Towns In Colour Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B CD EFGHIJ KLBM NOPQ RS QT UQVV W XB A H I LYZTJKA2B2B2C2XD2ZE2 TF2G2MH2GNI2NI2TI2I2 I2I2I2I2I2T XVTNJ2K2C2I2N A I2 L2I2TI2I2I2TTI2I2I2T M2TI2I2I2I2TTTTI2TI2 N2TTO2HI2TP2I2TTTO2I 2TQ2 T I2R2I2MO2TI2I2TTI2S2 T2NAU2I2V2I2XTI2I2I2 I2I2I2I2I2O2I2W2HI2U 2I2X2VI2I2O2I2O2U2I2 I2I2O2R2HTI2Y2 X Z2 I2I2I2TUI2KTI2J2A3NJ 2I2I2I2I2I2I2I2I2KMI 2TTI2I2I2A3A3A3B3C3A 3KI2I2TI2NTNI2I2I2D3 I2O2I2TI2TTO2I2 TI2| I | A |
| - | |
| Red Slippers | B |
| - | |
| Red slippers in a shop window and outside in the street flaws of grey | C |
| windy sleet | D |
| - | |
| - | |
| Behind the polished glass the slippers hang in long threads of red | E |
| festooning from the ceiling like stalactites of blood flooding the eyes | F |
| of passers by with dripping colour jamming their crimson reflections | G |
| against the windows of cabs and tram cars screaming their claret and salmon | H |
| into the teeth of the sleet plopping their little round maroon lights | I |
| upon the tops of umbrellas | J |
| - | |
| The row of white sparkling shop fronts is gashed and bleeding | K |
| it bleeds red slippers They spout under the electric light | L |
| fluid and fluctuating a hot rain and freeze again to red slippers | B |
| myriadly multiplied in the mirror side of the window | M |
| - | |
| - | |
| They balance upon arched insteps like springing bridges of crimson lacquer | N |
| they swing up over curved heels like whirling tanagers sucked | O |
| in a wind pocket they flatten out heelless like July ponds | P |
| flared and burnished by red rockets | Q |
| - | |
| Snap snap they are cracker sparks of scarlet in the white monotonous | R |
| block of shops | S |
| - | |
| They plunge the clangour of billions of vermilion trumpets | Q |
| into the crowd outside and echo in faint rose over the pavement | T |
| - | |
| - | |
| People hurry by for these are only shoes and in a window farther down | U |
| is a big lotus bud of cardboard whose petals open every few minutes | Q |
| and reveal a wax doll with staring bead eyes and flaxen hair | V |
| lolling awkwardly in its flower chair | V |
| - | |
| One has often seen shoes but whoever saw a cardboard lotus bud before | W |
| - | |
| - | |
| The flaws of grey windy sleet beat on the shop window where there are only | X |
| red slippers | B |
| - | |
| - | |
| II | A |
| - | |
| Thompson's Lunch Room Grand Central Station | H |
| - | |
| - | |
| Study in Whites | I |
| - | |
| - | |
| Wax white | L |
| Floor ceiling walls | Y |
| Ivory shadows | Z |
| Over the pavement | T |
| Polished to cream surfaces | J |
| By constant sweeping | K |
| The big room is coloured like the petals | A2 |
| Of a great magnolia | B2 |
| And has a patina | B2 |
| Of flower bloom | C2 |
| Which makes it shine dimly | X |
| Under the electric lamps | D2 |
| Chairs are ranged in rows | Z |
| Like sepia seeds | E2 |
| Waiting fulfilment | T |
| The chalk white spot of a cook's cap | F2 |
| Moves unglossily against the vaguely bright wall | G2 |
| Dull chalk white striking the retina like a blow | M |
| Through the wavering uncertainty of steam | H2 |
| Vitreous white of glasses with green reflections | G |
| Ice green carboys shifting greener bluer with the jar of moving water | N |
| Jagged green white bowls of pressed glass | I2 |
| Rearing snow peaks of chipped sugar | N |
| Above the lighthouse shaped castors | I2 |
| Of grey pepper and grey white salt | T |
| Grey white placards 'Oyster Stew Cornbeef Hash Frankfurters' | I2 |
| Marble slabs veined with words in meandering lines | I2 |
| Dropping on the white counter like horn notes | I2 |
| Through a web of violins | I2 |
| The flat yellow lights of oranges | I2 |
| The cube red splashes of apples | I2 |
| In high plated epergnes' | I2 |
| The electric clock jerks every half minute | T |
| 'Coming Past ' | - |
| 'Three beef steaks and a chicken pie ' | - |
| Bawled through a slide while the clock jerks heavily | X |
| A man carries a china mug of coffee to a distant chair | V |
| Two rice puddings and a salmon salad | T |
| Are pushed over the counter | N |
| The unfulfilled chairs open to receive them | J2 |
| A spoon falls upon the floor with the impact of metal striking stone | K2 |
| And the sound throws across the room | C2 |
| Sharp invisible zigzags | I2 |
| Of silver | N |
| - | |
| III | A |
| - | |
| An Opera House | I2 |
| - | |
| - | |
| Within the gold square of the proscenium arch | L2 |
| A curtain of orange velvet hangs in stiff folds | I2 |
| Its tassels jarring slightly when someone crosses the stage behind | T |
| Gold carving edges the balconies | I2 |
| Rims the boxes | I2 |
| Runs up and down fluted pillars | I2 |
| Little knife stabs of gold | T |
| Shine out whenever a box door is opened | T |
| Gold clusters | I2 |
| Flash in soft explosions | I2 |
| On the blue darkness | I2 |
| Suck back to a point | T |
| And disappear | M2 |
| Hoops of gold | T |
| Circle necks wrists fingers | I2 |
| Pierce ears | I2 |
| Poise on heads | I2 |
| And fly up above them in coloured sparkles | I2 |
| Gold | T |
