The Lost Heir Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABC DDDEFFFEGGGHIIIHJJJK J LGMGGNFNGOGOPQRQSTUT VWGWTGTGFTGTWAGAXGAG YZGZA2WB2YTAVAC2WAWD 2TE2TAAGADFF2FDAGAZW GWG2FFFTTH2ATFI2TI2A VTVGGTGJ2K2GK2TAI2AT FTFTI2GI2GL2J2L2FTTT I2GGGGTM2TFZTZJ2YAY| 'Oh where and oh where | A |
| Is my bonny laddie gone ' | B |
| Old Song | C |
| - | |
| - | |
| One day as I was going by | D |
| That part of Holborn christened High | D |
| I heard a loud and sodden cry | D |
| That chill'd my very blood | E |
| And lo from out a dirty alley | F |
| Where pigs and Irish wont to rally | F |
| I saw a crazy woman sally | F |
| Bedaub'd with grease and mud | E |
| She turn'd her East she turn'd her West | G |
| Staring like Pythoness possest | G |
| With streaming hair and heaving breast | G |
| As one stark mad with grief | H |
| This way and that she wildly ran | I |
| Jostling with woman and with man | I |
| Her right hand held a frying pan | I |
| The left a lump of beef | H |
| At last her frenzy seemed to reach | J |
| A point just capable of speech | J |
| And with a tone almost a screech | J |
| As wild as ocean bird's | K |
| Or female Banter mov'd to preach | J |
| She gave her 'sorrow words ' | - |
| - | |
| 'O Lord O dear my heart will break I shall | L |
| go stick stark staring wild | G |
| Has ever a one seen anything about the streets | M |
| like a crying lost looking child | G |
| Lawk help me I don't know where to look or to | G |
| run if I only knew which way | N |
| A Child as is lost about London Streets and especially | F |
| Seven Dials is a needle in a bottle of hay | N |
| I am all in a quiver get out of my sight do you | G |
| wretch you little Kitty M'Nab | O |
| You promised to have half an eye to him you | G |
| know you did you dirty deceitful young drab | O |
| The last time as ever I see him poor thing | P |
| was with my own blessed Motherly eyes | Q |
| Sitting as good as gold in the gutter | R |
| a playing at making little dirt pies | Q |
| I wonder he left the court where he was better off | S |
| than all the other young boys | T |
| With two bricks an old shoe nine oyster shells | U |
| and a dead kitten by way of toys | T |
| When his father comes home and he always comes home | V |
| as sure as ever the clock strikes one | W |
| He'll be rampant he will at his child being lost | G |
| and the beef and the inguns not done | W |
| La bless you good folks mind your own consarns | T |
| and don't be making a mob in the street | G |
| O Sergeant M'Farlane you have not come across | T |
| my poor little boy have you in your beat | G |
| Do good people move on don't stand staring at me | F |
| like a parcel of stupid stuck pigs | T |
| Saints forbid but he's p'r'aps been inviggled | G |
| away up a court for the sake of his clothes | T |
| He'd a very good jacket for certain | W |
| for I bought it myself for a shilling one day in Rag Fair | A |
| And his trowsers considering not very much patch'd | G |
| and red plush they was once his Father' | A |
| His shirt it's very lucky I'd got washing in the tub | X |
| or that might have gone with the rest | G |
| But he'd got on a very good pinafore | A |
| with only two slits and a burn on the breast | G |
| He'd a goodish sort of hat If the crown was sew'd in | Y |
| and not quite so much jagg'd at the brim | Z |
| With one shoe on and the other shoe is a boot | G |
| and not a fit and you'll know by that if it's him | Z |
| Except being so well dress'd my mind would misgive | A2 |
| some old beggar woman in want of an orphan | W |
| Had borrow'd the child to go a begging with | B2 |
| but I'd rather see him laid out in his coffin | Y |
| Do good people move on such a rabble of boys | T |
| I'll break every bone of 'em I come near | A |
| Go home you're spilling the porter go home | V |
| Tommy Jones go along home with your beer | A |
| This day is the sorrowfullest day of my life | C2 |
| ever since my name was Betty Morgan | W |
| Them vile Savoyards they lost him once before | A |
| all along of following a Monkey and an Organ | W |
| O my Billy my head will turn right round if | D2 |
| he's got kiddynapp'd with them Italians | T |
