Dipsychus - Part Ii Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CDEEFFGHHIIJK L CDMMNNO PPFFF QRS QQTUVV O OOVVWWXXYYYYOOZZA2A2 B2C2 D2 E2E2 F2D2G2G2H2H2F2D2F2D2 I2I2J2J2F2D2 VVC2C2C2C2F2D2 K2K2L2L2VVF2D2 C2C2 VVC2C2 C2 C2 M2MM2M M2M2M2M2 MMMM VVM2M2N2N2 VMC2MFM2E M2M2 FUC2MFM2 M2M2M2M2 MC2MC2 O2C2O2C2 H2H2TTC2C2C2 C2C2VVP2P2 VVAAVZZ P2P2O2 Q2M2Q2M2 R2ER2E MC2MC2 P2P2P2P2C2C2 L2L2 S2S2FFM2P2 VVFFM2P2 T2T2VVM2P2 U2V2C2C2M2P2 C2C2W2W2M2P2 VVC2C2M2P2 R2U2C2C2M2P2 T2T2C2C2M2P2 C2C2M2M2M2P2 VVFFM2P2 S2S2FFM2P2 VM2 VVVVM2P2 P2P2X2X2C2C2Y2Y2Z2A3 M2M2C2C2M2M2C2C2C2C2 M2M2P2P2B3B3 P2P2P2P2M2P2 C3C3L2L2C2C2D3D3F2P2 C3C3C2C2M2M2P2P2C2C2 F2P2 P2 N2N2B3B3P2P2P2P2P2P2 M2M2EEC2C2M2M2N2N2 C3C3L2L2C2C2X2X2F2P2 C3C3M2M2J2J2N2N2F2P2 N2N2P2E3 M2 M2P2P2M2 M2M2M2M2 M2M2M2M2 F3SSF3 M2C2C2M2 M2N2G3M2A3C2C2 P2P2M2S2S2C2M2C3H3S2 N2P2N2P2C2J2M2 X2 F2C2M2C2M2P2C2E3C2M2 M2C2N2N2C2 M2M2C2C2C2C2 X2X2 N2N2P2P2P2P2C2C2M2M2 C2C2M2M2 C2 C2C2C2P2P2 M2 M2C2M2 P2P2N2 N2P2P2M2M2C2C2E3E3 C2C2P2 N2 P2C2M2I3P2N2X2M2P2C2 J3N2 K3C2C2S2P2S2M2C2C2L3 C2N2N2C2C2S2M2M2N2P2 M2S2C2M2 C2P2M2C2C2P2M2C2X2C2 M2N2M2M2M3C2M2A3M2N3 N2M2MX2N2N2 M2M2S2M2M2C2S2O3M2C2 M2P3C2C2S2M2C2X2 S2M2P2C2X2M2X2X2N2S2 M2C2X2M2C2Q3C2P2P2M2 C2 X2M2S2N2M2P2 C2M2N2N2P3M2P2C2P2M2 N2P2S2S2MC2P2P2C2R3P 2N2W2C2C2N2C2M2C2M2S 2S2X2C2S2P2P2 P2M2C2N2C2N2E3C2P2M2 P2M2C2 C2C2C2C2 S2S2M2M2C2C2C2C2C2 P2P2P2P2C2C2M2M2C2C2 C2C2 C2 S2C2P2C2S2S3C2M2N2C2 T3P2X2P2C2P2M2 M2M2M2N2M2C2C2M2M2M2 C2P2M2C2P2C2C2C2N2M2 S2C2C2C2C2N2C2C2C2H3 P2U3M2M2MC2M2FC2C2X2 C2C2M2C2P2M2P2FE3C2C 2M2S2M2M2M2M2P2M2N2M 2X2M2M2X2N2M2S2M2V3N 2M2M2S2M2N2M2S2C2M2P 2S2M2C2M2P2 M2X2M2M2N2X2C2C2X2M2 C2M2M2C2M2C2P2M2P2N2 P2P2M2P2M2C2M2P2M2N2 S2 P2P2P2M2P2 M2M2 C2P2C2 P2P2P2 C2C2P2M2C2C2N2M2P2M2 C2C2N2 C2M2M2C2C2C2C2C2 C2C2S2S2P2P2C2C2C2C2 C2C2A3A3P2P2N2N2C2C2 C2 M P2P2C2N2M2C2P2C2S2M2 X2C2U3E3S2M2L2C2P2M2 C2M2N2M2S2P2M2E3M2 N2C2S2C2 C2C2C2C2M2M2C2C2C2C2 M2M2C2C2C2C2M2M2M2M2 P2 C2C2 P2 P2P2P2N2C2W3C2 P2S2P2M2C2N2M2E3X2 M2M2P2P2M2M2C2C2C2 P2P2M2M2C2C2P2P2P2 P2M2M2 C2X2J3Q3C2M2MS2W2N2C 2C2S2C2M2J3R3X3S2C2E 3M2N2N2M2C2M2C2C2C2S 2K3M2C2C2M2C2P2MC2M2 M2S2L3Y3C2M2C2FFE3FX 2C2N2C2M2C2M2N2N2C2M 2S2M2FP2N2M2S2C2M2M2 C2C2C2X2C2P2C2C2C2P2 M2 X2X2M2C2P2N2 C2C2C2C2 P2P2P2C2C2C2C2C2C2C2 C2C2 N2 Q3FC2C2M2FC2 C2M2C2C2C2M2C2C2FFW3 C2C2W3 C2C2C2C2C2M2C2C2C2C2 W3 M2 C2N2C2C2C2C2C2X2C2C2 X2S2M2C2N2P2C2M2M2P2 C2P2S2M2P2N2M2C2M2M2 M2N2C2C2M2 C2S2M2C2X2C2M2C2C2C2 N2M2C2C2M2C2 FFFC2C2C2P2P2 N2 N2N2M2M2P2C2 P2 C2C2 N2N2C2C2Z3Z3M2M2 M2M2S2S2C2C2C2C2C2C2 C2C2M2M2N2N2 C2C2M2M2M2M2C2C2M2M2 C2C2M2M2C2C2 P2 M2M2M2M2P2P2P2P2 C2C2 C2C2N2N2 C2 C2C2C2 C2C2 P2P2N2N2C2C2C2C2 M2Scene I | A |
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The interior Arcade of the Doge's Palace | B |
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Sp Thunder and rain O dear O dear | C |
But see a noble shelter here | D |
This grand arcade where our Venetian | E |
Has formed of Gothic and of Grecian | E |
A combination strange but striking | F |
And singularly to my liking | F |
Let moderns reap where ancients sowed | G |
I at least make it my abode | H |
And now let's hear your famous Ode | H |
'Through the great sinful' how did it go on | I |
For principles of Art and so on | I |
I care perhaps about three curses | J |
But hold myself a judge of verses | K |
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Di 'My brain was lightened when my tongue had said | L |
Christ is not risen ' | - |
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Sp Well now it's anything but clear | C |
What is the tone that's taken here | D |
What is your logic what 's your theology | M |
Is it or is it not neology | M |
That's a great fault you're this and that | N |
And here and there and nothing flat | N |
Yet writing's golden word what is it | O |
But the three syllables 'explicit ' | - |
Say if you cannot help it less | P |
But what you do put put express | P |
I fear that rule won't meet your feeling | F |
You think half showing half concealing | F |
Is God's own method of revealing | F |
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Di To please my own poor mind to find repose | Q |
To physic the sick soul to furnish vent | R |
To diseased humours in the moral frame | S |
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Sp A sort of seton I suppose | Q |
A moral bleeding at the nose | Q |
H'm and the tone too after all | T |
Something of the ironical | U |
Sarcastic say or were it fitter | V |
To style it the religious bitter | V |
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Di Interpret it I cannot I but wrote it | O |
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Sp Perhaps but none that read can doubt it | O |
There is a strong Strauss smell about it | O |
Heavens at your years your time to fritter | V |
Upon a critical hair splitter | V |
Take larger views and quit your Germans | W |
From the Analogy and sermons | W |
I fancied you must doubtless know | X |
Butler had proved an age ago | X |
That in religious as profane things | Y |
'Twas useless trying to explain things | Y |
Men's business wits the only sane things | Y |
These and compliance are the main things | Y |
God Revelation and the rest of it | O |
Bad at the best we make the best of it | O |
Like a good subject and wise man | Z |
Believe whatever things you can | Z |
Take your religion as 'twas found you | A2 |
And say no more of it confound you | A2 |
And now I think the rain has ended | B2 |
And the less said the soonest mended | C2 |
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SCENE II In a Gondola | D2 |
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Sp Per ora To the Grand Canal | E2 |
Afterwards e'en as fancy shall | E2 |
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Di Afloat we move Delicious Ah | F2 |
What else is like the gondola | D2 |
This level floor of liquid glass | G2 |
Begins beneath us swift to pass | G2 |
It goes as though it went alone | H2 |
By some impulsion of its own | H2 |
How light it moves how softly Ah | F2 |
Were all things like the gondola | D2 |
How light it moves how softly Ah | F2 |
Could life as does our gondola | D2 |
Unvexed with quarrels aims and cares | I2 |
And moral duties and affairs | I2 |
Unswaying noiseless swift and strong | J2 |
For ever thus thus glide along | J2 |
How light we move how softly Ah | F2 |
Were life but as the gondola | D2 |
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With no more motion than should bear | V |
A freshness to the languid air | V |
With no more effort than exprest | C2 |
The need and naturalness of rest | C2 |
Which we beneath a grateful shade | C2 |
Should take on peaceful pillows laid | C2 |
How light we move how softly Ah | F2 |
Were life but as the gondola | D2 |
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In one unbroken passage borne | K2 |
To closing night from opening morn | K2 |
Uplift at whiles slow eyes to mark | L2 |
Some palace front some passing bark | L2 |
Through windows catch the varying shore | V |
And hear the soft turns of the oar | V |
How light we move how softly Ah | F2 |
Were life but as the gondola | D2 |
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So live nor need to call to mind | C2 |
Our slaving brother here behind | C2 |
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Sp Pooh Nature meant him for no better | V |
Than our most humble menial debtor | V |
Who thanks us for his day's employment | C2 |
As we our purse for our enjoyment | C2 |
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Di To make one's fellow man an instrument | C2 |
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Sp Is just the thing that makes him most content | C2 |
