In The Waiting Room Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFEBGHIJKLBMNODD POOBKOQODOQRSDTIUOVW OPXBOBYBZQDLB OA2SB2C2OD2E2F2RG2OO DOOOODQP ZPOOH2LODPBBI2I2J2C K2QL2D M2IOA2N2BIn Worcester Massachusetts | A |
I went with Aunt Consuelo | B |
to keep her dentist's appointment | C |
and sat and waited for her | D |
in the dentist's waiting room | E |
It was winter It got dark | F |
early The waiting room | E |
was full of grown up people | B |
arctics and overcoats | G |
lamps and magazines | H |
My aunt was inside | I |
what seemed like a long time | J |
and while I waited and read | K |
the National Geographic | L |
I could read and carefully | B |
studied the photographs | M |
the inside of a volcano | N |
black and full of ashes | O |
then it was spilling over | D |
in rivulets of fire | D |
Osa and Martin Johnson | P |
dressed in riding breeches | O |
laced boots and pith helmets | O |
A dead man slung on a pole | B |
Long Pig the caption said | K |
Babies with pointed heads | O |
wound round and round with string | Q |
black naked women with necks | O |
wound round and round with wire | D |
like the necks of light bulbs | O |
Their breasts were horrifying | Q |
I read it right straight through | R |
I was too shy to stop | S |
And then I looked at the cover | D |
the yellow margins the date | T |
Suddenly from inside | I |
came an oh of pain | U |
Aunt Consuelo's voice | O |
not very loud or long | V |
I wasn't at all surprised | W |
even then I knew she was | O |
a foolish timid woman | P |
I might have been embarrassed | X |
but wasn't What took me | B |
completely by surprise | O |
was that it was me | B |
my voice in my mouth | Y |
Without thinking at all | B |
I was my foolish aunt | Z |
I we were falling falling | Q |
our eyes glued to the cover | D |
of the National Geographic | L |
February | B |
- | |
I said to myself three days | O |
and you'll be seven years old | A2 |
I was saying it to stop | S |
the sensation of falling off | B2 |
the round turning world | C2 |
into cold blue black space | O |
But I felt you are an I | D2 |
you are an Elizabeth | E2 |
you are one of them | F2 |
Why should you be one too | R |
I scarcely dared to look | G2 |
to see what it was I was | O |
I gave a sidelong glance | O |
I couldn't look any higher | D |
at shadowy gray knees | O |
trousers and skirts and boots | O |
and different pairs of hands | O |
lying under the lamps | O |
I knew that nothing stranger | D |
had ever happened that nothing | Q |
stranger could ever happen | P |
- | |
Why should I be my aunt | Z |
or me or anyone | P |
What similarities | O |
boots hands the family voice | O |
I felt in my throat or even | H2 |
the National Geographic | L |
and those awful hanging breasts | O |
held us all together | D |
or made us all just one | P |
How I didn't know any | B |
word for it how unlikely | B |
How had I come to be here | I2 |
like them and overhear | I2 |
a cry of pain that could have | J2 |
got loud and worse but hadn't | C |
- | |
The waiting room was bright | K2 |
and too hot It was sliding | Q |
beneath a big black wave | L2 |
another and another | D |
- | |
Then I was back in it | M2 |
The War was on Outside | I |
in Worcester Massachusetts | O |
were night and slush and cold | A2 |
and it was still the fifth | N2 |
of February | B |
Elizabeth Bishop
(2)
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