Emblems Of Love, Part Ii Imperfection Poem Rhyme Scheme and Analysis
Rhyme Scheme: A B C DE AFBGHIJBK DL CMI ANOPM CQRST AU DGV CWX AYS D C DZ CA AA2 CB2 D Z C2J CJ DS C2D2 CE2R C2YAS DS C2F2G2TH2 AI2 CS C2XJ2K2 AL2A C2M2N2O2 Z DS CTP2 AAQ2 IA2 S S AR2 CS2S DRE2C CT2U2V2 DF2W2A CAX2Y2XAB2 DZ2CB2 CD2G2SA DA3AG2G2SSA SSG2 CB3 DA AD DC3 AD3 CSD3 CE3G2 G SF3 C2SB3 CC2A C2B2 CG2X C2S CS S SSATSG3SA3B2G2G2B2 B2G2SAESIG2G2G2USGG2 G2AG2GAH3SSA3B3S SATA3SI3G2G2G2IJ3SK3 SG2CV2SS2G2L3SSSM3SN 3B2K3SIN3G3AG2 CRO3A2AP3SQ3AG3AG2R3 SSS N3 S N3A3B2G2B2 S3 G2A E3SN3SG S SPSSB2G3AG2N3ASSAST3 U3SG2N3AG2 A C DX CA DU2G2S CDR3S DSSG2 CV3A3G2 DF3 CA DSN3 CH3 DCA3SSSS CAC2SSN3A DTW3 CA3DASSJ3G2F3TGSX3G2 J3 DSG2Y3S2 CS2G2 D ISN3SG2SG2TIG2 CT2N3N3G2 DG2 S AAEAESU2Z3AG2SN3N3A4 AGSSSG2G2E3H3G2G2G2G 2U2G2D2SG2SAATS SASB2AAGN3G2G2 G2B4N3G2SASSSAAAU2G2 UGU C G2C4 C4D4S G2N3 C4A G2SG2 C4V3D2 G2N3 C4A G2SG2G2E4T3 C4N3 G2SSA4T3W3F4O3 C4C G2S C4G2G2B2G2SUA3G2G2 G2ASSTSC C4SG2ID2 G2G4SIN3ASH4S C4D2B2 G2SR2T C4B2ISISB2G2J3E2A3 E CS C4R2 CR2 C4G2 CD2 C4T CG2 C4D4I4I3SD2 CID2G2SN3J4K4X3B2E3S G2 C4XST CSTI4 C4E3 CGA3 C4SA CAG2L4M4S G2U2TSSU2 U2U2N4B2SAR2 G2AJ3 U2AS G2G2 U2TJ3A G2SG2 U2O4 O4S2SG2L4L4B2O4SO4SU 2SL4L4O4G2U2SSJ3SU2L 4B2 N3N3S2SG2L4SN3N3G2N3 N3G2G2G2L4S2G2SN3SN3 L4U2N3S2U2L4 N3 U2 U2U2 G2S2T U2T G2C4 U2L4 G2G2 U2Z3O4Z3S G2W3 U2O4 G2U2T U2 U2SSS G2L4T U2C4TG2 G2O4 U2S G2G2L4 U2G2 G2L4S U2U2U2L4U2 G2G2O4S2SL4S U2TL4 G2U2G2L4U2N3S2N3SSO4 U2SN3L4SC4G2S G2N3STG2L4N3SSSSN3SO 4U2STTG2 U2SSG2G2SS2 U2 C4O4S2 U2W3S2 C4SU2 U2SU2 C4L4J3 U2S C4S U2G2 C4G2 U2O4O4 U2 U2G2 U2SS2G2N3 G2S2G2G2U2 U2G2U2G2 G2SO4S2SSN3 U2SO4 G2P4 U2S2Q4S2 U2U2S U2T U2U2T U2S2 U2S U2O4G2U2 G2U2P U2SS2 U2S2G2G2S2G2S2G2S2G2 O4O4S2L4 G2G2N3G2SU2S2G2 U2O4L4S U2U2N3SG2L4SSSG2 U2SU2SS2 U2S2G2G2U2L4 S2 U2G2S G2L4S2 U2G2J3 G2T U2G2J3SS2U2 J3 U2O4G2 U2Z3 U2 U2T R U2U2 U2U2 U2G2S U2S2 U2G2G2 U2G2R3S2 U2S U2L4 U2U2S U2SL4O4N3T U2N3G2 U2G2SS U2P4U2 U2T U2SO4STR4S2 U2S S2S G2U2N3Z3G2S U2G2G2S2S2 U2U2O4 U2U2N3N3G2SS2S4SSO4 U2S2G2 U2S U2S2S2G2T4G2G2G2SG2G 2SSG2G2S2O4SS3 U2O4 U2G2 U2G2 U2S2 U2S2G2 U2SS U2U2 U2O4U2SS U2U2 U2SG2S2 U2S U2 U2S2G2N3S2 U2S U2TG2 O4 S2T U2U2S2 O4SS2SS2G2O4 U2S S2TG2 U2L4N3TT S2G2S TG2 U2SG2S U2U4SG2SS2 U2N3G2SG2U2U2N3L4L4N 4G2N3 U2U2SS U2SG2SG2 U2U2V4SSG2N3S U2SL4 U2O4SU2 U2N3S2G2N3 U2N3N3G2SN3G2O4S U2S U2TSG2SG2O4SSU2 S U2O4SSN3N3G2U2SS2O4U 2 U2O4N3L4 U2 U2SSS2SSSSMARY | A |
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A LEGEND OF THE FORTY FIVE | B |
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I | - |
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A street in Carlisle leading to the Scottish Gate Three girls MARY KATRINA and JEAN | C |
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Katrina | D |
What a year this has been | E |
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Mary | A |
There's many a lass | F |
Will blench to hear the date of it Forty five | B |
Poor souls Why will the men be fighting so | G |
Running away to find out death as if | H |
It were some tavern full of light and fiddling | I |
And when the doors are shut what of the girls | J |
Who gave themselves away and still must live | B |
Are not men thoughtless | K |
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Katrina | D |
Leaving only kisses | L |
To be remembered by | - |
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Jean | C |
That's not so bad | M |
As when the dead lads went beyond kissing | I |
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Mary | A |
Poor souls Well Carlisle has at least three hearts | N |
That are not crying for a lad who's gone | O |
Listening to the lean old Crowder Death | P |
We needn't mope and yet it's sad | M |
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Jean | C |
Come on | Q |
Why are we dawdling All the heads are up | R |
Steepled on spikes above the Scottish Gate | S |
Some of the rebels rarely handsome too | T |
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Mary | A |
Won't it be rather horrible | U |
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Katrina | D |
A row | G |
Of chopt off heads sitting on spikes ugh | V |
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Jean | C |
Yes | W |
And I daresay blood dribbling here and there | X |
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Mary | A |
Don't Jean I am going back I was | Y |
Forbid the gate | S |
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Katrina | D |
And so was I | - |
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Jean | C |
And I | - |
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Katrina | D |
But a mere peep at them | Z |
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Jean | C |
Yes come on Mary | A |
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Mary | A |
We might just see how horrible they are | A2 |
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Jean | C |
Sure they will make us shudder | B2 |
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Katrina | D |
Or else cry | - |
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A MAN meets them | Z |
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Man | C2 |
Are you for the show my girls | J |
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Jean | C |
We aren't your girls | J |
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Katrina | D |
Do you mean the heads upon the Scottish Gate | S |
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Man | C2 |
Ay that's the show a pretty one | D2 |
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Jean | C |
Are all | E2 |
The rebels' heads set up | R |
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Man | C2 |
All all their cause | Y |
Is fallen flat but go you on and see | A |
How wonderly their proud heads are elate | S |
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Katrina | D |
Do any look as if they died afeared | S |
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Man | C2 |
Go and learn that yourselves And when you mark | F2 |
How grimly addled all the daring is | G2 |
Now in those brains do as your hearts shall bid you | T |
And that is weep I hope | H2 |
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Mary | A |
O let's go back | I2 |
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Jean | C |
We have no friends spiked on the Scottish Gate | S |
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Man | C2 |
No Well there's quite a quire of voices there | X |
Blessing the King's just wisdom for his stern | J2 |
Strong policy with the rebels | K2 |
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Mary | A |
Who are those | L2 |
I think it's fiendish to have killed so many | A |
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Man | C2 |
The chattering birds my lass and droning flies | M2 |
They're proper Whigs are birds and flies or else | N2 |
The Whigs are proper crows and carrion bugs | O2 |
