The Basset-table : An Eclogue Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDE AEAF GGG BHHAABIHA AJJKL BGGHH AIH MMABNAAA O A AAA BAAPPHHJJ AMQRLAAJJ BGGAASSHH AAAGGHHTLAAHHAA BUURR AAAVM BAAWWXXBBXXAA AHHHHH Y HHHHAA BBBHH ANNAA AZZAAAACardelia Smilinda | A |
- | |
Cardelia | B |
The Basset Table spread the Tallier come | C |
Why stays Smilinda in the Dressing Room | D |
Rise pensive Nymph the Tallier waits for you | E |
- | |
Smilinda | A |
Ah Madam since my Sharper is untrue | E |
I joyless make my once ador'd | A |
Alpeu | F |
- | |
I saw him stand behind Ombrelia's Chair | G |
And whisper with that soft deluding air | G |
And those feign'd sighs which cheat the list'ning Fair | G |
- | |
Cardelia | B |
Is this the cause of your Romantic strains | H |
A mightier grief my heavy heart sustains | H |
As You by Love so I by Fortune cross'd | A |
One one bad | A |
Deal | B |
Three | I |
Septleva's | H |
have lost | A |
- | |
Smilinda | A |
Is that the grief which you compare with mine | J |
With ease the smiles of Fortune I resign | J |
Would all my gold in one bad Deal were gone | K |
Were lovely Sharper mine and mine alone | L |
- | |
Cardelia | B |
A Lover is lost is but a common care | G |
And prudent Nymphs against that change prepare | G |
The Knave of Clubs thrice lost Oh who could guess | H |
This fatal stroke this unforeseen Distress | H |
- | |
Smilinda | A |
See Betty Lovet very | I |
a propos | H |
- | |
She all the cares of | M |
Love | M |
and | A |
Play | B |
does know | N |
Dear Betty shall th' important point decide | A |
Betty who oft the pain of each has try'd | A |
Impartial she shall say who suffers most | A |
By | - |
Cards' Ill Usage | O |
or by | - |
Lover's lost | A |
- | |
- | |
Lovet | A |
Tell tell your griefs attentive will I stay | A |
Tho' Time is precious and I want some Tea | A |
- | |
Cardelia | B |
Behold this Equipage by Mathers wrought | A |
With Fifty Guineas a great Pen'worth bought | A |
See on the Tooth pick Mars and Cupid strive | P |
And both the struggling figures seem alive | P |
Upon the bottom shines the Queen's bright Face | H |
A Myrtle Foliage round the Thimble Case | H |
Jove Jove himself does on the Scissors shine | J |
The Metal and the Workmanship divine | J |
- | |
Smilinda | A |
This Snuff Box once the pledge of Sharper's love | M |
When rival beauties for the Present strove | Q |
At Corticelli's he the Raffle won | R |
Then first his Passion was in public shown | L |
Hazardia blush'd and turn'd her Head aside | A |
A Rival's envy all in vain to hide | A |
This Snuff Box on the Hinge see Brilliants shine | J |
This Snuff Box will I stake the Prize is mine | J |
- | |
Cardelia | B |
Alas far lesser losses than I bear | G |
Have made a Soldier sigh a Lover swear | G |
And Oh what makes the disappointment hard | A |
'Twas my own Lord that drew the fatal Card | A |
In complaisance I took the Queen he gave | S |
Tho' my own secret wish was for the Knave | S |
The Knave won Sonica which I had chose | H |
And the next Pull my Septleva I lose | H |
- | |
Smilinda | A |
But ah what aggravates the killing smart | A |
The cruel thought that stabs me to the heart | A |
This curs'd Ombrelia this undoing Fair | G |
By whose vile arts this heavy grief I bear | G |
She at whose name I shed these spiteful tears | H |
She owes to me the very charms she wears | H |
An awkward Thing when first she came to Town | T |
Her Shape unfashion'd and her Face unknown | L |
She was my friend I taught her first to spread | A |
Upon her sallow cheeks enliv'ning red | A |
I introduc'd her to the Park and Plays | H |
And by my int'rest Cozens made her Stays | H |
Ungrateful wretch with mimic airs grown pert | A |
She dares to steal my Fav'rite Lover's heart | A |
- | |
Cardelia | B |
Wretch that I was how often have I swore | U |
When Winnall tally'd I would punt no more | U |
I know the Bite yet to my Ruin run | R |
And see the Folly which I cannot shun | R |
- | |
Smilinda | A |
How many Maids have Sharper's vows deceiv'd | A |
How many curs'd the moment they believ'd | A |
Yet his known Falsehoods could no Warning prove | V |
Ah what is warning to a Maid in Love | M |
- | |
Cardelia | B |
But of what marble must that breast be form'd | A |
To gaze on Basset and remain unwarm'd | A |
When Kings Queens Knaves are set in decent rank | W |
Expos'd in glorious heaps the tempting Bank | W |
Guineas Half Guineas all the shining train | X |
The Winner's pleasure and the Loser's pain | X |
In bright Confusion open Rouleaux lie | B |
They strike the Soul and glitter in the Eye | B |
Fir'd by the sight all Reason I disdain | X |
My Passions rise and will not bear the rein | X |
Look upon Basset you who Reason boast | A |
And see if Reason must not there be lost | A |
- | |
Smilinda | A |
What more than marble must that heart compose | H |
Can hearken coldly to my Sharper's Vows | H |
Then when he trembles when his Blushes rise | H |
When awful Love seems melting in his Eyes | H |
With eager beats his Mechlin Cravat moves | H |
- | |
'He Loves ' | - |
I whisper to myself | Y |
'He Loves ' | - |
- | |
Such unfeign'd Passion in his Looks appears | H |
I lose all Mem'ry of my former Fears | H |
My panting heart confesses all his charms | H |
I yield at once and sink into his arms | H |
Think of that moment you who Prudence boast | A |
For such a moment Prudence well were lost | A |
- | |
Cardelia | B |
At the Groom Porter's batter'd Bullies play | B |
Some Dukes at Mary Bone bowl Time away | B |
But who the Bowl or ratt'ling Dice compares | H |
To Basset's heav'nly Joys and pleasing Cares | H |
- | |
Smilinda | A |
Soft Simplicetta doats upon a Beau | N |
Prudina likes a Man and laughs at Show | N |
Their several graces in my Sharper meet | A |
Strong as the Footman as the Master sweet | A |
- | |
Lovet | A |
Cease your contention which has been too long | Z |
I grow impatient and the Tea's too strong | Z |
Attend and yield to what I now decide | A |
The Equipage shall grace Smilinda's Side | A |
The Snuff Box to Cardelia I decree | A |
Now leave complaining and begin your Tea | A |
Alexander Pope
(1)
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