Hugh Selwyn Mauberly (part I) Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB C ADAD EFEF CCGC HICJ KALA M NOPQ RSSS CACA M TSSS SUSU VSSS WSES SECE SSXS Y EYE B SS ACSCEC CC ZVA2SW B2S CC2S C CSSS W C2AD2E E2F2 SS S F2G2EH2 SSCS SSI2S CSES ASBS J2SSS A SK2TK2 J2L2J2L2 M2J2J2J2 SJ2N2J2 J2SK2S A SSCS SZSU E J2CCC CSEEW J2SK2S BSCC SO2J2 WSAJ2 S BCJ2C ASSS SP2K2P2 W EK2K2E ECCE W K2WAW EECE BEJ2E WK2J2K2 ECEC Q2J2CJ2 CWEWVocat aestus in umbram | A |
Nemesianus Es IV | B |
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E P Ode pour l' lection de son s pulchre | C |
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For three years out of key with his time | A |
He strove to resuscitate the dead art | D |
Of poetry to maintain the sublime | A |
In the old sense Wrong from the start | D |
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No hardly but seeing he had been born | E |
In a half savage country out of date | F |
Bent resolutely on wringing lilies from the acorn | E |
Capaneus trout for factitious bait | F |
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Idmen gar toi panth os eni Troie | C |
Caught in the unstopped ear | C |
Giving the rocks small lee way | G |
The chopped seas held him therefore that year | C |
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His true Penelope was Flaubert | H |
He fished by obstinate isles | I |
Observed the elegance of Circe's hair | C |
Rather than the mottoes on sun dials | J |
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Unaffected by the march of events | K |
He passed from men's memory in l'an trentiesme | A |
De son eage the case presents | L |
No adjunct to the Muses' diadem | A |
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II | M |
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The age demanded an image | N |
Of its accelerated grimace | O |
Something for the modern stage | P |
Not at any rate an Attic grace | Q |
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Not not certainly the obscure reveries | R |
Of the inward gaze | S |
Better mendacities | S |
Than the classics in paraphrase | S |
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The age demanded chiefly a mould in plaster | C |
Made with no loss of time | A |
A prose kinema not not assuredly alabaster | C |
Or the sculpture of rhyme | A |
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III | M |
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The tea rose tea gown etc | T |
Supplants the mousseline of Cos | S |
The pianola replaces | S |
Sappho's barbitos | S |
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Christ follows Dionysus | S |
Phallic and ambrosial | U |
Made way for macerations | S |
Caliban casts out Ariel | U |
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All things are a flowing | V |
Sage Heracleitus says | S |
But a tawdry cheapness | S |
Shall reign throughout our days | S |
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Even the Christian beauty | W |
Defects after Samothrace | S |
We see to kalon | E |
Decreed in the market place | S |
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Faun's flesh is not to us | S |
Nor the saint's vision | E |
We have the press for wafer | C |
Franchise for circumcision | E |
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All men in law are equals | S |
Free of Peisistratus | S |
We choose a knave or an eunuch | X |
To rule over us | S |
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A bright Apollo | Y |
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tin andra tin eroa tina theon | E |
What god man or hero | Y |
Shall I place a tin wreath upon | E |
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IV | B |
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These fought in any case | S |
and some believing pro domo in any case | S |
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Some quick to arm | A |
some for adventure | C |
some from fear of weakness | S |
some from fear of censure | C |
some for love of slaughter in imagination | E |
learning later | C |
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some in fear learning love of slaughter | C |
Died some pro patria non dulce non et decor | C |
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walked eye deep in hell | Z |
believing in old men's lies then unbelieving | V |
came home home to a lie | A2 |
home to many deceits | S |
home to old lies and new infamy | W |
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usury age old and age thick | B2 |
and liars in public places | S |
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Daring as never before wastage as never before | C |
Young blood and high blood | C2 |
Fair cheeks and fine bodies | S |
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fortitude as never before | C |
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frankness as never before | C |
disillusions as never told in the old days | S |
hysterias trench confessions | S |
laughter out of dead bellies | S |
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V | W |
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There died a myriad | C2 |
And of the best among them | A |
For an old bitch gone in the teeth | D2 |
For a botched civilization | E |
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Charm smiling at the good mouth | E2 |
Quick eyes gone under earth's lid | F2 |
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For two gross of broken statues | S |
For a few thousand battered books | S |
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Yeux Glauques | S |
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Gladstone was still respected | F2 |
When John Ruskin produced | G2 |
Kings Treasuries Swinburne | E |
And Rossetti still abused | H2 |
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F tid Buchanan lifted up his voice | S |
When that faun's head of hers | S |
Became a pastime for | C |
Painters and adulterers | S |
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The Burne Jones cartons | S |
Have preserved her eyes | S |
Still at the Tate they teach | I2 |