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He goes on past them | Z |
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Katrina | D |
A Jacobite | S |
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Jean | C |
That's it I warrant you | T |
One of the stay at homes | P2 |
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Mary | A |
Now promise me | A |
We'll only take a glimpse girls a short glimpse | Q2 |
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Jean laughing | I |
Yes just to see how horrible they are | A2 |
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They go on towards the gate | S |
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II | - |
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The Scottish Gate Carlisle Among the crowd | S |
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Mary | A |
O why did we come here | R2 |
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Jean | C |
One two three four | S2 |
A devil's dozen of them at the least | S |
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Katrina | D |
Poor lads They did not need to set them up | R |
So high surely Which is the one you'ld call | E2 |
Prettiest Jean | C |
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Jean | C |
That fellow with the sneer | T2 |
The axe's weight could not ruffle his brow | U2 |
How signed it is with scorn | V2 |
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Katrina | D |
Ah yes he's dark | F2 |
And you are red Mary and I will choose | W2 |
Some golden fellow Which do you think Mary | A |
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Jean | C |
O but mine is the one Look do you see | A |
He must have put his curls away from the axe | X2 |
Or did they part themselves when he knelt down | Y2 |
And let the stroke have his nape white and bare | X |
O could a girl not nestle snug and happy | A |
Against a neck with such hair covering her | B2 |
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Katrina | D |
Now Mary we must make our yellow choice | Z2 |
You've got good eyes which do you fancy Jean | C |
What ails her | B2 |
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Jean | C |
How she stares which is the one | D2 |
She singles out That topmost boy it is | G2 |
Pretty enough for a flaxen poll indeed | S |
Is that your lad Mary | A |
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Katrina | D |
She's ill or fey | A3 |
They are too much for her and I truly | A |
Am nearly weeping for them and their wives and lasses | G2 |
Her eyes don't budge She's fastened on his face | G2 |
With just the look that one would have to greet | S |
The ghost of one's own self See all her blood | S |
Is trapt in her heart pale she is as he | A |
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A Man in the Crowd | S |
Can't you see she's fainting 'Tis no sight | S |
For halfling girls | G2 |
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Jean | C |
Halfling yourself | B3 |
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Katrina | D |
Mary | A |
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Mary | A |
Let us go home now help me there Katrina | D |
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Katrina | D |
Yes dear but are you ill | C3 |
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Mary | A |
No let us go home | D3 |
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Katrina to Jean | C |
Come Jean Did you not hear her gasp We must | S |
Be with her on her way home | D3 |
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Jean | C |
You go then | E3 |
I've not lookt half enough at these Besides | G2 |
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MARY and KATRINA go | G |
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Well sir how dare you speak to girls like that | S |
When they're alone | F3 |
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The Man | C2 |
You needn't be so short | S |
I guess you're one to take fine care of yourself | B3 |
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Jean | C |
Yes and I'ld choose a better looking man | C2 |
Than you my chap if I wanted company | A |
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The Man | C2 |
Come this way you'll see better | B2 |
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Jean | C |
Impudence | G2 |
Who said your arm might be there | X |
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The Man | C2 |
O it's all right | S |
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Jean | C |
And what do you think of the rebels now they're dead | S |
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III | - |
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Mary lying awake in bed | S |
O let me reason it out calmly Have I | - |
No stars to take me through this terror poured | S |
Suddenly dreadfully on to my heart and spirit | S |
Why is it I of all the world I only | A |
Who must so love against nature I knew | T |
Always that not like harbour for a boat | S |
Not a smooth safety Love would take my soul | G3 |
But like going naked and empty handed | S |
Into the glitter and hiss of a wild sword play | A3 |
I should fall in love and in fear and danger | B2 |
But a danger of white light a fear of sharpness | G2 |
Keen and close to my heart not as it proves | G2 |
My heart hit by a great dull mace of terror | B2 |
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So it has come to me my hope my wonder | B2 |
Now I perceive that I was one of those | G2 |
Who till love comes have breath and beating blood | S |
In one continual question All the beauty | A |
My happy senses took till now has been | E |
Drugg'd with a fiery want and discontent | S |
That settled in my soul and lay there burning | I |
The hills wearing their green ample dresses | G2 |
Right in the sky's blue courts with swerving folds | G2 |
Along the rigour of their stony sinews | G2 |
Often they garr'd my breath catch and stumble | U |
The moon that through white ghost of water went | S |
Till she was ring'd about with an amber window | G |
The summer stars seen winking through dusk leaves | G2 |
All the earth's manners and most loveliness | G2 |
All made my asking spirit stir within me | A |
And throb with a question whose answer is | G2 |
As now I know but then I did not know | G |
There is a Man somewhere meant for me | A |
And I have seen the face of him for whom | H3 |
My soul was made | S |
Ah somewhere Where is that | S |
Have I not dreamt that he is gone away | A3 |
Gone ere he loved me Now I lose myself | B3 |
I only have seen my boy's murder'd head | S |
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Yes again light breaks through and quells my thought | S |
The whole earth seemed as it belonged to me | A |
A message spoken out in green and blue | T |