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Di Our gaieties our luxuries | M2 |
Our pleasures and our glee | M |
Mere insolence and wantonness | M2 |
Alas they feel to me | M |
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How shall I laugh and sing and dance | M2 |
My very heart recoils | M2 |
While here to give my mirth a chance | M2 |
A hungry brother toils | M2 |
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The joy that does not spring from joy | M |
Which I in others see | M |
How can I venture to employ | M |
Or find it joy for me | M |
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Sp Oh come come come By Him that sent us here | V |
Who's to enjoy at all pray let us hear | V |
You won't he can't Oh no more fuss | M2 |
What's it to him or he to us | M2 |
Sing sing away be glad and gay | N2 |
And don't forget that we shall pay | N2 |
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Di Yes it is beautiful ever let foolish men rail at it never | V |
Yes it is beautiful truly my brothers I grant it you duly | M |
Wise are ye others that choose it and happy ye all that can use it | C2 |
Life it is beautiful wholly and could we eliminate only | M |
'This interfering enslaving o'ermastering demon of craving | F |
This wicked tempter inside us to ruin still eager to guide us | M2 |
Life were beatitude action a possible pure satisfaction | E |
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Sp Hexameters by all that's odious | M2 |
Beshod with rhyme to run melodious | M2 |
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Di All as I go on my way I behold them consorting and coupling | F |
Faithful it seemeth and fond very fond very possibly faithful | U |
All as I go on my way with a pleasure sincere and unmingled | C2 |
Life it is beautiful truly my brothers I grant it you duly | M |
But for perfection attaining is one method only abstaining | F |
Let us abstain for we should so if only we thought that we could so | M2 |
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Sp Bravo bravissimo this time though | M2 |
You rather were run short for rhyme though | M2 |
Not that on that account your verse | M2 |
Could be much better or much worse | M2 |
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This world is very odd we see | M |
We do not comprehend it | C2 |
But in one fact we all agree | M |
God won't and we can't mend it | C2 |
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Being common sense it can't be sin | O2 |
To take it as I find it | C2 |
The pleasure to take pleasure in | O2 |
The pain try not to mind it | C2 |
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Di O let me love my love unto myself alone | H2 |
And know my knowledge to the world unknown | H2 |
No witness to the vision call | T |
Beholding unbeheld of all | T |
And worship thee with thee withdrawn apart | C2 |
Whoe'er whate'er thou art | C2 |
Within the closest veil of mine own inmost heart | C2 |
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Better it were thou sayest to consent | C2 |
Feast while we may and live ere life be spent | C2 |
Close up clear eyes and call the unstable sure | V |
The unlovely lovely and the filthy pure | V |
In self belyings self deceivings roll | P2 |
And lose in Action Passion Talk the soul | P2 |
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Nay better far to mark off thus much air | V |
And call it heaven place bliss and glory there | V |
Fix perfect homes in the unsubstantial sky | A |
And say what is not will be by and by | A |
What here exists not must exist elsewhere | V |
But play no tricks upon thy soul O man | Z |
Let fact be fact and life the thing it can | Z |
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Sp To these remarks so sage and clerkly | P2 |
Worthy of Malebranche or Berkeley | P2 |
I trust it won't be deemed a sin | O2 |
If I too answer 'with a grin ' | - |
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These juicy meats this flashing wine | Q2 |
Maybe an unreal mere appearance | M2 |
Only for my inside in fine | Q2 |
They have a singular coherence | M2 |
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Oh yes my pensive youth abstain | R2 |
And any empty sick sensation | E |
Remember anything like pain | R2 |
Is only your imagination | E |
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Trust me I've read your German sage | M |
To far more purpose e'er than you did | C2 |
You find it in his wisest page | M |
Whom God deludes is well deluded | C2 |
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Di Where are the great whom thou would'st wisl to praise thee | P2 |
Where are the pure whom thou would'st choose to love thee | P2 |
Where are the brave to stand supreme above thee | P2 |
Whose high commands would cheer whose chiding raise thee | P2 |
Seek seeker in thyself submit to find | C2 |
In the stones bread and life in the blank mind | C2 |
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Written in London standing in the Park | L2 |
One evening in July just before dark | L2 |
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Sp As I sat at the caf I said to myself | S2 |
They may talk as they please about what they call pelf | S2 |
They may sneer as they like about eating and drinking | F |
But help it I cannot I cannot help thinking | F |
How pleasant it is to have money heigh ho | M2 |
How pleasant it is to have money | P2 |
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I sit at my table en grand seigneur | V |
And when I have done throw a crust to the poor | V |
Not only the pleasure one's self of good living | F |
But also the pleasure of now and then giving | F |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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It was but last winter I came up to town | T2 |
But already I'm getting a little renown | T2 |
I make new acquaintance where'er I appear | V |
I am not too shy and have nothing to fear | V |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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I drive through the streets and I care not a d n | U2 |
The people they stare and they ask who I am | V2 |
And if I should chance to run over a cad | C2 |
I can pay for the damage if ever so bad | C2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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We stroll to our box and look down on the pit | C2 |
And if it weren't low should be tempted to spit | C2 |
We loll and we talk until people look up | W2 |
And when it's half over we go out to sup | W2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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The best of the tables and the best of the fare | V |
And as for the others the devil may care | V |
It isn't our fault if they dare not afford | C2 |
To sup like a prince and be drunk as a lord | C2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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We sit at our tables and tipple champagne | R2 |
Ere one bottle goes comes another again | U2 |
The waiters they skip and they scuttle about | C2 |
And the landlord attends us so civilly out | C2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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It was but last winter I came up to town | T2 |
But already I'm getting a little renown | T2 |
I get to good houses without much ado | C2 |
Am beginning to see the nobility too | C2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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O dear what a pity they ever should lose it | C2 |
