Don Juan: Canto The Fourteenth Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABABABCC DEFEFEGH IJIJBJKK LMLMLMNN OPOPOOQR OEOEOESS LELELETH N NUNUVV WXWXWXYY ZJA2JZJB2C2 D2OE2OE2OF2F2 G2EG2EG2EH2H2 EI2EI2EI2OO OEOEOEI2I2 OEOEOEI2I2 OI2OI2OI2OO OJ2OJ2OJ2OO H2OH2OH2OK2K2 OH2OH2OH2EE I2C2I2C2I2C2L2L2 K2OK2OK2O O M2I2N2If from great nature's or our own abyss | A |
Of thought we could but snatch a certainty | B |
Perhaps mankind might find the path they miss | A |
But then 'twould spoil much good philosophy | B |
One system eats another up and this | A |
Much as old Saturn ate his progeny | B |
For when his pious consort gave him stones | C |
In lieu of sons of these he made no bones | C |
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But System doth reverse the Titan's breakfast | D |
And eats her parents albeit the digestion | E |
Is difficult Pray tell me can you make fast | F |
After due search your faith to any question | E |
Look back o'er ages ere unto the stake fast | F |
You bind yourself and call some mode the best one | E |
Nothing more true than not to trust your senses | G |
And yet what are your other evidences | H |
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For me I know nought nothing I deny | I |
Admit reject contemn and what know you | J |
Except perhaps that you were born to die | I |
And both may after all turn out untrue | J |
An age may come Font of Eternity | B |
When nothing shall be either old or new | J |
Death so call'd is a thing which makes men weep | K |
And yet a third of life is pass'd in sleep | K |
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A sleep without dreams after a rough day | L |
Of toil is what we covet most and yet | M |
How clay shrinks back from more quiescent clay | L |
The very Suicide that pays his debt | M |
At once without instalments an old way | L |
Of paying debts which creditors regret | M |
Lets out impatiently his rushing breath | N |
Less from disgust of life than dread of death | N |
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'Tis round him near him here there every where | O |
And there's a courage which grows out of fear | P |
Perhaps of all most desperate which will dare | O |
The worst to know it when the mountains rear | P |
Their peaks beneath your human foot and there | O |
You look down o'er the precipice and drear | O |
The gulf of rock yawns you can't gaze a minute | Q |
Without an awful wish to plunge within it | R |
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'Tis true you don't but pale and struck with terror | O |
Retire but look into your past impression | E |
And you will find though shuddering at the mirror | O |
Of your own thoughts in all their self confession | E |
The lurking bias be it truth or error | O |
To the unknown a secret prepossession | E |
To plunge with all your fears but where You know not | S |
And that's the reason why you do or do not | S |
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But what's this to the purpose you will say | L |
Gent reader nothing a mere speculation | E |
For which my sole excuse is 'tis my way | L |
Sometimes with and sometimes without occasion | E |
I write what's uppermost without delay | L |
This narrative is not meant for narration | E |
But a mere airy and fantastic basis | T |
To build up common things with common places | H |
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You know or don't know that great Bacon saith | N |
'Fling up a straw 'twill show the way the wind blows ' | - |
And such a straw borne on by human breath | N |
Is poesy according as the mind glows | U |
A paper kite which flies 'twixt life and death | N |
A shadow which the onward soul behind throws | U |
And mine's a bubble not blown up for praise | V |
But just to play with as an infant plays | V |
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The world is all before me or behind | W |
For I have seen a portion of that same | X |
And quite enough for me to keep in mind | W |
Of passions too I have proved enough to blame | X |
To the great pleasure of our friends mankind | W |
Who like to mix some slight alloy with fame | X |
For I was rather famous in my time | Y |
Until I fairly knock'd it up with rhyme | Y |
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I have brought this world about my ears and eke | Z |
The other that's to say the clergy who | J |
Upon my head have bid their thunders break | A2 |
In pious libels by no means a few | J |
And yet I can't help scribbling once a week | Z |
Tiring old readers nor discovering new | J |
In youth I wrote because my mind was full | B2 |
And now because I feel it growing dull | C2 |
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But 'why then publish ' There are no rewards | D2 |
Of fame or profit when the world grows weary | O |
I ask in turn Why do you play at cards | E2 |
Why drink Why read To make some hour less dreary | O |
It occupies me to turn back regards | E2 |
