Witchcraft: New Style Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNO PQRSTUTGKTVUWXYT ZOA2TB2C2D2E2F2A2VKG 2KH2 ATCOI2J2 K2 L2M2F2N2KS OO PO2 OP2 PT OQ2D2 POA OR2S2 PS2 OT2 PU2 OKV2 PV2J OS2 PW2S2S2 OX2Y2 PZ2 OA3 PX2 OA3 PS OB3C3 PD3E3EC3F3VC3C3 OG3 PKH3I3P2J3K3L3M3KP ON3 PC3 OT PO3N3 OX2 PKPSU2SP3TE3Q3C3SR3 S3T3TLTR3R3R3 U3V3OKSR3W3R3X3Y3Z3A 4R3SSB4C4D4SSKThe sun drew off at last his piercing fires | A |
Over the stale warm air dull as a pond | B |
And moveless in the grey quieted street | C |
Blue magic of a summer evening glowed | D |
The sky that had been dazzling stone all day | E |
Hollowed in smooth hard brightness now dissolved | F |
To infinite soft depth and smoulder'd down | G |
Low as the roofs dark burning blue and soared | H |
Clear to that winking drop of liquid silver | I |
The first exquisite star Now the half light | J |
Tidied away the dusty litter parching | K |
Among the cobbles veiled in the colour of distance | L |
Shabby slates and brickwork mouldering turn'd | M |
The hunchback houses into patient things | N |
Resting and golden windows now began | O |
- | |
A little brisk grey slattern of a woman | P |
Pattering along in her loose heel'd clogs | Q |
Pushed the brass barr'd door of a public house | R |
The spring went hard against her hand and knee | S |
Shoved their weak best As the door poised ajar | T |
Hullabaloo of talking men burst out | U |
A pouring babble of inflamed palaver | T |
And overriding it and shouted down | G |
High words jeering or downright broken like | K |
Crests that leap and stumble in rushing water | T |
Just as the door went wide and she stepped in | V |
'She cannot do it ' one was bawling out | U |
A glaring hulk of flesh with a bull's voice | W |
He finger'd with his neckerchief and stretched | X |
His throat to ease the anger of dispute | Y |
Then spat to put a full stop to the matter | T |
- | |
The little woman waited with one hand | Z |
Propping the door and smiled at the loud man | O |
They saw her then and the sight was enough | A2 |
To gag the speech of every drinker there | T |
The din fell down like something chopt off short | B2 |
Blank they all wheel'd towards her with their mouths | C2 |
Still gaping as though full of voiceless words | D2 |
She let the door slam to and all at ease | E2 |
Amused her smile wrinkling about her eyes | F2 |
Went forward they made room for her quick enough | A2 |
Her chin just topt the counter she gave in | V |
Her bottle to the potboy tuckt it back | K |
Full of bright tawny ale under her arm | G2 |
Rapt down the coppers on the planisht zinc | K |
And turned and no word spoken all the while | H2 |
- | |
The first voice in that silent crowd was hers | A |
Her light snickering laugh as she stood there | T |
Pausing scanning the sawdust at her feet | C |
Then she switcht round and faced the positive man | O |
Whose strong 'She cannot do it ' all still felt | I2 |
Huskily shouting in their guilty ears | J2 |
- | |
'She can't eh She can't do it ' Then she'd heard | K2 |
- | |
The man inside his ruddy insolent flesh | L2 |
Had hoped she did not hear His barrel chest | M2 |
Gave a slight cringe as though the glint of her eyes | F2 |
Prickt him But he stood up to her awkwardly bold | N2 |
One elbow on the counter gripping his mug | K |
Like a man holding on to a post for safety | S |
- | |
The Man | O |
You can't do what's not nature nobody can | O |
- | |
The Woman | P |
And louts like you have nature in your pocket | O2 |
- | |
The Man | O |
I don't say that | P2 |
- | |
The Woman | P |
If you kept saying naught No one would guess the fool you are | T |
- | |
Second Man | O |
Almost | Q2 |
My very words | D2 |
- | |
The Woman | P |
O you're the knowing man | O |
The spark among the cinders | A |
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First Man | O |
You can't fetch | R2 |
A free man back unless he wants to come | S2 |
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The Woman | P |
Nay I'll be bound he doesn't want to come | S2 |
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Third Man | O |
And he won't come he told me flat he wouldn't | T2 |
- | |
The Woman | P |
Are you there too | U2 |
- | |
Third Man | O |