For they are the gentry that know how to use it | C2 |
So grand and so graceful such manners such dinners | M2 |
But yet after all it is we are the winners | M2 |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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Thus I sat at my table en grand seigneur | V |
And when I had done threw a crust to the poor | V |
Not only the pleasure one's self of good eating | F |
But also the pleasure of now and then treating | F |
So pleasant it is to have money heigh ho | M2 |
So pleasant it is to have money | P2 |
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They may talk as they please about what they call pelf | S2 |
And how one ought never to think of one's self | S2 |
And how pleasures of thought surpass eating and drinking | F |
My pleasure of thought is the pleasure of thinking | F |
How pleasant it is to have money heigh ho | M2 |
How pleasant it is to have money | P2 |
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Written in Venice but for all parts true | V |
'Twas not a crust I gave him but a sous | M2 |
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A gondola here and a gondola there | V |
'Tis the pleasantest fashion of taking the air | V |
To right and to left stop turn and go yonder | V |
And let us repeat o'er the tide as we wander | V |
How pleasant it is to have money heigh ho | M2 |
How pleasant it is to have money | P2 |
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Come leave your Gothic worn out story | P2 |
San Giorgio and the Redentore | P2 |
I from no building gay or solemn | X2 |
Can spare the shapely Grecian column | X2 |
'Tis not these centuries four for nought | C2 |
Our European world of thought | C2 |
Hath made familiar to its home | Y2 |
The classic mind of Greece and Rome | Y2 |
In all new work that would look forth | Z2 |
To more than antiquarian worth | A3 |
Palladio's pediments and bases | M2 |
Or something such will find their places | M2 |
Maturer optics don't delight | C2 |
In childish dim religious light | C2 |
In evanescent vague effects | M2 |
That shirk not face one's intellects | M2 |
They love not fancies just betrayed | C2 |
And artful tricks of light and shade | C2 |
But pure form nakedly displayed | C2 |
And all things absolutely made | C2 |
The Doge's palace though from hence | M2 |
In spite of doctrinaire pretence | M2 |
The tide now level with the quay | P2 |
Is certainly a thing to see | P2 |
We'll turn to the Rialto soon | B3 |
One's told to see it by the moon | B3 |
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A gondola here and a gondola there | P2 |
'Tis the pleasantest fashion of taking the air | P2 |
To right and to left stop turn and go yonder | P2 |
And let us reflect o'er the flood as we wander | P2 |
How pleasant it is to have money heigh ho | M2 |
How pleasant it is to have money | P2 |
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Di How light we go how soft we skim | C3 |
And all in moonlight seems to swim | C3 |
The south side rises o'er our bark | L2 |
A wall impenetrably dark | L2 |
The north is seen profusely bright | C2 |
The water is it shade or light | C2 |
Say gentle moon which conquers now | D3 |
The flood those massy hulls or thou | D3 |
How light we go how softly Ah | F2 |
Were life but as the gondola | P2 |
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How light we go how soft we skim | C3 |
And all in moonlight seem to swim | C3 |
In moonlight is it now or shade | C2 |
In planes of sure division made | C2 |
By angles sharp of palace walls | M2 |
The clear light and the shadow falls | M2 |
O sight of glory sight of wonder | P2 |
Seen a pictorial portent under | P2 |
O great Rialto the vast round | C2 |
Of thy thrice solid arch profound | C2 |
How light we go how softly Ah | F2 |
Life should be as the gondola | P2 |
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How light we go how softly | P2 |
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Sp Nay | N2 |
'Fore heaven enough of that to day | N2 |
I'm deadly weary of your tune | B3 |
And half ennuy with the moon | B3 |
The shadows lie the glories fall | P2 |
And are but moonshine after all | P2 |
It goes against my conscience really | P2 |
To let myself feel so ideally | P2 |
Come for the Piazzetta steer | P2 |
'Tis nine o'clock or very near | P2 |
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These airy blisses skiey joys | M2 |
Of vague romantic girls and boys | M2 |
Which melt the heart and the brain soften | E |
When not affected as too often | E |
They are remind me I protest | C2 |
Of nothing better at the best | C2 |
Than Timon's feast to his ancient lovers | M2 |
Warm water under silver covers | M2 |
'Lap dogs ' I think I hear him say | N2 |
And lap who will so I'm away | N2 |
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Di How light we go how soft we skim | C3 |
And all in moonlight seem to swim | C3 |
Against bright clouds projected dark | L2 |
The white dome now reclined I mark | L2 |
And by o'er brilliant lamps displayed | C2 |
The Doge's columns and arcade | C2 |
Over still waters mildly come | X2 |
The distant waters and the hum | X2 |
How light we go how softly Ah | F2 |
Life should be as the gondola | P2 |
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How light we go how soft we skim | C3 |
And all in open moonlight swim | C3 |
Ah gondolier slow slow more slow | M2 |
We go but wherefore thus should go | M2 |
Ah let not muscle all too strong | J2 |
Beguile betray thee to our wrong | J2 |
On to the landing onward Nay | N2 |
Sweet dream a little longer stay | N2 |
On to the landing here And ah | F2 |
Life is not as the gondola | P2 |
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Sp Tre ore So The Parthenone | N2 |
Is it you haunt for your limone | N2 |
Let me induce you to join me | P2 |
In gramolate persiche | E3 |
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SCENE III The Academy at Venice | M2 |
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Di A modern daub it was perchance | M2 |
I know not but the connoisseur | P2 |
From Titian's hues I dare be sure | P2 |
Had never turned one kindly glance | M2 |
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Where Byron somewhat drest up draws | M2 |
His sword impatient long and speaks | M2 |
Unto a tribe of motley Greeks | M2 |
His fealty to their good cause | M2 |
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Not far assumed to mystic bliss | M2 |
Behold the ecstatic Virgin rise | M2 |
Ah wherefore vainly to fond eyes | M2 |
That melted into tears for this | M2 |
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Yet if we must live as would seem | F3 |
These peremptory heats to claim | S |
Ah not for profit not for fame | S |
And not for pleasure's giddy dream | F3 |
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And not for piping empty reeds | M2 |
And not for colouring idle dust | C2 |
If live we positively must | C2 |
God's name be blest for noble deeds | M2 |
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Verses well they are made so let them go | M2 |
No more if I can help This is one way | N2 |
The procreant heat and fervour of our youth | G3 |
Escapes in puff in smoke and shapeless words | M2 |
Of mere ejaculation nothing worth | A3 |
Unless to make maturer years content | C2 |
To slave in base compliance to the world | C2 |
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I have scarce spoken yet to this strange follower | P2 |
