The Galilee Hitch-hiker Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB CDEDFGHIJKLMNOPQ RQLS TDUVWE XB NYYUQZYX Q A2 Q B B2C2ED2E2DF2QG2XCG2G 2EH2G2I2 CG2 G2G2ECCD2DE J2QXG2G2 EG2 CK2C QG2QG2G2CEUCEDDL2 EG2 G2G2G2M2G2 XG2QEG2EG2CG2G2XN2QG 2O2EQEO2EG2 P2G2 G2P2EQ2B2CECEG2EG2G2 CDG2EQCR2S2Q B2G2 G2B2DG2QCG2B2T2G2QDQ DB2U2CDG2 XG2 G2G2CQQCCCV2G2QG2CN2 B2D2CCS2C EQ| The Galilee Hitch Hiker | A |
| Part | B |
| - | |
| Baudelaire was | C |
| driving a Model A | D |
| across Galilee | E |
| He picked up a | D |
| hitch hiker named | F |
| Jesus who had | G |
| been standing among | H |
| a school of fish | I |
| feeding them | J |
| pieces of bread | K |
| 'Where are you | L |
| going ' asked | M |
| Jesus getting | N |
| into the front | O |
| seat | P |
| 'Anywhere anywhere | Q |
| out of this world ' | - |
| shouted | R |
| Baudelaire | Q |
| 'I'll go with you | L |
| as far as | S |
| Golgotha ' | - |
| said Jesus | T |
| 'I have a | D |
| concession | U |
| at the carnival | V |
| there and I | W |
| must not be | E |
| late ' | - |
| - | |
| - | |
| The American Hotel | X |
| Part | B |
| - | |
| Baudelaire was sitting | N |
| in a doorway with a wino | Y |
| on San Fransisco's skid row | Y |
| The wino was a million | U |
| years old and could remember | Q |
| dinosaurs | Z |
| Baudelaire and the wino | Y |
| were drinking Petri Muscatel | X |
| 'One must always be drunk ' | - |
| said Baudelaire | Q |
| 'I live in the American Hotel ' | - |
| said the wino 'And I can | A2 |
| remember dinosaurs ' | - |
| 'Be you drunken ceaselessly ' | - |
| said Baudelaire | Q |
| - | |
| - | |
| - | |
| Part | B |
| - | |
| Baudelaire used to come | B2 |
| to our house and watch | C2 |
| me grind coffee | E |
| That was in | D2 |
| and we lived in the slums | E2 |
| of Tacoma | D |
| My mother would put | F2 |
| the coffee beans in the grinder | Q |
| I was a child | G2 |
| and would turn the handle | X |
| pretending that it was | C |
| a hurdy gurdy | G2 |
| and Baudelaire would pretend | G2 |
| that he was a monkey | E |
| hopping up and down | H2 |
| and holding out | G2 |
| a tin cup | I2 |
| - | |
| - | |
| The Flowerburgers | C |
| Part | G2 |
| - | |
| Baudelaire opened | G2 |
| up a hamburger stand | G2 |
| in San Fransisco | E |
| but he put flowers | C |
| between the buns | C |
| People would come in | D2 |
| and say 'Give me a | D |
| hamburger with plenty | E |
| of onions on it ' | - |
| Baudelaire would give | J2 |
| them a flowerburger | Q |
| instead and the people | X |
| would say 'What kind | G2 |
| of a hamburger stand | G2 |
| is this ' | - |
| - | |
| - | |
| The Hour of Eternity | E |
| Part | G2 |
| - | |
| 'The Chinese | C |
| read the time | K2 |
| in the eyes | C |
| of cats ' | - |
| said Baudelaire | Q |
| and went into | G2 |
| a jewelry store | Q |
| on Market Street | G2 |
| He came out | G2 |
| a few moments | C |
| later carrying | E |
| a twenty one | U |
| jewel Siamese | C |
| cat that he | E |
| wore on the | D |
| end of a | D |
| golden chain | L2 |
| - | |
| - | |
| Salvador Dali | E |
| Part | G2 |
| - | |
| 'Are you | G2 |
| or aren't you | G2 |
| going to eat | G2 |
| your soup | M2 |
| you bloody odd | G2 |
| cloud merchant ' | - |
| Jeanne Duval | X |
| shouted | G2 |
| hitting Baudelaire | Q |
| on the back | E |
| as he sat | G2 |
| daydreaming | E |
| out the window | G2 |
| Baudelaire was | C |
| startled | G2 |
| Then he laughed | G2 |
| like hell | X |
| waving his spoon | N2 |
| in the air | Q |
| like a wand | G2 |
| changing the room | O2 |
| into a painting | E |
| by Salvador | Q |
| Dali changing | E |
| the room | O2 |
| into a painting | E |
| by Van Gogh | G2 |
| - | |
| - | |
| A Baseball Game | P2 |
| Part | G2 |
| - | |
| Baudelaire went | G2 |
| to a baseball game | P2 |
| and bought a hot dog | E |
| and lit up a pipe | Q2 |
| of opium | B2 |
| The New York Yankees | C |
| were playing | E |
| the Detroit Tigers | C |
| In the fourth inning | E |
| an angel committed | G2 |
| suicide by jumping | E |
| off a low cloud | G2 |
| The angel landed | G2 |
| on second base | C |
| causing the | D |
| whole infield | G2 |
| to crack like | E |
| a huge mirror | Q |
| The game was | C |
| called on | R2 |
| account of | S2 |
| fear | Q |
| - | |
| - | |
| Insane Asylum | B2 |
| Part | G2 |
| - | |
| Baudelaire went | G2 |
| to the insane asylum | B2 |
| disguised as a | D |
| psychiatrist | G2 |
| He stayed there | Q |
| for two months | C |
| and when he left | G2 |
| the insane asylum | B2 |
| loved him so much | T2 |
| that it followed | G2 |
| him all over | Q |
| California | D |
| and Baudelaire | Q |
| laughed when the | D |
| insane asylum | B2 |
| rubbed itself | U2 |
| up against his | C |
| leg like a | D |
| strange cat | G2 |
| - | |
| - | |
| My Insect Funeral | X |
| Part | G2 |
| - | |
| When I was a child | G2 |
| I had a graveyard | G2 |
| where I buried insects | C |
| and dead birds under | Q |
| a rose tree | Q |
| I would bury the insects | C |
| in tin foil and match boxes | C |
| I would bury the birds | C |
| in pieces of red cloth | V2 |
| It was all very sad | G2 |
| and I would cry | Q |
| as I scooped the dirt | G2 |
| into their small graves | C |
| with a spoon | N2 |
| Baudelaire would come | B2 |
| and join in | D2 |
| my insect funerals | C |
| saying little prayers | C |
| the size of | S2 |
| dead birds | C |
| - | |
| - | |
| San Fransisco | E |
| February | Q |
Richard Brautigan
(1)
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The Galilee Hitch-hiker is a poem by Richard Brautigan. This page includes the poem text, poet information, related topics, comments, and similar poems.
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