Specially to my heart and it would say | A3 |
That some time out of the human multitude | S |
A face would look into my soul and sign | I3 |
All my nature easily as it were wax | G2 |
With its dear image but after that impress | G2 |
I would all harden so that nought could raze | G2 |
The minting of that seal from off my being | I |
And yesterday it fell An idle whim | J3 |
To see the rebels on the Scottish Gate | S |
And there was the face of him I was made to love | K3 |
There ah God on the gate my murder'd lad | S |
Did any girl have first sight love like this | G2 |
Not to have ever seen him only seen | C |
Such piteous token that he has been born | V2 |
Lived and grown up to beauty the man who was meant | S |
To sleep upon my breast and dead before | S2 |
The sweet custom of love could be between us | G2 |
To have but seen his face Is that enough | L3 |
To make me clear he is my man indeed | S |
Why sure there are tales bordering on my lot | S |
In misery Of hearts who have been stabbed | S |
By knowledge that their mates were in the earth | M3 |
Yet never could come near enough to be healed | S |
Of those who have gone longing all a life | N3 |
Because a voice heard singing or a gesture | B2 |
Seen from afar gospell'd them of love | K3 |
And no more than the mere announcement had | S |
Ah but all these to mine were kindly dealing | I |
For not till they'd trepann'd him out of life | N3 |
Did he poor laggard come to claim my soul | G3 |
O my love but your ears played you falsely | A |
When they were taken by Death's wily tunes | G2 |
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Am I so hardly done to who have seen | C |
My lover's face been near enough to worship | R |
The very writing of his spirit in flesh | O3 |
For having that in my ken I am not far | A2 |
From loving with my eyes all his body | A |
What a set would his shoulders have and neck | P3 |
To bear his goodly purposed head what gait | S |
And usage of his limbs Ah do you smile | Q3 |
Why even so I knew your smile would be | A |
Just such an over brimming of your soul | G3 |
O love love love then you have come to me | A |
How I have stayed aching for you Come close | G2 |
Here's where you should have been long time long time | R3 |
It is your rightful place And I had left | S |
Thinking you'ld come and kiss me over my heart | S |
Ah lad my lad they told me you were dead | S |
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IV | N3 |
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At Dawn The Scottish Gate | S |
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Mary on her way to the gate singing to herself | N3 |
As a wind that has run all day | A3 |
Among the fragrant clover | B2 |
At evening to a valley comes | G2 |
So comes to me my lover | B2 |
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And as all night a honey'd warmth | S3 |
Stays where the wind did lie | - |
So when my lover leaves my arms | G2 |
My heart's all honey | A |
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But what have I to do with this And when | E3 |
Was that song put in hiding 'mid my thought | S |
I might be on my way to meet and give | N3 |
Good morrow to my Ah last night last night | S |
O fie I must not dream so | G |
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At the Gate | S |
It was I | - |
I am the girl whose lover they have killed | S |
Who never saw him until out of death | P |
He lookt into my soul I was to meet | S |
Somewhere in life my lover and behold | S |
He has turned into an inn I dare not enter | B2 |
And gazes through a window at my soul | G3 |
Going on labour'd with this loving body | A |
Did I not sleep last night with you in my arms | G2 |
I could have sworn it Why should body have | N3 |
So large a part in love For if 'twere only | A |
Spirit knew how to love an easy road | S |
My feet had down to death But I must want | S |
Lips against mine and arms marrying me | A |
And breast to kiss with its dear warmth my breast | S |
Body must love O me how it must ache | T3 |
Before it is as numb as thine dear boy | U3 |
Poor darling didst thou forget that I was made | S |
To wed thee body and soul For surely else | G2 |
Thou hadst not gone from life | N3 |
Ah folk already | A |
Coming to curse the light with all their stares | G2 |
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V | A |
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KATRINA and JEAN | C |
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Katrina | D |
Where are you off to Jean in such a tear | X |
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Jean | C |
I'm busy | A |
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Katrina | D |
O you light skirts who is it now | U2 |
You think I can't guess what your business is | G2 |
Is it aught fresh or only old stuff warmed | S |
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Jean | C |
Does not the smartness in your wits Katrina | D |
Make your food smack sourly Well this time | R3 |
It's serious with me I believe I'm caught | S |
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Katrina | D |
O but you've had such practice in being caught | S |
You'll break away quite easily when you want | S |
Tell me now who it is | G2 |
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Jean | C |
The man who spoke | V3 |
When we were at the Scottish Gate that day | A3 |
O he's a dapper boy Did you mark his eyes | G2 |
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Katrina | D |
Nay I saw nought but he was under grown | F3 |
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Jean | C |
Pooh He can carry me | A |
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Katrina | D |
Jean have you heard | S |
Of Mary lately I vow she's in love | N3 |
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Jean | C |
Never with whom | H3 |
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Katrina | D |
The thing's a wonder Jean | C |
She'll speak to no one now and every day | A3 |
Morning and evening she's at the gate | S |
Gazing like a fey creature on that head | S |
She was so stricken to behold you mind it | S |
I tell you she's in love with it | S |
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Jean | C |
O don't be silly | A |
How can you fall in love with a dead man | C2 |
And what good could he do you if you did | S |
One loves for kisses and for hugs and the rest | S |
A spunky fellow that's the thing to love | N3 |
But a dead man pah what a foolery | A |
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Katrina | D |
O yes to you for Love's a game for you | T |
'Twill turn out dangerous maybe but still a game | W3 |
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Jean | C |
Yes the best kind of game a girl can play | A3 |
And all the better for the risk Katrina | D |
But where the fun would be in Love if he | A |