Whom I picked up ye great gods tell me where | P2 |
And when for I remember such long years | M2 |
And yet he seems new come I commune with myself | S2 |
He speaks I hear him and resume to myself | S2 |
Whate'er I think he adds his comments to | C2 |
Which yet not interrupts me Scarce I know | M2 |
If ever once directly I addressed him | C3 |
Let me essay it now for I have strength | H3 |
Yet what he wants and what he fain would have | S2 |
Oh I know all too surely not in vain | N2 |
Although unnoticed has he dogged my ear | P2 |
Come we'll be definite explicit plain | N2 |
I can resist I know and 'twill be well | P2 |
For colloquy to have used this manlier mood | C2 |
Which is to last ye chances say how long | J2 |
How shall I call him Mephistophiles | M2 |
- | |
Sp I come I come | X2 |
- | |
Di So quick so eager ha | F2 |
Like an eaves dropping menial on my thought | C2 |
With something of an exultation too methinks | M2 |
Out peeping in that springy jaunty gait | C2 |
I doubt about it Shall I do it Oh oh | M2 |
Shame on me come Shall I my follower | P2 |
Should I conceive not that at all I do | C2 |
'Tis curiosity that prompts my speech | E3 |
But should I form a thing to be supposed | C2 |
A wish to bargain for your merchandise | M2 |
Say what were your demands what were your terms | M2 |
What should I do what should I cease to do | C2 |
What incense on what altars must I burn | N2 |
And what abandon what unlearn or learn | N2 |
Religion goes I take it | C2 |
- | |
Sp Oh | M2 |
You'll go to church of course you know | M2 |
Or at the least will take a pew | C2 |
To send your wife and servants to | C2 |
Trust me I make a point of that | C2 |
No infidelity that's flat | C2 |
- | |
Di Religion is not in a pew say some | X2 |
Cucullus you hold facit monachum | X2 |
- | |
Sp Why as to feelings of devotion | N2 |
I interdict all vague emotion | N2 |
But if you will for once and all | P2 |
Compound with ancient Juvenal | P2 |
Orandum est one perfect prayer | P2 |
For savoir vivre and savoir faire | P2 |
Theology don't recommend you | C2 |
Unless turned lawyer heaven should send you | C2 |
In your profession's way a case | M2 |
Of Baptism and prevenient grace | M2 |
But that's not likely I'm inclined | C2 |
All circumstances borne in mind | C2 |
To think to keep you in due borders | M2 |
You'd better enter holy orders | M2 |
- | |
Di On that my friend you'd better not insist | C2 |
- | |
Sp Well well 'tis but a good thing miss'd | C2 |
The item's optional no doubt | C2 |
But how to get you bread without | C2 |
You'll marry I shall find the lady | P2 |
Make your proposal and be steady | P2 |
- | |
Di Marry ill spirit and at your sole choice | M2 |
- | |
Sp De rigueur can't give you a voice | M2 |
What matter Oh trust one who knows you | C2 |
You'll make an admirable sposo | M2 |
- | |
Di Enough But action look to that well mind me | P2 |
See that some not unworthy work you find me | P2 |
If man I be then give the man expression | N2 |
- | |
Sp Of course you'll enter a profession | N2 |
If not the Church why then the Law | P2 |
By Jove we'll teach you how to draw | P2 |
Besides the best of the concern is | M2 |
I'm hand and glove with the attorneys | M2 |
With them and me to help don't doubt | C2 |
But in due season you'll come out | C2 |
Leave Kelly Cockburn in the lurch | E3 |
But yet do think about the Church | E3 |
- | |
Di 'Tis well ill spirit I admire your wit | C2 |
As for your wisdom I shall think of it | C2 |
And now farewell | P2 |
- | |
- | |
- | |
SCENE IV In St Mark's Dipsyehus alone | N2 |
- | |
The Law 'twere honester if 'twere genteel | P2 |
To say the dung cart What shall I go about | C2 |
And like the walking shoeblack roam the flags | M2 |
To see whose boots are dirtiest Oh the luck | I3 |
To stoop and clean a pair | P2 |
Religion if indeed it be in vain | N2 |
To expect to find in this more modern time | X2 |
That which the old world styled in old world phrase | M2 |
Walking with God It seems His newer will | P2 |
We should not think of Him at all but trudge it | C2 |
And of the world He has assigned us make | J3 |
What best we can | N2 |
- | |
Then love I scarce can think | K3 |
That these be maddening discords of the mind | C2 |
To pure melodious sequence could be changed | C2 |
And all the vext conundrums of our life | S2 |
Solved to all time by this old pastoral | P2 |
Of a new Adam and a second Eve | S2 |
Set in a garden which no serpent seeks | M2 |
And yet I hold heart can beat true to heart | C2 |
And to hew down the tree which bears this fruit | C2 |
To do a thing which cuts me off from hope | L3 |
To falsify the movement of Love's mind | C2 |
To seat some alien trifler on the throne | N2 |
A queen may come to claim that were ill done | N2 |
What to the close hand of the clutching Jew | C2 |
Hand up that rich reversion and for what | C2 |
This would be hard did I indeed believe | S2 |
'Twould ever fall That love the large repose | M2 |
Restorative not to mere outside needs | M2 |
Skin deep but throughly to the total man | N2 |
Exists I will believe but so so rare | P2 |
So doubtful so exceptional hard to guess | M2 |
When guessed so often counterfeit in brief | S2 |
A thing not possibly to be conceived | C2 |
An item in the reckonings of the wise | M2 |
- | |
Action that staggers me For I had hoped | C2 |
'Midst weakness indolence frivolity | P2 |
Irresolution still had hoped and this | M2 |
Seems sacrificing hope Better to wait | C2 |
The wise men wait it is the foolish haste | C2 |
And ere the scenes are in the slides would play | P2 |
And while the instruments are tuning dance | M2 |
I see Napoleon on the heights intent | C2 |
To arrest that one brief unit of loose time | X2 |
Which hands high Victory's thread his marshals fret | C2 |
His soldiers clamour low the very guns | M2 |
Seem going off of themselves the cannon strain | N2 |
Like hell dogs in the leash But he he waits | M2 |
And lesser chances and inferior hopes | M2 |
Meantime go pouring past Men gnash their teeth | M3 |
The very faithful have begun to doubt | C2 |
But they molest not the calm eye that seeks | M2 |
'Midst all this' huddling silver little worth | A3 |
The one thin piece that comes pure gold he waits | M2 |
O me when the great deed e'en now has broke | N3 |
Like a man's hand the horizon's level line | N2 |
So soon to fill the zenith with rich clouds | M2 |
O in this narrow interspace this marge | M |
This list and salvage of a glorious time | X2 |
To despair of the great and sell unto the mean | N2 |
O thou of little faith what hast thou done | N2 |
- | |
Yet if the occasion coming should find us | M2 |
Undexterous incapable In light things | M2 |
Prove thou the arms thou long'st to glorify | S2 |
Nor fear to work up from the lowest ranks | M2 |
Whence come great Nature's Captains And high deeds | M2 |
Haunt not the fringy edges of the fight | C2 |
But the pell mell of men Oh what and if | S2 |
E'en now by lingering here I let them slip | O3 |
Like an unpractised spyer through a glass | M2 |
Still pointing to the blank too high And yet | C2 |
In dead details to smother vital ends | M2 |
Which would give life to them in the deft trick | P3 |
Of prentice handling to forget great art | C2 |
To base mechanical adroitness yield | C2 |
The Inspiration and the Hope a slave | S2 |
Oh and to blast that Innocence which though | M2 |
Here it may seem a dull unopening bud | C2 |
May yet bloom freely in celestial clime | X2 |
- | |
Were it not better done then to keep off | S2 |
And see not share the strife stand out the waltz | M2 |
Which fools whirl dizzy in Is it possible | P2 |
Contamination taints the idler first | C2 |
