Closings Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDEFGHIJ KLMNOPBQR QDSDTUVWX YZBSEEA2B2C2 DD2E2F2ZDDG2D H2I2J2DDK2L2M2O N2DO2O2J2P2Q2DS R2QDO2S2SST2S ZO2HZT2U2O2F2O2A | |
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Always Be Closing Liam told us | B |
abc of real estate used cars | C |
and poetry Liam the dandy | D |
loved Brooks Brothers shirts double breasted | E |
suits bespoke shoes and linen jackets | F |
On the day Liam and Tree married | G |
in our backyard Liam and I wore | H |
Chuck's burgundy boho prep high tops | I |
that Liam bought on Fifth Avenue | J |
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When the rain started we moved indoors | K |
and Liam read a Quartet aloud | L |
T S Eliot turned old and frail | M |
at sixty pale preparing for death | N |
Then poets of new generations | O |
died Frank O'Hara first then Jim Wright | P |
with throat cancer in a Bronx hospice | B |
Sylvia Plath beside the oven | Q |
Thom Gunn of an overdose Denise | R |
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Levertov Bob Creeley Jane Kenyon | Q |
In a New York bar Liam told me | D |
eccentric affectionate stories | S |
about a road trip in Tree's country | D |
of Montana and the joy they felt | T |
in the abundance of their marriage | U |
At Bennington Tree said Fourteen years | V |
after the wedding in your backyard | W |
I love Liam with my entire heart | X |
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Liam's face changed quickly as he spoke | Y |
eyes and mouth erupting with gusto | Z |
as he improvised his outrageous | B |
cheerful inventive obscenities | S |
When I first met him I expounded | E |
at a young poet's do his bearded | E |
face was handsome and expressionless | A2 |
He would not defer to a poet | B2 |
fifty years old After a few months | C2 |
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he was revising my lines for me | D |
making the metaphors I couldn't | D2 |
Even now working at poems I | E2 |
imagine for a moment Liam | F2 |
disassembling them A year ago | Z |
he watched the progress of age turn me | D |
skeletal pale flesh hanging loosely | D |
in folds from my arms and thin rib bones | G2 |
like grates above a sagging belly | D |
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His body would never resemble | H2 |
my body Four or five times a week | I2 |
we wrote letters back and forth talking | J2 |
about class structure about how Tree | D |
took charge over the Academy | D |
of American Poets about | K2 |
poems and new attacks on free speech | L2 |
When I won a notorious prize | M2 |
Liam sent me eighty one notions | O |
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about projects I might undertake | N2 |
Number fifty six instructed me | D |
Urge poets to commit suicide | O2 |
His whole life he spoke of suicide | O2 |
lightly when he wasn't preserving | J2 |
the First Amendment from Jesse Helms | P2 |
or enduring two colon cancers | Q2 |
or watching films or chatting with Tree | D |
or undergoing heart surgeries | S |
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If he walked their dog Keeper one block | R2 |
he had to take nitroglycerin | Q |
When Jane was dying Liam and Tree | D |
drove up to say goodbye I wheelchaired | O2 |
Jane to a pile of books by her chair | S2 |
to find the color plate of Caillebotte's | S |
shadowy kitchen garden at Yerres | S |
for the jacket of Otherwise when | T2 |
Tree would design it I think of Jane's | S |
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horror if she were alive to know | Z |
that on August fifteenth Liam pulled | O2 |
the shotgun's trigger The night before | H |
wearing a tux over a yellow | Z |
silk shirt he danced with Tree once again | T2 |
before bed and the morning's murder | U2 |
He left Tree alone and desolate | O2 |
but without anger Tree knew Liam | F2 |
did what he planned and needed to do | O2 |
Donald Hall
(1)
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