Elegy Xviii: Love's Progress Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBCCDDEEFGHHIIFGJJ KLHHMMNOPPQQRSTTUUVV WWXYZA2WWNOB2C2D2E2O F2G2G2H2I2WWJ2F2JJII IIWWIIIIWWIIWWHHIIK2 K2JJIIL2L2II| Who ever loves if he do not propose | A |
| The right true end of love he's one that goes | A |
| To sea for nothing but to make him sick | B |
| Love is a bear whelp born if we o'erlick | B |
| Our love and force it new strange shapes to take | C |
| We err and of a lump a monster make | C |
| Were not a calf a monster that were grown | D |
| Faced like a man though better than his own | D |
| Perfection is in unity prefer | E |
| One woman first and then one thing in her | E |
| I when I value gold may think upon | F |
| The ductileness the application | G |
| The wholsomeness the ingenuity | H |
| From rust from soil from fire ever free | H |
| But if I love it 'tis because 'tis made | I |
| By our new nature Use the soul of trade | I |
| All these in women we might think upon | F |
| If women had them and yet love but one | G |
| Can men more injure women than to say | J |
| They love them for that by which they're not they | J |
| Makes virtue woman Must I cool my blood | K |
| Till I both be and find one wise and good | L |
| May barren angels love so But if we | H |
| Make love to woman virtue is not she | H |
| As beauty's not nor wealth He that strays thus | M |
| From her to hers is more adulterous | M |
| Than if he took her maid Search every sphere | N |
| And firmament our Cupid is not there | O |
| He's an infernal god and under ground | P |
| With Pluto dwells where gold and fire abound | P |
| Men to such gods their sacrificing coals | Q |
| Did not in altars lay but pits and holes | Q |
| Although we see celestial bodies move | R |
| Above the earth the earth we till and love | S |
| So we her airs contemplate words and heart | T |
| And virtues but we love the centric part | T |
| Nor is the soul more worthy or more fit | U |
| For love than this as infinite is it | U |
| But in attaining this desired place | V |
| How much they err that set out at the face | V |
| The hair a forest is of ambushes | W |
| Of springs snares fetters and manacles | W |
| The brow becalms us when 'tis smooth and plain | X |
| And when 'tis wrinkled shipwrecks us again | Y |
| Smooth 'tis a paradise where we would have | Z |
| Immortal stay and wrinkled 'tis our grave | A2 |
| The nose like to the first meridian runs | W |
| Not 'twixt an East and West but 'twixt two suns | W |
| It leaves a cheek a rosy hemisphere | N |
| On either side and then directs us where | O |
| Upon the Islands Fortunate we fall | B2 |
| Not faint Canaries but Ambrosial | C2 |
| Her swelling lips to which when we are come | D2 |
| We anchor there and think ourselves at home | E2 |
| For they seem all there Sirens' songs and there | O |
| Wise Delphic oracles do fill the ear | F2 |
| There in a creek where chosen pearls do swell | G2 |
| The remora her cleaving tongue doth dwell | G2 |
| These and the glorious promontory her chin | H2 |
| O'erpassed and the straight Hellespont between | I2 |
| The Sestos and Abydos of her breasts | W |
| Not of two lovers but two loves the nests | W |
| Succeeds a boundless sea but yet thine eye | J2 |
| Some island moles may scattered there descry | F2 |
| And sailing towards her India in that way | J |
| Shall at her fair Atlantic navel stay | J |
| Though thence the current be thy pilot made | I |
| Yet ere thou be where thou wouldst be embayed | I |
| Thou shalt upon another forest set | I |
| Where many shipwreck and no further get | I |
| When thou art there consider what this chase | W |
| Misspent by thy beginning at the face | W |
| Rather set out below practise my art | I |
| Some symetry the foot hath with that part | I |
| Which thou dost seek and is thy map for that | I |
| Lovely enough to stop but not stay at | I |
| Least subject to disguise and change it is | W |
| Men say the devil never can change his | W |
| It is the emblem that hath figured | I |
| Firmness 'tis the first part that comes to bed | I |
| Civility we see refined the kiss | W |
| Which at the face began transplanted is | W |
| Since to the hand since to the imperial knee | H |
| Now at the papal foot delights to be | H |
| If kings think that the nearer way and do | I |
| Rise from the foot lovers may do so too | I |
| For as free spheres move faster far than can | K2 |
| Birds whom the air resists so may that man | K2 |
| Which goes this empty and ethereal way | J |
| Than if at beauty's elements he stay | J |
| Rich nature hath in women wisely made | I |
| Two purses and their mouths aversely laid | I |
| They then which to the lower tribute owe | L2 |
| That way which that exchequer looks must go | L2 |
| He which doth not his error is as great | I |
| As who by clyster gave the stomach meat | I |
John Donne
(1)
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About Elegy Xviii: Love's Progress
Elegy Xviii: Love's Progress is a poem by John Donne. This page includes the poem text, poet information, related topics, comments, and similar poems.
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