Moeurs Contemporaines Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCDEBFFBBEBB BBBGGE AH GBEEFEIJJEE AG BBBGKE IG IEAFFJE G IILBM GNO EBEOJN ENGGBENJOB PG AG BJGE G AP GB QBE EOJG E GGB GGR GGR BOE AE EG ESOSAA E ET| I | A |
| - | |
| Mr Styrax | B |
| Mr Hecatomb Styrax the owner of a large estate and of large muscles | B |
| A 'blue' and a climber of mountains has married at the age of | C |
| He being at that age a virgin | D |
| The term Virgo' being made male in mediaeval latinity | E |
| His ineptitudes | B |
| Have driven his wife from one religious excess to another | F |
| She has abandoned the vicar | F |
| For he was lacking in vehemence | B |
| She is now the high priestess | B |
| Of a modern and ethical cult | E |
| And even now Mr Styrax | B |
| Does not believe in asthetics | B |
| - | |
| - | |
| His brother has taken to gipsies | B |
| But the son in law of Mr H Styrax | B |
| Objects to perfumed cigarettes | B |
| In the parlance of Niccolo Machiavelli | G |
| Thus things proceed in their circle' | G |
| And thus the empire is maintained | E |
| - | |
| II | A |
| Clara | H |
| - | |
| At sixteen she was a potential celebrity | G |
| With a distaste for caresses | B |
| She now writes to me from a convent | E |
| Her life is obscure and troubled | E |
| Her second husband will not divorce her | F |
| Her mind is as ever uncultivated | E |
| And no issue presents itself | I |
| She does not desire her children | J |
| Or any more children | J |
| Her ambition is vague and indefinite | E |
| She will neither stay in nor come out | E |
| - | |
| III | A |
| Soir e | G |
| - | |
| Upon learning that the mother wrote verses | B |
| And that the father wrote verses | B |
| And that the youngest son was in a publisher's office | B |
| And that the friend of the second daughter was undergoing a novel | G |
| The young American pilgrim | K |
| Exclaimed | E |
| 'This is a darn'd clever bunch ' | - |
| - | |
| IV | I |
| Sketch b | G |
| - | |
| At the age of | I |
| Its home mail is still opened by its maternal parent | E |
| And its office mail may be opened by | A |
| its parent of the opposite gender | F |
| It is an officer | F |
| and a gentleman | J |
| and an architect | E |
| - | |
| V | G |
| 'Nodier raconte ' | - |
| - | |
| - | |
| A t a friend of my wife's there is a photograph | I |
| A faded pale brownish photograph | I |
| Of the times when the sleeves were large | L |
| Silk stiff and large above the lacertus | B |
| That is the upper arm | M |
| And d collet ' | - |
| It is a lady | G |
| She sits at a harp | N |
| Playing | O |
| - | |
| And by her left foot in a basket | E |
| Is an infant aged about months | B |
| The infant beams at the parent | E |
| The parent re beams at its offspring | O |
| The basket is lined with satin | J |
| There is a satin like bow on the harp | N |
| - | |
| - | |
| And in the home of the novelist | E |
| There is a satin like bow on an harp | N |
| You enter and pass hall after hall | G |
| Conservatory follows conservatory | G |
| Lilies lift their white symbolical cups | B |
| Whence their symbolical pollen has been excerpted | E |
| Near them I noticed an harp | N |
| And the blue satin ribbon | J |
| And the copy of Hatha Yoga' | O |
| And the neat piles of unopened unopening books | B |
| - | |
| And she spoke to me of the monarch | P |
| And of the purity of her soul | G |
| - | |
| VI | A |
| Stele | G |
| - | |
| After years of continence | B |
| he hurled himself into a sea of six women | J |
| Now quenched as the brand of Meleagar | G |
| he lies by the poluphloisboious sea coast | E |
| - | |
| SISTE VIATOR | G |
| - | |
| VII | A |
| I Vecchii | P |
| - | |
| They will come no more | G |
| The old men with beautiful manners | B |
| - | |
| II tait comme un tout petit gar on | Q |
| With his blouse full of apples | B |
| And sticking out all the way round | E |
| Blagueur 'Con gli occhi onesti e tardi ' | - |
| - | |
| And he said | E |
| h Abelard ' as if the topic | O |
| Were much too abstruse for his comprehension | J |
| And he talked about 'the Great Mary' | G |
| And said Mr Pound is shocked at my levity ' | - |
| When it turned out he meant Mrs Ward | E |
| - | |
| And the other was rather like my bust by Gaudier | G |
| Or like a real Texas colonel | G |
| He said 'Why flay dead horses | B |
| 'There was once a man called Voltaire ' | - |
| - | |
| And he said they used to cheer Verdi | G |
| In Rome after the opera | G |
| And the guards couldn't stop them | R |
| - | |
| And that was an anagram for Vittorio | G |
| Emanuele Re D' Italia | G |
| And the guards couldn't stop them | R |
| - | |
| Old men with beautiful manners | B |
| Sitting in the Row of a morning | O |
| Walking on the Chelsea Embankment | E |
| - | |
| VIII | A |
| Ritratto | E |
| - | |
| And she said | E |
| ' You remember Mr Lowell | G |
| 'He was your ambassador here ' | - |
| And I said 'That was before I arrived ' | - |
| And she said | E |
| 'He stomped into my bedroom | S |
| By that time she had got on to Browning | O |
| ' stomped into my bedroom | S |
| 'And said 'Do I | A |
| ' 'I ask you Do I | A |
| ' 'Care too much for society dinners ' | - |
| 'And I wouldn't say that he didn't | E |
| 'Shelley used to live in this house ' | - |
| - | |
| She was a very old lady | E |
| I never saw her again | T |
Ezra Pound
(1)
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