English Bards And Scotch Reviewers (excerpt) Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFFGGHHIIJJ KKLLMMNNMMOOMMPPQQRR CCMMSSFFTTIIMMUVWWPP XX QNYYMMMMZZA2A2EEDDB2 C2NN KKRR D2D2EEMME2E2F2G2H2H2 MMI2I2MMJ2J2NNK2NCCE EMMMMMMCCFFCCMMPPCC PPMMPPMMDDEEL2L2MMMM CC CCM2M2MMMMN2N2Time was ere yet in these degenerate days | A |
Ignoble themes obtain'd mistaken praise | A |
When sense and wit with poesy allied | B |
No fabl'd graces flourish'd side by side | B |
From the same fount their inspiration drew | C |
And rear'd by taste bloom'd fairer as they grew | C |
Then in this happy isle a Pope's pure strain | D |
Sought the rapt soul to charm nor sought in vain | D |
A polish'd nation's praise aspir'd to claim | E |
And rais'd the people's as the poet's fame | E |
Like him great Dryden pour'd the tide of song | F |
In stream less smooth indeed yet doubly strong | F |
Then Congreve's scenes could cheer or Otway's melt | G |
For nature then an English audience felt | G |
But why these names or greater still retrace | H |
When all to feebler bards resign their place | H |
Yet to such times our lingering looks are cast | I |
When taste and reason with those times are past | I |
Now look around and turn each trifling page | J |
Survey the precious works that please the age | J |
This truth at least let satire's self allow | K |
No dearth of bards can be complain'd of now | K |
The loaded press beneath her labour groans | L |
And printers' devils shake their weary bones | L |
While Southey's epics cram the creaking shelves | M |
And Little's lyrics shine in hot press'd twelves | M |
Thus saith the Preacher Nought beneath the sun | N |
Is new yet still from change to change we run | N |
What varied wonders tempt us as they pass | M |
The cow pox tractors galvanism and gas | M |
In turns appear to make the vulgar stare | O |
Till the swoln bubble bursts and all is air | O |
Nor less new schools of Poetry arise | M |
Where dull pretenders grapple for the prize | M |
O'er taste awhile these pseudo bards prevail | P |
Each country book club bows the knee to Baal | P |
And hurling lawful genius from the throne | Q |
Erects a shrine and idol of its own | Q |
Some leaden calf but whom it matters not | R |
From soaring Southey down to grovelling Stott | R |
- | |
Behold in various throngs the scribbling crew | C |
For notice eager pass in long review | C |
Each spurs his jaded Pegasus apace | M |
And rhyme and blank maintain an equal race | M |
Sonnets on sonnets crowd and ode on ode | S |
And tales of terror jostle on the road | S |
Immeasurable measures move along | F |
For simpering folly loves a varied song | F |
To strange mysterious dulness still the friend | T |
Admires the strain she cannot comprehend | T |
Thus Lays of Minstrels may they be the last | I |
On half strung harps whine mournful to the blast | I |
While mountain spirits prate to river sprites | M |
That dames may listen to the sound at nights | M |
And goblin brats of Gilpin Horner's brood | U |
Decoy young border nobles through the wood | V |
And skip at every step Lord knows how high | W |
And frighten foolish babes the Lord knows why | W |
While high born ladies in their magic cell | P |
Forbidding knights to read who cannot spell | P |
Despatch a courier to a wizard's grave | X |
And fight with honest men to shield a knave | X |
- | |
Next view in state proud prancing on his roan | Q |
The golden crested haughty Marmion | N |
Now forging scrolls now foremost in the fight | Y |
Not quite a felon yet but half a knight | Y |
The gibbet or the field prepar'd to grace | M |
A mighty mixture of the great and base | M |
And think'st thou Scott by vain conceit perchance | M |
On public taste to foist thy stale romance | M |
Though Murray with his Miller may combine | Z |
To yield thy muse just half a crown per line | Z |
No when the sons of song descend to trade | A2 |
Their bays are sear their former laurels fade | A2 |
Let such forego the poet's sacred name | E |
Who rack their brains for lucre not for fame | E |
Still for stern Mammon may they toil in vain | D |
And sadly gaze on gold they cannot gain | D |