On what I've seen or ponder'd sad or cheery | O |
And what I write I cast upon the stream | F2 |
To swim or sink I have had at least my dream | F2 |
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I think that were I certain of success | G2 |
I hardly could compose another line | E |
So long I've battled either more or less | G2 |
That no defeat can drive me from the Nine | E |
This feeling 'tis not easy to express | G2 |
And yet 'tis not affected I opine | E |
In play there are two pleasures for your choosing | H2 |
The one is winning and the other losing | H2 |
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Besides my Muse by no means deals in fiction | E |
She gathers a repertory of facts | I2 |
Of course with some reserve and slight restriction | E |
But mostly sings of human things and acts | I2 |
And that's one cause she meets with contradiction | E |
For too much truth at first sight ne'er attracts | I2 |
And were her object only what's call'd glory | O |
With more ease too she 'd tell a different story | O |
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Love war a tempest surely there 's variety | O |
Also a seasoning slight of lucubration | E |
A bird's eye view too of that wild Society | O |
A slight glance thrown on men of every station | E |
If you have nought else here 's at least satiety | O |
Both in performance and in preparation | E |
And though these lines should only line portmanteaus | I2 |
Trade will be all the better for these Cantos | I2 |
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The portion of this world which I at present | O |
Have taken up to fill the following sermon | E |
Is one of which there's no description recent | O |
The reason why is easy to determine | E |
Although it seems both prominent and pleasant | O |
There is a sameness in its gems and ermine | E |
A dull and family likeness through all ages | I2 |
Of no great promise for poetic pages | I2 |
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With much to excite there's little to exalt | O |
Nothing that speaks to all men and all times | I2 |
A sort of varnish over every fault | O |
A kind of common place even in their crimes | I2 |
Factitious passions wit without much salt | O |
A want of that true nature which sublimes | I2 |
Whate'er it shows with truth a smooth monotony | O |
Of character in those at least who have got any | O |
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Sometimes indeed like soldiers off parade | O |
They break their ranks and gladly leave the drill | J2 |
But then the roll call draws them back afraid | O |
And they must be or seem what they were still | J2 |
Doubtless it is a brilliant masquerade | O |
But when of the first sight you have had your fill | J2 |
It palls at least it did so upon me | O |
This paradise of pleasure and ennui | O |
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When we have made our love and gamed our gaming | H2 |
Drest voted shone and may be something more | O |
With dandies dined heard senators declaiming | H2 |
Seen beauties brought to market by the score | O |
Sad rakes to sadder husbands chastely taming | H2 |
There's little left but to be bored or bore | O |
Witness those 'ci devant jeunes hommes' who stem | K2 |
The stream nor leave the world which leaveth them | K2 |
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'Tis said indeed a general complaint | O |
That no one has succeeded in describing | H2 |
The monde exactly as they ought to paint | O |
Some say that authors only snatch by bribing | H2 |
The porter some slight scandals strange and quaint | O |
To furnish matter for their moral gibing | H2 |
And that their books have but one style in common | E |
My lady's prattle filter'd through her woman | E |
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But this can't well be true just now for writers | I2 |
Are grown of the beau monde a part potential | C2 |
I've seen them balance even the scale with fighters | I2 |
Especially when young for that's essential | C2 |
Why do their sketches fail them as inditers | I2 |
Of what they deem themselves most consequential | C2 |
The real portrait of the highest tribe | L2 |
'Tis that in fact there's little to describe | L2 |
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'Haud ignara loquor ' these are Nugae 'quarum | K2 |
Pars parva fui ' but still art and part | O |
Now I could much more easily sketch a harem | K2 |
A battle wreck or history of the heart | O |
Than these things and besides I wish to spare 'em | K2 |
For reasons which I choose to keep apart | O |
'Vetabo Cereris sacrum qui vulgarit ' | - |
Which means that vulgar people must not share it | O |
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And therefore what I throw off is ideal | M2 |
Lower'd leaven'd like a history of freemasons | I2 |
Which | N2 |
George Gordon Byron
(1)
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