descried | K |
| In the lone valley echoing far and wide | K |
| The clamorous horn along the cliffs above | W |
| The hollow murmur of the ocean tide | K |
| The hum of bees and linnet's lay of love | W |
| And the full choir that wakes the universal grove | X |
| - | |
| The cottage curs at early pilgrim bark | Y |
| Crown'd with her pail the tripping milkmaid sings | Z |
| The whistling plowman stalks afield and hark | Y |
| Down the rough slope the ponderous waggon rings | Z |
| Through rustling corn the hare astonish'd springs | Z |
| Slow tolls the village clock the drowsy hour | T |
| The partridge bursts away on whirring wings | Z |
| Deep mourns the turtle in sequester'd bower | T |
| And shrill lark carols clear from her aereal tower | T |
| - | |
| O Nature how in every charm supreme | A2 |
| Whose votaries feast on raptures ever new | B2 |
| O for the voice and fire of seraphim | A2 |
| To sing thy glories with devotion due | B2 |
| Blest be the day I scap'd the wrangling crew | B2 |
| From Pyrrho's maze and Epicurus' sty | K |
| And held high converse with the godlike few | B2 |
| Who to th' enraptur'd heart and ear and eye | K |
| Teach beauty virtue truth and love and melody | K |
| - | |
| Hence ye who snare and stupefy the mind | K |
| Sophists of beauty virtue joy the bane | L |
| Greedy and fell though impotent and blind | K |
| Who spread your filthy nets in Truth's fair fane | L |
| And ever ply your venom'd fangs amain | L |
| Hence to dark Error's den whose rankling slime | A2 |
| First gave you form hence lest the Muse should deign | L |
| Though loth on theme so mean to waste a rhyme | A2 |
| With vengeance to pursue your sacrilegious crime | A2 |
| - | |
| But hail ye mighty masters of the lay | H |
| Nature's true sons the friends of man and truth | C2 |
| Whose song sublimely sweet serenely gay | H |
| Amus'd my childhood and inform'd my youth | C2 |
| O let your spirit still my bosom soothe | D2 |
| Inspire my dreams and my wild wanderings guide | K |
| Your voice each rugged path of life can smooth | D2 |
| For well I know wherever ye reside | K |
| There harmony and peace and innocence abide | K |
James Beattie
(1)
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About The Minstrel; Or, The Progress Of Genius (excerpts)
The Minstrel; Or, The Progress Of Genius (excerpts) is a poem by James Beattie. This page includes the poem text, poet information, related topics, comments, and similar poems.
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