And without base compliance e'en that same | X2 |
Which buys bold hearts free course Earth lends not these | M2 |
Their pent and miserable standing room | X2 |
Life loves no lookers on at his great game | X2 |
And with boy's malice still delights to turn | N2 |
The tide of sport upon the sitters by | S2 |
And set observers scampering with their notes | M2 |
Oh it is great to do and know not what | C2 |
Nor let it e'er be known The dashing stream | X2 |
Stays not to pick his steps among the rocks | M2 |
Or let his water breaks be chronicled | C2 |
And though the hunter looks before he leap | Q3 |
'Tis instinct rather than a shaped out thought | C2 |
That lifts him his bold way Then instinct hail | P2 |
And farewell hesitation If I stay | P2 |
I am not innocent nor if I go | M2 |
E'en should I fall beyond redemption lost | C2 |
- | |
Ah if I had a course like a full stream | X2 |
If life were as the field of chase No no | M2 |
The life of instinct has it seems gone by | S2 |
And will not be forced back And to live now | N2 |
I must sluice out myself into canals | M2 |
And lose all force in ducts The modern Hotspur | P2 |
Shrills not his trumpet of 'To Horse To Horse ' | - |
But consults columns in a Railway Guide | C2 |
A demigod of figures an Achilles | M2 |
Of computation | N2 |
A verier Mercury express come down | N2 |
To do the world with swift arithmetic | P3 |
Well one could bear with that were the end ours | M2 |
One's choice and the correlative of the soul | P2 |
To drudge were then sweet service But indeed | C2 |
The earth moves slowly if it move at all | P2 |
And by the general not the single force | M2 |
Of the link'd members of the vast machine | N2 |
In all these crowded rooms of industry | P2 |
No individual soul has loftier leave | S2 |
Than fiddling with a piston or a valve | S2 |
Well one could bear that also one would drudge | M |
And do one's petty part and be content | C2 |
In base manipulation solaced still | P2 |
By thinking of the leagued fraternity | P2 |
And of co operation and the effect | C2 |
Of the great engine If indeed it work | R3 |
And is not a mere treadmill which it may be | P2 |
Who can confirm it is not We ask action | N2 |
And dream of arms and conflict and string up | W2 |
All self devotion's muscles and are set | C2 |
To fold up papers To what end I we know not | C2 |
Other folks do so it is always done | N2 |
And it perhaps is right And we are paid for it | C2 |
For nothing else we can be He that eats | M2 |
Must serve and serve as other servants do | C2 |
And don the lacquey's livery of the house | M2 |
Oh could I shoot my thought up to the sky | S2 |
A column of pure shape for all to observe | S2 |
But I must slave a meagre coral worm | X2 |
To build beneath the tide with excrement | C2 |
What one day will be island or be reef | S2 |
And will feed men or wreck them Well well well | P2 |
Adieu ye twisted thinkings I submit it must be | P2 |
- | |
Action is what one must get it is clear | P2 |
And one could dream it better than one finds | M2 |
In its kind personal in its motive not | C2 |
Not selfish as it now is nor as now | N2 |
Maiming the individual If we had that | C2 |
It would cure all indeed Oh how would then | N2 |
These pitiful rebellions of the flesh | E3 |
These caterwaulings of the effeminate heart | C2 |
These hurts of self imagined dignity | P2 |
Pass like the seaweed from about the bows | M2 |
Of a great vessel speeding straight to sea | P2 |
Yes if we could have that but I suppose | M2 |
We shall not have it and therefore I submit | C2 |
- | |
Sp from within Submit submit | C2 |
'Tis common sense and human wit | C2 |
Can claim no higher name than it | C2 |
Submit submit | C2 |
- | |
Devotion and ideas and love | S2 |
And beauty claim their place above | S2 |
But saint and sage and poet's dreams | M2 |
Divide the light in coloured streams | M2 |
Which this alone gives all combined | C2 |
The siccum lumen of the mind | C2 |
Called common sense and no high wit | C2 |
Gives better counsel than does it | C2 |
Submit submit | C2 |
- | |
To see things simply as they are | P2 |
Here at our elbows transcends far | P2 |
Trying to spy out at midday | P2 |
Some 'bright particular star ' which may | P2 |
Or not be visible at night | C2 |
But clearly is not in daylight | C2 |
No inspiration vague outweighs | M2 |
The plain good common sense that says | M2 |
Submit submit | C2 |
'Tis common sense and human wit | C2 |
Can ask no higher name than it | C2 |
Submit submit | C2 |
- | |
- | |
- | |
SCENE V The Piazza at Eight | C2 |
- | |
Di There have been times not many but enough | S2 |
To quiet all repinings of the heart | C2 |
There have been times in which my tranquil soul | P2 |
No longer nebulous sparse errant seemed | C2 |
Upon its axis solidly to move | S2 |
Centred and fast no mere elastic blank | S3 |
For random rays to traverse unretained | C2 |
But rounding luminous its fair ellipse | M2 |
Around its central sun Ay yet again | N2 |
As in more faint sensations I detect | C2 |
With it too round an Inner Mightier orb | T3 |
Maybe with that too this I dare not say | P2 |
Around yet more more central more supreme | X2 |
Whate'er how numerous soe'er they be | P2 |
I am and feel myself where'er I wind | C2 |
What vagrant chance soe'er I seem to obey | P2 |
Communicably theirs | M2 |
- | |
O happy hours | M2 |
O compensation ample for long days | M2 |
Of what impatient tongues call wretchedness | M2 |
O beautiful beneath the magic moon | N2 |
To walk the watery way of palaces | M2 |
O beautiful o'ervaulted with gemmed blue | C2 |
This spacious court with colour and with gold | C2 |
With cupolas and pinnacles and points | M2 |
And crosses multiplex and tips and balls | M2 |
Wherewith the bright stars unreproving mix | M2 |
Nor scorn by hasty eyes to be confused | C2 |
Fantastically perfect this low pile | P2 |
Of Oriental glory these long ranges | M2 |
Of classic chiselling this gay flickering crowd | C2 |
And the calm Campanile Beautiful | P2 |
O beautiful and that seemed more profound | C2 |
This morning by the pillar when I sat | C2 |
Under the great arcade at the review | C2 |
And took and held and ordered on my brain | N2 |
The faces and the voices and the whole mass | M2 |
O' the motley facts of existence flowing by | S2 |
O perfect if 'twere all But it is not | C2 |
Hints haunt me ever of a more beyond | C2 |
I am rebuked by a sense of the incomplete | C2 |
Of a completion over soon assumed | C2 |
Of adding up too soon What we call sin | N2 |
I could believe a painful opening out | C2 |
Of paths for ampler virtue The bare field | C2 |
Scant with lean ears of harvest long had mocked | C2 |
The vext laborious farmer came at length | H3 |
The deep plough in the lazy undersoil | P2 |
Down driving with a cry earth's fibres crack | U3 |
And a few months and to the golden leas | M2 |
And autumn's crowded shocks and loaded wains | M2 |
Let us look back on life was any change | M |
Any now blest expansion but at first | C2 |
A pang remorse like shot to the inmost seats | M2 |
Of moral being To do anything | F |
Distinct on any one thing to decide | C2 |
To leave the habitual and the old and quit | C2 |
The easy chair of use and wont seems crime | X2 |
To the weak soul forgetful how at first | C2 |
Sitting down seemed so too And oh this woman's heart | C2 |
Fain to be forced incredulous of choice | M2 |
And waiting a necessity for God | C2 |
Yet I could think indeed the perfect call | P2 |
Should force the perfect answer If the voice | M2 |
Ought to receive its echo from the soul | P2 |
Wherefore this silence If it should rouse my being | F |