| They'll make him a plaster parish image boy | E2 |
| they will the outlandish tatterdemallions | T |
| Billy where are you Billy I'm as hoarse as a crow | A |
| with screaming for ye you young sorrow | A |
| And shan't have half a voice no more I shan't | G |
| for crying fresh herrings to morrow | A |
| O Billy you're bursting my heart in two and my | D |
| life won't be of no more vally | F |
| If I'm to see other folk's darlins and none of | F2 |
| mine playing like angels in our alley | F |
| And what shall I do but cry out my eyes when I | D |
| looks at the old three legged chair | A |
| As Billy used to make coaches and horses of and | G |
| there ain't no Billy there | A |
| I would run all the wide world over to find him | Z |
| if I only know'd where to run | W |
| Little Murphy now I remember was once lost | G |
| for a month through stealing a penny bun | W |
| The Lord forbid of any child of mine | G2 |
| I think it would kill me raily | F |
| To find my Bill holdin up his little | F |
| innocent hand at the Old Bailey | F |
| For though I say it as oughtn't yet I will say | T |
| you may search for miles and mileses | T |
| And not find one better brought up | H2 |
| and more pretty behaved from one end to t'other | A |
| of St Giles's | T |
| And if I called him a beauty it's no lie but only | F |
| as a Mother ought to speak | I2 |
| You never set eyes on a more handsomer face | T |
| only it hasn't been washed for a week | I2 |
| As for hair tho' it's red it's the most nicest hair | A |
| when I've time to just show it the comb | V |
| I'll owe 'em five pounds and a blessing besides | T |
| as will only bring him safe and sound home | V |
| He's blue eyes and not to be call'd a squint | G |
| though a little cast he's certainly got | G |
| And his nose is still a good un tho' the bridge is | T |
| broke by his falling on a pewter pint pot | G |
| He's got the most elegant wide mouth in the | J2 |
| world and very large teeth for his age | K2 |
| And quite as fit as Mrs Murdockson's child to | G |
| play Cupid on the Drury Lane Stage | K2 |
| And then he has got such dear winning ways | T |
| but O I never never shall see him no more | A |
| O dear to think of losing him just after nussing | I2 |
| him back from death's door | A |
| Only the very last month when the windfalls | T |
| hang 'em was at twenty a penny | F |
| And the threepence he'd got by grottoing was | T |
| spent in plums and sixty for a child is too many | F |
| And the Cholera man came and whitewash'd us | T |
| all and drat him made a seize of our hog | I2 |
| It's no use to send the Crier to cry him about | G |
| he's such a blunderin drunken old dog | I2 |
| The last time he was fetched to find a lost child | G |
| he was guzzling with his bell at the Crown | L2 |
| And went and cried a boy instead of a girl for a | J2 |
| distracted Mother and Father about Town | L2 |
| Billy where are you Billy I say come Billy | F |
| come home to your best of Mothers | T |
| I'm scared when I think of them Cabroleys they | T |
| drive so they'd run over their own Sisters and Brothers | T |
| Or may be he's stole by some chimbly sweeping | I2 |
| wretch to stick fast in narrow flues and what not | G |
| And be poked up behind with a picked pointed | G |
| pole when the soot has ketch'd and the chimbly's red hot | G |
| Oh I'd give the whole wide world if the world | G |
| was mine to clap my two longin eyes on his face | T |
| For he's my darlin of darlins and if he don't soon | M2 |
| come back you'll see me drop stone dead on the place | T |
| I only wish I'd got him safe in these two Motherly | F |
| arms and wouldn't I hug him and kiss him | Z |
| Lauk I never knew what a precious he was | T |
| but a child don't not feel like a child till you miss him | Z |
| Why there he is Punch and Judy hunting the | J2 |
| young wretch it's that Billy as sartin as sin | Y |
| But let me get him home with a good grip of his hair | A |
| and I'm blest if he shall have a whole bone in his skin | Y |
Thomas Hood
(1)
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About The Lost Heir
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