An Octopus Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDDEDFGHIEJKLMDNDO NPQNRDNDNNGPEDSNNTUV NNNNNWXPNNGNNNEDDEND YDNZNA2DPNB2C2DRD2NE 2DF2PNNDPPNB2B2RNG2D DDNNDH2B2NNI2PPNDRNJ 2PDDDEDNNNPEEK2PNNNI 2PB2NB2NDN NNPL2NNNNG2DL2M2DNB2 C2NNNNDSDDPN2DDO2P2N DDB2DEDNPDNO2DNDN Q2NDR2NNDNNNDNNS2DDN B2DT2RRof ice Deceptively reserved and flat | A |
it lies in grandeur and in mass | B |
beneath a sea of shifting snow dunes | C |
dots of cyclamen red and maroon on its clearly defined | D |
pseudo podia | D |
made of glass that will bend a much needed invention | E |
comprising twenty eight ice fields from fifty to five hundred | D |
feet thick | F |
of unimagined delicacy | G |
Picking periwinkles from the cracks | H |
or killing prey with the concentric crushing rigor of the python | I |
it hovers forward spider fashion | E |
on its arms misleading like lace | J |
its ghostly pallor changing | K |
to the green metallic tinge of an anemone starred pool | L |
The fir trees in the magnitude of their root systems | M |
rise aloof from these maneuvers creepy to behold | D |
austere specimens of our American royal families | N |
each like the shadow of the one beside it | D |
The rock seems frail compared with the dark energy of life | O |
its vermilion and onyx and manganese blue interior expensiveness | N |
left at the mercy of the weather | P |
stained transversely by iron where the water drips down | Q |
recognized by its plants and its animals | N |
Completing a circle | R |
you have been deceived into thinking that you have progressed | D |
under the polite needles of the larches | N |
hung to filter not to intercept the sunlight | D |
met by tightly wattled spruce twigs | N |
conformed to an edge like clipped cypress | N |
as if no branch could penetrate the cold beyond its company | G |
and dumps of gold and silver ore enclosing The Goat s Mirror | P |
that lady fingerlike depression in the shape of the left human | E |
foot | D |
which prejudices you in favor of itself | S |
before you have had time to see the others | N |
its indigo pea green blue green and turquoise | N |
from a hundred to two hundred feet deep | T |
merging in irregular patches in the middle of the lake | U |
where like gusts of a storm | V |
obliterating the shadows of the fir trees the wind makes lanes | N |
of ripples | N |
What spot could have merits of equal importance | N |
for bears elks deer wolves goats and ducks | N |
Pre empted by their ancestors | N |
this is the property of the exacting porcupine | W |
and of the rat slipping along to its burrow in the swamp | X |
or pausing on high ground to smell the heather | P |
of thoughtful beavers | N |
making drains which seem the work of careful men with shovels | N |
and of the bears inspecting unexpectedly | G |
ant hills and berry bushes | N |
Composed of calcium gems and alabaster pillars | N |
topaz tourmaline crystals and amethyst quartz | N |
their den in somewhere else concealed in the confusion | E |
of blue forests thrown together with marble and jasper and agate | D |
as if the whole quarries had been dynamited | D |
And farther up in a stag at bay position | E |
as a scintillating fragment of these terrible stalagmites | N |
stands the goat | D |
its eye fixed on the waterfall which never seems to fall | Y |
an endless skein swayed by the wind | D |
immune to force of gravity in the perspective of the peaks | N |
A special antelope | Z |
acclimated to grottoes from which issue penetrating draughts | N |
which make you wonder why you came | A2 |
it stands it ground | D |
on cliffs the color of the clouds of petrified white vapor | P |
black feet eyes nose and horns engraved on dazzling ice fields | N |
the ermine body on the crystal peak | B2 |
the sun kindling its shoulders to maximum heat like acetylene | C2 |
dyeing them white | D |
upon this antique pedestal | R |
a mountain with those graceful lines which prove it a volcano | D2 |
its top a complete cone like Fujiyama s | N |
till an explosion blew it off | E2 |
Distinguished by a beauty | D |
of which the visitor dare never fully speak at home | F2 |
for fear of being stoned as an impostor | P |
Big Snow Mountain is the home of a diversity of creatures | N |
those who have lived in hotels | N |
but who now live in camps who prefer to | D |
the mountain guide evolving from the trapper | P |
in two pairs of trousers the outer one older | P |
wearing slowly away from the feet to the knees | N |
the nine striped chipmunk | B2 |
running with unmammal like agility along a log | B2 |
the water ouzel | R |
with its passion for rapids and high pressured falls | N |
building under the arch of some tiny Niagara | G2 |
the white tailed ptarmigan in winter solid white | D |
feeding on heather bells and alpine buckwheat | D |
and the eleven eagles of the west | D |
fond of the spring fragrance and the winter colors | N |
used to the unegoistic action of the glaciers | N |
and several hours of frost every midsummer night | D |
They make a nice appearance don t they | H2 |
