Morituri Salutamus: Poem For The Fiftieth Anniversary Of The Class Of 1825 In Bowdoin College Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABC CCDE FFGGH HCCII JKLLMMNN OOPPCCQRSSS TTUUV VWWLL XXPPKJYYTTZA2B2B2C2C 2 D2D2CCE2E2 F2F2D2D2G2G2H2H2I2I2 D2D2 D2D2D2D2D2D2J2J2K2K2 EE L2RM2M2D2D2D2D2D2D2 D2D2EECC N2N2D2D2O2O2P2Q2 R2R2S2S2EED2D2EEEED2 D2 EEXXK2K2Q2Q2D2D2D2D2 T2T2 EEGGEE D2D2EELLD2D2EEFFD2D2 U2U2EEQ2P2K2K2 D2D2D2D2EES2S2 U2U2U2U2D2D2D2EM2M2D 2D2V2V2D2D2D2D2W2W2 D2D2D2D2D2D2XXD2D2 D2D2D2D2CCV2V2D2D2 EED2D2U2U2X2X2XXX2X2 X2X2EEQ2Q2 D2D2D2D2EEEEP2P2EED2 D2Y2Y2EE Z2Z2U2U2U2U2Q2Q2A3A3 B3B3U2U2D2D2C3C3 EED2D2U2U2D2D2D3D3EE EE| Tempora labuntur tacitisque senescimus annis | A |
| Et fugiunt freno non remorante dies | B |
| Ovid Fastorum Lib vi | C |
| - | |
| O C sar we who are about to die | C |
| Salute you was the gladiators' cry | C |
| In the arena standing face to face | D |
| With death and with the Roman populace | E |
| - | |
| O ye familiar scenes ye groves of pine | F |
| That once were mine and are no longer mine | F |
| Thou river widening through the meadows green | G |
| To the vast sea so near and yet unseen | G |
| Ye halls in whose seclusion and repose | H |
| - | |
| Phantoms of fame like exhalations rose | H |
| And vanished we who are about to die | C |
| Salute you earth and air and sea and sky | C |
| And the Imperial Sun that scatters down | I |
| His sovereign splendors upon grove and town | I |
| - | |
| Ye do not answer us ye do not hear | J |
| We are forgotten and in your austere | K |
| And calm indifference ye little care | L |
| Whether we come or go or whence or where | L |
| What passing generations fill these halls | M |
| What passing voices echo from these walls | M |
| Ye heed not we are only as the blast | N |
| A moment heard and then forever past | N |
| - | |
| Not so the teachers who in earlier days | O |
| Led our bewildered feet through learning's maze | O |
| They answer us alas what have I said | P |
| What greetings come there from the voiceless dead | P |
| What salutation welcome or reply | C |
| What pressure from the hands that lifeless lie | C |
| They are no longer here they all are gone | Q |
| Into the land of shadows all save one | R |
| Honor and reverence and the good repute | S |
| That follows faithful service as its fruit | S |
| Be unto him whom living we salute | S |
| - | |
| The great Italian poet when he made | T |
| His dreadful journey to the realms of shade | T |
| Met there the old instructor of his youth | U |
| And cried in tones of pity and of ruth | U |
| Oh never from the memory of my heart | V |
| - | |
| Your dear paternal image shall depart | V |
| Who while on earth ere yet by death surprised | W |
| Taught me how mortals are immortalized | W |
| How grateful am I for that patient care | L |
| All my life long my language shall declare | L |
| - | |
| To day we make the poet's words our own | X |
| And utter them in plaintive undertone | X |
| Nor to the living only be they said | P |
| But to the other living called the dead | P |
| Whose dear paternal images appear | K |
| Not wrapped in gloom but robed in sunshine here | J |
| Whose simple lives complete and without flaw | Y |
| Were part and parcel of great Nature's law | Y |
| Who said not to their Lord as if afraid | T |
| Here is thy talent in a napkin laid | T |
| But labored in their sphere as men who live | Z |
| In the delight that work alone can give | A2 |
| Peace be to them eternal peace and rest | B2 |
| And the fulfilment of the great behest | B2 |
| Ye have been faithful over a few things | C2 |
| Over ten cities shall ye reign as kings | C2 |
| - | |
| And ye who fill the places we once filled | D2 |
| And follow in the furrows that we tilled | D2 |
| Young men whose generous hearts are beating high | C |
| We who are old and are about to die | C |