And if he does come back | K |
It will be devilry brought him | V2 |
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The Woman | P |
I shall bring him | V2 |
Tonight | J |
- | |
First Man | O |
How will he come | S2 |
- | |
The Woman | P |
Running unless | W2 |
He's broke his leg and then he'll have to come | S2 |
Crawling but he will come | S2 |
- | |
First Man | O |
How do you know | X2 |
What he may choose to do three counties off | Y2 |
- | |
The Woman | P |
He choose | Z2 |
- | |
Third Man | O |
You haven't got him on a lead | A3 |
- | |
The Woman | P |
Haven't I though | X2 |
- | |
Second Man | O |
That's right it's what I said | A3 |
- | |
The Woman | P |
Ay there are brains in your family | S |
- | |
First Man | O |
You have | B3 |
Some sort of pull on him to draw him home | C3 |
- | |
The Woman | P |
You may say that I have hold of his mind | D3 |
And I can slack it off or fetch it taut | E3 |
And make him dance a score of miles away | E |
An answer to the least twangling thrum | C3 |
I play on it He thought he lurkt at last | F3 |
Safely and all the while what has he been | V |
An eel on the end of a night line and it's time | C3 |
I haul'd him in You'll see to night I'll land him | C3 |
- | |
Third Man | O |
Bragging's a light job | G3 |
- | |
The Woman | P |
You daren't let me take | K |
Your eyes in mine Haul did I say no need | H3 |
I give his mind a twitch and up he comes | I3 |
Tumbling home to me Whatever work he's at | P2 |
He drops the thing he holds like redhot iron | J3 |
And runs runs till he falls down like a beast | K3 |
Pole axt and grunts for breath then up and on | L3 |
No matter does he know the road or not | M3 |
The strain I put on his mind will keep him going | K |
Right as a homing pigeon | P |
- | |
First Man | O |
Devilry I call it | N3 |
- | |
The Woman | P |
And you're welcome | C3 |
- | |
Second Man | O |
But the law should have a say here | T |
- | |
The Woman | P |
What isn't he mine | O3 |
My own There's naught but what I please about it | N3 |
- | |
Third Man | O |
Why did you let him go | X2 |
- | |
The Woman | P |
To fetch him back | K |
For I enjoy this mind There's many a one | P |
Would think to see me There goes misery | S |
There's a queer starveling for you and I do | U2 |
A thing that makes me like a saint in glory | S |
The life of me the sound of a great tune | P3 |
Your flesh could never hear I can send power | T |
Delighting out of me O the mere thought | E3 |
Has made my blood go smarting in my veins | Q3 |
Such a flame glowing along it And all the same | C3 |
I'll pay him out for sidling off from me | S |
But I'll have supper first | R3 |
- | |
- | |
When she was gone | S3 |
Their talk could scarcely raise itself again | T3 |
Above a grumble But at last a cry | T |
Sharp pitcht came startling in from the street at once | L |
Their moody talk exploded into flare | T |
Of swearing hubbub like gunpowder dropt | R3 |
On embers mugs were clapt down out they bolted | R3 |
Rowdily jostling eager for the event | R3 |
- | |
All down the street the folk throng'd out of doors | U3 |
But left a narrow track clear in the middle | V3 |
And there a man came running a tall man | O |
Running desperately and slowly pounding | K |
Like a machine so evenly so blindly | S |
And regularly his trotting body wagg'd | R3 |
Only one foot clatter'd upon the stones | W3 |
The other padded in his dogged stride | R3 |
The boot was gone the sock hung frayed in shreds | X3 |
About his ankle the foot was blood and earth | Y3 |
And never a limp not the least flinch to tell | Z3 |
The wounded pulp hit stone at every step | A4 |
His clothes were tatter'd and his rent skin showed | R3 |
Harrowed with thorns His face was pale as putty | S |
Thrown far back clots of drooping spittle foamed | S |
On his moustache and his hair hung in tails | B4 |
Mired with sweat and sightless in their sockets | C4 |
His eyeballs turned up white as dull as pebbles | D4 |
Evenly and doggedly he trotted | S |
And as he went he moaned Then out of sight | S |
Round a corner he swerved and out of hearing | K |
- | |
'The law should have a say to that by God ' | - |
Lascelles Abercrombie
(1)
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