The Dark Lady Sonnets (127 - 154) Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCBCDEDEFGFGHH A IJIJKLKLMNMNOO O CPCPMQMQOGOGRR O STSTUOUOOVOVBB O WXWXYZYZBOBOOO O A2B2A2B2SC2D2E2OWOWF F O ZA2ZA2SF2SG2H2I2J2I2 A2A2 A K2L2K2L2A2M2A2M2N2ON 2OA2A2 A L2OL2OOK2OK2L2O2L2O2 L2L2 A P2L2BL2ASASYA2YA2L2 A OA2OA2OQ2OQ2R2OR2OS2 T2 A U2OU2OV2E2V2E2PYPYA2 A2 O W2WV2WUQ2UO| CXXVII | A |
| In the old age black was not counted fair | B |
| Or if it were it bore not beauty's name | C |
| But now is black beauty's successive heir | B |
| And beauty slandered with a bastard shame | C |
| For since each hand hath put on Nature's power | D |
| Fairing the foul with Art's false borrowed face | E |
| Sweet beauty hath no name no holy bower | D |
| But is profaned if not lives in disgrace | E |
| Therefore my mistress' eyes are raven black | F |
| Her eyes so suited and they mourners seem | G |
| At such who not born fair no beauty lack | F |
| Sland'ring creation with a false esteem | G |
| Yet so they mourn becoming of their woe | H |
| That every tongue says beauty should look so | H |
| - | |
| CXXVIII | A |
| - | |
| How oft when thou my music music play'st | I |
| Upon that blessed wood whose motion sounds | J |
| With thy sweet fingers when thou gently sway'st | I |
| The wiry concord that mine ear confounds | J |
| Do I envy those jacks that nimble leap | K |
| To kiss the tender inward of thy hand | L |
| Whilst my poor lips which should that harvest reap | K |
| At the wood's boldness by thee blushing stand | L |
| To be so tickled they would change their state | M |
| And situation with those dancing chips | N |
| O'er whom thy fingers walk with gentle gait | M |
| Making dead wood more bless'd than living lips | N |
| Since saucy jacks so happy are in this | O |
| Give them thy fingers me thy lips to kiss | O |
| - | |
| CXXIX | O |
| - | |
| The expense of spirit in a waste of shame | C |
| Is lust in action and till action lust | P |
| Is perjured murderous bloody full of blame | C |
| Savage extreme rude cruel not to trust | P |
| Enjoyed no sooner but despised straight | M |
| Past reason hunted and no sooner had | Q |
| Past reason hated as a swallowed bait | M |
| On purpose laid to make the taker mad | Q |
| Mad in pursuit and in possession so | O |
| Had having and in quest to have extreme | G |
| A bliss in proof and proved a very woe | O |
| Before a joy proposed behind a dream | G |
| All this the world well knows yet none knows well | R |
| To shun the heaven that leads men to this hell | R |
| - | |
| CXXX | O |
| - | |
| My mistress' eyes are nothing like the sun | S |
| Coral is far more red than her lips red | T |
| If snow be white why then her breasts are dun | S |
| If hairs be wires black wires grow on her head | T |
| I have seen roses damasked red and white | U |
| But no such roses see I in her cheeks | O |
| And in some perfumes is there more delight | U |
| Than in the breath that from my mistress reeks | O |
| I love to hear her speak yet well I know | O |
| That music hath a far more pleasing sound | V |
| I grant I never saw a goddess go | O |
| My mistress when she walks treads on the ground | V |
| And yet by heaven I think my love as rare | B |
| As any she belied with false compare | B |
| - | |
| CXXXI | O |
| - | |
| Thou art as tyrannous so as thou art | W |
| As those whose beauties proudly make them cruel | X |
| For well thou know'st to my dear doting heart | W |
| Thou art the fairest and most precious jewel | X |
| Yet in good faith some say that thee behold | Y |
| Thy face hath not the power to make love groan | Z |
| To say they err I dare not be so bold | Y |
| Although I swear it to myself alone | Z |
| And to be sure that is not false I swear | B |
| A thousand groans but thinking on thy face | O |
| One on another's neck do witness bear | B |
| Thy black is fairest in my judgment's place | O |
| In nothing art thou black save in thy deeds | O |
| And thence this slander as I think proceeds | O |
| - | |
| CXXXII | O |
| - | |
| Thine eyes I love and they as pitying me | A2 |
| Knowing thy heart torments me with disdain | B2 |
| Have put on black and loving mourners be | A2 |
| Looking with pretty ruth upon my pain | B2 |
| And truly not the morning sun of heaven | S |
| Better becomes the grey cheeks of the east | C2 |
| Nor that full star that ushers in the even | D2 |
| Doth half that glory to the sober west | E2 |
| As those two mourning eyes become thy face | O |
| O let it then as well beseem thy heart | W |
| To mourn for me since mourning doth thee grace | O |
| And suit thy pity like in every part | W |
| Then will I swear beauty herself is black | F |
| And all they foul that thy complexion lack | F |
| - | |
| CXXXIII | O |
| - | |
| Beshrew that heart that makes my heart to groan | Z |
| For that deep wound it gives my friend and me | A2 |
| Is't not enough to torture me alone | Z |
| But slave to slavery my sweet'st friend must be | A2 |