Why this reluctance Have I not thought o'ermuch | E3 |
Of other men and of the ways of the world | C2 |
But what they are or have been matters not | C2 |
To thine own self be true the wise man says | M2 |
Are then my fears myself O double self | S2 |
And I untrue to both Oh there are hours | M2 |
When love and faith and dear domestic ties | M2 |
And converse with old friends and pleasant walks | M2 |
Familiar faces and familiar books | M2 |
Study and art upliftings unto prayer | P2 |
And admiration of the noblest things | M2 |
Seem all ignoble only all is mean | N2 |
And nought as I would have it Then at others | M2 |
My mind is in her rest my heart at home | X2 |
In all around my soul secure in place | M2 |
And the vext needle perfect to her poles | M2 |
Aimless and hopeless in my life I seem | X2 |
To thread the winding byways of the town | N2 |
Bewildered baffled hurried hence and thence | M2 |
All at cross purpose even with myself | S2 |
Unknowing whence or whither Then at once | M2 |
At a step I crown the Campanile's top | V3 |
And view all mapped below islands lagoon | N2 |
A hundred steeples and a million roofs | M2 |
The fruitful champaign and the cloud capt Alps | M2 |
And the broad Adriatic Be it enough | S2 |
If I lose this how terrible No no | M2 |
I am contented and will not complain | N2 |
To the old paths my soul Oh be it so | M2 |
I bear the workday burden of dull life | S2 |
About these footsore flags of a weary world | C2 |
Heaven knows how long it has not been at once | M2 |
Lo I am in the spirit on the Lord's day | P2 |
With John in Patmos Is it not enough | S2 |
One day in seven and if this should go | M2 |
If this pure solace should desert my mind | C2 |
What were all else I I dare not risk this loss | M2 |
To the old paths my soul | P2 |
- | |
Sp O yes | M2 |
To moon about religion to inhume | X2 |
Your ripened age in solitary walks | M2 |
For self discussion to debate in letters | M2 |
Vext points with earnest friends past other men | N2 |
To cherish natural instincts yet to fear them | X2 |
And less than any use them oh no doubt | C2 |
In a corner sit and mope and be consoled | C2 |
With thinking one is clever while the room | X2 |
Rings through with animation and the dance | M2 |
Then talk of old examples to pervert | C2 |
Ancient real facts to modern unreal dreams | M2 |
And build up baseless fabrics of romance | M2 |
And heroism upon historic sand | C2 |
To burn forsooth for action yet despise | M2 |
Its merest accidence and alphabet | C2 |
Cry out for service and at once rebel | P2 |
At the application of its plainest rules | M2 |
This you call life my friend reality | P2 |
Doing your duty unto God and man | N2 |
I know not what Stay at Venice if you will | P2 |
Sit musing in its churches hour on hour | P2 |
Cross kneed upon a bench climb up at whiles | M2 |
The neighbouring tower and kill the lingering day | P2 |
With old comparisons when night succeeds | M2 |
Evading yet a little seeking what | C2 |
You would and would not turn your doubtful eyes | M2 |
On moon and stars to help morality | P2 |
Once in a fortnight say by lucky chance | M2 |
Of happier tempered coffee gain great Heaven | N2 |
A pious rapture is it not enough | S2 |
- | |
Di 'Tis well thou cursed spirit go thy way | P2 |
I am in higher hands than yours 'Tis well | P2 |
Who taught you menaces Who told you pray | P2 |
Because I asked you questions and made show | M2 |
Of hearing what you answered therefore | P2 |
- | |
Sp Oh | M2 |
As if I didn't know | M2 |
- | |
Di Come come my friend | C2 |
I may have wavered but I have thought better | P2 |
We'll say no more of it | C2 |
- | |
Sp Oh I dare say | P2 |
But as you like 'tis your own loss once more | P2 |
Beware | P2 |
- | |
Di alone Must it be then So quick upon my thought | C2 |
To follow the fulfilment and the deed | C2 |
I counted not on this I counted ever | P2 |
To hold and turn it over in my hands | M2 |
Much longer much I took it up indeed | C2 |
For speculation rather to gain thought | C2 |
New data Oh and now to be goaded on | N2 |
By menaces entangled among tricks | M2 |
That I won't suffer Yet it is the law | P2 |
'Tis this makes action always But for this | M2 |
We ne'er should act at all and act we must | C2 |
Why quarrel with the fashion of a fact | C2 |
Which one way must be one time why not now | N2 |
- | |
Sp Submit submit | C2 |
For tell me then in earth's great laws | M2 |
Have you found any saving clause | M2 |
Exemption special granted you | C2 |
From doing what the rest must do | C2 |
Of common sense who made you quit | C2 |
And told you you'd no need of it | C2 |
Nor to submit | C2 |
- | |
To move on angels' wings were sweet | C2 |
But who would therefore scorn his feet | C2 |
It cannot walk up to the sky | S2 |
It therefore will lie down and die | S2 |
Rich meats it don't obtain at call | P2 |
It therefore will not eat at all | P2 |
Poor babe and yet a babe of wit | C2 |
But common sense not much of it | C2 |
Or 'twould submit | C2 |
Submit submit | C2 |
- | |
As your good father did before you | C2 |
And as the mother who first bore you | C2 |
O yes a chid of heavenly birth | A3 |
But yet it was born too on earth | A3 |
Keep your new birth for that far day | P2 |
When in the grave your bones you lay | P2 |
All with your kindred and connection | N2 |
In hopes of happy resurrection | N2 |
But how meantime to live is fit | C2 |
Ask common sense and what says it | C2 |
Submit submit | C2 |
- | |
- | |
- | |
SCENE VI On a Bridge | M |
- | |
Di 'Tis gone the fierce inordinate desire | P2 |
The burning thirst for action utterly | P2 |
Gone like a ship that passes in the night | C2 |
On the high seas gone yet will come again | N2 |
Gone yet expresses something that exists | M2 |
Is it a thing ordained then is it a clue | C2 |
For my life's conduct is it a law for me | P2 |
That opportunity shall breed distrust | C2 |
Not passing until that pass Chance and resolve | S2 |
Like two loose comets wandering wide in space | M2 |
Crossing each other's orbits time on time | X2 |
Meet never Void indifference and doubt | C2 |
Let through the present boon which ne'er turns back | U3 |
To await the after sure arriving wish | E3 |
How shall I then explain it to myself | S2 |
That in blank thought my purpose lives | M2 |
The uncharged cannon mocking still the spark | L2 |
When come which ere come it had loudly claimed | C2 |
Am I to let it be so still For truly | P2 |
The need exists I know the wish but sleeps | M2 |
Sleeps and anon will wake and cry for food | C2 |
And to put by these unreturning gifts | M2 |
Because the feeling is not with me now | N2 |
Seems folly more than merest babyhood's | M2 |
But must I then do violence to myself | S2 |
And push on nature force desire that's ill | P2 |
Because of knowledge which is great but works | M2 |
By rules of large exception to tell which | E3 |
Nought is more fallible than mere caprice | M2 |
- | |
What need for action yet I am happy now | N2 |
I feel no lack what cause is there for haste | C2 |
Am I not happy I is not that enough | S2 |
Depart | C2 |
- | |
Sp O yes you thought you had escaped no doubt | C2 |
This worldly fiend that follows you about | C2 |
This compound of convention and impiety | C2 |
This mongrel of uncleanness and propriety | C2 |
What else were bad enough but let me say | M2 |
I too have my grandes mani res in my way | M2 |
Could speak high sentiment as well as you | C2 |
And out blank verse you without much ado | C2 |
Have my religion also in my kind | C2 |
For dreaming unfit because not designed | C2 |
What you know not that I too can be serious | M2 |