You played with had not heart to jump nor blood | S |
To tingle nothing in him to go wild | S |
At seeing you betray your love for him | J3 |
Beats me to understand You'ld be as wise | G2 |
Blowing the bellows at a pile of stone | F3 |
As loving one that never lived for you | T |
It isn't just to make a wind you blow | G |
But to turn red fire into white quivering heat | S |
Whatever she's after 'tis not love my girl | X3 |
I know what love is But perhaps she saw | G2 |
The poor lad living Even had speech with him | J3 |
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Katrina | D |
Not she Mary has never known a lad | S |
I did not know as well We've shared our lives | G2 |
As if we had been sisters and I'm sure | Y3 |
She's never been in love before | S2 |
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Jean | C |
Before | S2 |
Don't talk such sentimental nonsense | G2 |
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Katrina | D |
Why | - |
If Love at first sight can mean anything | I |
Surely 'tis this there's some one in the world | S |
Whom if you come across him you must love | N3 |
And you could no more pass his face unmoved | S |
Than the year could go backwards Well suppose | G2 |
He dies just ere you meet him and he dead | S |
Ay or his head alone is given your eyes | G2 |
It is enough he is the man for you | T |
All as if he were quick and signalling | I |
His heart to you in smiles | G2 |
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Jean | C |
Believe me dear | T2 |
You've no more notion of the thing called Love | N3 |
Than a grig has of talking But I have | N3 |
And I'm off now to practise with my notions | G2 |
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Katrina | D |
Now which is the real love hers or Mary's | G2 |
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VI | - |
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Before Dawn At the Scottish Gate | S |
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Mary | A |
Beloved beloved O forgive me | A |
That all these days questioning I have been | E |
Struggled with doubts Your power over me | A |
That here slipt through the nets death caught you in | E |
Lighted on me so greatly that my heart | S |
Could scarcely carry the amazement Now | U2 |
I am awake and seeing and I come | Z3 |
To save you from this post of ignominy | A |
A ladder I have filched and thro' the streets | G2 |
Borne it on shoulders little used to weight | S |
You'll say that I should not have bruised myself | N3 |
But it is good and an ease for me to have | N3 |
Some ache of body Now if there's any chink | A4 |
In death surely my love will reach to thee | A |
Surely thou wilt be ware of how I go | G |
Henceforth through life utterly thine And yet | S |
Pardon what now I say for I must say it | S |
I cannot thank thee my dear murder'd lad | S |
For mastering me so What other girls | G2 |
Might say in blessing on their sweethearts' heads | G2 |
How can I say They are well done to when | E3 |
Love of a man their beings like a loom | H3 |
Seizes and the loose ends of purposes | G2 |
Into one beautiful desire weaves | G2 |
But love has not so done to me I was | G2 |
A nature clean as water from the hills | G2 |
One that had pleased the lips of God and now | U2 |
Brackish I am as if some vagrom malice | G2 |
Had trampled up the springs and made them run | D2 |
Channelling ancient secrecies of salt | S |
O me what has my tongue these bitter words | G2 |
In front of my love's death Look down sweetheart | S |
From the height of thy sacred ignominy | A |
And see my shame Nay I will come up to thee | A |
And have my pardon from thy lips and do | T |
The only good I can to thee sweetheart | S |
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I have done it but how have I done it | S |
And what's this horrible thing to do with me | A |
How came it on the ground here at my feet | S |
O I had better have shirkt it altogether | B2 |
What do I love Not this this is only | A |
A message that he left on earth for me | A |
Signed by his spirit that he had to go | G |
Upon affairs more worthy than my love | N3 |
We women must give place in our men's thoughts | G2 |
To matters such as those | G2 |
God God why must I love him Why | - |
Must life be all one scope for the hawking wings | G2 |
Of Love that none the mischief can escape | B4 |
Well I am thine for always now my love | N3 |
For this has been our wedding No one else | G2 |
Since thee I have had claspt unto my breast | S |
May touch me lovingly | A |
Light it is light | S |
What shall I do with it now I have got it | S |
O merciful God must I handle it | S |
Again I dare not what is it to me | A |
Let me off this Who is it clutches me | A |
By the neck behind Who has hold of me | A |
Forcing me stoop down Love is it thou | U2 |
Spare me this service thou who hast all else | G2 |
Of my maimed life why wilt thou be cruel | U |
O grip me not so fiercely Love Ah no | G |
I will not 'tis abominable | U |
- | |
- | |
- | |
- | |
JEAN | C |
- | |
- | |
I | - |
- | |
The Parlour of a Public House Two young men MORRIS | G2 |
and HAMISH | C4 |
- | |
Hamish | C4 |
Come why so moody Morris Either talk | D4 |
Or drink at least | S |
- | |
Morris | G2 |
I'm wondering about Love | N3 |
- | |
Hamish | C4 |
Ho are you there my boy Who may it be | A |
- | |
Morris | G2 |
I'm not in love but altogether posed | S |
I am by lovers | G2 |
- | |
Hamish | C4 |
They're a simple folk | V3 |
I'm one | D2 |
- | |
Morris | G2 |
It's you I'm mainly thinking of | N3 |
- | |
Hamish | C4 |
Why that's an honour surely | A |
- | |
Morris | G2 |
Now if I loved | S |
The girl you love your Jean look where she goes | G2 |
Waiting on drinkers hearing their loose tongues | G2 |
And yet her clean thought takes no more of soil | E4 |
Than white hot steel laid among dust can take | T3 |
- | |
Hamish | C4 |
You not in love and talking this fine stuff | N3 |
- | |
Morris | G2 |
I say if I loved Jean I'ld do without | S |
All these vile pleasures of the flesh your mind | S |
Seems running on for ever I would think | A4 |
A thought that was always tasting them would make | T3 |
The fire a foul thing in me as the flame | W3 |
Of burning wood which has a rare sweet smell | F4 |
Is turned to bitter stink when it scorches flesh | O3 |
- | |
Hamish | C4 |
Why specially Jean | C |
- | |
Morris | G2 |
Why Jean The girl's all spirit | S |
- | |
Hamish | C4 |
She's a lithe burd it's true that I suppose | G2 |
Is why you think her made of spirit unless | G2 |
You've seen her angry she has a blazing temper | B2 |
But what's a girl's beauty meant for but to rouse | G2 |
Lust in a man And where's the harm in that | S |
In loving her because she's beautiful | U |
And in the way that drives me I dare say | A3 |
My spirit loves her too But if it does | G2 |
I don't know what it loves | G2 |
- | |
Morris | G2 |
Why man her beauty | A |
