Babel: The Gate Of The God Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNOPQRCS TUVG FJOGGCWXSGGD GGYGZA2GGB2G KC2GD2E2F2G2H2 CI2GJ2CKC IC GCB2IG IGA2A2 GB2II IGK2GIKIGIB2| Lost towers impend copeless primeval props | A |
| Of the new threatening sky and first rude digits | B |
| Of awe remonstrance and uneasy power | C |
| Thrust out by man when speech sank back in his throat | D |
| Then had the last rocks ended bubbling up | E |
| And rhythms of change within the heart begun | F |
| By a blind need that would make Springs and Winters | G |
| Pylons and monoliths went on by ages | H |
| Mycenae and Great Zimbabwe came about | I |
| Cowed hearts in This conceived a pyramid | J |
| That leaned to hold itself upright a thing | K |
| Foredoomed to limits death and an easy apex | L |
| Then postulants for the stars' previous wisdom | M |
| Standing on Carthage must get nearer still | N |
| While in Chaldea an altitude of god | O |
| Being mooted and a saurian unearthed | P |
| Upon a mountain stirring a surmise | Q |
| Of floods and alterations of the sea | R |
| A round walled tower must rise upon Senaar | C |
| Temple and escape to god the ascertained | S |
| These are decayed like Time's teeth in his mouth | T |
| Black cavities and gaps yet earth is darkened | U |
| By their deep sunken and unfounded shadows | V |
| And memories of man's earliest theme of towers | G |
| - | |
| Space the old source of time should be undone | F |
| Eternity defined by men who trusted | J |
| Another tier would equal them with god | O |
| A city of grimed brick kilns squat truncations | G |
| Hunched like spread toads yet high beneath their circles | G |
| Of low packed smoke assemblages of thunder | C |
| That glowed upon their under sides by night | W |
| And lit like storm small shadowless workmen's toil | X |
| Meaningless stumps upturned bare roots remained | S |
| In fields of mashy mud and trampled leaves | G |
| While if a horse died hauling plasterers | G |
| Knelt on a flank to clip its sweaty coat | D |
| - | |
| A builder leans across the last wide courses | G |
| His unadjustable unreaching eyes | G |
| Fail under him before his glances sink | Y |
| On the clouds' upper layers of sooty curls | G |
| Where some long lightning goes like swallows downward | Z |
| But at the wider gallery next below | A2 |
| Recognise master masons with pricked parchments | G |
| That builder then as one who condescends | G |
| Unto the sea and all that is beneath him | B2 |
| His hairy breast on the wet mortar calls | G |
| 'How many fathoms is it yet to heaven ' | - |
| On the next eminence the orgulous king | K |
| Nimroud stands up conceiving he shall live | C2 |
| To conquer god now that he knows where god is | G |
| His eager hands push up the tower in thought | D2 |
| Again his shaggy inhuman height strides down | E2 |
| Among the carpenters because he has seen | F2 |
| One shape an eagle woman on a door post | G2 |
| He drives his spear beam through him for wasted day | H2 |
| - | |
| Little men hurrying running here and there | C |
| Within the dark and stifling walls dissent | I2 |
| From every sound and shoulder empty hods | G |
| 'The god's great altar should stand in the crypt | J2 |
| Among our earth's foundations' 'The god's great altar | C |
| Must be the last far coping of our work' | K |
| It should inaugurate the broad main stair' | C |
| 'Or end it' 'It must stand toward the East ' | - |
| But here a grave contemptuous youth cries out | I |
| 'Womanish babblers how can we build god's altar | C |
| Ere we divine its foreordained true shape ' | - |
| Then one 'It is a pedestal for deeds' | G |
| ''Tis more and should be hewn like the king's brow' | C |
| 'It has the nature of a woman's bosom' | B2 |
| 'The tortoise first created signifies it' | I |
| 'A blind and rudimentary navel shows | G |
| The source of worship better than horned moons ' | - |
| Then a lean giant 'Is not a calyx needful ' | - |
| 'Because round grapes on statues well expressed | I |
| Become the nadir of incense nodal lamps | G |
| Yet apes have hands that cut and carved red crystal' | A2 |
| 'Birds molten touchly talc veins bronze buds crumble | A2 |
| Ablid ublai ghan isz rad eighar ghaurl ' | - |
| Words said too often seemed such ancient sounds | G |
| That men forgot them or were lost in them | B2 |
| The guttural glottis chasms of language reached | I |
| A rhythm a gasp were curves of immortal thought | I |
| - | |
| Man with his bricks was building building yet | I |
| Where dawn and midnight mingled and woke no birds | G |
| In the last courses building past his knowledge | K2 |
| A wall that swung for towers can have no tops | G |
| No chord can mete the universal segment | I |
| Earth has not basis Yet the yielding sky | K |
| Invincible vacancy was there discovered | I |
| Though piled up bricks should pulp the sappy balks | G |
| Weight generate a secrecy of heat | I |
| Cankerous charring crevices' fronds of flame | B2 |
Gordon Bottomley
(1)
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Babel: The Gate Of The God is a poem by Gordon Bottomley. This page includes the poem text, poet information, related topics, comments, and similar poems.
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