Can speak big words and use the tone imperious | M2 |
Can speak not honiedly of love and beauty | C2 |
But sternly of a something much like duty | C2 |
Oh do you look surprised were never told | C2 |
Perhaps that all that glitters is not gold | C2 |
The Devil oft the Holy Scripture uses | M2 |
But God can act the Devil when He chooses | M2 |
Farewell But verbum sapienti satis | M2 |
I do not make this revelation gratis | M2 |
Farewell beware | P2 |
- | |
Di Ill spirits can quote holy books I knew | C2 |
What will they not say what not dare to do | C2 |
- | |
Sp Beware beware | P2 |
- | |
Di What loitering still Still O foul spirit there | P2 |
Go hence I tell thee go I will beware | P2 |
Alone It must be then I feel it in my soul | P2 |
The iron enters sundering flesh and bone | N2 |
And sharper than the two edged sword of God | C2 |
I come into deep waters help oh help | W3 |
The floods run over me | C2 |
- | |
Therefore farewell a long and last farewell | P2 |
Ye pious sweet simplicities of life | S2 |
Good books good friends and holy moods and all | P2 |
That lent rough life sweet Sunday seeming rests | M2 |
Making earth heaven like Welcome wicked world | C2 |
The hardening heart the calculating brain | N2 |
Narrowing its doors to thought the lying lips | M2 |
The calm dissembling eyes the greedy flesh | E3 |
The world the Devil welcome welcome welcome | X2 |
- | |
Sp from within This stern necessity of things | M2 |
On every side our being rings | M2 |
Our sallying eager actions fall | P2 |
Vainly against that iron wall | P2 |
Where once her finger points the way | M2 |
The wise thinks only to obey | M2 |
Take life as she has ordered it | C2 |
And come what may of it submit | C2 |
Submit submit | C2 |
- | |
Who take implicitly her will | P2 |
For these her vassal chances still | P2 |
Bring store of joys successes pleasures | M2 |
But whoso ponders weighs and measures | M2 |
She calls her torturers up to goad | C2 |
With spur and scourges on the road | C2 |
He does at last with pain whate'er | P2 |
He spurned at first Of such beware | P2 |
Beware beware | P2 |
- | |
Di O God O God The great floods of the soul | P2 |
Flow over me I come into deep waters | M2 |
Where no ground is | M2 |
- | |
Sp Don't be the least afraid | C2 |
There's not the slightest reason for alarm | X2 |
I only meant by a perhaps rough shake | J3 |
To rouse you from a dreamy unhealthy sleep | Q3 |
Up then up and be going the large world | C2 |
The throng'd life waits us | M2 |
Come my pretty boy | M |
You have been making mows to the blank sky | S2 |
Quite long enough for good We'll put you up | W2 |
Into the higher form 'Tis time you learn | N2 |
The Second Reverence for things around | C2 |
Up then and go amongst them don't be timid | C2 |
Look at them quietly a bit by and by | S2 |
Respect will come and healthy appetite | C2 |
So let us go | M2 |
How now not yet awake | J3 |
Oh you will sleep yet will you Oh you shirk | R3 |
You try and slink away You cannot eh | X3 |
Nay now what folly's this Why will you fool yourself | S2 |
Why will you walk about thus with your eyes shut | C2 |
Treating for facts the self made hues that flash | E3 |
On tight pressed pupils which you know are not facts | M2 |
To use the undistorted light of the sun | N2 |
Is not a crime to look straight out upon | N2 |
The big plain things that stare one in the face | M2 |
Does not contaminate to see pollutes not | C2 |
What one must feel if one won't see what is | M2 |
And will be too howe'er we blink and must | C2 |
One way or other make itself observed | C2 |
Free walking's better than being led about and | C2 |
What will the blind man do I wonder if | S2 |
Some one should cut the string of his dog Just think | K3 |
What could you do if I should go away | M2 |
Oh you have paths of your own before you have you | C2 |
What shall it take to literature no doubt | C2 |
Novels reviews or poems if you please | M2 |
The strong fresh gale of life will feel no doubt | C2 |
The influx of your mouthful of soft air | P2 |
Well make the most of that small stock of knowledge | M |
You've condescended to receive from me | C2 |
That's your best chance Oh you despise that Oh | M2 |
Prate then of passions you have known in dreams | M2 |
Of huge experience gathered by the eye | S2 |
Be large of aspiration pure in hope | L3 |
Sweet in fond longings but in all things vague | Y3 |
Breathe out your dreamy scepticism relieved | C2 |
By snatches of old songs People will like that doubtless | M2 |
Or will you write about philosophy | C2 |
For a waste far off maybe overlooking | F |
The fruitful is close by live in metaphysic | F |
With transcendental logic fill your stomach | E3 |
Schematize joy effigiate meat and drink | F |
Or let me see a mighty work a volume | X2 |
The Complemental of the inferior Kant | C2 |
The Critic of Pure Practice based upon | N2 |
The Antinomies of the Moral Sense for look you | C2 |
We cannot act without assuming x | M2 |
And at the same time y its contradictory | C2 |
Ergo to act People will buy that doubtless | M2 |
Or you'll perhaps teach youth I do not question | N2 |
Some downward turn you may find some evasion | N2 |
Of the broad highway's glaring white ascent | C2 |
Teach youth in a small way that is always | M2 |
So as to have much time left you for yourself | S2 |
This you can't sacrifice your leisure's precious | M2 |
Heartily you will not take to anything | F |
Whatever happen don't I see you still | P2 |
Living no life at all Even as now | N2 |
An o'ergrown baby sucking at the dugs | M2 |
Of instinct dry long since Come come you are old enough | S2 |
For spoon meat surely | C2 |
Will you go on thus | M2 |
Until death end you if indeed it does | M2 |
For what it does none knows Yet as for you | C2 |
You'll hardly have the courage to die outright | C2 |
You'll somehow halve even it Methinks I see you | C2 |
Through everlasting limbos of void time | X2 |
Twirling and twiddling ineffectively | C2 |
And indeterminately swaying for ever | P2 |
Come come spoon meat at any rate | C2 |
Well well | C2 |
I will not persecute you more my friend | C2 |
Only do think as I observed before | P2 |
What can you do if I should go away | M2 |
- | |
Di Is the hour here then Is the minute come | X2 |
The irreprievable instant of stern time | X2 |
O for a few few grains in the running glass | M2 |
Or for some power to hold them O for a few | C2 |
Of all that went so wastefully before | P2 |
It must be then e'en now | N2 |
- | |
Sp from within It must it must | C2 |
'Tis common sense and human wit | C2 |
Can claim no higher name than it | C2 |
Submit submit | C2 |
- | |
Necessity and who shall dare | P2 |
Bring to her feet excuse or prayer | P2 |
Beware beware | P2 |
We must we must | C2 |
Howe'er we turn and pause and tremble | C2 |
Howe'er we shrink deceive dissemble | C2 |
Whate'er our doubting grief disgust | C2 |
The hand is on us and we must | C2 |
We must we must | C2 |
'Tis common sense and human wit | C2 |
Can find no better name than it | C2 |
Submit submit | C2 |
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SCENE VII At Torcello Dipsychus alone | N2 |
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Di I had a vision was it in my sleep | Q3 |
And if it were what then But sleep or wake | F |
I saw a great light open o'er my head | C2 |
And sleep or wake uplifted to that light | C2 |
Out of that light proceeding heard a voice | M2 |
Uttering high words which whether sleep or wake | F |
In me were fixed and in me must abide | C2 |
- | |
When the enemy is near thee | C2 |
Call on us | M2 |
In our hands we will upbear thee | C2 |