| Me from myself thy cruel eye hath taken | S |
| And my next self thou harder hast engrossed | F2 |
| Of him myself and thee I am forsaken | S |
| A torment thrice three fold thus to be crossed | G2 |
| Prison my heart in thy steel bosom's ward | H2 |
| But then my friend's heart let my poor heart bail | I2 |
| Whoe'er keeps me let my heart be his guard | J2 |
| Thou canst not then use rigour in my jail | I2 |
| And yet thou wilt for I being pent in thee | A2 |
| Perforce am thine and all that is in me | A2 |
| - | |
| CXXXIV | A |
| - | |
| So now I have confessed that he is thine | K2 |
| And I my self am mortgaged to thy will | L2 |
| Myself I'll forfeit so that other mine | K2 |
| Thou wilt restore to be my comfort still | L2 |
| But thou wilt not nor he will not be free | A2 |
| For thou art covetous and he is kind | M2 |
| He learned but surety like to write for me | A2 |
| Under that bond that him as fast doth bind | M2 |
| The statute of thy beauty thou wilt take | N2 |
| Thou usurer that put'st forth all to use | O |
| And sue a friend came debtor for my sake | N2 |
| So him I lose through my unkind abuse | O |
| Him have I lost thou hast both him and me | A2 |
| He pays the whole and yet am I not free | A2 |
| - | |
| CXXXV | A |
| - | |
| Whoever hath her wish thou hast thy Will | L2 |
| And Will to boot and Will in over plus | O |
| More than enough am I that vexed thee still | L2 |
| To thy sweet will making addition thus | O |
| Wilt thou whose will is large and spacious | O |
| Not once vouchsafe to hide my will in thine | K2 |
| Shall will in others seem right gracious | O |
| And in my will no fair acceptance shine | K2 |
| The sea all water yet receives rain still | L2 |
| And in abundance addeth to his store | O2 |
| So thou being rich in Will add to thy Will | L2 |
| One will of mine to make thy large will more | O2 |
| Let no unkind no fair beseechers kill | L2 |
| Think all but one and me in that one Will | L2 |
| - | |
| CXXXVI | A |
| - | |
| If thy soul check thee that I come so near | P2 |
| Swear to thy blind soul that I was thy Will | L2 |
| And will thy soul knows is admitted there | B |
| Thus far for love my love suit sweet fulfil | L2 |
| Will will fulfil the treasure of thy love | A |
| Ay fill it full with wills and my will one | S |
| In things of great receipt with ease we prove | A |
| Among a number one is reckoned none | S |
| Then in the number let me pass untold | Y |
| Though in thy store's account I one must be | A2 |
| For nothing hold me so it please thee hold | Y |
| That nothing me a something sweet to thee | A2 |
| Make but my name thy love and love that still | L2 |
| And then thou lovest me for my name is 'Will ' | - |
| - | |
| CXXXVII | A |
| - | |
| Thou blind fool Love what dost thou to mine eyes | O |
| That they behold and see not what they see | A2 |
| They know what beauty is see where it lies | O |
| Yet what the best is take the worst to be | A2 |
| If eyes corrupt by over partial looks | O |
| Be anchored in the bay where all men ride | Q2 |
| Why of eyes' falsehood hast thou forged hooks | O |
| Whereto the judgment of my heart is tied | Q2 |
| Why should my heart think that a several plot | R2 |
| Which my heart knows the wide world's common place | O |
| Or mine eyes seeing this say this is not | R2 |
| To put fair truth upon so foul a face | O |
| In things right true my heart and eyes have erred | S2 |
| And to this false plague are they now transferred | T2 |
| - | |
| CXXXVIII | A |
| - | |
| When my love swears that she is made of truth | U2 |
| I do believe her though I know she lies | O |
| That she might think me some untutored youth | U2 |
| Unlearned in the world's false subtleties | O |
| Thus vainly thinking that she thinks me young | V2 |
| Although she knows my days are past the best | E2 |
| Simply I credit her false speaking tongue | V2 |
| On both sides thus is simple truth suppressed | E2 |
| But wherefore says she not she is unjust | P |
| And wherefore say not I that I am old | Y |
| O love's best habit is in seeming trust | P |
| And age in love loves not to have years told | Y |
| Therefore I lie with her and she with me | A2 |
| And in our faults by lies we flattered be | A2 |
| - | |
| CXXXIX | O |
| - | |
| O call not me to justify the wrong | W2 |
| That thy unkindness lays upon my heart | W |
| Wound me not with thine eye but with thy tongue | V2 |
| Use power with power and slay me not by art | W |
| Tell me thou lov'st elsewhere but in my sight | U |
| Dear heart forbear to glance thine eye aside | Q2 |
| What need'st thou wound with cunning when thy might | U |
| Is more than my o | O |
William Shakespeare
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About The Dark Lady Sonnets (127 - 154)
The Dark Lady Sonnets (127 - 154) is a poem by William Shakespeare. This page includes the poem text, poet information, related topics, comments, and similar poems.
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