| Salute you hail you take your hands in ours | E2 |
| And crown you with our welcome as with flowers | E2 |
| - | |
| How beautiful is youth how bright it gleams | F2 |
| With its illusions aspirations dreams | F2 |
| Book of Beginnings Story without End | D2 |
| Each maid a heroine and each man a friend | D2 |
| Aladdin's Lamp and Fortunatus' Purse | G2 |
| That holds the treasures of the universe | G2 |
| All possibilities are in its hands | H2 |
| No danger daunts it and no foe withstands | H2 |
| In its sublime audacity of faith | I2 |
| Be thou removed it to the mountain saith | I2 |
| And with ambitious feet secure and proud | D2 |
| Ascends the ladder leaning on the cloud | D2 |
| - | |
| As ancient Priam at the Sc an gate | D2 |
| Sat on the walls of Troy in regal state | D2 |
| With the old men too old and weak to fight | D2 |
| Chirping like grasshoppers in their delight | D2 |
| To see the embattled hosts with spear and shield | D2 |
| Of Trojans and Achaians in the field | D2 |
| So from the snowy summits of our years | J2 |
| We see you in the plain as each appears | J2 |
| And question of you asking Who is he | K2 |
| That towers above the others Which may be | K2 |
| Atreides Menelaus Odysseus | E |
| Ajax the great or bold Idomeneus | E |
| - | |
| Let him not boast who puts his armor on | L2 |
| As he who puts it off the battle done | R |
| Study yourselves and most of all note well | M2 |
| Wherein kind Nature meant you to excel | M2 |
| Not every blossom ripens into fruit | D2 |
| Minerva the inventress of the flute | D2 |
| Flung it aside when she her face surveyed | D2 |
| Distorted in a fountain as she played | D2 |
| The unlucky Marsyas found it and his fate | D2 |
| Was one to make the bravest hesitate | D2 |
| - | |
| Write on your doors the saying wise and old | D2 |
| Be bold be bold and everywhere Be bold | D2 |
| Be not too bold Yet better the excess | E |
| Than the defect better the more than less | E |
| Better like Hector in the field to die | C |
| Than like a perfumed Paris turn and fly | C |
| - | |
| And now my classmates ye remaining few | N2 |
| That number not the half of those we knew | N2 |
| Ye against whose familiar names not yet | D2 |
| The fatal asterisk of death is set | D2 |
| Ye I salute The horologe of Time | O2 |
| Strikes the half century with a solemn chime | O2 |
| And summons us together once again | P2 |
| The joy of meeting not unmixed with pain | Q2 |
| - | |
| Where are the others Voices from the deep | R2 |
| Caverns of darkness answer me They sleep | R2 |
| I name no names instinctively I feel | S2 |
| Each at some well remembered grave will kneel | S2 |
| And from the inscription wipe the weeds and moss | E |
| For every heart best knoweth its own loss | E |
| I see their scattered gravestones gleaming white | D2 |
| Through the pale dusk of the impending night | D2 |
| O'er all alike the impartial sunset throws | E |
| Its golden lilies mingled with the rose | E |
| We give to each a tender thought and pass | E |
| Out of the graveyards with their tangled grass | E |
| Unto these scenes frequented by our feet | D2 |
| When we were young and life was fresh and sweet | D2 |
| - | |
| What shall I say to you What can I say | E |
| Better than silence is When I survey | E |
| This throng of faces turned to meet my own | X |
| Friendly and fair and yet to me unknown | X |
| Transformed the very landscape seems to be | K2 |
| It is the same yet not the same to me | K2 |
| So many memories crowd upon my brain | Q2 |
| So many ghosts are in the wooded plain | Q2 |
| I fain would steal away with noiseless tread | D2 |
| As from a house where some one lieth dead | D2 |
| I cannot go I pause I hesitate | D2 |
| My feet reluctant linger at the gate | D2 |
| As one who struggles in a troubled dream | T2 |
