The Revolutionary Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABC ABD EBF GB HI FJFFAKB FL MBFB FNNB GBOB PO BQR AOAS BQF PF BAOOB FTBU VU FBBBOLook at them standing there in authority | A |
The pale faces | B |
As if it could have any effect any more | C |
- | |
Pale face authority | A |
Caryatids | B |
Pillars of white bronze standing rigid lest the skies fall | D |
- | |
What a job they've got to keep it up | E |
Their poor idealist foreheads naked capitals | B |
To the entablature of clouded heaven | F |
- | |
When the skies are going to fall fall they will | G |
In a great chute and rush of d b cle downwards | B |
- | |
Oh and I wish the high and super gothic heavens would come down now | H |
The heavens above that we yearn to and aspire to | I |
- | |
I do not yearn nor aspire for I am a blind Samson | F |
And what is daylight to me that I should look skyward | J |
Only I grope among you pale faces caryatids as among a forest of pillars that hold up the dome of high ideal heaven | F |
Which is my prison | F |
And all these human pillars of loftiness going stiff metallic stunned with the weight of their responsibility | A |
I stumble against them | K |
Stumbling blocks painful ones | B |
- | |
To keep on holding up this ideal civilisation | F |
Must be excruciating unless you stiffen into metal when it is easier to stand stock rigid than to move | L |
- | |
This is why I tug at them individually with my arm round their waist | M |
The human pillars | B |
They are not stronger than I am blind Samson | F |
The house sways | B |
- | |
I shall be so glad when it comes down | F |
I am so tired of the limitations of their Infinite | N |
I am so sick of the pretensions of the Spirit | N |
I am so weary of pale face importance | B |
- | |
Am I not blind at the round turning mill | G |
Then why should I fear their pale faces | B |
Or love the effulgence of their holy light | O |
The sun of their righteousness | B |
- | |
To me all faces are dark | P |
All lips are dusky and valved | O |
- | |
Save your lips O pale faces | B |
Which are slips of metal | Q |
Like slits in an automatic machine you columns of give and take | R |
- | |
To me the earth rolls ponderously superbly | A |
Coming my way without forethought or afterthought | O |
To me men's footfalls fall with a dull soft rumble ominous and lovely | A |
Coming my way | S |
- | |
But not your foot falls pale faces | B |
They are a clicketing of bits of disjointed metal | Q |
Working in motion | F |
- | |
To me men are palpable invisible nearnesses in the dark | P |
Sending out magnetic vibrations of warning pitch dark throbs of invitation | F |
- | |
But you pale faces | B |
You are painful harsh surfaced pillars that give off nothing except rigidity | A |
And I jut against you if I try to move for you are everywhere and I am blind | O |
Sightless among all your visuality | O |
You staring caryatids | B |
- | |
See if I don't bring you down and all your high opinion | F |
And all your ponderous roofed in erection of right and wrong | T |
Your particular heavens | B |
With a smash | U |
- | |
See if your skies aren't falling | V |
And my head at least is thick enough to stand it the smash | U |
- | |
See if I don't move under a dark and nude vast heaven | F |
When your world is in ruins under your fallen skies | B |
Caryatids pale faces | B |
See if I am not Lord of the dark and moving hosts | B |
Before I die | O |
David Herbert Lawrence
(1)
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