Questions Of Travel Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEEFGBHEF IGFFEJKFFHLMLEMNO FFFHHFPEQRFSFFTHE FFEUFEVEWEFEE XIFN FFI| There are too many waterfalls here the crowded streams | A |
| hurry too rapidly down to the sea | B |
| and the pressure of so many clouds on the mountaintops | C |
| makes them spill over the sides in soft slow motion | D |
| turning to waterfalls under our very eyes | E |
| For if those streaks those mile long shiny tearstains | E |
| aren't waterfalls yet | F |
| in a quick age or so as ages go here | G |
| they probably will be | B |
| But if the streams and clouds keep travelling travelling | H |
| the mountains look like the hulls of capsized ships | E |
| slime hung and barnacled | F |
| - | |
| Think of the long trip home | I |
| Should we have stayed at home and thought of here | G |
| Where should we be today | F |
| Is it right to be watching strangers in a play | F |
| in this strangest of theatres | E |
| What childishness is it that while there's a breath of life | J |
| in our bodies we are determined to rush | K |
| to see the sun the other way around | F |
| The tiniest green hummingbird in the world | F |
| To stare at some inexplicable old stonework | H |
| inexplicable and impenetrable | L |
| at any view | M |
| instantly seen and always always delightful | L |
| Oh must we dream our dreams | E |
| and have them too | M |
| And have we room | N |
| for one more folded sunset still quite warm | O |
| - | |
| But surely it would have been a pity | F |
| not to have seen the trees along this road | F |
| really exaggerated in their beauty | F |
| not to have seen them gesturing | H |
| like noble pantomimists robed in pink | H |
| Not to have had to stop for gas and heard | F |
| the sad two noted wooden tune | P |
| of disparate wooden clogs | E |
| carelessly clacking over | Q |
| a grease stained filling station floor | R |
| In another country the clogs would all be tested | F |
| Each pair there would have identical pitch | S |
| A pity not to have heard | F |
| the other less primitive music of the fat brown bird | F |
| who sings above the broken gasoline pump | T |
| in a bamboo church of Jesuit baroque | H |
| three towers five silver crosses | E |
| - | |
| Yes a pity not to have pondered | F |
| blurr'dly and inconclusively | F |
| on what connection can exist for centuries | E |
| between the crudest wooden footwear | U |
| and careful and finicky | F |
| the whittled fantasies of wooden cages | E |
| Never to have studied history in | V |
| the weak calligraphy of songbirds' cages | E |
| And never to have had to listen to rain | W |
| so much like politicians' speeches | E |
| two hours of unrelenting oratory | F |
| and then a sudden golden silence | E |
| in which the traveller takes a notebook writes | E |
| - | |
| 'Is it lack of imagination that makes us come | X |
| to imagined places not just stay at home | I |
| Or could Pascal have been not entirely right | F |
| about just sitting quietly in one's room | N |
| - | |
| Continent city country society | F |
| the choice is never wide and never free | F |
| And here or there No Should we have stayed at home | I |
| wherever that may be ' | - |
Elizabeth Bishop
(1)
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