| Gold | T |
| The opera house is a treasure box of gold | T |
| Gold in a broad smear across the orchestra pit | T |
| Gold of horns trumpets tubas | I2 |
| Gold spun gold twittering gold snapping gold | T |
| Of harps | I2 |
| The conductor raises his baton | N2 |
| The brass blares out | T |
| Crass crude | T |
| Parvenu fat powerful | O2 |
| Golden | H |
| Rich as the fat clapping hands in the boxes | I2 |
| Cymbals gigantic coin shaped | T |
| Crash | P2 |
| The orange curtain parts | I2 |
| And the prima donna steps forward | T |
| One note | T |
| A drop transparent iridescent | T |
| A gold bubble | O2 |
| It floats floats | I2 |
| And bursts against the lips of a bank president | T |
| In the grand tier | Q2 |
| - | |
| - | |
| IV | - |
| - | |
| Afternoon Rain in State Street | T |
| - | |
| Cross hatchings of rain against grey walls | I2 |
| Slant lines of black rain | R2 |
| In front of the up and down wet stone sides of buildings | I2 |
| Below | M |
| Greasy shiny black horizontal | O2 |
| The street | T |
| And over it umbrellas | I2 |
| Black polished dots | I2 |
| Struck to white | T |
| An instant | T |
| Stream in two flat lines | I2 |
| Slipping past each other with the smoothness of oil | S2 |
| Like a four sided wedge | T2 |
| The Custom House Tower | N |
| Pokes at the low flat sky | A |
| Pushing it farther and farther up | U2 |
| Lifting it away from the house tops | I2 |
| Lifting it in one piece as though it were a sheet of tin | V2 |
| With the lever of its apex | I2 |
| The cross hatchings of rain cut the Tower obliquely | X |
| Scratching lines of black wire across it | T |
| Mutilating its perpendicular grey surface | I2 |
| With the sharp precision of tools | I2 |
| The city is rigid with straight lines and angles | I2 |
| A chequered table of blacks and greys | I2 |
| Oblong blocks of flatness | I2 |
| Crawl by with low geared engines | I2 |
| And pass to short upright squares | I2 |
| Shrinking with distance | I2 |
| A steamer in the basin blows its whistle | O2 |
| And the sound shoots across the rain hatchings | I2 |
| A narrow level bar of steel | W2 |
| Hard cubes of lemon | H |
| Superimpose themselves upon the fronts of buildings | I2 |
| As the windows light up | U2 |
| But the lemon cubes are edged with angles | I2 |
| Upon which they cannot impinge | X2 |
| Up straight down straight square | V |
| Crumpled grey white papers | I2 |
| Blow along the side walks | I2 |
| Contorted horrible | O2 |
| Without curves | I2 |
| A horse steps in a puddle | O2 |
| And white glaring water spurts up | U2 |
| In stiff outflaring lines | I2 |
| Like the rattling stems of reeds | I2 |
| The city is heraldic with angles | I2 |
| A sombre escutcheon of argent and sable | O2 |
| And countercoloured bends of rain | R2 |
| Hung over a four square civilization | H |
| When a street lamp comes out | T |
| I gaze at it for fully thirty seconds | I2 |
| To rest my brain with the suffusing round brilliance of its globe | Y2 |
| - | |
| - | |
| V | X |
| - | |
| An Aquarium | Z2 |
| - | |
| Streaks of green and yellow iridescence | I2 |
| Silver shiftings | I2 |
| Rings veering out of rings | I2 |
| Silver gold | T |
| Grey green opaqueness sliding down | U |
| With sharp white bubbles | I2 |
| Shooting and dancing | K |
| Flinging quickly outward | T |
| Nosing the bubbles | I2 |
| Swallowing them | J2 |
| Fish | A3 |
| Blue shadows against silver saffron water | N |
| The light rippling over them | J2 |
| In steel bright tremors | I2 |
| Outspread translucent fins | I2 |
| Flute fold and relapse | I2 |
| The threaded light prints through them on the pebbles | I2 |
| In scarcely tarnished twinklings | I2 |
| Curving of spotted spines | I2 |
| Slow up shifts | I2 |
| Lazy convolutions | I2 |
| Then a sudden swift straightening | K |
| And darting below | M |
| Oblique grey shadows | I2 |
| Athwart a pale casement | T |
| Roped and curled | T |
| Green man eating eels | I2 |
| Slumber in undulate rhythms | I2 |
| With crests laid horizontal on their backs | I2 |
| Barred fish | A3 |
| Striped fish | A3 |
| Uneven disks of fish | A3 |
| Slip slide whirl turn | B3 |
| And never touch | C3 |
| Metallic blue fish | A3 |
| With fins wide and yellow and swaying | K |
| Like Oriental fans | I2 |
| Hold the sun in their bellies | I2 |
| And glow with light | T |
| Blue brilliance cut by black bars | I2 |
| An oblong pane of straw coloured shimmer | N |
| Across it in a tangent | T |
| A smear of rose black silver | N |
| Short twists and upstartings | I2 |
| Rose black in a setting of bubbles | I2 |
| Sunshine playing between red and black flowers | I2 |
| On a blue and gold lawn | D3 |
| Shadows and polished surfaces | I2 |
| Facets of mauve and purple | O2 |
| A constant modulation of values | I2 |
| Shaft shaped | T |
| With green bead eyes | I2 |
| Thick nosed | T |
| Heliotrope coloured | T |
| Swift spots of chrysolite and coral | O2 |
| In the midst of green pearl amethyst irradiations | I2 |
| - | |
| Outside | T |
| A willow tree flickers | I2 |
Amy Lowell
(1)
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