happy see nothing | B2 |
Perched on treacherous lava and pumice | N |
those unadjusted chimney pots and cleavers | N |
which stipulate names and addresses of persons to notify | I2 |
in case of disaster | P |
they hear the roar of ice and supervise the water | P |
winding slowly through the cliffs | N |
the road climbing like the thread | D |
which forms the groove around a snail shell | R |
doubling back and forth until where snow begins it ends | N |
No deliberate wide eyed wistfulness is here | J2 |
among the boulders sunk in ripples and white water | P |
where when you hear the best wild music of the forest | D |
it is sure to be a marmot | D |
the victim on some slight observatory | D |
of a struggle between curiosity and caution | E |
inquiring what has scared it | D |
a stone from the moraine descending in leaps | N |
another marmot or the spotted ponies with glass eyes | N |
brought up on frosty grass and flowers | N |
and rapid draughts of ice water | P |
Instructed none knows how to climb the mountain | E |
by business men who require for recreation | E |
three hundred and sixty five holidays in the year | K2 |
these conspicuously spotted little horses are peculiar | P |
hard to discern among the birch trees ferns and lily pads | N |
avalanche lilies Indian paint brushes | N |
bear s ears and kittentails | N |
and miniature cavalcades of chlorophylless fungi | I2 |
magnified in profile on the moss beds like moonstones in the water | P |
the cavalcade of calico competing | B2 |
with the original American menagerie of styles | N |
among the white flowers of the rhododendron surmounting | B2 |
rigid leaves | N |
upon which moisture works its alchemy | D |
transmuting verdure into onyx | N |
- | |
Like happy souls in Hell enjoying mental difficulties | N |
the Greeks | N |
amused themselves with delicate behavior | P |
because it was so noble and fair | L2 |
not practised in adapting their intelligence | N |
to eagle traps and snow shoes | N |
to alpenstocks and other toys contrived by those | N |
alive to the advantage of invigorating pleasures | N |
Bows arrows oars and paddles for which trees provide the | G2 |
wood | D |
in new countries more eloquent than elsewhere | L2 |
augmenting the assertion that essentially humane | M2 |
the forest affords wood for dwellings and by its beauty | D |
stimulates the moral vigor of its citizens | N |
The Greeks liked smoothness distrusting what was back | B2 |
of what could not be clearly seen | C2 |
resolving with benevolent conclusiveness | N |
complexities which still will be complexities | N |
as long as the world lasts | N |
ascribing what we clumsily call happiness | N |
to an accident or a quality | D |
a spiritual substance or the soul itself | S |
an act a disposition or a habit | D |
or a habit infused to which the soul has been persuaded | D |
or something distinct from a habit a power | P |
such power as Adam had and we are still devoid of | N2 |
Emotionally sensitive their hearts were hard | D |
their wisdom was remote | D |
from that of these odd oracles of cool official sarcasm | O2 |
upon this game preserve | P2 |
where guns nets seines traps and explosives | N |
hired vehicles gambling and intoxicants are prohibited | D |
disobedient persons being summarily removed | D |
and not allowed to return without permission in writing | B2 |
It is self evident | D |
that it is frightful to have everything afraid of one | E |
that one must do as one is told | D |
and eat rice prunes dates raisins hardtack and tomatoes | N |
this fossil flower concise without a shiver | P |
intact when it is cut | D |
damned for its sacrosanct remoteness | N |
like Henry James damned by the public for decorum | O2 |
not decorum but restraint | D |
it is the love of doing hard things | N |
that rebuffed and wore them out a public out of sympathy | D |
with neatness | N |
- | |
Neatness of finish Neatness of finish | Q2 |
Relentless accuracy is the nature of this octopus | N |
with its capacity for fact | D |
Creeping slowly as with meditated stealth | R2 |
its arms seeming to approach from all directions | N |
it receives one under winds that tear the snow to bits | N |
and hurl it like a sandblast | D |
shearing off twigs and loose bark from the trees | N |
Is tree the word for these things | N |
flat on the ground like vines | N |
some bent in a half circle with branches on one side | D |
suggesting dust brushes not trees | N |
some finding strength in union forming little stunted grooves | N |
their flattened mats of branches shrunk in trying to escape | S2 |
from the hard mountain planned by ice and polished by the wind | D |
the white volcano with no weather side | D |
the lightning flashing at its base | N |
rain falling in the valleys and snow falling on the peak | B2 |
the glassy octopus symmetrically pointed | D |
its claw cut by the avalanche | T2 |
with a sound like the crack of a rifle | R |
in a curtain of powdered snow launched like a waterfall | R |
Marianne Moore
(1)
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