| To speak and cannot to myself I seem | T2 |
| - | |
| Vanish the dream Vanish the idle fears | E |
| Vanish the rolling mists of fifty years | E |
| Whatever time or space may intervene | G |
| I will not be a stranger in this scene | G |
| Here every doubt all indecision ends | E |
| Hail my companions comrades classmates friends | E |
| - | |
| Ah me the fifty years since last we met | D2 |
| Seem to me fifty folios bound and set | D2 |
| By Time the great transcriber on his shelves | E |
| Wherein are written the histories of ourselves | E |
| What tragedies what comedies are there | L |
| What joy and grief what rapture and despair | L |
| What chronicles of triumph and defeat | D2 |
| Of struggle and temptation and retreat | D2 |
| What records of regrets and doubts and fears | E |
| What pages blotted blistered by our tears | E |
| What lovely landscapes on the margin shine | F |
| What sweet angelic faces what divine | F |
| And holy images of love and trust | D2 |
| Undimmed by age unsoiled by damp or dust | D2 |
| Whose hand shall dare to open and explore | U2 |
| These volumes closed and clasped forevermore | U2 |
| Not mine With reverential feet I pass | E |
| I hear a voice that cries Alas alas | E |
| Whatever hath been written shall remain | Q2 |
| Nor be erased nor written o'er again | P2 |
| The unwritten only still belongs to thee | K2 |
| Take heed and ponder well what that shall be | K2 |
| - | |
| As children frightened by a thunder cloud | D2 |
| Are reassured if some one reads aloud | D2 |
| A tale of wonder with enchantment fraught | D2 |
| Or wild adventure that diverts their thought | D2 |
| Let me endeavor with a tale to chase | E |
| The gathering shadows of the time and place | E |
| And banish what we all too deeply feel | S2 |
| Wholly to say or wholly to conceal | S2 |
| - | |
| In medi val Rome I know not where | U2 |
| There stood an image with its arm in air | U2 |
| And on its lifted finger shining clear | U2 |
| A golden ring with the device Strike here | U2 |
| Greatly the people wondered though none guessed | D2 |
| The meaning that these words but half expressed | D2 |
| Until a learned clerk who at noonday | D2 |
| With downcast eyes was passing on his way | E |
| Paused and observed the spot and marked it well | M2 |
| Whereon the shadow of the finger fell | M2 |
| And coming back at midnight delved and found | D2 |
| A secret stairway leading underground | D2 |
| Down this he passed into a spacious hall | V2 |
| Lit by a flaming jewel on the wall | V2 |
| And opposite in threatening attitude | D2 |
| With bow and shaft a brazen statue stood | D2 |
| Upon its forehead like a coronet | D2 |
| Were these mysterious words of menace set | D2 |
| That which I am I am my fatal aim | W2 |
| None can escape not even yon luminous flame | W2 |
| - | |
| Midway the hall was a fair table placed | D2 |
| With cloth of gold and golden cups enchased | D2 |
| With rubies and the plates and knives were gold | D2 |
| And gold the bread and viands manifold | D2 |
| Around it silent motionless and sad | D2 |
| Were seated gallant knights in armor clad | D2 |
| And ladies beautiful with plume and zone | X |
| But they were stone their hearts within were stone | X |
| And the vast hall was filled in every part | D2 |
| With silent crowds stony in face and heart | D2 |
| - | |
| Long at the scene bewildered and amazed | D2 |
| The trembling clerk in speechless wonder gazed | D2 |
| Then from the table by his greed made bold | D2 |
| He seized a goblet and a knife of gold | D2 |
| And suddenly from their seats the guests upsprang | C |
| The vaulted ceiling with loud clamors rang | C |
| The archer sped his arrow at their call | V2 |
| Shattering the lambent jewel on the wall | V2 |
| And all was dark around and overhead | D2 |
| Stark on the floor the luckless clerk lay dead | D2 |