Such be their meed such still the just reward | B2 |
Of prostituted muse and hireling bard | C2 |
For this we spurn Apollo's venal son | N |
And bid a long good night to Marmion | N |
- | |
These are the themes that claim our plaudits now | K |
These are the bards to whom the muse must bow | K |
While Milton Dryden Pope alike forgot | R |
Resign their hallow'd bays to Walter Scott | R |
- | |
The time has been when yet the muse was young | D2 |
When Homer swept the lyre and Maro sung | D2 |
An epic scarce ten centuries could claim | E |
While awe struck nations hail'd the magic name | E |
The work of each immortal bard appears | M |
The single wonder of a thousand years | M |
Empires have moulder'd from the face of earth | E2 |
Tongues have expir'd with those who gave them birth | E2 |
Without the glory such a strain can give | F2 |
As even in ruin bids the language live | G2 |
Not so with us though minor bards content | H2 |
On one great work a life of labour spent | H2 |
With eagle pinion soaring to the skies | M |
Behold the ballad monger Southey rise | M |
To him let Camo ns Milton Tasso yield | I2 |
Whose annual strains like armies take the field | I2 |
First in the ranks see Joan of Arc advance | M |
The scourge of England and the boast of France | M |
Though burnt by wicked Bedford for a witch | J2 |
Behold her statue plac'd in glory's niche | J2 |
Her fetters burst and just releas'd from prison | N |
A virgin phoenix from her ashes risen | N |
Next see tremendous Thalaba come on | K2 |
Arabia's monstrous wild and wondrous son | N |
Domdaniel's dread destroyer who o'erthrew | C |
More mad magicians than the world e'er knew | C |
Immortal hero all thy foes o'ercome | E |
For ever reign the rival of Tom Thumb | E |
Since startled metre fled before thy face | M |
Well wert thou doom'd the last of all thy race | M |
Well might triumphant genii bear thee hence | M |
Illustrious conqueror of common sense | M |
Now last and greatest Madoc spreads his sails | M |
Cacique in Mexico and prince in Wales | M |
Tells us strange tales as other travellers do | C |
More old than Mandeville's and not so true | C |
Oh Southey Southey cease thy varied song | F |
A bard may chant too often and too long | F |
As thou art strong in verse in mercy spare | C |
A fourth alas were more than we could bear | C |
But if in spite of all the world can say | M |
Thou still wilt verseward plod thy weary way | M |
If still in Berkley ballads most uncivil | P |
Thou wilt devote old women to the devil | P |
The babe unborn thy dread intent may rue | C |
God help thee Southey and thy readers too | C |
- | |
Next comes the dull disciple of thy school | P |
That mild apostate from poetic rule | P |
The simple Wordsworth framer of a lay | M |
As soft as evening in his favourite May | M |
Who warns his friend to shake off toil and trouble | P |
And quit his books for fear of growing double | P |
Who both by precept and example shows | M |
That prose is verse and verse is merely prose | M |
Convincing all by demonstration plain | D |
Poetic souls delight in prose insane | D |
And Christmas stories tortur'd into rhyme | E |
Contain the essence of the true sublime | E |
Thus when he tells the tale of Betty Foy | L2 |
The idiot mother of an idiot boy | L2 |
A moon struck silly lad who lost his way | M |
And like his bard confounded night with day | M |
So close on each pathetic part he dwells | M |
And each adventure so sublimely tells | M |
That all who view the idiot in his glory | C |
Conceive the bard the hero of the story | C |
- | |
Shall gentle Coleridge pass unnotic'd here | C |
To turgid ode and tumid stanza dear | C |
Though themes of innocence amuse him best | M2 |
Yet still obscurity's a welcome guest | M2 |
If Inspiration should her aid refuse | M |
To him who takes a pixy for a muse | M |
Yet none in lofty numbers can surpass | M |
The bard who soars to elegize an ass | M |
So well the subject suits his noble mind | N2 |
He brays the laureat of the long ear'd kind | N2 |
George Gordon Byron
(1)
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