In The Cage Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABAB CDDC EFFEGHIGHJKKLM INNOPOPQQQR RSSRTTUUVUVWWXYYX ZWWZA2A2B2C2B2RRD2QQ D2C2ZZC2E2C2F2 KKE2G2H2I2G2I2J2J2QC 2QK2L2L2H2E2GGQE2QQQ M2M2N2N2| The sounds of mid night trickle into the roar | A |
| Of morning over the water growing blue | B |
| At ten o'clock the August sunbeams pour | A |
| A blinding flood on Michigan Avenue | B |
| - | |
| But yet the half drawn shades of bottle green | C |
| Leave the recesses of the room | D |
| With misty auras drawn around their gloom | D |
| Where things lie undistinguished scarcely seen | C |
| - | |
| You standing between the window and the bed | E |
| Are edged with rainbow colors And I lie | F |
| Drowsy with quizzical half open eye | F |
| Musing upon the contour of your head | E |
| Watching you comb your hair | G |
| Clothed in a corset waist and skirt of silk | H |
| Tied with white braid above your slender hips | I |
| Which reaches to your knees and makes your bare | G |
| And delicate legs by contrast white as milk | H |
| And as you toss your head to comb its tresses | J |
| They flash upon me like long strips of sand | K |
| Between a moonlit sea pale as your hand | K |
| And a red sun that on a high dune stresses | L |
| Its sanguine heat | M |
| - | |
| And then at times your lips | I |
| Protruding half unconscious half in scorn | N |
| Engage my eyes while looking through the morn | N |
| At the clear oval of your brow brought full | O |
| Over the sovereign largeness of your eyes | P |
| Or at your breasts that shake not as you pull | O |
| The comb through stubborn tangles only rise | P |
| Scarcely perceptible with breath or signs | Q |
| Firm unmaternal like a young Bacchante's | Q |
| Or at your nose profoundly dipped like Dante's | Q |
| Over your chin that softly melts away | R |
| - | |
| Now you seem fully under my heart's sway | R |
| I have slipped through the magic of your mesh | S |
| Freed once again and strengthened by your flesh | S |
| You seem a weak thing for a strong man's play | R |
| Yet I know now that we shall scarce have parted | T |
| When I shall think of you half heavy hearted | T |
| I know our partings You will faintly smile | U |
| And look at me with eyes that have no guile | U |
| Or have too much and pass into the sphere | V |
| Where you keep independent life meanwhile | U |
| How do you live without me is the fear | V |
| You do not lean upon me ask my love or wonder | W |
| Of other loves I may have hidden under | W |
| These casual renewals of our love | X |
| And if I loved you I should lie in flame | Y |
| Ari go about re murmuring your name | Y |
| And these are things a man should be above | X |
| - | |
| And as I lie here on the imminent brink | Z |
| Of soul's surrender into your soul's power | W |
| And in the white light of the morning hour | W |
| I see what life would be if we should link | Z |
| Our lives together in a marriage pact | A2 |
| For we would walk along a boundless tract | A2 |
| Of perfect hell but your disloyalty | B2 |
| Would be of spirit for I have not won | C2 |
| Mastered and bound your spirit unto me | B2 |
| And if you had a lover in the way | R |
| I have you it would not by half betray | R |
| My love as does your vague and chainless thought | D2 |
| Which wanders soars or vanishes returns | Q |
| Changes astonishes or chills or burns | Q |
| Is unresisting plastic freely wrought | D2 |
| Under my hands yet to no unison | C2 |
| Of my life and of yours Upon this brink | Z |
| I watch you now and think | Z |
| Of all that has been preached or sung or spoken | C2 |
| Of woman's tragedy in woman's fall | E2 |
| And all the pictures of a woman broken | C2 |
| By man's superior strength | F2 |
| - | |
| And there you stand | K |
| Your heart and life as firmly in command | K |
| Of your resolve as mine is knowing all | E2 |
| Of man the master and his power to harm | G2 |
| His rulership of spheres material | H2 |
| Bread customs rules of fair repute | I2 |
| What are they all against your slender arm | G2 |
| Which long since plucked the fruit | I2 |
| Of good and evil and of life at last | J2 |
| And now of Life For dancing you have cast | J2 |
| Veil after veil of ideals or pretense | Q |
| With which men clothe the being feminine | C2 |
| To satisfy their lordship or their sense | Q |
| Of ownership and hide the things of sin | K2 |
| You have thrown them aside veil after veil | L2 |
| And there you stand unarmored weirdly frail | L2 |
| Yet strong as nature making comical | H2 |
| The poems and the tales of woman's fall | E2 |
| You nod your head you smile I feel the air | G |
| Made by the closing door I lie and stare | G |
| At the closed door One two your tuft d steps | Q |
| Die on the velvet of the outer hall | E2 |
| You have escaped And I would not pursue | Q |
| Though we are but caged creatures I and you | Q |
| A male and female tiger in a zoo | Q |
| For I shall wait you Life himself will track | M2 |
| Your wanderings and bring you back | M2 |
| And shut you up again with me and cage | N2 |
| Our love and hatred and our silent rage | N2 |
Edgar Lee Masters
(2)
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About In The Cage
In The Cage is a poem by Edgar Lee Masters. This page includes the poem text, poet information, related topics, comments, and similar poems.
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