Is but the visible manners of her spirit | S |
And this you go to love by the filthy road | S |
Which all the paws and hoofs in the world tread too | T |
God And it's Jean whose lover runs with the herd | S |
Of grunting howling barking lovers Jean | C |
- | |
Hamish | C4 |
O spirit spirit spirit What is spirit | S |
I know I've got a body and it loves | G2 |
But who can tell me what my spirit's doing | I |
Or even if I have one | D2 |
- | |
Morris | G2 |
Well it's strange | G4 |
My God it's strange A girl goes through the world | S |
Like a white sail over the sea a being | I |
Woven so fine and lissom that her life | N3 |
Is but the urging spirit on its journey | A |
And held by her in shape and attitude | S |
And all she's here for is that you may clutch | H4 |
Her spirit in the love of a mating beast | S |
- | |
Hamish | C4 |
Why she has fifty lovers if she has one | D2 |
And fifty's few for her | B2 |
- | |
Morris | G2 |
I'm going out | S |
If the night does me good I'll come back here | R2 |
Maybe and walk home with you | T |
- | |
Hamish | C4 |
O don't bother | B2 |
If I want spirit it will be for drinking | I |
MORRIS goes out | S |
Spirit or no drinking's better than talking | I |
Who was the sickly fellow to invent | S |
That crazy notion spirit now I wonder | B2 |
But who'd have thought a burly lout like Morris | G2 |
Would join the brabble Sure he'll have in him | J3 |
A pint more blood than I have and he's all | E2 |
For loving girls with words three yards away | A3 |
- | |
JEAN comes in | E |
- | |
Jean | C |
Alone my boy Who was your handsome friend | S |
- | |
Hamish | C4 |
Whoever he was he's gone But I'm still here | R2 |
- | |
Jean | C |
O yes you're here you're always here | R2 |
- | |
Hamish | C4 |
Of course | G2 |
And you know why | - |
- | |
Jean | C |
Do I I've forgotten | D2 |
- | |
Hamish | C4 |
Jean how can you say that O how can you | T |
- | |
Jean | C |
Now don't begin to pity yourself please | G2 |
- | |
Hamish | C4 |
Ah I am learning now it's truth they talk | D4 |
You would undo the skill of a spider's web | I4 |
And take the inches of it in one line | I3 |
More easily than know a woman's thought | S |
I'm ugly on a sudden | D2 |
- | |
Jean | C |
The queer thing | I |
About you men is that you will have women | D2 |
Love in the way you do But now learn this | G2 |
We don't love fellows for their skins we want | S |
Something to wonder at in the way they love | N3 |
A chap may be as rough as brick if you like | J4 |
Yes or a mannikin and grow a tail | K4 |
If he's the spunk in him to love a girl | X3 |
Mainly and heartily he's the man for her | B2 |
My soul I've done with all you pretty men | E3 |
I want to stand in a thing as big as a wind | S |
And I can only get your paper fans | G2 |
- | |
Hamish | C4 |
You've done with me You wicked Jean You'll dare | X |
To throw me off like this After you've made | S |
O made my whole heart love you | T |
- | |
Jean | C |
You are no good | S |
Your friend now seems a likely man but you | T |
I thought you were a torch and you're a squib | I4 |
- | |
Hamish | C4 |
Not love you enough Death I'll show you then | E3 |
- | |
Jean | C |
Hands off Hamish There's smoke in you I know | G |
And splutter too Hands off I say | A3 |
- | |
Hamish | C4 |
By God | S |
Tell me to morrow there's no force in me | A |
- | |
Jean | C |
Leave go you little beast you're hurting me | A |
I never thought you'ld be so strong as this | G2 |
Let go or I'll bite I mean it You young fool | L4 |
I'm not for you Take off your hands O help | M4 |
MORRIS has come in unseen and rushes forward | S |
- | |
Morris | G2 |
You beast You filthy villainous fellow Now | U2 |
I hope I've hurt the hellish brain in you | T |
Take yourself off You'll need a nurse to night | S |
HAMISH slinks out | S |
Poor girl And are you sprained at all That ruffian | U2 |
- | |
Jean | U2 |
O sir how can I thank you You don't know | U2 |
What we poor serving girls must put up with | N4 |
We don't hear many voices like yours sir | B2 |
They think because we serve we've no more right | S |
To feelings than their cattle O forgive me | A |
Talking to you You don't come often here | R2 |
- | |
Morris | G2 |
No but I will after to night I'll see | A |
You take no harm And as for him I'll smash him | J3 |
- | |
Jean | U2 |
Yes break the devil's ribs I mean O leave me | A |
I'm all distraught | S |
- | |
Morris | G2 |
Good night Jean My name's Morris | G2 |
- | |
Jean | U2 |
Good night Morris dear O I must thank you | T |
She suddenly kisses him | J3 |
Perhaps perhaps you'll think that wicked of me | A |
- | |
Morris | G2 |
You wicked O how silly But good night | S |
He goes | G2 |
- | |
Jean | U2 |
The man the man What luck My soul what luck | O4 |
- | |
- | |
II | - |
- | |
JEAN by herself undressing | O4 |
Yes he's the man Jean my girl you're done for | S2 |
At last you're done for the good God be thankt | S |
That was a wonderful look he had in his eyes | G2 |
'Tis a heart I believe that will burn marvellously | L4 |
Now what a thing it is to be a girl | L4 |
Who'ld be a man Who'ld be fuel for fire | B2 |
And not the quickening touch that sets it flaming | O4 |
'Tis true that when we've set him well alight | S |
As I please God have set this Morris burning | O4 |
We must be serving him like something worshipt | S |
But is it to a man we kneel No no | U2 |
But to our own work to the blaze we kindled | S |
O he caught bravely Now there's nothing at all | L4 |
So rare such a wild adventure of glee | L4 |
As watching love for you in a man beginning | O4 |
To see the sight of you pour into his senses | G2 |
Like brandy gulpt down by a frozen man | U2 |
A thing that runs scalding about his blood | S |
To see him holding himself firm against | S |
The sudden strength of wildness beating in him | J3 |
O what my life is waiting for at last | S |
Is started I believe I've turned a man | U2 |
To a power not to be reckoned I shall be | L4 |
Held by his love like a light thing in a river | B2 |
- | |
- | |
III | - |
- | |
MORRIS by himself | N3 |
It is a wonder Here's this poor thing Life | N3 |
Troubled with labours of the endless war | S2 |
The lusty flesh keeps up against the spirit | S |
And down amid the anger who knows whence | G2 |
Comes Love and at once the struggling mutiny | L4 |
Falls quiet unendurably rebuked | S |
And the whole strength of life is free to serve | N3 |
Spirit under the regency of Love | N3 |
The quiet that is in me The bright peace | G2 |
Instead of smoke and dust the peace of Love | N3 |
Truly I knew not what a turmoil life | N3 |
Has been and how rebellious till this peace | G2 |
Came shining down And yet I have seen things | G2 |
And heard things that were strangely meaning this | G2 |
Telling me strangely that life can be all | L4 |
One power undisturbed one perfect honour | S2 |
Waters at noonday sounding among hills | G2 |
Or moonlight lost among vast curds of cloud | S |