He shall neither scathe nor scare thee | C2 |
He shall fly thee and shall fear thee | C2 |
Call on us | M2 |
Call when all good friends have left thee | C2 |
Of all good sights and sounds bereft thee | C2 |
Call when hope and heart are sinking | F |
And the brain is sick with thinking | F |
Help O help | W3 |
Call and following close behind thee | C2 |
There shall haste and there shall find thee | C2 |
Help sure help | W3 |
- | |
When the panic comes upon thee | C2 |
When necessity seems on thee | C2 |
Hope and choice have all foregone thee | C2 |
Fate and force are closing o'er thee | C2 |
And but one way stands before thee | C2 |
Call on us | M2 |
O and if thou dost not call | C2 |
Be but faithful that is all | C2 |
Go right on and close behind thee | C2 |
There shall follow still and find thee | C2 |
Help sure help | W3 |
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- | |
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SCENE VIII In the Piazza | M2 |
- | |
Di Not for thy service thou imperious fiend | C2 |
Not to do thy work or the like of thine | N2 |
Not to please thee O base and fallen spirit | C2 |
But One Most High Most True whom without thee | C2 |
It seems I cannot | C2 |
O the misery | C2 |
That one must truck and pactise with the world | C2 |
To gain the 'vantage ground to assail it from | X2 |
To set upon the Giant one must first | C2 |
O perfidy have eat the Giant's bread | C2 |
If I submit it is but to gain time | X2 |
And arms and stature 'tis but to lie safe | S2 |
Until the hour strike to arise and slay | M2 |
'Tis the old story of the adder's brood | C2 |
Feeding and nestling till the fangs be grown | N2 |
Were it not nobler done then to act fair | P2 |
To accept the service with the wages do | C2 |
Frankly the devil's work for the devil's pay | M2 |
O but another my allegiance holds | M2 |
Inalienably his How much soe'er | P2 |
I might submit it must be to rebel | C2 |
Submit then sullenly that's no dishonour | P2 |
Yet I could deem it better too to starve | S2 |
And die untraitored O who sent me though | M2 |
Sent me and to do something O hard master' | P2 |
To do a treachery But indeed 'tis done | N2 |
I have already taken of the pay | M2 |
And curst the payer take I must curse too | C2 |
Alas the little strength that I possess | M2 |
Derives I think of him So still it is | M2 |
The timid child that clung unto her skirts | M2 |
A boy will slight his mother and grown a man | N2 |
His father too There's Scripture too for that | C2 |
Do we owe fathers nothing mothers nought | C2 |
Is filial duty folly Yet He says | M2 |
'He that loves father mother more than me ' | - |
Yea and 'the man his parents shall desert ' | - |
The Ordinance says 'and cleave unto his wife ' | - |
O man behold thy wife the hard naked world | C2 |
Adam accept thy Eve | S2 |
So still it is | M2 |
The tree exhausts the soil creepers kill it | C2 |
Their insects them the lever finds its fulcrum | X2 |
On what it then o'erthrows the homely spade | C2 |
In labour's hand unscrupulously seeks | M2 |
Its first momentum on the very clod | C2 |
Which next will be upturned It seems a law | C2 |
And am not I though I but ill recall | C2 |
My happier age a kidnapped child of heaven | N2 |
Whom these uncircumcised Philistines | M2 |
Have by foul play shorn blinded maimed and kept | C2 |
For what more glorious than to make them sport | C2 |
Wait then wait O my soul grow grow ye locks | M2 |
Then perish they and if need is I too | C2 |
- | |
Sp aside A truly admirable proceeding | F |
Could there be finer special pleading | F |
When scruples would be interceding | F |
There's no occasion I should stay | C2 |
He is working out his own queer way | C2 |
The sum I set him and this day | C2 |
Will bring it neither less nor bigger | P2 |
Exact to my predestined figure | P2 |
- | |
- | |
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SCENE IX In the Public Garden | N2 |
- | |
Di Twenty one past twenty five coming on | N2 |
One third of life departed nothing done | N2 |
Out of the mammon of unrighteousness | M2 |
That we make friends the Scripture is express | M2 |
My Spirit come we will agree | P2 |
Content you'll take a moiety | C2 |
- | |
Sp A moiety ye gods he he | P2 |
- | |
Di Three quarters then O griping beast | C2 |
Leave me a decimal at least | C2 |
- | |
Sp Oh one of ten to infect the nine | N2 |
And make the devil a one be mine | N2 |
Oh one to jib all day God wot | C2 |
When all the rest would go full trot | C2 |
One very little one eh to doubt with | Z3 |
Just to pause think and look about with | Z3 |
In course you counted on no less | M2 |
You thought it likely I'd say yes | M2 |
- | |
Di Be it then thus since that it must it seems | M2 |
Welcome O world henceforth and farewell dreams | M2 |
Yet know Mephisto know nor you nor I | S2 |
Can in this matter either sell or buy | S2 |
For the fee simple of this trifling lot | C2 |
To you or me trust me pertaineth not | C2 |
I can but render what is of my will | C2 |
And behind it somewhat remaineth still | C2 |
O your sole chance was in the childish mind | C2 |
Whose darkness dreamed that vows like this could bind | C2 |
Thinking all lost it made all lost and brought | C2 |
In fact the ruin which had been but thought | C2 |
Thank Heaven or you that's past these many years | M2 |
And we have knowledge wiser than our fears | M2 |
So your poor bargain take my man | N2 |
And make the best of it you can | N2 |
- | |
Sp With reservations oh how treasonable | C2 |
When I had let you off so reasonable | C2 |
However I don't fear be it so | M2 |
Brutus is honourable I know | M2 |
So mindful of the dues of others | M2 |
So thoughtful for his poor dear brothers | M2 |
So scrupulous considerate kind | C2 |
He wouldn't leave the devil behind | C2 |
If he assured him he had claims | M2 |
For his good company to hell flames | M2 |
No matter no matter the bargain's made | C2 |
And I for my part will not be afraid | C2 |
With reservations oh ho ho | M2 |
But time my friend has yet to show | M2 |
Which of us two will closest fit | C2 |
The proverb of the Biter Bit | C2 |
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Di Tell me thy name now it is over | P2 |
- | |
Sp Oh | M2 |
Why Mephistophiles you know | M2 |
At least you've lately called me so | M2 |
Belial it was some days ago | M2 |
But take your pick I've got a score | P2 |
Never a royal baby more | P2 |
For a brass plate upon a door | P2 |
What think you of Cosmocrator | P2 |
- | |
Di | C2 |
And that you are indeed I do not doubt you | C2 |
- | |
Sp Ephesians aint it near the end | C2 |
You dropt a word to spare your friend | C2 |
What follows too in application | N2 |
Would be absurd exaggeration | N2 |
- | |
Di The Power of this World hateful unto God | C2 |
- | |
Sp Cosmarchon's shorter but sounds odd | C2 |
One wouldn't like even if a true devil | C2 |
To be taken for a vulgar Jew devil | C2 |
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Di Yet in all these things we 'tis Scripture too | C2 |
Are more than conquerors even over you | C2 |
- | |
Sp Come come don't maunder any longer | P2 |
Time tests the weaker and the stronger | P2 |
And we without procrastination | N2 |
Must set you know to our vocation | N2 |
O goodness won't you find it pleasant | C2 |
To own the positive and present | C2 |
To see yourself like people round | C2 |
And feel your feet upon the ground Exeunt | C2 |
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- | |
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END OF DIPSYCHUS | M2 |
Arthur Hugh Clough
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