The Sundays Of Satin-legs Smith Poem Rhyme Scheme and Analysis
Rhyme Scheme: AA BBC DDE FGH IJJKELEMEKNOLMMMMPQR RSMTSUMMVSU IWXMJJXYYMZMMA2 B2M MMC2 D2E2F2G2C2MM C2JJH2I2C2 J2MK2B2L2C2K2M2J2MN2 H2H2H2SC2 C2MO2P2Q2R2C2C2P2S2M MMZGMI2MMI2A2C2MI2C2 MM C2ZH2ZMH2M L2H2H2MM MT2MC2MM MMC2MMC2H2C2A2ZMMMZM EU2 C2C2ZC2V2C2| Inamoratas with an approbation | A |
| Bestowed his title Blessed his inclination | A |
| - | |
| He wakes unwinds elaborately a cat | B |
| Tawny reluctant royal He is fat | B |
| And fine this morning Definite Reimbursed | C |
| - | |
| He waits a moment he designs his reign | D |
| That no performance may be plain or vain | D |
| Then rises in a clear delirium | E |
| - | |
| He sheds with his pajamas shabby days | F |
| And his desertedness his intricate fear the | G |
| Postponed resentments and the prim precautions | H |
| - | |
| Now at his bath would you deny him lavender | I |
| Or take away the power of his pine | J |
| What smelly substitute heady as wine | J |
| Would you provide life must be aromatic | K |
| There must be scent somehow there must be some | E |
| Would you have flowers in his life suggest | L |
| Asters a Really Good geranium | E |
| A white carnation would you prescribe a Show | M |
| With the cold lilies formal chrysanthemum | E |
| Magnificence poinsettias and emphatic | K |
| Red of prize roses might his happiest | N |
| Alternative you muse be after all | O |
| A bit of gentle garden in the best | L |
| Of taste and straight tradition Maybe so | M |
| But you forget or did you ever know | M |
| His heritage of cabbage and pigtails | M |
| Old intimacy with alleys garbage pails | M |
| Down in the deep but always beautiful South | P |
| Where roses blush their blithest it is said | Q |
| And sweet magnolias put Chanel to shame | R |
| - | |
| No He has not a flower to his name | R |
| Except a feather one for his lapel | S |
| Apart from that if he should think of flowers | M |
| It is in terms of dandelions or death | T |
| Ah there is little hope You might as well | S |
| Unless you care to set the world a boil | U |
| And do a lot of equalizing things | M |
| Remove a little ermine say from kings | M |
| Shake hands with paupers and appoint them men | V |
| For instance certainly you might as well | S |
| Leave him his lotion lavender and oil | U |
| - | |
| Let us proceed Let us inspect together | I |
| With his meticulous and serious love | W |
| The innards of this closet Which is a vault | X |
| Whose glory is not diamonds not pearls | M |
| Not silver plate with just enough dull shine | J |
| But wonder suits in yellow and in wine | J |
| Sarcastic green and zebra striped cobalt | X |
| With shoulder padding that is wide | Y |
| And cocky and determined as his pride | Y |
| Ballooning pants that taper off to ends | M |
| Scheduled to choke precisely | Z |
| Here are hats | M |
| Like bright umbrellas and hysterical ties | M |
| Like narrow banners for some gathering war | A2 |
| - | |
| People are so in need in need of help | B2 |
| People want so much that they do not know | M |
| - | |
| Below the tinkling trade of little coins | M |
| The gold impulse not possible to show | M |
| Or spend Promise piled over and betrayed | C2 |
| - | |
| These kneaded limbs receive the kiss of silk | D2 |
| Then they receive the brave and beautiful | E2 |
| Embrace of some of that equivocal wool | F2 |
| He looks into his mirror loves himself | G2 |
| The neat curve here the angularity | C2 |
| That is appropriate at just its place | M |
| The technique of a variegated grace | M |
| - | |
| Here is all his sculpture and his art | C2 |
| And all his architectural design | J |
| Perhaps you would prefer to this a fine | J |
| Value of marble complicated stone | H2 |
| Would have him think with horror of baroque | I2 |
| Rococo You forget and you forget | C2 |
| - | |
| He dances down the hotel steps that keep | J2 |
| Remnants of last night s high life and distress | M |
| As spat out purchased kisses and spilled beer | K2 |