Cophetua to rhapsodize | S |
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Thin like brook water | C |
With a vacant gaze | S |
The English Rubaiyat was still born | E |
In those days | S |
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The thin clear gaze the same | A |
Still darts out faun like from the half ruin'd face | S |
Questing and passive | B |
Ah poor Jenny's case | S |
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Bewildered that a world | J2 |
Shows no surprise | S |
At her last maquero's | S |
Adulteries | S |
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Siena Mi Fe' Disfecemi Maremma | A |
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Among the pickled f tuses and bottled bones | S |
Engaged in perfecting the catalogue | K2 |
I found the last scion of the | T |
Senatorial families of Strasbourg Monsieur Verog | K2 |
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For two hours he talked of Gallifet | J2 |
Of Dowson of the Rhymers' Club | L2 |
Told me how Johnson Lionel died | J2 |
By falling from a high stool in a pub | L2 |
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But showed no trace of alcohol | M2 |
At the autopsy privately performed | J2 |
Tissue preserved the pure mind | J2 |
Arose toward Newman as the whiskey warmed | J2 |
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Dowson found harlots cheaper than hotels | S |
Headlam for uplift Image impartially imbued | J2 |
With raptures for Bacchus Terpsichore and the Church | N2 |
So spoke the author of The Dorian Mood | J2 |
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M Verog out of step with the decade | J2 |
Detached from his contemporaries | S |
Neglected by the young | K2 |
Because of these reveries | S |
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Brennbaum | A |
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The sky like limpid eyes | S |
The circular infant's face | S |
The stiffness from spats to collar | C |
Never relaxing into grace | S |
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The heavy memories of Horeb Sinai and the forty years | S |
Showed only when the daylight fell | Z |
Level across the face | S |
Of Brennbaum The Impeccable | U |
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Mr Nixon | E |
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In the cream gilded cabin of his steam yacht | J2 |
Mr Nixon advised me kindly to advance with fewer | C |
Dangers of delay Consider | C |
Carefully the reviewer | C |
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I was as poor as you are | C |
When I began I got of course | S |
Advance on royalties fifty at first said Mr Nixon | E |
Follow me and take a column | E |
Even if you have to work free | W |
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Butter reviewers From fifty to three hundred | J2 |
I rose in eighteen months | S |
The hardest nut I had to crack | K2 |
Was Dr Dundas | S |
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I never mentioned a man but with the view | B |
Of selling my own works | S |
The tip's a good one as for literature | C |
It gives no man a sinecure | C |
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And no one knows at sight a masterpiece | S |
And give up verse my boy | O2 |
There's nothing in it | J2 |
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Likewise a friend of Bloughram's once advised me | W |
Don't kick against the pricks | S |
Accept opinion The Nineties tried your game | A |
And died there's nothing in it | J2 |
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X | S |
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Beneath the sagging roof | B |
The stylist has taken shelter | C |
Unpaid uncelebrated | J2 |
At last from the world's welter | C |
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Nature receives him | A |
With a placid and uneducated mistress | S |
He exercises his talents | S |
And the soil meets his distress | S |
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The haven from sophistications and contentions | S |
Leaks through its thatch | P2 |
He offers succulent cooking | K2 |
The door has a creaking latch | P2 |
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XI | W |
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Conservatrix of Mil sien | E |
Habits of mind and feeling | K2 |
Possibly But in Ealing | K2 |
With the most bank clerkly of Englishmen | E |
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No Mil sian is an exaggeration | E |
No instinct has survived in her | C |
Older than those her grandmother | C |
Told her would fit her station | E |
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XII | W |
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Daphne with her thighs in bark | K2 |
Stretches toward me her leafy hands | W |
Subjectively In the stuffed satin drawing room | A |
I await The Lady Valentine's commands | W |
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Knowing my coat has never been | E |
Of precisely the fashion | E |
To stimulate in her | C |
A durable passion | E |
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Doubtful somewhat of the value | B |
Of well gowned approbation | E |
Of literary effort | J2 |
But never of The Lady Valentine's vocation | E |
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Poetry her border of ideas | W |
The edge uncertain but a means of blending | K2 |
With other strata | J2 |
Where the lower and higher have ending | K2 |
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A hook to catch the Lady Jane's attention | E |
A modulation toward the theatre | C |
Also in the case of revolution | E |
A possible friend and comforter | C |
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Conduct on the other hand the soul | Q2 |
Which the highest cultures have nourished | J2 |
To Fleet St where | C |
Dr Johnson flourished | J2 |
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Beside this thoroughfare | C |
The sale of half hose has | W |
Long since superseded the cultivation | E |
Of Pierian roses | W |
Ezra Pound
(1)
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