But never knew I it is only Love | N3 |
Can rule the noise of life to heavenly quiet | S |
Ah Jean if thou wilt love me thou shalt have | N3 |
Never from me upon thy purity | L4 |
The least touch of that eager baseness known | U2 |
For shame's disguising by the name of Love | N3 |
Most wickedly thou shalt not need to fear | S2 |
Aught from my love for surely thou shalt know | U2 |
It is a love that almost fears to love thee | L4 |
- | |
- | |
IV | N3 |
- | |
The Public House MORRIS and JEAN | U2 |
- | |
Jean | U2 |
O you are come again | U2 |
- | |
Morris | G2 |
Has he been here | S2 |
That blackguard with some insolence to you | T |
- | |
Jean | U2 |
Who | T |
- | |
Morris | G2 |
Why that Hamish | C4 |
- | |
Jean | U2 |
Hamish No not he | L4 |
- | |
Morris | G2 |
I thought you seemed so breathless | G2 |
- | |
Jean | U2 |
But you've come | Z3 |
Again May I not be glad of your coming | O4 |
Yes and a little breathless Did you come | Z3 |
Only because you thought I might be bullied | S |
- | |
Morris | G2 |
O no no no Only for you I came | W3 |
- | |
Jean | U2 |
And that's what I was hoping | O4 |
- | |
Morris | G2 |
If you could know | U2 |
How it has been with me since I saw you | T |
- | |
Jean | U2 |
- | |
What can I know of your mind For my own | U2 |
Is hard enough to know save that I'm glad | S |
You've come again and that I should have cried | S |
If you'd not kept your word | S |
- | |
Morris | G2 |
My word to see | L4 |
Hamish does nothing to you | T |
- | |
Jean | U2 |
The fiend take Hamish | C4 |
Do you think I'ld be afraid of him It's you | T |
I ought to be afraid of were I wise | G2 |
- | |
Morris | G2 |
Good God she's crying | O4 |
- | |
Jean | U2 |
Cannot you understand | S |
- | |
Morris | G2 |
O darling is it so I prayed for this | G2 |
All night and yet it's unbelievable | L4 |
- | |
Jean | U2 |
You too Morris | G2 |
- | |
Morris | G2 |
There's nothing living in me | L4 |
But love for you my sweetheart | S |
- | |
Jean | U2 |
And you are mine | U2 |
My sweetheart And now Morris now you know | U2 |
Why you are the man that ought to frighten me | L4 |
Morris I love you so | U2 |
- | |
Morris | G2 |
O but better than this | G2 |
Jean you must love me You must never think | O4 |
I'm like the heartless men you wait on here | S2 |
Whose love is all a hunger that cares naught | S |
How hatefully endured its feasting must be | L4 |
By her who fills it so it be well glutted | S |
- | |
Jean | U2 |
I did not say I was afraid of you | T |
But only that perhaps I ought to be | L4 |
- | |
Morris | G2 |
No no you never ought My love is one | U2 |
That will not have its passion venturous | G2 |
It knows itself too fine a ceremony | L4 |
To risk its whole perfection even by one | U2 |
Unruly thought of the luxury in love | N3 |
Nay rather it is the quietness of power | S2 |
That knows there is no turbulence in life | N3 |
Dare the least questioning hindrance set against | S |
The onward of its going therefore quiet | S |
All gentle But strong Jean wondrously strong | O4 |
- | |
Jean | U2 |
Yes love is strong I have well thought of that | S |
It drops as fiercely down on us as if | N3 |
We were to be its prey I've seen a gull | L4 |
That hovered with beak pointing and eyes fixt | S |
Where underneath its swaying flight some fish | C4 |
Was trifling fooling in the waves then souse | G2 |
And the gull has fed And love on us has fed | S |
- | |
Morris | G2 |
Indeed 'tis a sudden coming but I grieve | N3 |
To hear you make of love a cruelty | S |
Sweetheart it shall be nothing cruel to you | T |
You shall not fear in doing what love bids | G2 |
Ever to know yourself unmaidenly | L4 |
For see here's my first kiss and all my love | N3 |
Is signed in it and it is on your hand | S |
Is that a thing to fear But it were best | S |
I go now This should be a privacy | S |
Not even your lover near this hour of first | S |
Strange knowledge that you have accepted love | N3 |
I think you would feel me prying if I stayed | S |
While your heart falters into full perceiving | O4 |
That you are plighted now forever mine | U2 |
God bless you Jean my sweetheart Not a word | S |
But you will thank me soon for leaving you | T |
'Tis the best courtesy I can do | T |
He goes | G2 |
- | |
Jean | U2 |
O and I thought it was my love at last | S |
I thought from the look he had last night I'd found | S |
That great brave irresistible love But this | G2 |
It's like a man deformed with half his limbs | G2 |
Am I never to have the love I dream and need | S |
Pouring over me into me winds of fire | S2 |
- | |
HAMISH comes in | U2 |
- | |
Hamish | C4 |
Well What's the mood to night The girl's been crying | O4 |
This should be something queer | S2 |
- | |
Jean | U2 |
It's you are to blame | W3 |
You brought him here | S2 |
- | |
Hamish | C4 |
It's Morris this time is it | S |
And what has he done | U2 |
- | |
Jean | U2 |
He's insulted me | S |
And you must never let me see him again | U2 |
- | |
Hamish | C4 |
Sure I don't want him seeing you But still | L4 |
If I'm to keep you safe from meeting him | J3 |
- | |
Jean | U2 |
To look in his eyes would mortify my heart | S |
- | |
Hamish | C4 |
Then you'ld do right to pay me | S |
- | |
Jean | U2 |
What you please | G2 |
- | |
Hamish | C4 |
A kiss | G2 |
- | |
Jean | U2 |
Of course as many as you like | O4 |
And of any sort you like | O4 |
- | |
- | |
- | |
- | |
KATRINA | U2 |
- | |
- | |
I | - |
- | |
On the sea coast Three young men SYLVAN VALENTINE | U2 |
and FRANCIS | G2 |
- | |
Valentine | U2 |
Well I suppose you're out of your fear at last | S |
Sylvan This land's empty enough naught here | S2 |
Feminine but the hens bitches and cows | G2 |
Now we are safe | N3 |
- | |
Francis | G2 |
Horribly safe for here | S2 |
If there are wives at all they are salted so | G2 |
They have no meaning for the blood bent things | G2 |
Philosophy allows not to be women | U2 |
- | |
Valentine | U2 |
But think of the husbands that must spend their nights | G2 |
Alongside skin like bark It is the men | U2 |
That have the tragedy in these weather'd lands | G2 |
- | |
Francis | G2 |
No thought of that We are monks now And indeed | S |
This is a cloister that a man could like | O4 |
This blue aired space of grassy land that here | S2 |
Just as it touches the sea's bitter mood | S |
Is troubled into dunes as it were thrilled | S |
Like a calm woman trembling against love | N3 |
- | |
Sylvan | U2 |
Woman again How knowing you I failed | S |
So long to know the truth I cannot think | O4 |
- | |
Francis | G2 |
And what's the truth | P4 |
- | |
Sylvan | U2 |
Woman and love of her | S2 |
Is as a dragging ivy on the growth | Q4 |
Of that strong tree man's nature | S2 |
- | |
Valentine | U2 |
Yes But now | U2 |
Tell us a simpler sort of truth Was she | S |
- | |
Sylvan | U2 |
She Who | T |
- | |
Valentine | U2 |
Katrina of course who else when one | U2 |
