The Task: Book Ii, The Time-piece (excerpts) Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BCDEFGHIJJEKLMNOPJQJ RKSTJUJVWVXYZEA2JB2C 2EBED2E2F2JG2H2I2J2 JJEJK2BL2M2JNWJN2O2E 2P2XQ2R2H2S2JLT2O2U2 S2PV2W2X2JJY2DZ2EZ2A 3JJB3C3D3L2E3L2JJL2L 2JA | |
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England with all thy faults I love thee still | B |
My country and while yet a nook is left | C |
Where English minds and manners may be found | D |
Shall be constrain'd to love thee Though thy clime | E |
Be fickle and thy year most part deform'd | F |
With dripping rains or wither'd by a frost | G |
I would not yet exchange thy sullen skies | H |
And fields without a flow'r for warmer France | I |
With all her vines nor for Ausonia's groves | J |
Of golden fruitage and her myrtle bow'rs | J |
To shake thy senate and from heights sublime | E |
Of patriot eloquence to flash down fire | K |
Upon thy foes was never meant my task | L |
But I can feel thy fortunes and partake | M |
Thy joys and sorrows with as true a heart | N |
As any thund'rer there And I can feel | O |
Thy follies too and with a just disdain | P |
Frown at effeminates whose very looks | J |
Reflect dishonour on the land I love | Q |
How in the name of soldiership and sense | J |
Should England prosper when such things as smooth | R |
And tender as a girl all essenc'd o'er | K |
With odours and as profligate as sweet | S |
Who sell their laurel for a myrtle wreath | T |
And love when they should fight when such as these | J |
Presume to lay their hand upon the ark | U |
Of her magnificent and awful cause | J |
Time was when it was praise and boast enough | V |
In ev'ry clime and travel where we might | W |
That we were born her children Praise enough | V |
To fill th' ambition of a private man | X |
That Chatham's language was his mother tongue | Y |
And Wolfe's great name compatriot with his own | Z |
Farewell those honours and farewell with them | E |
The hope of such hereafter They have fall'n | A2 |
Each in his field of glory one in arms | J |
And one in council Wolfe upon the lap | B2 |
Of smiling victory that moment won | C2 |
And Chatham heart sick of his country's shame | E |
They made us many soldiers Chatham still | B |
Consulting England's happiness at home | E |
Secur'd it by an unforgiving frown | D2 |
If any wrong'd her Wolfe where'er he fought | E2 |
Put so much of his heart into his act | F2 |
That his example had a magnet's force | J |
And all were swift to follow whom all lov'd | G2 |
Those suns are set Oh rise some other such | H2 |
Or all that we have left is empty talk | I2 |
Of old achievements and despair of new | J2 |
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There is a pleasure in poetic pains | J |
Which only poets know The shifts and turns | J |
Th' expedients and inventions multiform | E |
To which the mind resorts in chase of terms | J |
Thought apt yet coy and difficult to win | K2 |
T' arrest the fleeting images that fill | B |
The mirror of the mind and hold them fast | L2 |
And force them sit till he has pencill'd off | M2 |
A faithful likeness of the forms he views | J |
Then to dispose his copies with such art | N |
That each may find its most propitious light | W |
And shine by situation hardly less | J |
Than by the labour and the skill it cost | N2 |
Are occupations of the poet's mind | O2 |
So pleasing and that steal away the thought | E2 |
With such address from themes of sad import | P2 |
That lost in his own musings happy man | X |
He feels th' anxieties of life denied | Q2 |
Their wonted entertainment all retire | R2 |
Such joys has he that sings But ah not such | H2 |
Or seldom such the hearers of his song | S2 |
Fastidious or else listless or perhaps | J |
Aware of nothing arduous in a task | L |
They never undertook they little note | T2 |
His dangers or escapes and haply find | O2 |
Their least amusement where he found the most | U2 |
But is amusement all Studious of song | S2 |
And yet ambitious not to sing in vain | P |
I would not trifle merely though the world | V2 |
Be loudest in their praise who do no more | W2 |
Yet what can satire whether grave or gay | X2 |
It may correct a foible may chastise | J |
The freaks of fashion regulate the dress | J |
Retrench a sword blade or displace a patch | Y2 |
But where are its sublimer trophies found | D |
What vice has it subdu'd whose heart reclaim'd | Z2 |
By rigour or whom laugh'd into reform | E |
Alas Leviathan is not so tam'd | Z2 |
Laugh'd at he laughs again and stricken hard | A3 |
Turns to the stroke his adamantine scales | J |
That fear no discipline of human hands | J |
The pulpit therefore and I name it fill'd | B3 |
With solemn awe that bids me well beware | C3 |
With what intent I touch that holy thing | D3 |
The pulpit when the satirist has at last | L2 |
Strutting and vapouring in an empty school | E3 |
Spent all his force and made no proselyte | L2 |
I say the pulpit in the sober use | J |
Of its legitimate peculiar pow'rs | J |
Must stand acknowledg'd while the world shall stand | L2 |
The most important and effectual guard | L2 |
Support and ornament of Virtue's cause | J |
William Cowper
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