| - | |
| The writer of this legend then records | E |
| Its ghostly application in these words | E |
| The image is the Adversary old | D2 |
| Whose beckoning finger points to realms of gold | D2 |
| Our lusts and passions are the downward stair | U2 |
| That leads the soul from a diviner air | U2 |
| The archer Death the flaming jewel Life | X2 |
| Terrestrial goods the goblet and the knife | X2 |
| The knights and ladies all whose flesh and bone | X |
| By avarice have been hardened into stone | X |
| The clerk the scholar whom the love of pelf | X2 |
| Tempts from his books and from his nobler self | X2 |
| - | |
| The scholar and the world The endless strife | X2 |
| The discord in the harmonies of life | X2 |
| The love of learning the sequestered nooks | E |
| And all the sweet serenity of books | E |
| The market place the eager love of gain | Q2 |
| Whose aim is vanity and whose end is pain | Q2 |
| - | |
| But why you ask me should this tale be told | D2 |
| To men grown old or who are growing old | D2 |
| It is too late Ah nothing is too late | D2 |
| Till the tired heart shall cease to palpitate | D2 |
| Cato learned Greek at eighty Sophocles | E |
| Wrote his grand Oedipus and Simonides | E |
| Bore off the prize of verse from his compeers | E |
| When each had numbered more than fourscore years | E |
| And Theophrastus at fourscore and ten | P2 |
| Had but begun his Characters of Men | P2 |
| Chaucer at Woodstock with the nightingales | E |
| At sixty wrote the Canterbury Tales | E |
| Goethe at Weimar toiling to the last | D2 |
| Completed Faust when eighty years were past | D2 |
| These are indeed exceptions but they show | Y2 |
| How far the gulf stream of our youth may flow | Y2 |
| Into the arctic regions of our lives | E |
| Where little else than life itself survives | E |
| - | |
| As the barometer foretells the storm | Z2 |
| While still the skies are clear the weather warm | Z2 |
| So something in us as old age draws near | U2 |
| Betrays the pressure of the atmosphere | U2 |
| The nimble mercury ere we are aware | U2 |
| Descends the elastic ladder of the air | U2 |
| The telltale blood in artery and vein | Q2 |
| Sinks from its higher levels in the brain | Q2 |
| Whatever poet orator or sage | A3 |
| May say of it old age is still old age | A3 |
| It is the waning not the crescent moon | B3 |
| The dusk of evening not the blaze of noon | B3 |
| It is not strength but weakness not desire | U2 |
| But its surcease not the fierce heat of fire | U2 |
| The burning and consuming element | D2 |
| But that of ashes and of embers spent | D2 |
| In which some living sparks we still discern | C3 |
| Enough to warm but not enough to burn | C3 |
| - | |
| What then Shall we sit idly down and say | E |
| The night hath come it is no longer day | E |
| The night hath not yet come we are not quite | D2 |
| Cut off from labor by the failing light | D2 |
| Something remains for us to do or dare | U2 |
| Even the oldest tree some fruit may bear | U2 |
| Not Oedipus Coloneus or Greek Ode | D2 |
| Or tales of pilgrims that one morning rode | D2 |
| Out of the gateway of the Tabard Inn | D3 |
| But other something would we but begin | D3 |
| For age is opportunity no less | E |
| Than youth itself though in another dress | E |
| And as the evening twilight fades away | E |
| The sky is filled with stars invisible by day | E |
Henry Wadsworth Longfellow
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About Morituri Salutamus: Poem For The Fiftieth Anniversary Of The Class Of 1825 In Bowdoin College
Morituri Salutamus: Poem For The Fiftieth Anniversary Of The Class Of 1825 In Bowdoin College is a poem by Henry Wadsworth Longfellow. This page includes the poem text, poet information, related topics, comments, and similar poems.
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