Speaks of a she to you | T |
- | |
Sylvan | U2 |
And what about her | S2 |
- | |
Valentine | U2 |
Was she too cruel to you or too kind | S |
- | |
Sylvan | U2 |
Ah there's no hope for men like you you're sunk | O4 |
Above your consciences in smothering ponds | G2 |
Of sweet imagination drowned in woman | U2 |
- | |
Francis | G2 |
Ay Clarence and the Malmesey over again | U2 |
'Twas a delightful death | P |
- | |
Valentine | U2 |
But you forget | S |
Sylvan we've come as your disciples here | S2 |
- | |
Sylvan | U2 |
Yes to a land where not the least desire | S2 |
Need prey upon your mettle There are hours | G2 |
A god might gladly take in these basking dunes | G2 |
Nothing but summer and piping larks and air | S2 |
All a warm breath of honey and a grass | G2 |
All flowers sweet thyme and golden heart's ease here | S2 |
And under scent and song of flowers and birds | G2 |
Far inland out of the golden bays the air | S2 |
Is charged with briny savour and whispered news | G2 |
Gentle as whitening oats the breezes stroke | O4 |
What good is all this health to you You bring | O4 |
Your own thoughts with you and they are vinegar | S2 |
Endlessly rusting what should be clear steel | L4 |
- | |
Francis | G2 |
I do begin to doubt our enterprise | G2 |
The grand Escape from Woman It lookt brave | N3 |
And nobly hazardous afar off to cease | G2 |
All wenching whether in deed or word or thought | S |
And yet I fear pride egged us We had done | U2 |
Better to be more humble and bring here | S2 |
A girl apiece | G2 |
- | |
Valentine | U2 |
Yes Sylvan you must think | O4 |
The cloister were a thing more comfortable | L4 |
With your Katrina in it | S |
- | |
Sylvan | U2 |
My Katrina | U2 |
And do you think supposing I would love | N3 |
I'ld bank in such a crazy safe as that | S |
Katrina One of those soft shy spoken maids | G2 |
Who are only maids through fear Whose life is all | L4 |
A simpering pretence of modesty | S |
If it was love I wanted 'twould not be | S |
A dish of sweet stewed pears laced with brandy | S |
But I can do without a woman's kisses | G2 |
- | |
Valentine | U2 |
Can you You know full well in the truth of your heart | S |
That there's no man in all the world of men | U2 |
Whose will woman's beauty cannot divide | S |
Easily as a sword cuts jetting water | S2 |
- | |
Sylvan | U2 |
Have you not heard that even jetting water | S2 |
May have such spouting force that it becomes | G2 |
A rod of glittering white iron and swords | G2 |
Will beat rebounding on its speed in vain | U2 |
Of such a force I mean to have my will | L4 |
- | |
He sits and stares moodily out to sea His companions whisper each other | S2 |
- | |
Valentine | U2 |
Here Francis Look you yonder O but this | G2 |
This is the joke of the world | S |
- | |
Francis | G2 |
Hallo a girl | L4 |
And by the Lord Katrina But why here | S2 |
- | |
Valentine | U2 |
She's followed him of course she's heard of this | G2 |
Mad escapade and followed after him | J3 |
- | |
Francis | G2 |
She has not seen us yet Now what to do | T |
- | |
Valentine | U2 |
Quick Where's your handkerchief Truss his wrists and ankles | G2 |
And pull his coat up over his head and leave him | J3 |
He won't get free of her again she'll lead | S |
His wildness home and keep him tame for ever | S2 |
Now | U2 |
- | |
They fall on him bind him and blindfold him | J3 |
- | |
Sylvan | U2 |
What are you doing Whatever are you doing | O4 |
Hell burn you let me go | G2 |
- | |
Valentine | U2 |
There's worse to come | Z3 |
- | |
They make off and leave SYLVAN shouting KATRINA runs in | U2 |
- | |
Katrina | U2 |
Dear Heaven Were they robbers Have they hurt you | T |
- | |
She releases him He stands up | R |
- | |
Sylvan | U2 |
Katrina | U2 |
- | |
Katrina | U2 |
Sylvan | U2 |
- | |
Sylvan | U2 |
How did you plot this | G2 |
I thought I'd put leagues between you and me | S |
- | |
Katrina | U2 |
Why have you come here | S2 |
- | |
Sylvan | U2 |
To find you it seems | G2 |
But what you're doing here that I'ld like to know | G2 |
- | |
Katrina | U2 |
I came to see my grandmother she lives | G2 |
All by herself poor grannam and it's time | R3 |
She had some help about the house and care | S2 |
- | |
Sylvan | U2 |
Let's have a better tale You followed me | S |
- | |
Katrina | U2 |
Sylvan how dare you make me out so vile | L4 |
- | |
Sylvan | U2 |
How dare you mean to make this body of mine | U2 |
A thing with no thought in it but your beauty | S |
- | |
Katrina | U2 |
You shall not speak so wickedly You've had | S |
The half of my truth only here's the whole | L4 |
It was from you I fled I hoped to make | O4 |
My grannam's lonely cottage something safe | N3 |
From you and what I hated in you | T |
- | |
Sylvan | U2 |
Love | N3 |
Ah so it's all useless | G2 |
- | |
Katrina | U2 |
I feared to know | G2 |
You wanted me horribly I feared it | S |
And now you've found me out | S |
- | |
Sylvan | U2 |
Is this the truth | P4 |
No help for it then | U2 |
- | |
Katrina | U2 |
O I'm a liar to you | T |
- | |
Sylvan | U2 |
Strange how we grudge to be ruled rather than be | S |
Divinely driven to happiness we push back | O4 |
And fiercely try for wilful misery | S |
Dearest forgive me being cruel to you | T |
You who are in life like a heavenly dream | R4 |
In the evil sleep of a sinner | S2 |
- | |
Katrina | U2 |
No you hate me | S |
- | |
Sylvan kissing her | S2 |
Is this like hatred | S |
- | |
Katrina in his arms | G2 |
Sylvan I have been | U2 |
So wrencht and fearfully used It was as if | N3 |
This being that I live in had become | Z3 |
A savage endless water wild with purpose | G2 |
To tire me out and drown me | S |
- | |
Sylvan | U2 |
Yes I know | G2 |
Like swimming against a mighty will that wears | G2 |
The cruelty the race and scolding spray | S2 |
Of monstrous passionate water | S2 |
- | |
Katrina | U2 |
Hold me Sylvan | U2 |
I'm bruised with my sore wrestling | O4 |
- | |
Sylvan | U2 |
Ah but now | U2 |
We are not swimmers in this dangerous life | N3 |
It cannot beat upon our limbs with surf | N3 |
Of water clencht against us nor can waves | G2 |
Now wrangle with our breath Out of it we | S |
Are lifted and henceforward now we are | S2 |
Sailors travelling in a lovely ship | S4 |
The shining sails of it holding a wind | S |
Immortally pleasant and the malicious sea | S |
Smoothed by a keel that cannot come to wreck | O4 |
- | |
Katrina | U2 |
Alas we must not stay together here | S2 |
Grannam will come upon us | G2 |
- | |
Sylvan | U2 |
Where is she | S |
- | |
Katrina | U2 |
Yonder gathering driftwood for her fire | S2 |
There is a little bay not far from here | S2 |
The shingle of it a thronging city of flies | G2 |
Feeding on the dead weed that mounds the beach | T4 |
And the sea hoards there its vain avarice | G2 |
Old flotsam and decaying trash of ships | G2 |
An arm of reef half locks it in and holds | G2 |
The bottom of the bay deep strewn with seaweed | S |
