The Angel In The House. Book Ii. Canto V. Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDEDFGFGEHEHIJIJDKD K LMNMOPGPGQRQRSTUT VWIWI X YZA2B2C2D2C2D2 E2F2G2H2I2J2I2J2K2KK 2KL2 E2M2 N2 N2YO2A2O2XMXMP2TP2TN GNG O2Q2R2Q2S2T2S2T2U2GU 2GV2W2V2W2 D2X2Y2Z2Y2WA3WA3WB3W B3C3E2C3E2DD2DD2FRFD 3WR2WE3Preludes | A |
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I Rejected | B |
Perhaps she's dancing somewhere now | C |
The thoughts of light and music wake | D |
Sharp jealousies that grow and grow | E |
Till silence and the darkness ache | D |
He sees her step so proud and gay | F |
Which ere he spake foretold despair | G |
Thus did she look on such a day | F |
And such the fashion of her hair | G |
And thus she stood when kneeling low | E |
He took the bramble from her dress | H |
And thus she laugh'd and talk'd whose No | E |
Was sweeter than another's Yes | H |
He feeds on thoughts that most deject | I |
He impudently feigns her charms | J |
So reverenced in his own respect | I |
Dreadfully clasp'd by other arms | J |
And turns and puts his brows that ache | D |
Against the pillow where 'tis cold | K |
If only now his heart would break | D |
But oh how much a heart can hold | K |
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II Rachel | L |
You loved her and would lie all night | M |
Thinking how beautiful she was | N |
And what to do for her delight | M |
Now both are bound with alien laws | O |
Be patient put your heart to school | P |
Weep if you will but not despair | G |
The trust that nought goes wrong by rule | P |
Should ease this load the many bear | G |
Love if there's heav'n shall meet his dues | Q |
Though here unmatch'd or match'd amiss | R |
Meanwhile the gentle cannot choose | Q |
But learn to love the lips they kiss | R |
Ne'er hurt the homely sister's ears | S |
With Rachel's beauties secret be | T |
The lofty mind whose lonely tears | U |
Protest against mortality | T |
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III The Heart's Prophecies | V |
Be not amazed at life 'tis still | W |
The mode of God with His elect | I |
Their hopes exactly to fulfil | W |
In times and ways they least expect | I |
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The Queen s Room | X |
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I | - |
There's nothing happier than the days | Y |
In which young Love makes every thought | Z |
Pure as a bride's blush when she says | A2 |
I will unto she knows not what | B2 |
And lovers on the love lit globe | C2 |
For love's sweet sake walk yet aloof | D2 |
And hear Time weave the marriage robe | C2 |
Attraction warp and reverence woof | D2 |
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II | - |
My Housekeeper my Nurse of yore | E2 |
Cried as the latest carriage went | F2 |
Well Mr Felix Sir I'm sure | G2 |
The morning's gone off excellent | H2 |
I never saw the show to pass | I2 |
The ladies in their fine fresh gowns | J2 |
So sweetly dancing on the grass | I2 |
To music with its ups and downs | J2 |
We'd such work Sir to clean the plate | K2 |
'Twas just the busy times of old | K |
The Queen's room Sir look'd quite like state | K2 |
Miss Smythe when she went up made bold | K |
To peep into the Rose Boudoir | L2 |
And cried 'How charming all quite new ' | - |
And wonder'd who it could be for | E2 |
All but Miss Honor look'd in too | M2 |
But she's too proud to peep and pry | - |
None's like that sweet Miss Honor Sir | N2 |
Excuse my humbleness but I | - |
Pray Heav'n you'll get a wife like her | N2 |
The Poor love dear Miss Honor's ways | Y |
Better than money Mrs Rouse | O2 |
Who ought to know a lady says | A2 |
No finer goes to Wilton House | O2 |
Miss Bagshaw thought that dreary room | X |
Had kill'd old Mrs Vaughan with fright | M |
She would not sleep in such a tomb | X |
For all her host was worth a night | M |
Miss Fry Sir laugh'd they talk'd the rest | P2 |
In French and French Sir's Greek to me | T |
But though they smiled and seem'd to jest | P2 |
No love was lost for I could see | T |
How serious like Miss Honor was | N |
Well Nurse this is not my affair | G |
The ladies talk'd in French with cause | N |
Good day and thank you for your prayer | G |
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III | - |
I loiter'd through the vacant house | O2 |
Soon to be hers in one room stay'd | Q2 |
Of old my mother's Here my vows | R2 |
Of endless thanks were oftenest paid | Q2 |
This room its first condition kept | S2 |
For on her road to Sarum Town | T2 |
Therein an English Queen had slept | S2 |
Before the Hurst was half pull'd down | T2 |
The pictured walls the place became | U2 |
Here ran the Brook Anaurus where | G |
Stout Jason bore the wrinkled dame | U2 |
Whom serving changed to Juno there | G |
Ixion's selfish hope instead | V2 |
Of the nuptial goddess clasp'd a cloud | W2 |
And here translated Psyche fed | V2 |
Her gaze on Love not disallow'd | W2 |
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IV | D2 |
And in this chamber had she been | X2 |
And into that she would not look | Y2 |
My Joy my Vanity my Queen | Z2 |
At whose dear name my pulses shook | Y2 |
To others how express at all | W |
My worship in that joyful shrine | A3 |
I scarcely can myself recall | W |
What peace and ardour then were mine | A3 |
And how more sweet than aught below | W |
The daylight and its duties done | B3 |
It felt to fold the hands and so | W |
Relinquish all regards but one | B3 |
To see her features in the dark | C3 |
To lie and meditate once more | E2 |
The grace I did not fully mark | C3 |
The tone I had not heard before | E2 |
And from my pillow then to take | D |
Her notes her picture and her glove | D2 |
Put there for joy when I should wake | D |
And press them to the heart of love | D2 |
And then to whisper Wife and pray | F |
To live so long as not to miss | R |
That unimaginable day | F |
Which farther seems the nearer 'tis | D3 |
And still from joy's unfathom'd well | W |
To drink in dreams while on her brows | R2 |
Of innocence ineffable | W |
Blossom'd the laughing bridal rose | E3 |
Coventry Patmore
(1)
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