| He swallows sunshine with a secret yelp | B2 |
| Passes to coffee and a roll or two | L2 |
| Has breakfasted | C2 |
| Out Sounds about him smear | K2 |
| Become a unit He hears and does not hear | M2 |
| The alarm clock meddling in somebody s sleep | J2 |
| Children s governed Sunday happiness | M |
| The dry tone of a plane a woman s oath | N2 |
| Consumption s spiritless expectoration | H2 |
| An indignant robin s resolute donation | H2 |
| Pinching a track through apathy and din | H2 |
| Restaurant vendors weeping and the L | S |
| That comes on like a slightly horrible thought | C2 |
| - | |
| Pictures too as usual are blurred | C2 |
| He sees and does not see the broken windows | M |
| Hiding their shame with newsprint little girl | O2 |
| With ribbons decking wornness little boy | P2 |
| Wearing the trousers with the decentest patch | Q2 |
| To honor Sunday women on their way | R2 |
| From service temperate holiness arranged | C2 |
| Ably on asking faces men estranged | C2 |
| From music and from wonder and from joy | P2 |
| But far familiar with the guiding awe | S2 |
| Of foodlessness | M |
| He loiters | M |
| Restaurant vendors | M |
| Weep or out of them rolls a restless glee | Z |
| The Lonesome Blues the Long lost Blues I Want A | G |
| Big Fat Mama Down these sore avenues | M |
| Comes no Saint Sa ns no piquant elusive Grieg | I2 |
| And not Tschaikovsky s wayward eloquence | M |
| And not the shapely tender drift of Brahms | M |
| But could he love them Since a man must bring | I2 |
| To music what his mother spanked him for | A2 |
| When he was two bits of forgotten hate | C2 |
| Devotion whether or not his mattress hurts | M |
| The little dream his father humored the thing | I2 |
| His sister did for money what he ate | C2 |
| For breakfast and for dinner twenty years | M |
| Ago last autumn all his skipped desserts | M |
| - | |
| The pasts of his ancestors lean against | C2 |
| Him Crowd him Fog out his identity | Z |
| Hundreds of hungers mingle with his own | H2 |
| Hundreds of voices advise so dexterously | Z |
| He quite considers his reactions his | M |
| Judges he walks most powerfully alone | H2 |
| That everything is simply what it is | M |
| - | |
| But movie time approaches time to boo | L2 |
| The hero s kiss and boo the heroine | H2 |
| Whose ivory and yellow it is sin | H2 |
| For his eye to eat of The Mickey Mouse | M |
| However is for everyone in the house | M |
| - | |
| Squires his lady to dinner at Joe s Eats | M |
| His lady alters as to leg and eye | T2 |
| Thickness and height such minor points as these | M |
| From Sunday to Sunday But no matter what | C2 |
| Her name or body positively she s | M |
| In Queen Lace stockings with ambitious heels | M |
| - | |
| That strain to kiss the calves and vivid shoes | M |
| Frontless and backless Chinese fingernails | M |
| Earrings three layers of lipstick intense hat | C2 |
| Dripping with the most voluble of veils | M |
| Her affable extremes are like sweet bombs | M |
| About him whom no middle grace or good | C2 |
| Could gratify He had no education | H2 |
| In quiet arts of compromise He would | C2 |
| Not understand your counsels on control nor | A2 |
| Thank you for your late trouble | Z |
| At Joe s Eats | M |
| You get your fish or chicken on meat platters | M |
| With coleslaw macaroni candied sweets | M |
| Coffee and apple pie You go out full | Z |
| The end is isn t it all that really matters | M |
| - | |
| And even and intrepid come | E |
| The tender boots of night to home | U2 |
| - | |
| Her body is like new brown bread | C2 |
| Under the Woolworth mignonette | C2 |
| Her body is a honey bowl | Z |
| Whose waiting honey is deep and hot | C2 |
| Her body is like summer earth | V2 |
| Receptive soft and absolute | C2 |
Gwendolyn Brooks
(1)
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The Sundays Of Satin-legs Smith is a poem by Gwendolyn Brooks. This page includes the poem text, poet information, related topics, comments, and similar poems.
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