A barn full of the harvesting of storms | G2 |
And at full tide the little hampered waves | G2 |
Lift up the litter so that against the light | S |
The yellow kelp and bracken of the sea | S |
Held up in ridges of green water show | G2 |
Like moss in agates And there is no place | G2 |
In all the coast for wreckage like this bay | S2 |
There often will my grannam be a sack | O4 |
Over her shoulders turning up the crust | S |
Of sun dried weed to find her winter's warmth | S3 |
- | |
Sylvan | U2 |
Is that she coming | O4 |
- | |
Katrina | U2 |
O Sylvan has she seen us | G2 |
- | |
Sylvan | U2 |
What matter if she has | G2 |
- | |
Katrina | U2 |
But it would matter | S2 |
- | |
Sylvan | U2 |
Katrina come with me now We'll go together | S2 |
Back to my house | G2 |
- | |
Katrina | U2 |
No no not now I must | S |
Carry my grannam's load for her 'tis heavy | S |
- | |
Sylvan | U2 |
We must not part again | U2 |
- | |
Katrina | U2 |
No not for long | O4 |
For if we do there will be storms again | U2 |
I know and a fierce reluctance O a mad | S |
Tormenting thing will shake me | S |
- | |
Sylvan | U2 |
Then come now | U2 |
- | |
Katrina | U2 |
Not now not now Look how my poor grannam | S |
Shuffles under the weight she's old for burdens | G2 |
I must carry her sack for her | S2 |
- | |
Sylvan | U2 |
Well to night | S |
- | |
Katrina | U2 |
To night O Sylvan dare I | - |
- | |
Sylvan | U2 |
Yes you dare | S2 |
You will be knowing I'm outside in the darkness | G2 |
And you will come down here and give me yourself | N3 |
Wholly and forever | S2 |
- | |
Katrina | U2 |
O not to night | S |
- | |
Sylvan | U2 |
I shall be here Katrina waiting for you | T |
He goes | G2 |
- | |
The old woman comes in burdened with her sack | O4 |
- | |
Grandmother | S2 |
Katrina that was a young man with you | T |
- | |
Katrina | U2 |
O grannam you've had luck to day but now | U2 |
It's I must be the porter | S2 |
- | |
Grandmother giving up the sack | O4 |
Ay you take it | S |
It's sore upon my back You should have care | S2 |
Of these young fellows there's a devil in them | S |
Never you talk with a man on the seashore | S2 |
Or on hill tops or in woods and suchlike places | G2 |
Especially if he's one you think of marrying | O4 |
- | |
Katrina | U2 |
Marrying I shall never be married | S |
- | |
Grandmother | S2 |
Pooh | T |
That's nonsense | G2 |
- | |
Katrina | U2 |
I should think 'twas horrible | L4 |
Even to be in love and wanting to give | N3 |
Yourself to another but to be married too | T |
A man holding the very heart of you | T |
- | |
Grandmother | S2 |
He never does honey he never does | G2 |
We're late come along home | S |
- | |
II | - |
- | |
In SYLVAN'S house SYLVAN and KATRINA talking to | T |
each other and betweenwhiles thinking to themselves | G2 |
- | |
Sylvan | U2 |
How pleasant and beautiful it is to be | S |
At last obedient to love To know | G2 |
Also I've sold myself is that so pleasant | S |
- | |
Katrina | U2 |
I cannot think why such a glorious wealth | U4 |
As this of love on our hearts should be spent | S |
What have we done that all this gain be ours | G2 |
Nor can I think why my life should be mixt | S |
Even its dearest secrecy with another | S2 |
- | |
Sylvan | U2 |
Ay there's the marvel If to enter life | N3 |
Needed some courage 'twere a kind of wages | G2 |
As they let sacking soldiers take home loot | S |
But we are shuffled into life like puppets | G2 |
Emptied out of a showman's bag and then | U2 |
Made spenders of the joys current in heaven | U2 |
Not such a marvel neither if this love | N3 |
Be but the price I'm paid for my free soul | L4 |
Who's the old trader that has lent this girl | L4 |
The glittering cash of pleasure to pay me with | N4 |
Who is it the world or the devil or God that wants | G2 |
To buy me from myself | N3 |
- | |
Katrina | U2 |
And then how vain | U2 |
To think we can hold back from being enricht | S |
It is not only offered | S |
- | |
Sylvan | U2 |
No 'tis a need | S |
As irresistible within our hearts | G2 |
As body's need of breathing That I should be | S |
So avaricious of his gleaming price | G2 |
- | |
Katrina | U2 |
And the instant force it has upon us when | U2 |
We think to use love as a privilege | V4 |
We are like bees that having fed all day | S |
On mountain heather go to a tumbling stream | S |
To please their little honey heated thirsts | G2 |
And soon as they have toucht the singing relief | N3 |
The swiftness of the water seizes them | S |
- | |
Sylvan | U2 |
And onward sprawling and spinning they are carried | S |
Down to a drowning pool | L4 |
- | |
Katrina | U2 |
O Sylvan drowning | O4 |
Deeper than drowning Why should it not be | S |
Our hearts need wish only what they delight in | U2 |
- | |
Sylvan | U2 |
Well altogether gript by the being of love | N3 |
Yes now the bargain's done and I may wear | S2 |
Like a cheated savage scarlet dyes and strings | G2 |
Of beaded glass all the pleasure of love | N3 |
- | |
Katrina | U2 |
It is a wonderful tyranny that life | N3 |
Has no choice but to be delighted love | N3 |
I know what I must do I am to abase | G2 |
My heart utterly and have nothing in me | S |
That dare take pleasure beyond serving love | N3 |
Thus only shall I bear it and perhaps | G2 |
Might I even of my abasement make | O4 |
A passion fearfully enjoying it | S |
- | |
Sylvan | U2 |
You are full of thoughts sweetheart | S |
- | |
Katrina | U2 |
And so are you | T |
A long while since you kist me What have I said | S |
O fool so to remind him I shall scarce | G2 |
Help crying out or shuddering this time | S |
Ah no I am again a fool Not thus | G2 |
I am to do but in my heart to break | O4 |
All the reluctance it must have on me | S |
No pleasure else I am endlessly tortured | S |
Then I must kiss you Sylvan | U2 |
- | |
She kisses him | S |
- | |
Sylvan | U2 |
Ah my darling | O4 |
God it went through my flesh as thrilling sound | S |
Must shake a fiddle when the strings are snatcht | S |
Will she make the life in me all a slave | N3 |
Of my kist body a trembling eager slave | N3 |
It ran like a terror to my heart the sense | G2 |
The shivering delight upon my skin | U2 |
Of her lips touching me My beloved | S |
It may be it were wise that we took care | S2 |
Our pleasant love come never in the risk | O4 |
Of being too much known | U2 |
- | |
Katrina | U2 |
O what a risk | O4 |
To think of here Love is not common life | N3 |
But always fresh and sweet Can this grow stale | L4 |
- | |
She kisses him again | U2 |
- | |
Sylvan | U2 |
O never I meant not so Yes always sweet | S |
She must not kiss me Ah it leaves my heart | S |
Aghast and stopt with pain of the joy of her | S2 |
And her loved body is like an agony | S |
Clinging upon me O she must not kiss me | S |
I will not be a thing excruciated | S |
To please her passion an anguish of delight | S |
Lascelles Abercrombie
(1)
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